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CBSE Class 11 Syllabus 2022-23 Hindustan Music

Get here CBSE Class 11 Syllabus 2022-23 PDF for Hindustan Music. This is combined syllabus for Term 1 and Term 2 examination. More Detail
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CBSE Class 11 Syllabus 2022-23 Hindustan Music is available here for free download. Published by CBSE for Class 11, this syllabus can be viewed online or downloaded as a PDF (9 pages). Candidates preparing for Class 11 can use CBSE Class 11 Syllabus 2022-23 Hindustan Music to understand the exam pattern, the type of questions asked, and the overall difficulty level.

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Page 1

HINDUSTANI MUSIC MELODIC INSTRUMENTS (Code – 035)
Examination Structure for Assessment (2022-23)
Class – XI
Total : 100 Marks
Theory 30 Marks
Time: 02 hours
Practical(External Assessment) 70 Marks
Time: 20-25 Minutes for each candidate
1. Examiners are requested to ask the questions directly related to the syllabus.
2. Marks should be awarded in accordance with the marking scheme.

Distribution of Marks
Sr. No. Value Points Marks

1. Parts and tuning of Instrument and questions regarding 05
Instrument
2. Alap, Jor, jhala with meend in any one choice Raga from the 10
prescribed Ragas:
 Bihag
 Bhim
 Palasi
 Bhairavi
3. Choice Raga (MasitKhani Gat and Razakhani Gat 18
4. Razakhani Gats with Todas and Jhala of Examiner’s choice 12

5. Identifying the Ragas 05+05=10

6. Reciting the Thekas of Prescribed Talas with hand beats in 05+05=10
Thah, digun,Chaugun, Teental, Chautala,Ektala

7. Practical file 05

 Teachers will refer to the distribution of Marks while examining the candidate for Practical
Examination.

Page 2

HINDUSTANI MUSIC MELODIC INSTRUMENTS (Code – 035)
Course Structure (2022-23) Class – XI
Theory 30 Marks
Periods - 60

Time :02hours 70 Marks
1. Questions to be set with internal choice covering the entire syllabus

No. Units No.of Marks (30)
Periods (40)

Units 1 08 06

1.1 Brief study of the following 03
Nada, Shruti, Swara, Saptak ,Thaat, jati, Laya, Tala.
1.2 Brief study of the following 05
Margi- Desi, Raga, Gat.
Unit 2 06 06

2.1 Brief History of the following 06
Dhrupad, Mastikhani and Razakhni Gat

Unit 3 08 06

3.1 Brief study of Musical Elements in Natya Shastra 04

3.2 Life sketch and Contibution of Tansen, V.N. 04
Bhatkhande and V.D Paluskar

Unit 4 08 06

4.1 Description of Prescribed Talas along with Tala 05
Notation- in Thah, Dugun and Chaugan prescribed
Talas:
 Teentala
 Ektala
 Chautala
4.2 Knowledge of the Structure of the Instrument opted 03
for.
Unit 5 10 06

5.1 Critical study of Prescribed Ragas along with 04
Recognizing Ragas from phrases of Swaras and
elaborating them. Excluding Rag Jaunpuri.
5.2 Writing in Notation the Compositions of Prescribed 06
Ragas:
 Bihag
 Bhim
 Palasi
 Bhairavi

Page 3

Class XI

Practical-100periods 70 Marks

S.No Practical No. of periods (100)

1. One Razakhani Gat with Alap, tala- badha Tana 45
and Jhala in the following ragas
Bihag, Bhimpalasi, Bhairavi.
2. One Masit khani Gat with tanas in any one of 15
theprescribed ragas
3. Ability to do Aalap, Jod, Jhala in any one of the 08
prescribedraga.
4. Knowledge of structure of instrument opted for. 15

5. Ability to recognize prescribed ragas from the 8
passages of swaras sung or played by the
examiner
6. Recitation of Thekas of Teentala, Chautala and 09
Ektala with Dugun and Chaugun keeping tala with
and beats.

Page 4

HINDUSTANI MUSIC Percussion Instruments (Code – 036)

Examination Structure for Assessment (2022-23)
Class XI
TOTAL: 100 Marks
Theory : 30 Marks
Time: 02 hours
Practical : 70 Marks
Time: 20-25 Minutes for each candidate
1. Examiners are requested to ask the questions directly related to the syllabus.
2. Marks should be awarded in accordance with the marking scheme.

Distribution of Marks

Sr. No Value Points Marks
1. Solo Performance with Peshkar,Uthan , Kayda, Rela, Tukra, 10
Chakradar Paran.in Teentala or Aditala
2. Talas of examiner’s choice from the prescribed syllabus Teentala/ 10
Aditala/ Jhaptala/ Sultala

3. Ability to perform Kayada or Rela ,ChakradarTukra / Paran ,Stuti 10
Paran/ Farmaishi Chakradar in Jhaptala or Sultala
4. Adalaya Kayada / Rela with Palta in Teentala / Aditala 10
5. Damadr and bedamdar Tihai in prescribed Talas 10
6. Accompaniment of Eklata of chautala in different layas. 10
7. Reciting of Tala and Composition with hand boats in different layas. 10

* Teachers will refer to the distribution of marks while examining the candidate for
practicalexamination

Page 5

HINDUSTANI MUSIC Percussion (CODE NO. 036)
CLASS – XI (2022-23) (THEORY)
Course Structure

Theory : 30 Marks
60 Periods
Time: 02 hours
1. Questions to be set with internal choice covering the entire syllabus unitwise
2. Candidate has to attempt at least one question from eachunit.
Distribution of Marks

No. Units No.of Marks
Periods
(40)

Unit 1 10

1.1 Description of the Talas prescribed for Class XI. 04 06

1.2 Description of the following: Kala ,Laya Sangeet 06
Unit 2 05 06

2.1 Brief knowledge of Natyashastra with special reference to 05
Awanaddh Vadya.

Unit 3 05 06

3.1 Short life sketch of Kudau Singh, Nana Panse, 05

Unit 4 10 06

4.1 Brief knowledge on Banaras Gharana 05

4.2 Salient feature of Kudau Singh Gharana of Pakhawaj 05

Unit 5 10 06

5.1 Ability to write in notation of the prescribed Talas and 05
compositions in Thah (Barabar), Dugun, Chaugunlaya.

5.2 Ability to do Tala Notation of compositions in prescribed Talas. 05
Prescribed Talas: Teentala or Adi Tala Jhaptala orSul
tala.

Page 6

Class- XI

Practical-100 Periods 70 Marks

Course Structure

S.No Topics No. of
periods 100

1. Knowledge of Playing Thekas of Teentala or Adi Tala, 18
Jhaptala or Sultala, Ektala or Chautala.

2. Ability to play One Kayadas / Relas two Chakradar 18
Tukras or Parans, two Sadharan Tukras or Paranin
Jhaptala or Sultala.

3. Ability to play two advance Kayadas, oneRela, two 25
Chakardar Tukras or Parans, inTeentala/Aditala

4. Knowledge of playing Bedam Tihai in prescribed Talas 05

5. Accompaniment of Vocal or Instrumental Music with 12
Ektala or Chautala in different layas.
6. Solo performance of 10-15 minutes in 12
Teental/Aditala.

Page 7

HINDUSTANI MUSIC VOCAL (Code – 034)
Examination Structure for Assessment (2022-23)
Class XI

Total: 100 Marks
Theory : 30 Marks
Time: 02 Hours
Practical : 70 Marks
Time: 20-25 Minutes for each candidate

1. Examiners are requested to ask the questions directly related to the syllabus.
2. Marks should be awarded in accordance with the marking scheme.

Distribution of Marks

Sr. No. Value Points Marks

1 Choice Raga (Vilambit&DrutKhyal) any one of the following 15
 Bihagi
 Bhim
 Palasi
 Bhairavi

2 Examiner’s Choice Ragas 12
3 1 Drupad with Dugun in any one of the prescribed Ragas 14

4 Devotional Song. 06
5 Ability to recognize the prescribed ragas from the phrases of 08
swarasrendend by the examiner
6 Recitation of Thekas of prescribed Talas with Thah, 05+05=10
Dugun,Chaugun:
 Teentala
 Ektala
 Chautala
7 Practical File 05

* Teachers will refer to the distribution of marks while examining the candidate for practical
examinatio

Page 8

HINDUSTANI MUSIC VOCAL (Code – 034)
Course Structure (2022-23) Class XI

Theory –40 Periods 30 Marks
Time: 02 hours
1. Questions to be set with internal choice covering the entire syllabus

No. Units No. of Marks
Periods
Unit 1 10
1.1 Brief of the following 04 06
Nada, Shruti, Swar, Saptak, Thaat, Jati, Laya, Tala
1.2 Brief study of the following: Margi- Desi, Raga, 06
Unit 2 06
2.1 Brief History of the following 06 06
Dhrupad, Khayal and Tarana
Unit 3 08
3.1 Brief study of Musical Elements in Natya Shastra 04 06
3.2 Life sketch and contribution of Tansen, V.N. Bhatkhande and 04
V.D.Paluskar
Unit 4 06
4.1 Description of Prescribed Talas along with Tala Notation with 06 06
Thah, Dugun and Chaugun
 Teentala
 Ektala
 Chautala

4.2 Knowledge of the Structure of Tanpura 04
Unit 5 10
5.1 Critical study of Prescribed Ragas along with Recognizing 04
Ragas from phrases of Swaras and elaborating them 06
excluding Raga Jaunpuri
5.2  Writing in natation the compositions of Prescribed 06
Ragas Bihag
 Bhimpalasi
 Bhairavi

Page 9

Class – XI
Practical -100
Periods : 70 Marks

S.No Topics No. of periods
1. One vilambit Khayal with simple 18
elaborations and few tanas in any one of the
prescribed Ragas.
2. One Drut Khayal with simple elaboration and few 40
tanas in the following Ragas- bihag, Bhairavi and
Bhimpalasi.

3. One Dhrupad with Dugun in any one of the 12
prescribed Ragas.

4. One DevotionalSongs. 10

5. Ability to recognize the prescribed Ragas from the 05
phrases of Swaras rendered by the Examiner.

6. Recitation of the Thekas of Teentala, Chautala and 15
Ektala with Dugun and Chaugun, keeping Tala with
hand beats.

Document Details

Board / OrgCBSE
ExamClass 11
TypeSyllabus
Pages9
Languageenglish
Updated15 Jul 2026