HBSE Class 12 Question Paper 2017 Music Hindustani Instrumental Percussion

CLASS : 12th (Sr. Secondary) Code No. 2025
Series : SS-M/2017
Roll No.

laxhr fgUnqLrkuh ¼oknu½
MUSIC HINDUSTANI
(Instrumental-Percussion)
rcyk
TABLA
[ Hindi and English Medium ]
ACADEMIC/OPEN
(Only for Fresh Candidates)
(Evening Session)

Time allowed : 2.30 hours ] [ Maximum Marks : 30
• Ñi;k tk¡p dj ysa fd bl iz'u-i= esa eqfnzr iz'u 24 gSaA
Please make sure that the printed question paper are contains 24
questions.
• iz'u-i= esa nkfgus gkFk dh vksj fn;s x;s dksM uEcj dks Nk= mÙkj-iqfLrdk ds eq[;-i`"B ij
fy[ksaA
The Code No. on the right side of the question paper should be written by
the candidate on the front page of the answer-book.
• Ñi;k iz'u dk mÙkj fy[kuk 'kq: djus ls igys] iz'u dk Øekad vo'; fy[ksaA
Before beginning to answer a question, its Serial Number must be written.
• mÙkj-iqfLrdk ds chp esa [kkyh iUuk / iUus u NksMsa+A
Don't leave blank page/pages in your answer-book.
• mÙkj-iqfLrdk ds vfrfjDr dksbZ vU; 'khV ugha feysxhA vr% vko';drkuqlkj gh fy[ksa vkSj
fy[kk mÙkj u dkVsaA
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Except answer-book, no extra sheet will be given. Write to the point and do
not strike the written answer.
• ijh{kkFkhZ viuk jksy ua0 iz'u-i= ij vo'; fy[ksaA
Candidates must write their Roll Number on the question paper.
• Ñi;k iz'uksa dk mÙkj nsus lss iwoZ ;g lqfuf'pr dj ysa fd iz'u-i= iw.kZ o lgh gS] ijh{kk ds
mijkUr bl lEcU/k esa dksbZ Hkh nkok Lohdkj ugha fd;k tk;sxkA
Before answering the questions, ensure that you have been supplied the
correct and complete question paper, no claim in this regard, will be
entertained after examination.
uksV % lHkh iz'u vfuok;Z gSaA
All questions are compulsory.

1. o.kZ dh ifjHkk"kk fyf[k,A 1
Write the definition of Varna.

2. vyadkj dh ifjHkk"kk ,d mnkgj.k lfgr fyf[k,A 1

Write the definition of Alankara with one example.

3. ^pDdjnkj* ls D;k rkRi;Z gS \ 1

What is meant by 'Chakkardar' ?

4. is'kdkj o jsyk esa vUrj Li"V dhft,A 1

Differentiate between Peshkar and Rela.

5. n'kfof/kjkx oxhZdj.k esa oxhZÑr jkx izdkjksa ds uke fyf[k,A 1

Write the names of the varieties of Ragas covered under Dashvidhiraga
Vargikarana.

6. jkxksa ds le; fl)kUr ds vuqlkj jkxksa ds rhu oxZ dkSu-ls gSa \ 1

(3) 2025
Which are the three catagories of Ragas to be classified according to
the time theory of Ragas.

7. >irky o lwyrky eas vUrj Li"V dhft,A 1

Clarify the difference between Jhaptal and Sultal.

8. /kekj rky esa ,d dk;nk ;k is'kdkj fyf[k,A 1

Write one Kayada or Peshkar in Tala Dhamar.

9. ,drky esa ,d jsyk ;k is'kdkj fyf[k,A 1

Write one Rela or Peshkar in Ektala.

10. ,drky esa ,d ^pDdjnkj* fyf[k,A 1

Write one Chakkardar in Ektal.

11. jkxksa ds le; fl)kUr esa ^v/on'kZd Loj* dk D;k egÙo gS \ 1
What is the importance of 'Adhvadarshak Swara' in time theory of
Ragas ?

12. Hkkr[k.Ms Lojfyfi i)fr esa Loj o rky fpg~uksa dk o.kZu dhft,A 1
Explain the signs related to Swara and Tala according to Bhatkhande
notation system.

13. ,drky dk Bsdk o mldh pkSxqu fyf[k,A 1

Write the Theka of Ektal and its Chaugun.

14. lwyrky dk Bsdk rFkk mldh frxqu fyf[k,A 1

Write the Theka of Sultal and its Tigun.

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15. fuEufyf[kr rky igpkfu, vkSj mlesa ,d VqdM+k ;k iju fyf[k, %
1
fdV /kk frV dr
2 3

Recognise the following Tala and write one Tukada or Paran in it :

Kit Dha Tit Kat

2 3

16. laxhr jRukdj esa of.kZr rky ds n'k izk.kksa ds uke fyf[k, vkSj fdUgha nks dk o.kZu dhft,A
1

Write the names of 'Tala Dash Pranas' as mentioned in Sangeet
Ratnakar and define any two of them.

17. xed dh ifjHkk"kk fyf[k, vkSj laxhr jRukdj esa of.kZr fdUgha N% xedksa ds uke fyf[k,A 1
Write the definition of Gamaka alongwith the names of six Gamakas as
mentioned in Sangeet Ratnakar.

18. rcys ds nl o.kZ fyf[k,A 1

Write ten Vernas of Tabla.

19. rcys ds vaxksa dk o.kZu dhft,A 1

Explain different parts of Tabla.

20. ia0 Hkkr[k.Ms rFkk ia0 O;adVe[kh ds chp esy ;k FkkV jpuk dh fof/k esa D;k vUrj gS] o.kZu
dhft,A 2

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What is the difference between Pt. Bhatkhande and Pt. Vyankatmakhi
regarding the process of creating Melas or Thats ? Explain.

21. ia0 vgkscy ds vuqlkj ckbl Jqfr;ksa ij lkr Lojksa dh LFkkiuk dk o.kZu dhft,A 2
Explain the placement of Seven Swaras on 22 Shrutis according to Pt.
Ahobal.

22. tkfr oxhZdj.k ls D;k rkRi;Z gS \ 2

What is meant by Jati Vargikaran ?

23. laxhr jRukdj dk laf{kIr o.kZu dhft,A 2
1
2
Give a brief description of Sangeet Ratnakar.

OR

vFkok
^laxhr jRukdj* ds vk/kkj ij 13oha 'krkCnh ds i'pkr Hkkjrh; laxhr ds fodkl ds egÙoiw.kZ
dsUnzksa ij izdk'k Mkfy,A
On the basis of Sangeet Ratnakar throw light on the important points
about the development of music after 13th century.

24. ia0 Hkkr[k.Ms }kjk jfpr fdUgha nks xzUFkksa dk ifjp; nhft,A 2 21
Give an introduction of any two Granthas of Pt. Bhatkhande.

OR

vFkok
ia0 Hkkr[k.Ms }kjk fd, dk;ks± dk Hkkjrh; laxhr ds fodkl esa D;k ;ksxnku gS \ o.kZu dhft,A

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What is the contribution of the works of Pt. Bhatkhande in the
development of Indian music ? Explain.

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