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WB SET 2018 Question Paper 2 Music

Download WB SET 2018 Question Paper 2 Music PDF. WB SET is conducted by West Bengal College Service Commission. You can get all West Bengal State Eligibility Test previous year question papers at aglasem.com for free. WB SET past year papers will help you prepare for upcoming examination. Solving WBCSE WB SET Question Papers will help you understand the exam pattern, level of questions and most important topics. WB SET 2018 Question Paper 2 Music is given below. More Detail
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Page 1

SET18-Music-II(X)-D

Signature of Invigilators
Roll No.
1. _______________________________
(Write Roll Number from left side
exactly as in the Admit Card) 2. _______________________________

Question Booklet Series X
2818
PAPER–II Question Booklet No.
(Identical with OMR
Subject Code : 28 Answer Sheet Number)

MUSIC
Time : 2 Hours Maximum Marks: 200
Instructions for the Candidates
1. Write your Roll Number in the space provided on the top of this page as well as on the OMR Sheet provided.
2. At the commencement of the examination, the question booklet will be given to you. In the first 5 minutes, you
are requested to open the booklet and verify it:
(i) To have access to the Question Booklet, tear off the paper seal on the edge of this cover page.
(ii) Faulty booklet, if detected, should be got replaced immediately by a correct booklet from the invigilator
within the period of 5 minutes. Afterwards, neither the Question Booklet will be replaced nor any extra
time will be given.
(iii) Verify whether the Question Booklet No. is identical with OMR Answer Sheet No.; if not, the full set is
to be replaced.
(iv) After this verification is over, the Question Booklet Series and Question Booklet Number should be entered
on the OMR Sheet.
3. This paper consists of One hundred (100) multiple-choice type questions. All the questions are compulsory. Each
question carries two marks.

4. Each Question has four alternative responses marked: A B C D . You have to darken the circle as
indicated below on the correct response against each question.

Example: A B C D , where C is the correct response.
5. Your responses to the questions are to be indicated correctly in the OMR Sheet. If you mark your response at
any place other than in the circle in the OMR Sheet, it will not be evaluated.
6. Rough work is to be done at the end of this booklet.
7. If you write your Name, Roll Number, Phone Number or put any mark on any part of the OMR Sheet, except
in the space allotted for the relevant entries, which may disclose your identity, or use abusive language or employ
any other unfair means, such as change of response by scratching or using white fluid, you will render yourself
liable to disqualification.
8. Do not tamper or fold the OMR Sheet in any way. If you do so, your OMR Sheet will not be evaluated.
9. You have to return the Original OMR Sheet to the invigilator at the end of the examination compulsorily and
must not carry it with you outside the Examination Hall. You are, however, allowed to carry question booklet
and duplicate copy of OMR Sheet after completion of examination.
10. Use only Black Ball point pen.
11. Use of any calculator or mobile phone etc. is strictly prohibited.
12. There are no negative marks for incorrect answers.

[ Please Turn Over ]

Page 3

X–3 2818–II

MUSIC

PAPER II

1. Which song is composed in raga “Gurjari Todi”? 6. Which of the following songs is based on ‘Baul’?
(A) Dao he hriday bhore (A) Nayono bhasilo jale
(B) Nabo Anande Jago (B) Ami Tarei khunje berai
(C) Bahe Nirantaro (C) Amar mallikabone
(D) Jagate Anandajanghe (D) Ami Sansare mono diyechhinu

2. Musical Intervals of Indian Swara system: 7. Popular Tappa of shoriminya (Lal Valu Joban) is
composed in
(A) 3
(A) Rag Khamaj
(B) 4
(B) Rag Kafi
(C) 5
(C) Rag Jinjhoti
(D) 6
(D) Rag Bhairavi

3. A popular folk music in Tamilnadu:
8. Music training enhances
(A) Kavadi Chindu
(A) over all personality
(B) Ottamtullal
(B) muscle strength
(C) Burrakatha
(C) cognitive development
(D) Pulluvan Pattu
(D) balanced emotional output

4. ‘Ardha dasak’ swara is known as 9. Significance of ‘Research’
(A) Gandhar (A) Preparation
(B) Madhyam (B) Investigation
(C) Pancham (C) Propagation
(D) Dhaivata (D) Intution

5. ‘Harmonium’ is belongs to the category of 10. Which of the following songs is based on ‘Kirtan’?
(A) Tata Vadya (A) Tai tomar anando amar por
(B) Sushir Vadya (B) He mor devota
(C) Anaddha Vadya (C) Tomar preme dhanyo
(D) Ghana Vadya (D) Ami jenesune tabu bhule achhi

Page 4

2818–II X–4

11. How many Sthayi Bhav are of Rasa? 16. Who is the author of “Sangeet Saramrut”?
(A) 5 (A) Tulagi Rao Bhosale
(B) 6 (B) Bharat
(C) 7 (C) Jaydev
(D) 8 (D) Ramamatya

12. A Hindustani Raga is similar to Kamavardhini 17. Another name for Adi Tala:
(A) Marva (A) Tisra Triputa Tala
(B) Sohini (B) Chatusra Rupaka Tala
(C) Bhairav (C) Chatusra Triputa Tala
(D) Puria Dhanasri (D) Khanda Ata Tala

13. Bibliography is related to 18. Who is the writer of ‘Ragbibodh’?
(A) Book (A) Nanyadeva
(B) Boon (B) Somnath
(C) Boot (C) Ahobal
(D) Boom (D) Lochan

14. Sabda alankara is another term for 19. Which of the following song is based on ‘Kheyal’?
(A) Patakshara (A) Natho he premopothe sob
(B) Aksharakala (B) Bina bajao he mamo
(C) Chollukettu (C) Diner pore din je gelo
(D) Swarakshara (D) Ami nishidin tomai bhalobasi

15. Which of the following songs is based on
‘dhamar’? 20. Who is the author of “Brihaddeshi”?
(A) Shranto keno o he pantho (A) Kohal
(B) Shunnyo hate phiri he (B) Matanga
(C) Amritero-Sagore ami jabo (C) Parshadev
(D) Pratidino tabo gatha gabo (D) Jaidev

Page 5

X–5 2818–II

21. A musical form that is suitable for both pure 26. ‘Amar matha nato kore dao’ occurs in
dance as well as abhinaya: (A) Geetali
(A) Pada Varnam (B) Geetimalya
(B) Padam (C) Geetanjali
(C) Varnam (D) Naibedya
(D) Tillana

27. ‘Tibra’ is a term related to
22. ‘Dwadaswara Murchhana’ introduced by
(A) Sruti
(A) Narad
(B) Jati
(B) Bharat
(C) Kriti
(C) Matanga
(D) Giti
(D) Sarngadeva

28. How many main Gharana’s in Kathak Nritya?
23. Which of the following song is based on
‘Dhrupad’? (A) 2

(A) Taro taro hori dinojone (B) 1

(B) Amar praner manush (C) 3

(C) He nikhilbhardharano (D) 4

(D) Tabo premsudharashe

29. A portion that divides musical forms into Purvanga
24. Sursagar is a and Uttaranga
(A) Tantu Vadya (A) Visarjitam
(B) Wind Instrument (B) Drutam
(C) Sushir Instrument (C) Arudi
(D) None of the above (D) Atita

25. Tavil is an instrument: 30. No. of Jaties are explained by Bharata
(A) Percussion drum (A) 17
(B) Cymbal (B) 18
(C) Castenet (C) 19
(D) Melodic (D) 20

Page 6

2818–II X–6

31. Nrityanatya ‘Chitrangada’ was wrote in the year 36. Main Swar of ‘Raga’ is
(A) 1939 (A) Vivadi
(B) 1936 (B) Samvadi
(C) 1933 (C) Vadi
(D) 1937 (D) Adva Deshak Swar

32. What is the Sthayi Bhava of Karun Rasa? 37. Sampadveshtaka is a
(A) Rati (A) Prabandha
(B) Has (B) Sooladi tala
(C) Bhay (C) Marga tala
(D) Shok (D) Rupaka alapti

33. Author of Sangraha Chudamani 38. Jhanti Taal consists of Matras
(A) Vidyaranya (A) 6
(B) Govindacharya (B) 8
(C) Srinivasa (C) 10
(D) Ahobala (D) 12

34. Alankar mentioned in Sangeet Ratnakara: 39. Find out the odd one:
(A) 33 (A) Aji dakshino pabone
(B) 53 (B) Fagun Hawyai Hawyai
(C) 63 (C) Gagone Gagone Aponer
(D) 72 (D) Basante aj dharar chitto

35. “Antore jagichhe antorojami” is mainly based on 40. ‘Farodasta Tala’ is constituted with the Matras
(A) Bhairavi (A) 14
(B) Behag (B) 15
(C) Kedar (C) 16
(D) Kamod (D) 17

Page 7

X–7 2818–II

41. Aesthetics according to Baumgarten meant 46. Smt. Prabha Atre belongs to which Gharana?
(A) Emotions (A) Agra
(B) Beauty (B) Kirana
(C) Sensation (C) Jaipur
(D) Liberty (D) Mewati

42. ‘Akhtar Piya’ is nick name of 47. Trace out the incorrect pair from the following:
(A) Wajid Alishah — Lucknow (A) Amar sonar bangla – Ami kothai pabo tare
(B) Girija Devi — Banaras (B) Mandire momo ke – Lagi moro thumoko
(C) Prabha Atre — Poona (C) Jadi tor daak shune – Harinam diye jagat
(D) Lochan — Bihar (D) Ebar tor mora gange – Mon majhi samal
samal

43. Find out the odd one:
(A) Aji mamo mono 48. Which is the famous folk dance of Oddisa?
(B) Aji mamo jibane namichhe (A) Koli
(C) Bhoy hate tabo (B) Kalbeliya
(D) Bajao tumi kabi (C) Chhau
(D) Nautanki

44. ‘Cordophones’ is related to
(A) Wind Instrument 49. Vocal tract does not include
(B) Percussion Instrument (A) Palate
(C) Stringed Instrument (B) Larynx
(D) None of the above (C) Tongue
(D) Teeth

45. Bhuta Sankhya in 72 melakarta scheme is
associated with 50. Does not effect sound production:
(A) Katapayadi (A) Vocal folds
(B) Poorvanga (B) Wind pipe
(C) Melas (C) Ribs
(D) Chakras (D) Articulation

Page 8

2818–II X–8

51. Which song is based on ‘Jhampak’? 56. A rythmic pattern in Mridangam playing
(A) Nidrahara rater e gaan (A) Tana
(B) Choronodwani shuni tobonath (B) Korvai
(C) Ami ki bole karibo nibedano (C) Anuloma
(D) Birosodin biral kaj (D) Pratiloma

57. Which of the following musical instrument is
52. Expression mark of ‘Molto allegro’ similar to Shahanai?
(A) very slower (A) Mohan Veena
(B) very quick (B) Sarengi
(C) rather slower (C) Sundari
(D) rather soft (D) Sitar

58. ‘MINUET’ is a dance form of
53. Find out the wrong one:
(A) England
(A) He nabina he nabina – Taser desh
(B) France
(B) Amar monero moddhe – Chandalika
(C) Italy
(C) Baje Guru guru – Chitrangada
(D) Africa
(D) Tumi ki keboli chobi – Shapmochan

59. ‘SIMPLE DUPLE’ Time signature is
54. Bramha Taal have following no. of vibaga 2 2 2
(A) 2 , 4 , 8
(A) 7
3 3 3
(B) 14 (B) 2 , 4 , 8
(C) 15 4 4 4
(C) 2 , 3 , 4
(D) 18
(D) None of the above

55. ‘Crescendo’ means 60. Sooladi Sapta Talas does not include
(A) Gettging softer (A) Eka tala
(B) Getting quicker (B) Triputa tala
(C) Getting slower (C) Ata tala
(D) Getting louder (D) Chapu tala

Page 9

X–9 2818–II

61. Which Khyal Gharana belongs to ‘Tappa Gayaki’? 66. Find out the wrong one:
(A) Gwalior (A) Eso shyamalo sundar – Trital
(B) Kirana (B) Kandale tumi more – Jhamptal
(C) Mewati (C) Aji nahi nahi nidra – Ektal
(D) Jaipur (D) Bipade more raksha koro – Jhampak

62. Select the incorrect pair from the following: 67. Not a Pancha Dasa Gamaka:
(A) Tahare aroti kore – Trital (A) Sphurita
(B) Sansare kono Bhoyo nahi – Ada Chowtal (B) Tiripa
(C) E Bharate rakho – Chowtal (C) Lina
(D) Ami kemon kariya janabo – Ektal (D) Yamakam

63. ‘Madhyam Dashkushi’ Taal consists of matra 68. Not a Karnatak Music Trinity:
(A) 10 (A) Muttuswami Dikshitar
(B) 12 (B) Syama Shastri
(C) 14 (C) Subbaraya Shastri
(D) 16 (D) Tyagaraja

64. Panchavadyam does not include 69. Name the author of the book ‘Mankutuhal’
(A) Chenda (A) Raja Mansingh Tomar
(B) Maddalam (B) Vidyapati
(C) Timila (C) Baiju Baora
(D) Kombu (D) Tansen

65. Who is the Tabla Player amongst these? 70. Which one is based on raga Bhairavi?
(A) Hassu Khan (A) Ke go antaratoro se
(B) Haddu Khan (B) Kaal rater bela ghum elo
(C) Latif Khan (C) Amar sakal dukher pradeep
(D) Chitrangada (D) Ebar nirab kore dao he tomar

Page 10

2818–II X–10

71. ‘Krintan’ is a term of 76. Not a sacred form:
(A) Vocal (A) Churnika
(B) Instrumental (B) Slokam
(C) Percussion (C) Padam
(D) Dance (D) Stotram

72. ‘Hypothesis’ means 77. UNIVERSAL HISTORY OF MUSIC: (English):
(A) some supposition compiled by
(B) some provision (A) Allen danielu
(C) some information (B) Raja S. M. Tagore
(D) some alteration (C) Pt. B. N. Bhatkhande
(D) Swami Prajanananda

73. Edward Hanslick’s ‘The Beautiful in music’ deals
with chapter 78. Which is one from ‘Bhagnahriday’ Natyageeti?
(A) 5 (A) Tui re basanta samiron
(B) 6 (B) De tora amai nutan
(C) 7 (C) Jadi tare nai chini go
(D) 8 (D) Tui abak kore dili

74. Which one is based on ‘Ada Chowtal’? 79. Writer of ‘Musalman our Sangeet’:
(A) Aji mor dware (A) Premlata Sharma
(B) E bharate rakhe nitya (B) K. C. D. Brahaspati
(C) Tahare aroti kore chandratapone (C) Damodar Misra
(D) Shubhra asone birajo (D) Pundarik Bitthal

75. Not an alankara: 80. Muttuswami Dikshitar’s kritis are popular for the
(A) Pata (A) Samashthi Charanam
(B) Sanchari (B) Swara Sahitya
(C) Sthayi (C) Prasa
(D) Arohi Varna (D) Yamakam

Page 11

X–11 2818–II

81. ‘Veena’ seems to have been derived from the 86. “Prachanda Garjane asilo eki” is included in
word (A) Prem Paryay
(A) Vana (B) Prakriti Paryay
(B) Ghana (C) Puja Paryay
(C) Kona (D) Bichitra Paryay
(D) None of the above

82. Which one of the following songs is Prakriti 87. ‘Intution Theory’ introduced by
Paryay? (A) Hegel
(A) Bane jodi futlo kusum (B) Oscar Wild
(B) Himogiri phele niche (C) Croce
(C) Ei udashi haoyar pathe pathe (D) Harbert Spencer
(D) Aji godhuli lagone ei badolo gagone

88. Mudra adopted by Swati Thirunal
83. An important accompanying instrument for
Nadaswaram (A) Guru Guha

(A) Chenda (B) Padmanabha

(B) Mridangam (C) Ramadasa

(C) Tavil (D) Venkatesha

(D) Maddalam

89. ‘Critique of Judgement’ is written by the art
84. Tyagaraja’s ghana raga pancharatnam includes philosopher
(A) 10 ragas (A) Hegel
(B) 6 ragas (B) Kant
(C) 5 ragas (C) Croce
(D) 4 ragas (D) Edward Hanslick

85. Which Raga tune is very much similar to Folk
song? 90. “Dhire bandhu go dhire” is the song of the Drama
(A) Iman (A) Basanta
(B) Jhinjhit (B) Kalmrigaya
(C) Darbari (C) Falguni
(D) Malkauns (D) Arupratan

Page 12

2818–II X–12

91. A Hindustani Raga similar to Sudha Saveri 96. Prabandhas are categorised into
(A) Poorvi (A) 2
(B) Durga (B) 3
(C) Vibhas (C) 5
(D) Nat bhairav (D) 6

92. Nagara Mandapam is found in
(A) Thiruvayoor 97. Which one is not included in the ‘Swarabitan’
series?
(B) Golconda
(A) Falguni
(C) Ujjain
(B) Basanta
(D) Madurai
(C) Gitabithika
93. No. of Viprakirna prabandha mentioned by (D) Sangit Manjari
Sarnagdeva
(A) 8
98. ‘Musicology’ is the term used in the country
(B) 24
(A) France
(C) 32
(B) England
(D) 36
(C) Germany
94. Which song is based on ‘Rupak Tal’? (D) America
(A) Tomari name nayono melinu
(B) He mon tare dekho
99. Swayambu Svaras are
(C) Bipul Taranga re
(A) Overtones
(D) Amar prane gabhir gopan
(B) Tara sthayi swaras

95. Sequence correctly: (C) Lower partials

(A) Sangita Sudhakara, Swaramelakalanidhi, (D) Sounding of same swaras
Chaturdandi Prakasika, Sangita Darpanam
(B) Swaramelakalanidhi, Sangita Darpanam,
100. In which thata Komal ‘Ni’ swara is used?
Sangita Sudhakara, Chaturdandi Prakasika
(A) Kalyan
(C) Sangita Sudhakara, Swaramelakalanidhi,
Sangita Darpanam, Chaturdandi Prakasika (B) Khamaj
(D) Sangita Darpanam, Sangita Sudhakara, (C) Todi
Swaramelakalanidhi, Chaturdandi Prakasika (D) Marwa

Page 13

X–13 2818–II

ROUGH WORK

Page 14

2818–II X–14

ROUGH WORK

Document Details

Board / OrgDefault
ExamGovt Jobs Exams
TypeQuestion Paper
Pages14
Updated30 Apr 2026