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Karnataka 2nd PUC Question Paper 2026 Hindustani Music

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Karnataka 2nd PUC Question Paper 2026 Hindustani Music is available here for free download. Published by Karnataka Board for Class 12, this question paper can be viewed online or downloaded as a PDF (8 pages). Candidates preparing for Class 12 can use Karnataka 2nd PUC Question Paper 2026 Hindustani Music to understand the exam pattern, the type of questions asked, and the overall difficulty level.

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Karnataka 2nd PUC Question Paper 2026 Hindustani Music – Text

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Page 1

£ÉÆÃAzÀt ¸ÀASÉå :
Registration No. :

V1 – 2026
«µÀAiÀÄ ¸ÀAPÉÃvÀ /
26 (NS)
Subject Code

»AzÀƸÁÛ¤ ¸ÀAVÃvÀ / HINDUSTANI MUSIC
(Kannada and English Versions)

[¸ÀªÀÄAiÀÄ: 2 UÀAmÉ 15 ¤«ÄµÀUÀ¼ÀÄ] [MlÄÖ ¥Àæ±ÉßUÀ¼À ¸ÀASÉå : 23] [UÀjµÀ× CAPÀUÀ¼ÀÄ : 40]
[Time : 2 Hours 15 Minutes] [Total No. of questions : 23] [Max. Marks : 40]

(Kannada Version)

¸ÀÆZÀ£ÉUÀ¼ÀÄ : 1. F ¥Àæ±Éß ¥ÀwæPÉAiÀÄÄ UÁAiÀÄ£À, vÀ§¯Á ºÁUÀÆ ¹vÁgÀ
«zÁåyðUÀ½UÉ C£Àé¬Ä¸ÀÄvÀÛzÉ.

2. LzÀ£Éà (V) ¥Àæ±Éß PÀqÁØAiÀĪÁVzÉ.

¨sÁUÀ - J

I. F PɼÀV£À ¥ÀæwAiÉÆAzÀÄ ¥Àæ±ÉßUÀ½UÉ £Á®ÄÌ ¥ÀAiÀiÁðAiÀÄUÀ¼À£ÀÄß ¤ÃqÀ¯ÁVzÀÄÝ,
CzÀgÀ°è ¸ÀjAiÀiÁzÀÄzÀ£ÀÄß DAiÀÄÄÝ §gɬÄj. (5 × 1 = 5)

1) PÀ£ÁðlPÀzÀ SÁåvÀ ¸ÀgÉÆÃzÀ ªÁzÀPÀ.
a) ¥ÀA. gÀ«±ÀAPÀgÀ b) ¥ÀA.«.f. eÉÆÃUÀ
c) ¥ÀA. gÁfêï vÁgÁ£ÁxÀ d) G. C¯ÁèªÀÅ¢Ýãï

P.T.O.

Page 2

26 (NS) -2-

2) MAzÉà ¸ÀégÀ¢AzÀ ªÀÄAvÀæ ¥ÀoÀt ªÀiÁqÀĪÀÅzÀÄ.
a) DaðPÀ b) ¸ÀégÁAvÀgÀ
c) UÁyPÀ d) ¸Á«ÄPÀ

3) zsÀªÀiÁgÀ ±ÉʰAiÀÄÄ F PɼÀV£À ±ÀvÀªÀiÁ£ÀzÀªÀgÉUÉ CvÀåAvÀ d£À¦æAiÀÄ
±ÉʰAiÀiÁVvÀÄÛ.
a) 14 £Éà b) 16 £ÉÃ

c) 18 £Éà d) 12 £ÉÃ

4) MAzÀÄ ¸À¥ÀÛPÀzÀ°è MlÄÖ ±ÀÈwUÀ¼ÀÄ.
a) 32 b) 22
c) 07 d) 12

5) PÀ£ÁðlPÀ ¸ÀAVÃvÀzÀ°è C¹ÛvÀézÀ°èzÀÝ ‘xÁl’UÀ¼À ¸ÀASÉå.
a) 10 b) 19
c) 72 d) 07

II. ©lÖ ¸ÀܼÀUÀ¼À£ÀÄß vÀÄA©j. (5 × 1 = 5)

6) _________ ºÁUÀÆ __________ JA§ JgÀqÀÄ ¥ÀæPÁgÀzÀ «ÃuÉUÀ¼ÀÄ
gÁªÀiÁAiÀÄt PÁ®zÀ°è ¥ÀæZÀ°vÀzÀ°èzÀݪÀÅ.

7) ªÀÄzsÀåªÀÄ UÁæªÀÄ¢AzÀ __________ ªÀÄÆbÀð£ÉUÀ¼ÀÄ ¤ªÀiÁðtUÉÆ¼ÀÄîvÀÛªÉ.

8) __________ UÀæAxÀªÀÅ dAiÀÄzÉêÀgÀ CªÀÄgÀ PÀÈw J¤¹PÉÆArzÉ.

9) UÁæªÀÄ JA§ÄzÀÄ _________ ªÁZÀPÀªÁVzÉ.

10) gÁUÀzÀ°è §¼ÀPÉAiÀiÁUÀzÀ ¸ÀégÀUÀ¼À£ÀÄß __________ ¸ÀégÀUÀ¼ÉAzÀÄ
PÀgÉAiÀÄÄvÁÛgÉ.

Page 3

-3- 26 (NS)

III. PÀA¹£À°è PÉÆlÖ ¸ÀjAiÀiÁzÀ GvÀÛgÀªÀ£ÀÄß DAiÀÄÄÝ §gɬÄj. (5 × 1 = 5)

11) ‘¥ÉñÁÌgï’ AiÀiÁªÀ ¨sÁµÉAiÀÄ ±À§Ý? (ªÀÄgÁp / ¥sÁ¹ð)

12) ZËvÁ®zÀ°è ªÀiÁvÁæ ¸ÀASÉå (10 / 12)

13) ¸ÀzÁgÀAUÀ-CzÁgÀAUÀ EªÀgÀ fëvÀ PÁ®. (18 £Éà ±ÀvÀªÀiÁ£À /
15 £Éà ±ÀvÀªÀiÁ£À)

14) »AzÀƸÁÛ¤ ¸ÀAVÃvÀ ±ÉʰAiÀÄ gÁUÀ ¥Àæ¸ÀÄÛwAiÀÄÄ. (¸ÀªÀÄAiÀiÁzsÁjvÀ /
C¸ÀªÀÄAiÀiÁzsÁjvÀ)

15) ‘xÁl’ ±À§ÝªÀÅ AiÀiÁªÀ ¸ÀAVÃvÀzÀ°è §¼ÀPÉAiÀİèzÉ? (¥Á±ÁÑvÀå ¸ÀAVÃvÀ /
»AzÀƸÁÛ¤ ¸ÀAVÃvÀ)

¨sÁUÀ - ©

IV. ¨ÉÃPÁzÀ MAzÀPÉÌ QgÀÄ n¥Ààt §gɬÄj. (1 × 5 = 5)

16) l¥Áà.

17) ¸ÀÄUÀªÀÄ ¸ÀAVÃvÀ.

V. PɼÀV£ÀªÀÅUÀ¼À°è AiÀiÁªÀÅzÁzÀgÀÆ MAzÀ£ÀÄß §gɬÄj. (1 × 5 = 5)

18) PɼÀV£À ¨ÉÃPÁzÀ MAzÀÄ gÁUÀzÀ ¥ÀjZÀAiÀÄzÉÆA¢UÉ MAzÀÄ bÉÆÃmÁSÁå®
CxÀªÁ gÀeÁSÁ¤ UÀvï£ÀÄß ¸ÀégÀ°¦ ¥ÀzÀÞwAiÀÄ°è §gɬÄj.
a) f̻ˣ˴ˀj
b) ªÀÄzsÀĪÀiÁzÀ¸ÁgÀAUÀ

19) zÁzÀgÁ vÁ®zÀ ¥ÀjZÀAiÀÄzÉÆA¢UÉ JgÀqÀÄ §zÀ¯ï oÉÃPÁUÀ¼À£ÀÄß vÁ®°¦
¥ÀzÀÞwAiÀÄ°è §gɬÄj.

Page 4

26 (NS) -4-

VI. PɼÀV£À ¨ÉÃPÁzÀ M§âgÀ PÀÄjvÀÄ §gɬÄj. (1 × 5 = 5)

20) ¥ÀA. ªÀİèPÁdÄð£À ªÀÄ£À¸ÀÆgÀ.

21) ¥ÀA. ¤T® ¨Áå£Àfð.

22) ¥ÀA. ±ÉõÀVj ºÁ£ÀUÀ¯ï.

VII. 23) ‘vÁ® gÀZÀ£Á ¹zÁÞAvÀ’zÀ PÀÄjvÀÄ §gɬÄj. (1 × 10 = 10)

––––––———––––––––

Page 5

-5- 26 (NS)

(English Version)

Instructions : 1. This question paper is common for Vocal, Tabla and
Sitar Students.

2. Fifth (V) question is compulsory.

PART – A

I. Four alternatives given for each of the following questions, choose and write
correct answer. (5 × 1 = 5)

1) Famous Sarod player of Karnataka.
a) Pt. Ravishankar b) Pt. V.G. Jog
c) Pt. Rajeev Taranath d) Ustad. Allauddin

2) Chanting a mantra with a single swara.
a) Aarchik b) Swarantara
c) Gaathika d) Saamika

3) The Dhamar style remained the most popular style until the following
century.
a) 14th b) 16th
c) 18th d) 12th

4) Total Shruti’s are there in a Saptak.
a) 32 b) 22
c) 07 d) 12

5) The number of ‘Thaat’s that existed in Carnatic music.
a) 10 b) 19
c) 72 d) 07

Page 6

26 (NS) -6-

II. Fill in the blanks. (5 × 1 = 5)

6) Two types of Veena’s ___________ and __________ were popular during the
Ramayana period.

7) –––––––––– Moorchana’s are produced from the Madhyama gram.

8) The ___________ granth is considered an immortal book of Jayadeva.

9) Grama is a ___________ reader.

10) The Swara’s that are not used in raga are called as ___________ swara.

III. Choose the correct answers given in the brackets : (5 × 1 = 5)

11) What language is the word ‘Peshkar’? (Marathi / Pharsi)

12) Number of matra’s in Choutal. (10 / 12)

13) Life time of Sadarang-Adarang. (18th Century / 15 th Century)

14) Raga presentation of Hindustani Music style. (Time dependent /
Asymmetric)

15) In which music is the word of the Thaat used? (Western music /
Hindustani music)

Page 7

-7- 26 (NS)

PART – B

IV. Write short note on any one of the following. (1 × 5 = 5)

16) Tappa.

17) Light Music.

V. Write any one of the following. (1 × 5 = 5)

18) Write a Chotakhyal or a Rajakhani gutt with raga parichaya of the
following one raga in swara lipi paddhati.

a) Jeevanpuri

b) Madhumad Sarang.

19) Write introduction of Dadra taal with two Badal theka’s in taal lipi
paddhati.

VI. Write about any one of the following. (1 × 5 = 5)

20) Pt. Mallikarjun Mansur.

21) Pt. Nikhil Banarji.

22) Pt. Sheshagiri Hanagal.

VII. 23) Write about ‘Taal Rachana Siddhant’. (1 × 10 = 10)

––––––––——————––

Page 8

26 (NS) -8-

Document Details

Board / OrgKarnataka Board
ExamClass 12
TypeQuestion Paper
Pages8
Languageenglish
Updated24 Sep 2026