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HBSE Class 12 Music Hindustani (Vocal) Question Paper 2018 Set D

Download the HBSE Class 12 Music Hindustani (Vocal) Question Paper 2018 Set D PDF for free at AglaSem. Solving this previous year question paper helps you understand the real Haryana Class 12 exam pattern, question types, difficulty level and marking scheme, and reveals important repeated topics — practise it to build speed, accuracy and exam confidence. More Detail
HBSE Class 12 Music Hindustani (Vocal) Question Paper 2018 Set D - Page 1 of 6

About HBSE Class 12 Music Hindustani (Vocal) Question Paper 2018 Set D

HBSE Class 12 Music Hindustani (Vocal) Question Paper 2018 Set D is available here for free download. Published by Haryana Board for Class 12, this question paper can be viewed online or downloaded as a PDF (6 pages). Candidates preparing for Class 12 can use HBSE Class 12 Music Hindustani (Vocal) Question Paper 2018 Set D to understand the exam pattern, the type of questions asked, and the overall difficulty level.

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HBSE Class 12 Music Hindustani (Vocal) Question Paper 2018 Set D – Text

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Page 1

`
CLASS : 12th (Sr. Secondary) Code No. 3623
Series : SS-M/2018
Roll No. SET : D

laxhr fgUnqLrkuh ¼d.B½
MUSIC HINDUSTANI (Vocal)
[ Hindi and English Medium ]
ACADEMIC / OPEN
(Only for Fresh/Re-appear Candidates)

Time allowed : 2.30 hours ] [ Maximum Marks : 30
• d`i;k tk¡p dj ysa fd bl iz'u-i= esa eqfnzr iz'u 21 gSaA
Please make sure that the printed question paper are contains 21
questions.
• iz'u-i= esa nkfgus gkFk dh vksj fn;s x;s dksM uEcj rFkk lsV dks Nk= mÙkj-iqfLrdk ds eq[;-i`"B
ij fy[ksaA
The Code No. and Set on the right side of the question paper should be
written by the candidate on the front page of the answer-book.
• d`i;k iz'u dk mÙkj fy[kuk 'kq: djus ls igys] iz'u dk Øekad vo'; fy[ksaA
Before beginning to answer a question, its Serial Number must be written.
• mÙkj-iqfLrdk ds chp esa [kkyh iUuk / iUus u NksMsa+A
Don’t leave blank page / pages in your answer-book.
• mÙkj-iqfLrdk ds vfrfjDr dksbZ vU; 'khV ugha feysxhA vr% vko';drkuqlkj gh fy[ksa vkSj fy[kk
mÙkj u dkVsaA
Except answer-book, no extra sheet will be given. Write to the point and do
not strike the written answer.
• ijh{kkFkhZ viuk jksy ua0 iz'u-i= ij vo'; fy[ksaA
Candidates must write their Roll Number on the question paper.

3623/(Set : D) P. T. O.

Page 2

(2) 3623/(Set : D)
• d`i;k iz'uksa dk mÙkj nsus lss iwoZ ;g lqfuf'pr dj ysa fd iz'u-i= iw.kZ o lgh gS] ijh{kk ds
mijkUr bl lEcU/k esa dksbZ Hkh nkok Lohdkj ugha fd;k tk;sxkA
Before answering the questions, ensure that you have been supplied the
correct and complete question paper, no claim in this regard, will be
entertained after examination.

uksV % (i) lHkh ç'u vfuok;Z gSAa
All questions are compulsory.
(ii) ç'uksa ds mÙkj vadkuqlkj nsAa
Answer the questions according to their marks.
(iii) iz'u la[;k 1 ls 5 rd ds fy;s lgh fodYi pqusaA
Choose the right option for Qn. No. 1 to 5.
(iv) iz'u la[;k 6 ls 10 rd ds mÙkj vf/kdre ,d iafDr esa nsaA
Answer the questions in maximum one line for Question No. 6 to 10

1. dky ds ekius ds iSekus dks D;k dgrs gSa \ 1
¼d½ jkx ¼[k½ FkkV
¼x½ rky ¼?k½ xzke
What is the measuring instrument of time (Kaal) ?
(a) Rag (b) Thata
(c) Taal (d) Gram

2. "kMt xzke dh Jqfr&Loj O;oLFkk D;k gS \ 1
¼d½ 4-3-2-4-4-3-2 ¼[k½ 4-3-2-4-3-4-2
¼x½ 4-4-3-2-4-3-2 ¼?k½ 4-2-4-3-4-3-2
What is the shruti-swara allocation of Shadaj Gram ?
(a) 4-3-2-4-4-3-2 (b) 4-3-2-4-3-4-2
(c) 4-4-3-2-4-3-2 (d) 4-2-4-3-4-3-2

Page 3

(3) 3623/(Set : D)
3. FkkV&jkx i)fr eas FkkVksa dh la[;k fdruh gS \ 1

¼d½ 8 ¼[k½ 9

¼x½ 10 ¼?k½ 11

How many thatas have been considered in Thata-Rag System ?

(a) 8 (b) 9

(c) 10 (d) 11

4. rhoz e/;e ;qDr jkx dc xk;s tkrs gSa \ 1

¼d½ laf/kdky esa ¼[k½ fnu esa
¼x½ nksigj esa ¼?k½ jkf= esa
When the Ragas with Tivra 'Madhyam' are sung ?

(a) during sandhi kal (b) in the morning

(c) in the afternoon (d) at night

5. HkSjo jkx ds oknh&laoknh D;k gSa \ 1

¼d½ /k x ¼[k½ /k js
¼x½ /k e ¼?k½ /k la
What is the vadi-samvadi of Rag Bhairav ?

(a) Dha Ga (b) Dha Re

(c) Dha Ma (d) Dha Sa

6. jkx fcgkx ds vojksg esa dkSu ls Loj nqcZy gSa \ 1

Which swaras are weak in the Avroha of Rag Bihag ?

3623/(Set : D) P. T. O.

Page 4

(4) 3623/(Set : D)
7. jkx dsnkj dk leizkd`frd jkx dkSu&lk gS \ 1

Which one is the Sam Prakritik (having same nature) Rag of Kedar ?

8. ^js e i] fu /k i* Loj lewg fdl jkx esa ls gSa \ 1

'Re Ma Pa, Ni Dha Pa' this passage of swaras belong to which rag ?

9. Jh d`".k jko 'kadj iafMr us fdl laxhr egkfo|ky; dh LFkkiuk dh Fkh \ uke fyf[k,A 1

Name the music school established by Sh. Krishan Rao
Sankar Pandit.

10. mLrkn QS¸;kt [kk¡ fdl ?kjkus ls laca/k j[krs Fks \ 1

Ud. Faiyaz Khan belongs to which Gharana ?

11. rky fdls dgrs gSa \ blds dksbZ nks egÙo fyf[k,A 1½

What do you mean by Taal ? Write its two importance ?

12. ewPNZuk fdls dgrs gSa \ blds fdrus izdkj gSa rFkk dqy fdruh ewPNZuk,¡ gSa \ 1½

What is Murchchhana ? How many types of Murchchhana are there ?
Also mention total Number of Murchchhanas ?

13. D;k jkxksa dk le; fl)kUr ekuuk mfpr gS ;k vuqfpr \ rdZ nsdj le>kb,A 1½

Is the time theory of Ragas logical or not ? Give your opinion.

Page 5

(5) 3623/(Set : D)
14. ^js /k* 'kq) Lojksa okys jkx dc xk;s tkrs gSa \ mnkgj.k lfgr le>kb,A 1½

When the Ragas with 'Re Dha' Shuddha swaras are sung ? Give
example.

15. jkx dsnkj dk vkjksg] vojksg vkSj idM+ fyf[k,A 1½

Write Aroh, Avroh and Pakar of Rag Kedar.

16. jkx Hkheiyklh dk FkkV] vax ,oa xk;u le; fyf[k,A 1½

Write Thata, Anga and Time of singing of Rag Bhimpalasi.

17. fryokM+k rky dk iw.kZ ifjp; fy[krs gq;s bls ,dxqu esa fyfic) dhft,A 2
Write the introduction of Tilwada Taal. Also write its notation in Ekgun.

18. vius ikB~;Øe ds fdlh ,d jkx esa NksVs [;ky ds LFkkbZ dh Loj fyfi fyf[k,A 2

Write the notation of the sthai of fast khayal in any of the ragas of your
syllabus.

19. jkx fcgkx dk iw.kZ ifjp; fyf[k,A 2

Write a detailed description of Rag Bihag.

20. chloha 'krkCnh ds nks egku laxhr m)kjdksa ds uke fyf[k, rFkk ia0 Hkkjr[k.Ms th ds laxhr
ds izfr fd;s x;s dk;ks± dk fooj.k nhft,A 2½

3623/(Set : D) P. T. O.

Page 6

(6) 3623/(Set : D)
Write the names of two great Music reformers of 20th century and give
a detailed description of the contribution of Pt. Bhatkhande towards
Music.

OR

vFkok
^vdcj ds dky esa laxhr vius peksZRd"kZ ij FkkA* D;k vki bl dFku ls lger gSa \ bl
dky dh iw.kZ fo'ks"krk,¡ fyf[k,A 2½
'During Akbar period Music was at its peak.' Do you agree with this
statement ? Mention the importance of this period in detail.

21. fuEufyf[kr esa ls fdlh ,d laxhrdkj dk thou ifjp; nsrs gq, laxhr ds izfr muds ;ksxnku
dh ppkZ dhft, % m0 QS¸;kt [kk¡ vFkok m0 cM+s xqyke vyh [kk¡A 2½

Give a life sketch and contribution towards Music by any one of the
following Musicians : Ud. Faiyaz Khan or Ud. Bade Gulam Ali Khan.

S

Document Details

Board / OrgHaryana Board
ExamClass 12
TypeQuestion Paper
Pages6
Updated22 Jul 2026