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CLASS : 12th (Sr. Secondary) Code No. 3623
Series : SS-M/2018
Roll No. SET : D
laxhr fgUnqLrkuh ¼d.B½
MUSIC HINDUSTANI (Vocal)
[ Hindi and English Medium ]
ACADEMIC / OPEN
(Only for Fresh/Re-appear Candidates)
Time allowed : 2.30 hours ] [ Maximum Marks : 30
• d`i;k tk¡p dj ysa fd bl iz'u-i= esa eqfnzr iz'u 21 gSaA
Please make sure that the printed question paper are contains 21
questions.
• iz'u-i= esa nkfgus gkFk dh vksj fn;s x;s dksM uEcj rFkk lsV dks Nk= mÙkj-iqfLrdk ds eq[;-i`"B
ij fy[ksaA
The Code No. and Set on the right side of the question paper should be
written by the candidate on the front page of the answer-book.
• d`i;k iz'u dk mÙkj fy[kuk 'kq: djus ls igys] iz'u dk Øekad vo'; fy[ksaA
Before beginning to answer a question, its Serial Number must be written.
• mÙkj-iqfLrdk ds chp esa [kkyh iUuk / iUus u NksMsa+A
Don’t leave blank page / pages in your answer-book.
• mÙkj-iqfLrdk ds vfrfjDr dksbZ vU; 'khV ugha feysxhA vr% vko';drkuqlkj gh fy[ksa vkSj fy[kk
mÙkj u dkVsaA
Except answer-book, no extra sheet will be given. Write to the point and do
not strike the written answer.
• ijh{kkFkhZ viuk jksy ua0 iz'u-i= ij vo'; fy[ksaA
Candidates must write their Roll Number on the question paper.
3623/(Set : D) P. T. O.
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(2) 3623/(Set : D)
• d`i;k iz'uksa dk mÙkj nsus lss iwoZ ;g lqfuf'pr dj ysa fd iz'u-i= iw.kZ o lgh gS] ijh{kk ds
mijkUr bl lEcU/k esa dksbZ Hkh nkok Lohdkj ugha fd;k tk;sxkA
Before answering the questions, ensure that you have been supplied the
correct and complete question paper, no claim in this regard, will be
entertained after examination.
uksV % (i) lHkh ç'u vfuok;Z gSAa
All questions are compulsory.
(ii) ç'uksa ds mÙkj vadkuqlkj nsAa
Answer the questions according to their marks.
(iii) iz'u la[;k 1 ls 5 rd ds fy;s lgh fodYi pqusaA
Choose the right option for Qn. No. 1 to 5.
(iv) iz'u la[;k 6 ls 10 rd ds mÙkj vf/kdre ,d iafDr esa nsaA
Answer the questions in maximum one line for Question No. 6 to 10
1. dky ds ekius ds iSekus dks D;k dgrs gSa \ 1
¼d½ jkx ¼[k½ FkkV
¼x½ rky ¼?k½ xzke
What is the measuring instrument of time (Kaal) ?
(a) Rag (b) Thata
(c) Taal (d) Gram
2. "kMt xzke dh Jqfr&Loj O;oLFkk D;k gS \ 1
¼d½ 4-3-2-4-4-3-2 ¼[k½ 4-3-2-4-3-4-2
¼x½ 4-4-3-2-4-3-2 ¼?k½ 4-2-4-3-4-3-2
What is the shruti-swara allocation of Shadaj Gram ?
(a) 4-3-2-4-4-3-2 (b) 4-3-2-4-3-4-2
(c) 4-4-3-2-4-3-2 (d) 4-2-4-3-4-3-2
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3. FkkV&jkx i)fr eas FkkVksa dh la[;k fdruh gS \ 1
¼d½ 8 ¼[k½ 9
¼x½ 10 ¼?k½ 11
How many thatas have been considered in Thata-Rag System ?
(a) 8 (b) 9
(c) 10 (d) 11
4. rhoz e/;e ;qDr jkx dc xk;s tkrs gSa \ 1
¼d½ laf/kdky esa ¼[k½ fnu esa
¼x½ nksigj esa ¼?k½ jkf= esa
When the Ragas with Tivra 'Madhyam' are sung ?
(a) during sandhi kal (b) in the morning
(c) in the afternoon (d) at night
5. HkSjo jkx ds oknh&laoknh D;k gSa \ 1
¼d½ /k x ¼[k½ /k js
¼x½ /k e ¼?k½ /k la
What is the vadi-samvadi of Rag Bhairav ?
(a) Dha Ga (b) Dha Re
(c) Dha Ma (d) Dha Sa
6. jkx fcgkx ds vojksg esa dkSu ls Loj nqcZy gSa \ 1
Which swaras are weak in the Avroha of Rag Bihag ?
3623/(Set : D) P. T. O.
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7. jkx dsnkj dk leizkd`frd jkx dkSu&lk gS \ 1
Which one is the Sam Prakritik (having same nature) Rag of Kedar ?
8. ^js e i] fu /k i* Loj lewg fdl jkx esa ls gSa \ 1
'Re Ma Pa, Ni Dha Pa' this passage of swaras belong to which rag ?
9. Jh d`".k jko 'kadj iafMr us fdl laxhr egkfo|ky; dh LFkkiuk dh Fkh \ uke fyf[k,A 1
Name the music school established by Sh. Krishan Rao
Sankar Pandit.
10. mLrkn QS¸;kt [kk¡ fdl ?kjkus ls laca/k j[krs Fks \ 1
Ud. Faiyaz Khan belongs to which Gharana ?
11. rky fdls dgrs gSa \ blds dksbZ nks egÙo fyf[k,A 1½
What do you mean by Taal ? Write its two importance ?
12. ewPNZuk fdls dgrs gSa \ blds fdrus izdkj gSa rFkk dqy fdruh ewPNZuk,¡ gSa \ 1½
What is Murchchhana ? How many types of Murchchhana are there ?
Also mention total Number of Murchchhanas ?
13. D;k jkxksa dk le; fl)kUr ekuuk mfpr gS ;k vuqfpr \ rdZ nsdj le>kb,A 1½
Is the time theory of Ragas logical or not ? Give your opinion.
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14. ^js /k* 'kq) Lojksa okys jkx dc xk;s tkrs gSa \ mnkgj.k lfgr le>kb,A 1½
When the Ragas with 'Re Dha' Shuddha swaras are sung ? Give
example.
15. jkx dsnkj dk vkjksg] vojksg vkSj idM+ fyf[k,A 1½
Write Aroh, Avroh and Pakar of Rag Kedar.
16. jkx Hkheiyklh dk FkkV] vax ,oa xk;u le; fyf[k,A 1½
Write Thata, Anga and Time of singing of Rag Bhimpalasi.
17. fryokM+k rky dk iw.kZ ifjp; fy[krs gq;s bls ,dxqu esa fyfic) dhft,A 2
Write the introduction of Tilwada Taal. Also write its notation in Ekgun.
18. vius ikB~;Øe ds fdlh ,d jkx esa NksVs [;ky ds LFkkbZ dh Loj fyfi fyf[k,A 2
Write the notation of the sthai of fast khayal in any of the ragas of your
syllabus.
19. jkx fcgkx dk iw.kZ ifjp; fyf[k,A 2
Write a detailed description of Rag Bihag.
20. chloha 'krkCnh ds nks egku laxhr m)kjdksa ds uke fyf[k, rFkk ia0 Hkkjr[k.Ms th ds laxhr
ds izfr fd;s x;s dk;ks± dk fooj.k nhft,A 2½
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(6) 3623/(Set : D)
Write the names of two great Music reformers of 20th century and give
a detailed description of the contribution of Pt. Bhatkhande towards
Music.
OR
vFkok
^vdcj ds dky esa laxhr vius peksZRd"kZ ij FkkA* D;k vki bl dFku ls lger gSa \ bl
dky dh iw.kZ fo'ks"krk,¡ fyf[k,A 2½
'During Akbar period Music was at its peak.' Do you agree with this
statement ? Mention the importance of this period in detail.
21. fuEufyf[kr esa ls fdlh ,d laxhrdkj dk thou ifjp; nsrs gq, laxhr ds izfr muds ;ksxnku
dh ppkZ dhft, % m0 QS¸;kt [kk¡ vFkok m0 cM+s xqyke vyh [kk¡A 2½
Give a life sketch and contribution towards Music by any one of the
following Musicians : Ud. Faiyaz Khan or Ud. Bade Gulam Ali Khan.
S