HBSE Class 12 Music Hindustani (Vocal) Question Paper 2018 Set B

CLASS : 12th (Sr. Secondary) Code No. 3623
Series : SS-M/2018

Roll No. SET : B
laxhr fgUnqLrkuh ¼d.B½
MUSIC HINDUSTANI (Vocal)
[ Hindi and English Medium ]
ACADEMIC / OPEN
(Only for Fresh/Re-appear Candidates)

Time allowed : 2.30 hours ] [ Maximum Marks : 30
• Ñi;k tk¡p dj ysa fd bl iz'u&i= esa eqfnzr iz'u 21 gSaA
Please make sure that the printed question paper are contains 21
questions.
• iz'u&i= esa nkfgus gkFk dh vksj fn;s x;s dksM uEcj rFkk lsV dks Nk= mÙkj&iqfLrdk ds
eq[;&i`"B ij fy[ksaA
The Code No. and Set on the right side of the question paper should be
written by the candidate on the front page of the answer-book.
• Ñi;k iz'u dk mÙkj fy[kuk 'kq: djus ls igys] iz'u dk Øekad vo'; fy[ksaA
Before beginning to answer a question, its Serial Number must be written.
• mÙkj&iqfLrdk ds chp esa [kkyh iUuk@iUus u NksMsa+A
Don’t leave blank page/pages in your answer-book.
• mÙkj&iqfLrdk ds vfrfjDr dksbZ vU; 'khV ugha feysxhA vr% vko';drkuqlkj gh fy[ksa vkSj fy[kk
mÙkj u dkVsaA
Except answer-book, no extra sheet will be given. Write to the point and do
not strike the written answer.
• ijh{kkFkhZ viuk jksy ua0 iz'u&i= ij vo'; fy[ksaA
Candidates must write their Roll Number on the question paper.

3623/(Set : B) P. T. O.

(2) 3623/(Set : B)
• d`i;k iz'uksa dk mÙkj nsus lss iwoZ ;g lqfuf'pr dj ysa fd iz'u&i= iw.kZ o lgh gS] ijh{kk ds
mijkUr bl lEcU/k esa dksbZ Hkh nkok Lohdkj ugha fd;k tk;sxkA
• Before answering the questions, ensure that you have been supplied the
correct and complete question paper, no claim in this regard, will be
entertained after examination.

uksV % (i) lHkh ç'u vfuok;Z gSAa
All questions are compulsory.
(ii) ç'uksa ds mÙkj vadkuqlkj nsAa
Answer the questions according to their marks.
(iii) iz'u la[;k 1 ls 5 rd ds fy;s lgh fodYi pqusaA
Choose the right option for Qn. No. 1 to 5.
(iv) iz'u la[;k 6 ls 10 rd ds mÙkj vf/kdre ,d iafDr esa nsaA
Answer the questions in maximum one line for Question No. 6 to 10.

1. xzke ds fdrus izdkj gSa \ 1

¼d½ pkj ¼[k½ nks
¼x½ rhu ¼?k½ ik¡p
How many types of Grams are there ?

(a) Four (b) Two

(c) Three (d) Five

2. vkjksgh o.kZ esa Lojksa dk iz;ksx dSls gksrk gS \ 1

¼d½ Åij ls uhps ¼[k½ uhps ls Åij
¼x½ Loj ij fLFkjrk ¼?k½ dHkh uhps dHkh Åij

(3) 3623/(Set : B)
How swaras are used in Aarohi varna ?

(a) From Top to Bottom

(b) From Bottom to Upward

(c) By stability on swara

(d) Sometimes downwards sometimes upwards

3. egf"kZ Hkjr us fdruh tkfr;k¡ ekuh gSa \ 1

¼d½ 15 ¼[k½ 16
¼x½ 17 ¼?k½ 18
How many Jaties has been considered by Maharshi Bharat ?

(a) 15 (b) 16

(c) 17 (d) 18

4. jkxksa ds le; fl)kUr ds vuqlkj dkSu ls jkx 10 ls 4 cts rd xk;s ctk;s tkrs gSa \ 1
¼d½ js /k dksey Loj okys ¼[k½ js /k 'kq) Loj okys
¼x½ e rhoz Loj okys ¼?k½ x uh dksey Loj okys
Which types of Ragas are sung during 10 to 4. O' Clock according to
time theory of Ragas ?

(a) With Re Dha komal swaras
(b) With Re Dha Shudh Swaras
(c) With Ma Tivra swara
(d) With Ga Ni Komal swaras

3623/(Set : B) P. T. O.

(4) 3623/(Set : B)
5. Hkheiyklh jkx fdl FkkV ls mRiUu gksrk gS \ 1

¼d½ dkQh ¼[k½ dY;k.k
¼x½ fcykoy ¼?k½ [kekt
From which Thata Bhimpalasi Rag has been originated ?
(a) Kafi (b) Kalyan
(c) Bilawal (d) Khamaj

6. jkx HkSjo dks laf/k izdk'k jkx D;ksa dgk tkrk gS \ 1

Why Rag Bhairav has been considered as a Sandhi Prakash Rag ?

7. jkx nsl dk leizkÑfrd jkx dkSu-lk gS \ 1

Which rag is the Samprakritik Rag of Rag des ?

8. idM+ fdls dgrs gSa \ 1

What is Pakar ?

9. mLrkn cM+s xqyke vyh [kk¡ Hkkjr NksM+ fdl ns'k esa pys x;s \ 1

For which country Bade Ghulam Ali Khan left the Indian citizenship ?

10. Jh Ñ".k jko 'kadj iafMr fdl ?kjkus dk izfrfuf/kRo djrs gSa \ 1

Which Gharana of Khayal Pt. Krishan Rao Shankar Pandit represented
?

(5) 3623/(Set : B)
11. ewPNZuk dh ifjHkk"kk rFkk izdkjksa ds uke fy[ksaA 121

Define Murchchhana also mention its types.

12. xed fdls dgrs gSa \ ia0 'kkjax nso us xed ds fdrus izdkj ekus gSa \ 121

What do you know about Gamak ? Also mention number of types it has
(according to Pt. Sharang dev).

13. jkxksa ds le; fl)kUr esa v/on'kZd Loj dk D;k egÙo gS \ la{ksi esa fy[ksaA 121

What is the importance of 'Adhvadarshak' swara in time theory of
Ragas.

14. ekSleh jkxksa dks dc xk;k ctk;k tkrk gS \ nks mnkgj.k nsdj le>kb;sA 121
When seasonal ragas are sung or play ? Give two examples.

15. vius ikB~;Øe ds fdlh ,d iwokZaxoknh jkx dk uke vkSj vkjksg-vojksg fy[ksaA 121

Write the name and Aroh-Avroh of any Purvang-vadi Rag of your
syllabus.

16. ^l e e i] /k i* bl Loj lewg ls jkx dks igpku dj mldk oknh-laoknh fy[ksaA 121
'Sa Ma Ma Pa, Dha Pa' recognise the rag from this passage of swara
and mention its vadi samvadi also.
17. /kekj rky dk laf{kIr ifjp; fy[krs gq;s bldk Bsdk ,dxqu esa fy[ksaA 2

Give a short introduction of Dhamar Taal. Also write its notation in
Ekgun.

18. vius ikB~;Øe ds fdlh ,d jkx ds NksVs [;ky dh LFkkbZ dh Lojfyfi fy[ksaA 2

3623/(Set : B) P. T. O.

(6) 3623/(Set : B)
Write a notation of the sthai of fast khayal in any of the Rag of your
syllabus.

19. jkx HkSjo dk iw.kZ ifjp; fy[ksaA 2

Give a detailed description of Rag Bhairav.

20. ^laxhr jRukdj* xzaFk dk foLr`r o.kZu djsaA 2 21

Explain 'Sangeet Ratnakar' in detail.

vFkok
OR

^vdcj dk dky e/;dky laxhr dk Lo.kZ ;qx Fkk*A mijksDr dFku dks fl) djsaA 2 21
'The period of Akbar has been considered the golden period of music
during medieval period'. Prove this statement.

21. fuEu laxhrdkjksa esa ls fdlh ,d dk thou ifjp; o laxhr ds izfr nsu dk mYys[k djsa % 2 21
mLrkn cM+s xqyke vyh [kk¡ vFkok mLrkn vCnqy djhe [kk¡A

Write a life sketch and contribution towards music by any one of the
following :
Ud. Bade Gulam Ali Khan or Ud. Abdul Karim Khan.

S