MP Board Class 12 Question Paper 2020 for Indian Music

Serial 1 umber
E-817
pr.,•. Roll No.
to.-.
Higher Secondary Examination (Regular) - 2020.

117414 tiii)c-i (frathT) / INDIAN MUSIC (Theoretical)
OM '74 1141 / delcil 301-41. tREIT-47)
(Vocal & Instrumental / Tabla OR Pakhawaj)
(Hindi & English Versions)
Total Total Printed Time : Maximum
Questions : 11 Pages : 8 3 Hours Marks : 50

k 41
WI 9417T t 31-P9- chtea iii r4t I
3P-14N 14 t 1u5 it4" 41 —
N°5-3i 411q-1 cilq-1 3-11T dc1(11 31f yoluvi

t -uu-4 1 # 3 dch q%-iTRY 1;149- 4 # 5 cich 1;FP.9.
KR 23 "A-9. 6 14 4 5f.29- 7 # 9 dcb 51P-9. -ER 53
9-P9- 1 0 t;ci 1 1 dcb ccbSt.1ITT 63-t- aire6-d- t I
qttIlZ -CfP9't 31-
0-MT aFA- '434"r RPM &r—f'(-T F1CfWr I tt I

Instructions :

(i) All questions are compulsory of any one Section.
(ii) There are two sections in the question paper
Section-A : Vocal & Instrumental and Section-B : Tabla OR Pakhawaj
(iii) In both sections Q. Nos. 1 to 3 are objective type question. Q. Nos. 4 to 5 carry
2 marks each and Q. No. 6 carry 4 marks and Q. Nos. 7 to 9 carry 5 marks each
and Q. Nos. 10 and 11 carry 6 marks each.
(iv) There are Internal options in all questions except objective types questions.

161 / E-8 1 7 1 11111111111111 111111111111111 II III NI ERIE P.T.O.

tius — 31.
SECTION — A

TIRM 74 '4T49
(Vocal & Instrumental)

: lx5=5

(i) — 4 11tc t1:14MIT itzfr

(ii) 'UT9- — #fITSWPT

(iii) T - z17 — + A zi-T MITT fo:rr

(iv) aTTFTEE — Ifffit
(v) —

Match the column :
(i) Panchamswara — Swara extension process in fast tempo
(ii) Taan — Sandhiprakash Raga
(iii) Nishaad Swara — Swara extension process in slow templo
(iv) Aalap — Four shrutis
(v) Bhairavi — Two shrutis

2 ftWi• Wke — 1x5=5

(i) (IN t co) tr 1'47 q-RT co) t
TFT 71-TT t I
(ii) 11* tut tut ct)1 AMC t

1-Tralqa* ired urgt
- t
(iv) TR %i
(v) 41tGt) t (Cl( tg W" mei 4 1 1
%

161 / E-817 2 .111111111111111111111111111111111111111111111111 P.T.o.

in the blanks :
The raga which is sung and played between 12 am to 12 pm is
called as Raga.
A sparsh swara is also known as swara.
There are symbol of Khalis in Bhatkhande notation
system.
There are vaanis of Dhrupad.
There are used to symbol for Komal Swaras in Paluskar
notation system.

3 1x5=5

-urr 1-Pzi urzfr tth

rr7R- tr-d-rd- fry f0 61cti t

iTra-u4 tr---f'd 4m =Wig 'TT .ff*T qP 'W4t t I

-urr lifiTpro-Rit t1T f TriT %

3Tra-utri tr--ft lizzi cb trT cb fq.g. fizrr

Write true or false :
(i) There are shadows of other Raga in the Suddha Raga.
(ii) There are no symbols for division in Paluskar notation system.
(iii) There are shown vertical lines on Teewra madhyarn swara in
Bhatkhande notation system.
(iv) Raga Bhimpalasi is origin from Kalyan Thata.
(v) There are not used to any symbols on middle octave notes in
Bhatkhande notation system.

161 / E-817 3 11111111111 11111111111 111111111 1 11 11111111 111111111 101 P.T.O.

4 1-1 1 1-ftrr-u-f( cbt fdref I

Write vaadi and samvaadi swaras of Raga Aasawari.
C:17.)
zi2r4T / OR (.7-1
CD

ti i I-7qt cT cbi ti41 t ?
Co
What is Jaati of Raga Bhupali ?

5 f'
Ati4 I

Write Aaroha-Awroha of raga Bhairavi.
Co
3P-T4T ,/ OR

faurr Mer I
Write Aaroha-Awroha of Raga Bihag.
CO

6 `gcrq' ?
C.)
(.7)
What is Dhrupad ? CZ)

iii / OR
C.)
CO
`cm-ic ZIT offTf11-41A ?

What do you understand by Taranas ?

truft ITT cb.) ''rf'-R4
CO
Arrange the swaras on shrutis with modern system.

smarm / OR

VRICI-WW 717' tf 31Tcl- III WF*14 ?
What do you understand by `Sandhiprakash Raga' ?

161 / E-817 4 11111111 11111111111111111111 111111 II IIII P.T.O.

5

to the thekas of taal roopak in thaha and dugun laya with taal lipis.

3111-4T I OR

41-qT Th-T t- 1- 61 trig QN4 I
rte the thekas of taal teewra in thaha and dugun laya with taal lipis.

(a)
r1 51 foNr-4 I 5

e the life sketch of Swami Hari
aTeNT /

31751rff 1[49. trfk---zr Wit{.4
e the life sketch of Ustad Alauddin Khan.
C)

etiff WE coil . rW(.-,:j
scribe fully" parts of Tanpura.
zi2141 / OR

-q-r7r krqr4 41-h' ciuk
<71
scribe fully parts of your instrumOnt,'
C>
co
11 4-i 4 N-41- w Nqq fqitr4 6

(i) Ttta- atrT 4-1111 4149-

(ii) TITira ito
rite an essay on any one of the fcilwing topics :
Music and human life.
Importance of taal in music.

E-8 1 7 IIIME11111111111111111 11 I 11 P.T.O.

Nus —
SECTION — B

(Tabla OR Pakhawaj)

tictl aPa---4r elwr 1x5=5
(i) dm t 9-11
-6 ct)i ct)6

(ii) LItlicoi ITT Gi-q 4-174 ql t I
(iii) oto c-1-1 fo-TFT t
(iv) WI 110 3TrIgr 1->11 t I
(V) dIM 13w f44-TTIT 6) t I
Write true or false :
(i) A fixed bols group is known as Thekas.
(ii) There are play closed bols on the Pakhawaj.
(iii) There are three divisions in Taal Roopak.
(iv) Sam has on the last beat of the taal.
(v) There are six divisions in Taal Choutaal.

2 krtr : 1x5=5
(i) t110 WITT MCI
(ii) 1TrTgrUi 1:1-4W TM- ft 4±'

(iii) NI-Turr
VrT
afi-F clIC1
(iv) L4T-ct)( tred — cim
(v) TAT-Rr ,x,
Match the columns :
(i) Seven divisions Dhamar Taal
(ii) Bhatkhande system sam symbol 4±'

(iii) Four divisions Aada choutaal
(iv) Paluskar system khalis symbol Choutaal
(v) Two khalis 'x'

1 61 / E-8 17 6 111111110111111 11111 111111111 I II II 111111111

3 -4 : lx5=5
(i) 4 t it4T cbc,ilc1) t I
(ii) cbc-I to 14 trt t
(iii) ,scbv c4-1 6)di t I
(iv) \.itcliq 3-1fffTqr(NT cilqcb I
(v) Vftr-6 cliqcb 0 I
Fill in the blanks :
(i) A process of two beats in one is called as
(ii) There are Taalis in Taal Ektaal.
(iii) Tukadas has at least in Awartana.
(iv) Ustad Allarakha was player.
(v) Kudau singh was player.

4 `cbiqqr LiRci-Tftra. I 2
Define of the `Kayadas'.
311T / OR
tiftliTRru I

Define of the Taran'.

5 `• -UC ? 2
What is `Mukhada' ?
3.1117T / OR

What is 'Pallas' ?

6 dlrT cb cl I -WE tWr bid747 Tj'l eskg 4
Write the thekas of taal keharwa in thaha and dugun laya with Taal lipis.
W.T4T / OR
dim ftr .TT twr 7-
411:, oq 4 roN,sks ''rWr
Write the thekas of taal teewra in thaha and dugun laya with taal lipis.

161 / E-817 I HRII 111111 11111 111111111 11111111111 EINEM P.TO.

7 -tcho ,) cmgqi -ordt Trita- RiNrsks "ri"---4 I 5
Write any one kayadas of taal teentaal with their three paltas in taal lipis.
ZIT4T / OR c=)
niM om 4 cl ic,t) (-1 rmi)lva
Write any one paran in taal choutaal in taClipis.
CC)

8 3174 cilq,ti ifiT-
MT4 f414 I 5
Explain tuning process of your instrument. 2,
ZiaNT / OR c=)
cc)
31-cr4 -7Er -1 dTR:r
. Nit-4
co
Write brief history of your instrument.

9 ARtru *lot cflqcb
i fffaili I 5
Write the life sketch of any famous tabla
iT1 / OR c::)
71ITU
1 igkr4 I
cliqcb

Write the life sketch of any famous pakhawaj player.
c=),
10 3-i-Th c4u Q-N-4 6
Describe fully parts of Tabla. r)
co
aTzT4T / OR
(5 I cl \71 .qc1119- Q-N-4
c=,
Describe fully parts of Pakhawaj.

11 d # r Pcmq 1:17 F*1-4 WI 6
(i) Id!

(ii) I
krIti- I Trlitd- IT-6
Write an essay on any one of the following topics :
(i) Utility of percussion instruments
(ii) Importance of music in schools.

161 / E-8 1 7 8 1111111101111 11111111 1111111 11 1111111111 111111111#