UGC NET Prakrit Question Paper 2018

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J 0 9 1 1 8 PAPER - II
Time : 2 hours] PRAKRIT [Maximum Marks : 200
Number of Pages in this Booklet : 24 Number of Questions in this Booklet : 100
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J-09118 !J-09118-PAPER-II! 1 P.T.O.

PRAKRIT
PAPER - II

Note : This paper contains hundred (100) objective type questions of two (2) marks each.
All questions are compulsory.

1. Prakrit is known as the language of this group :
(1) Dravidian (2) Old Indo-Aryan
(3) Middle Indo-Aryan (4) New Indo-Aryan

2. The development of the period of Prakrit is :
(1) 1500 BCE - 500 BCE (2) 600 BCE - 1000 CE
(3) 800 BCE - 600 BCE (4) 1200 CE - 1700 CE

3. `
Asokan Inscriptional Prakrit is known to be the Prakrit of this period :
(1) Second phase (2) First phase (3) Third phase (4) Modern phase

4. The language of a fisherman is prescribed in ancient dramas is :
(1) MÂgadhÍ (2) PrÂcy (3) `
SaurasenÍ (4) MahÂrÂîòrÍ

5. The word ‘arthapatiÉ’ is changed into MÂgadhÍ as :
`
(1) astavadÍ (2) arthavadÍ (3) astavadÍ (4) aîòavadÍ

6. Intervocalic ‘ë’ is changed into MÂgadhÍ as :

(1) s (2) s̀ (3) î (4) h

7. In MÂgadhÍ conjunct ‘îò’ is changed into :
(1) sòa (2) òòa (3) òòha (4) òha

8. The verbal form ‘tiîòhati’ is changed into MÂgadhÍ as :
(1) tiòòhadi (2) tiòòadi (3) ciòòhai (4) ciîòhadi

9. The language of the s̀vetÂmbara canonical texts is :
(1) `
SaurasenÍ (2) ArdhamÂgadhÍ (3) MÂgadhÍ (4) DÂkîiàÂtyÂ

10. Nominative singular of masculine ‘a’ base is changed into ‘e’ in this Prakrit :
(1) `
SaurasenÍ (2) ÀvantÍ (3) ArdhamÂgadhÍ (4) MahÂrÂîòrÍ

J-09118 !J-09118-PAPER-II! 2 Paper-II

¬˝Ê∑ΧÃ
¬˝‡Ÿ¬òÊ - II

ŸÊ≈U — ß‚ ¬˝‡Ÿ-¬òÊ ◊¥ ‚ÊÒ (100) ’„È-Áfl∑§À¬Ëÿ ¬˝‡Ÿ „Ò¥– ¬˝àÿ∑§ ¬˝‡Ÿ ∑§ ŒÊ (2) •¥∑§ „Ò¥– ‚÷Ë ¬˝‡Ÿ •ÁŸflÊÿ¸ „Ò¥–

1. ¬˝Ê∑Χà ∑§Ê ß‚ ÷Ê·Ê ‚◊Í„ ∑§ •ãê¸Ã ¡ÊŸÊ ¡ÊÃÊ „Ò —
(1) Œ˝Áfl«∏ ÷Ê·Ê (2) ¬˝ÊøËŸ ÷Ê⁄UÃËÿ •Êÿ¸ ÷Ê·Ê
(3) ◊äÿ÷Ê⁄UÃËÿ •Êÿ¸ ÷Ê·Ê (4) •ÊœÈÁŸ∑§ ÷Ê⁄UÃËÿ •Êÿ¸ ÷Ê·Ê

2. ¬˝Ê∑Χà ∑§ Áfl∑§Ê‚ ∑§Ê ÿȪ ÿ„ „Ò —
(1) 1500 ߸.¬Í. - 500 ߸.¬Í. (2) 600 ߸.¬Í. - 1000 ߸SflË
(3) 800 ߸.¬Í. - 600 ߸.¬Í. (4) 1200 ߸SflË - 1700 ߸SflË

3. •‡ÊÊ∑§ ∑§ •Á÷‹πÊ¥ ∑§Ë ¬˝Ê∑Χà ∑§Ê ß‚ ÿȪ ∑§Ë ¬˝Ê∑Χà ∑§ M§¬ ◊¥ ¡ÊŸÊ ¡ÊÃÊ „Ò —
(1) ÁmÃËÿ ÿȪ˟ (2) ¬˝Õ◊ ÿȪ˟ (3) ÃÎÃËÿ ÿȪ˟ (4) •ÊœÈÁŸ∑§ ÿȪ˟

4. ¬˝ÊøËŸ ŸÊ≈U∑§Ê¥ ◊¥ œËfl⁄U ∑§Ë ÷Ê·Ê ÿ„ ÁŸœÊ¸Á⁄Uà „Ò —
(1) ◊ʪœË (2) ¬˝ÊëÿÊ (3) ‡ÊÊÒ⁄U‚ŸË (4) ◊„Ê⁄UÊc≈˛UË

5. “•Õ¸¬Á×” ‡ÊéŒ ∑§Ê ◊ʪœË ◊¥ ß‚ ¬˝∑§Ê⁄U ¬Á⁄UfløŸ „ÊÃÊ „Ò —
(1) •‡ÃflŒË (2) •Õ¸flŒË (3) •SÃflŒË (4) •c≈UflŒË

6. Sfl⁄U-◊äÿflÃ˸ “·” ∑§Ê ◊ʪœË ◊¥ ß‚ M§¬ ‚ ¬Á⁄UfløŸ „ÊÃÊ „Ò —
(1) ‚ (2) ‡Ê (3) · (4) „

7. ◊ʪœË ◊¥ ‚¥ÿÈÄà “c≈U” ∑§Ê ¬Á⁄UfløŸ ÿ„ „ÊÃÊ „Ò —
(1) S≈U (2) ^ (3) _ (4) ∆U

8. “ÁÃc∆UÁÔ Á∑˝§ÿÊM§¬ ∑§Ê ◊ʪœË ◊¥ ÿ„ ¬Á⁄UfløŸ „ÊÃÊ „Ò —
(1) ÁÃ_ÁŒ (2) ÁÃ^ÁŒ (3) Áø_ß (4) Áøc∆UÁŒ

9. ‡flÃÊê’⁄U •Êª◊ ª˝¥ÕÊ¥ ∑§Ë ÷Ê·Ê „Ò —
(1) ‡ÊÊÒ⁄U‚ŸË (2) •œ¸◊ʪœË (3) ◊ʪœË (4) ŒÊÁˇÊáÊÊàÿÊ

10. “•” ∑§Ê⁄UÊãà ¬ÈÁÀ‹¥ª ‡ÊéŒ ¬˝Õ◊Ê ∞∑§fløŸ ◊¥ ß‚ ¬˝Ê∑Χà ◊¥ “∞” ∑§Ê⁄UÊãà „ÊÃÊ „Ò —
(1) ‡ÊÊÒ⁄U‚ŸË (2) •ÊflãÃË (3) •œ¸◊ʪœË (4) ◊„Ê⁄UÊc≈˛UË

J-09118 !J-09118-PAPER-II! 3 Paper-II

11. The hero of the Prakrit ‘DvÂïrayakÂvya’ is :
(1) SÂtavÂhana (2) KumÂrapÂla (3) `
Yasovarm (4) SamarÂditya

12. ‘RÂvaàavaho’ is the other name of this text :
(1) KaØsavaho (2) Setubandha (3) GauÅavaho (4) Davvasaßgaho

13. The kuvalayamÂlÂkah belongs to this type of narrative form :
(1) SaßkÍràakath (2) KhanÅakathÂ
(3) ParihÂsakath (4) Divya-MÂnuîikathÂ

14. Mainly this ‘Rasa’ is found in the Mçacchakatikam :

(1) `
SÂnta Rasa (2) VÍra Rasa (3) S` raßgÂra Rasa (4) Karuàa Rasa

15. Number of chapters (AdhikÂras) of the ÀkhyÂnamaàikosa
` is :
(1) Thirty nine (2) Forty one (3) Fifty three (4) Forty eight

16. Kavi Dhanesvarasöri
` has composed the text :
(1) PaumacariyaØ (2) ManoramÂkahÂ
(3) SurasundrÍcariyaØ (4) SupÂsanÂhacariyaØ

17. The setubandha was composed by :
(1) Vimalasöri (2) Kavi Hall (3) Pravarsena (4) Kalidas

18. The GauÅavaho was composed by :
(1) `
RÂjasekhara (2) VÂkpatirÂja (3) Pravarasena (4) BhojarÂja

19. Identify the Prakrit Khanda Kavya text from the following :
(1) LÍlÂvaÍ (2) UsÂàiruddha (3) VajjÂlagga (4) CandalehÂ

20. The DhörtÂkhyÂna text is a :
(1) Satiric Prakrit work (2) Romantic story
(3) Dramatic work (4) Poetics work

21. VeerasenÂcÂrya is the author of :
(1) Parikarma TÍk (2) ëatkhaàÅÂgama (3) MahÂbandha (4) Dhaval TÍkÂ

J-09118 !J-09118-PAPER-II! 4 Paper-II

11. ¬˝Ê∑Χà ª˝ãÕ “mÊüÊÿ∑§Ê√ÿ” ∑§Ê ŸÊÿ∑§ „Ò —
(1) ‚ÊÃflÊ„Ÿ (2) ∑ȧ◊Ê⁄U¬Ê‹ (3) ÿ‡ÊÊfl◊ʸ (4) ‚◊⁄UÊÁŒàÿ

12. “⁄UÊfláÊfl„Ê” ß‚ ª˝ãÕ ∑§Ê •¬⁄U ŸÊ◊ „Ò —
(1) ∑¥§‚fl„Ê (2) ‚ÃȒ㜠(3) ª©«Ufl„Ê (4) Œ√fl‚¥ª„Ê

13. “∑ȧfl‹ÿ◊Ê‹Ê∑§„Ê” ß‚ ¬˝∑§Ê⁄U ∑§Ë ∑§ÕÊ „Ò —
(1) ‚¥∑§Ëáʸ∑§ÕÊ (2) πá«U∑§ÕÊ
(3) ¬Á⁄U„Ê‚∑§ÕÊ (4) ÁŒ√ÿ-◊ÊŸÈ·Ë ∑§ÕÊ

14. ◊Îë¿U∑§Á≈U∑§◊˜ ª˝ãÕ ∑§Ê ¬˝œÊŸ ⁄U‚ „Ò —
(1) ‡ÊÊãà ⁄U‚ (2) flË⁄U ⁄U‚ (3) oÎ¥ªÊ⁄U ⁄U‚ (4) ∑§L§áÊ ⁄U‚

15. “•ÊÅÿÊŸ◊ÁáÊ∑§Ê‡Ê” ª˝ãÕ ◊¥ ßß •äÿÊÿ (•Áœ∑§Ê⁄U) „Ò¥ —
(1) ©ãÃÊÁ‹‚ (2) ß∑§ÃÊÁ‹‚ (3) ÁÃ⁄U¬Ÿ (4) •«∏ÃÊ‹Ë‚

16. ∑§Áfl œŸ‡fl⁄U‚ÍÁ⁄U Ÿ ÿ„ ª˝ãÕ Á‹πÊ „Ò —
(1) ¬©◊øÁ⁄Uÿ¥ (2) ◊ŸÊ⁄U◊Ê∑§„Ê
(3) ‚È⁄U‚ÈãŒ⁄UËøÁ⁄Uÿ¥ (4) ‚ȬʂŸÊ„øÁ⁄Uÿ¥

17. ‚ÃȒ㜠∑§ ‹π∑§ „Ò¥ —
(1) Áfl◊‹‚ÍÁ⁄U (2) ∑§Áfl „Ê‹ (3) ¬˝fl⁄U‚Ÿ (4) ∑§ÊÁ‹ŒÊ‚

18. “ª©«Ufl„Ê” ߟ∑§ mÊ⁄UÊ ⁄UÁøà „Ò —
(1) ⁄UÊ¡‡Êπ⁄U (2) flÊ∑˜§¬ÁÃ⁄UÊ¡ (3) ¬˝fl⁄U‚Ÿ (4) ÷Ê¡⁄UÊ¡

19. •œÊÁ‹Áπà ◊¥ ‚ ¬˝Ê∑Χà πá«U∑§Ê√ÿ ª˝ãÕ ∑§Ê ¬„øÊŸ¥ —
(1) ‹Ë‹Êfl߸ (2) ©‚ÊÁáÊL§h (3) flí¡Ê‹Çª (4) ø㌋„Ê

20. “œÍÃʸÅÿÊŸ” ß‚ ¬˝∑§Ê⁄U ∑§Ê ª˝ãÕ „Ò —
(1) √ÿ¥ªÊà◊∑§ ¬˝Ê∑Χà ª˝ãÕ (2) ¬˝áÊÿ∑§ÕÊ
(3) ŸÊ≈U∑§Ëÿ ª˝ãÕ (4) ∑§Ê√ÿ‡ÊÊSòÊËÿ ª˝ãÕ

21. flË⁄U‚ŸÊøÊÿ¸ ß‚∑§ ‹π∑§ „Ò¥ —
(1) ¬Á⁄U∑§◊¸ ≈UË∑§Ê (2) ·≈˜πá«Uʪ◊ (3) ◊„ʒ㜠(4) œfl‹Ê ≈UË∑§Ê
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22. The GommatasÂra of ÀcÂrya Nemichandra was composed at :
(1) Manyakheta (2) Shravanabelagola
(3) Amaravati (4) Girnar

23. The Tiloyapaààatti composed by :
(1) Guàadhara (2) S` ivÂrya (3) Vaòòakera (4) Yativraîabha

24. The ‘ PrasnavyÂkaraàa
` ’ Âgama deals mainly with :
(1) JÍva - AjÍva (2) Bandha-Mokîa (3) Puàya-PÂpa (4) Àsrava-SaØvara

`
25. Out of the following four texts, the SaurasenÍ Àgamas are correctly shown in which code ?
(a) SamayasÂra (b) KasÂyapÂhuda (c) Àyaro (d) MölÂcÂra
Code :
(1) (b) + (c) + (a) (2) (a) + (c) + (b) (3) (a) + (b) + (d) (4) (d) + (c) + (a)

26. The ‘PaààavaàÂ’ text is included in this group of texts :
(1) PaiààÂiÙ (2) UpÂßga (3) Aßga (4) Mölasötra

27. Àrya Skandil was a leader of the ÀgamavÂcan (conference) held at :
(1) KÂsÍ (2) Mathur (3) VallabhÍ (4) Udaigiri

28. The correct answer of this query AßgÂàaØ kiØ sÂro ? is this text :
(1) ÀcÂrÂßga (2) VipÂkasötra (3) UvÂsagadasÂo (4) SöyagaÅo

29. The MahÂbandha (Mahadhavala) Àgama was published before 1960 A.D. from :
(1) Nagpur (2) Kashi (3) Ahmedabad (4) Vaishali

`
30. This pair of texts of SaurasenÍ Agama literature is correct :
(1) UttarÂdhyayanasötra, AîòapÂhuda (2) VipÂkasötra, RayanasÂra
(3) ÛiyamsÂra, PaßcÂstikÂya (4) PravacanasÂra, ÀcÂrÂßgasötra

31. The ‘Dhaval TÍkÂ’ is a commentary of this text :
(1) MahÂbandha (2) KasÂyapÂhuÅa (3) MölÂrÂdhan (4) ChakkhaßÅÂgama

32. The title of the first chapter of the UttarÂ-dhayanasötra is :
(1) CittasambhötÍya (2) KesÍgotamÍya (3) ViàayasuyaÙ (4) NamipavvajjÂ

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22. •ÊøÊÿ¸ ŸÁ◊øãŒ˝ mÊ⁄UÊ ªÊê◊≈U‚Ê⁄U ª˝ãÕ ÿ„Ê° ¬⁄U Á‹πÊ ªÿÊ ÕÊ —
(1) ◊Êãÿπ≈U (2) üÊfláÊ’‹ªÊ‹Ê
(3) •◊⁄UÊflÃË (4) Áª⁄UŸÊ⁄U

23. “ÁËÊÿ¬ááÊÁûÊ” ∑§ ⁄UøŸÊ∑§Ê⁄U „Ò¥ —
(1) ªÈáÊœ⁄U (2) Á‡ÊflÊÿ¸ (3) fl^∑§⁄U (4) ÿÁÃflη÷

24. “¬˝‡Ÿ√ÿÊ∑§⁄UáÊ” •Êª◊ ¬˝◊Èπ M§¬ ‚ ß‚ Áfl·ÿ ∑§Ë √ÿÊÅÿÊ ∑§⁄UŸÊ „Ò —
(1) ¡Ëfl-•¡Ëfl (2) ’ãœ-◊ÊˇÊ (3) ¬Èáÿ-¬Ê¬ (4) •Êdfl-‚¥fl⁄U

25. ÁŸêŸÁ‹Áπà øÊ⁄U ª˝ãÕÊ¥ ◊¥ ‚ ‡ÊÊÒ⁄U‚ŸË •Êª◊ ª˝ãÕ Á∑§‚ ∑ͧ≈U ◊¥ ‚„Ë „Ò¥?
(a) ‚◊ÿ‚Ê⁄U (b) ∑§‚Êÿ¬Ê„È«U (c) •ÊÿÊ⁄UÊ (d) ◊Í‹ÊøÊ⁄U
∑ͧ≈U —
(1) (b) + (c) + (a) (2) (a) + (c) + (b) (3) (a) + (b) + (d) (4) (d) + (c) + (a)

26. “¬ááÊfláÊÊ” ª˝ãÕ •Êª◊Ê¥ ∑§ ß‚ ‚◊Í„ ◊¥ ‚Áê◊Á‹Ã „Ò —
(1) ¬ßááÊÊߥ (2) ©¬Ê¥ª (3) •¥ª (4) ◊Í‹‚ÍòÊ

27. •Êÿ¸ S∑§Á㌋ ß‚ •Êª◊ flÊøŸÊ ∑§ ¬˝◊Èπ Õ —
(1) ∑§Ê‚Ë (2) ◊ÕÈ⁄UÊ (3) flÀ‹÷Ë (4) ©ŒÿÁªÁ⁄U

28. “•¥ªÊáÊ¥ Á∑¥§ ‚Ê⁄UÊ?” ß‚ Á¡ôÊÊ‚Ê ∑§Ê ‚„Ë ©ûÊ⁄U ÿ„ ª˝ãÿ „Ò —
(1) •ÊøÊ⁄UÊ¥ª (2) Áfl¬Ê∑§‚ÍòÊ (3) ©flÊ‚ªŒ‚Ê•Ê (4) ‚Íÿª«UÊ

29. ◊„ʒ㜠(◊„Êœfl‹) •Êª◊ ª˝ãÕ 1960 ߸. ∑§ ¬Ífl¸ ÿ„Ê° ‚ ¬˝∑§ÊÁ‡Êà „È•Ê ÕÊ —
(1) ŸÊª¬È⁄U (2) ∑§Ê‡ÊË (3) •„◊ŒÊ’ÊŒ (4) flÒ‡ÊÊ‹Ë

30. ‡ÊÊÒ⁄U‚ŸË •Êª◊ ‚ÊÁ„àÿ ∑§Ê ÿ„ ª˝ãÕ ÿÈÇ◊ ‚„Ë „Ò —
(1) ©ûÊ⁄UÊäÿÿŸ‚ÍòÊ, •c≈U¬Ê„È«U (2) Áfl¬Ê∑§‚ÍòÊ, ⁄UÿáÊ‚Ê⁄U
(3) ÁáÊÿ◊‚Ê⁄U, ¬¥øÊÁSÃ∑§Êÿ (4) ¬˝fløŸ‚Ê⁄U, •ÊøÊ⁄UÊ¥ª‚ÍòÊ

31. “œfl‹Ê ≈UË∑§Ê” ß‚ ª˝ãÕ ∑§Ë ≈UË∑§Ê „Ò —
(1) ◊„ʒ㜠(2) ∑§‚Êÿ¬Ê„È«U (3) ◊Í‹Ê⁄UÊœŸÊ (4) ¿UÄπá«Uʪ◊

32. ©ûÊ⁄UÊäÿÿŸ‚ÍòÊ ∑§ ¬˝Õ◊ •äÿÿŸ ∑§Ê ŸÊ◊ „Ò —
(1) ÁøûÊ‚ê÷ÍÃËÿ (2) ∑§‚˪ÊÃ◊Ëÿ (3) ÁfláÊÿ‚Èÿ¥ (4) ŸÁ◊¬√flí¡Ê

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33. Acharya Bhötabali is a writer of :
(1) MölÂcÂra (2) BhÂvapÂhuÅa (3) PaßcÂstikÂya (4) MahÂbandha

34. The name of the dynasty of emperor Aïoka is :
(1) Nanda dynasty (2) Maurya dynasty (3) Kaniîka dynasty (4) Gupta dynasty

35. The meaning of the word ‘pÂsaÙÅa’ used in the Girnar Version of Aïokan Inscription is :
(1) Hypocrisy (2) Showy (3) Unnatural (4) Sect

36. The line on ‘bamhaàa-samaàÂnaÙ sÂdhu dÂnaÙ’ used in the Girnar Version is found in the :
(1) Ninth (2) Twelfth (3) Seventh (4) Second

37. The line ‘dhammacaraàe pi na bhavati asÍlasa’ is inscribed in this inscription of Aïoka :
(1) Seventh (2) Third (3) Fifth (4) Fourth

38. In this inscription of Aïoka teaching of service to parents has been mentioned :
(1) Fourth (2) Twelfth (3) Third (4) Fifth

39. In this inscription of Aïoka the appointment of women Presidents and women ministers has been
mentioned :
(1) Thirteenth (2) Twelfth (3) Ninth (4) Seventh

40. The period of emperor Kharvela is :
(1) Fifth century BCE (2) Second century CE
(3) First century CE (4) Second century BCE

41. The word ‘Bharadhavasa’ is mentioned in this line of HÂthÍgumph inscription :
(1) Twelfth (2) Tenth (3) Eighth (4) Ninth

42. Conducting an assembly of the sages in KumÂrÍ hill has been mentioned by Emperor KhÂravela in
this line of the Inscription :
(1) Second (2) Fifth (3) Fourteenth (4) Twelfth

43. On which line of the HÂthÍgumph inscription the childhood - plays have been mentioned :
(1) Fourth (2) Twelfth (3) Second (4) Fifth

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33. •ÊøÊÿ¸ ÷ÍÃ’Á‹ ß‚ ª˝ãÕ ∑§ ‹π∑§ „Ò¥ —
(1) ◊Í‹ÊøÊ⁄U (2) ÷Êfl¬Ê„È«U (3) ¬¥øÊÁSÃ∑§Êÿ (4) ◊„Ê’¥œ

34. ‚◊˝Ê≈U •‡ÊÊ∑§ ∑§ fl¥‡Ê ∑§Ê ŸÊ◊ „Ò —
(1) ŸãŒfl¥‡Ê (2) ◊ÊÒÿ¸fl¥‡Ê (3) ∑§ÁŸc∑§fl¥‡Ê (4) ªÈåÃfl¥‡Ê

35. ‚◊˝Ê≈U •‡ÊÊ∑§ ∑§ Áª⁄UŸÊ⁄U-Á‡Ê‹Ê‹π ◊¥ ©¬‹éœ ““¬Ê‚¥«U”” ‡ÊéŒ ∑§Ê •Õ¸ „Ò —
(1) ¬Êπá«U (2) ÁŒπÊfl≈UË (3) •¬˝Ê∑ΧÁÃ∑§ (4) ‚ê¬˝ŒÊÿ

36. “’ê„áÊ‚◊áÊÊŸ¥ ‚ÊœÈ ŒÊŸ¥” ¬Œ ∑§Ê ¬˝ÿÊª Áª⁄UŸÊ⁄U ∑§ ß‚ Á‡Ê‹Ê‹π ◊¥ ©¬‹éœ „Ò —
(1) ŸÊÒflÊ° (2) ’Ê⁄U„flÊ° (3) ‚ÊÃflÊ° (4) ÁmÃËÿ

37. “œê◊ø⁄UáÊ Á¬ Ÿ ÷flÁà •‚Ë‹‚” ¬¥ÁÄà •‡ÊÊ∑§ ∑§ ß‚ Á‡Ê‹Ê‹π ◊¥ ©à∑§Ëáʸ „Ò —
(1) ‚åÃ◊ (2) ÃÎÃËÿ (3) ¬¥ø◊ (4) øÃÈÕ¸

38. •‡ÊÊ∑§ ∑§ ß‚ •Á÷‹π ◊¥ ◊ÊÃÊ-Á¬ÃÊ ∑§Ë ‚flÊ ∑§⁄UŸ ∑§Ë Á‡ÊˇÊÊ ŒË ªß¸ „Ò —
(1) øÃÈÕ¸ (2) mÊŒ‡Ê (3) ÃÎÃËÿ (4) ¬¥ø◊

39. ‚◊˝Ê≈U •‡ÊÊ∑§ ∑§ ß‚ •Á÷‹π ◊¥ SòÊË-•äÿˇÊ ∞fl¥ SòÊË ◊„Ê◊Êàÿ ∑§Ë ÁŸÿÈÁÄà ∑§Ê ©À‹π „Ò —
(1) Ã⁄U„fl¥ (2) ’Ê⁄U„fl¥ (3) ŸÊÒfl¥ (4) ‚ÊÃfl¥

40. ‚◊˝Ê≈U πÊ⁄Ufl‹ ∑§Ê ‚◊ÿ ÿ„ „Ò —
(1) ¬¥ø◊ ‚ŒË ߸.¬Í. (2) ÁmÃËÿ ‚ŒË ߸.
(3) ¬˝Õ◊ ‚ŒË ߸. (4) ÁmÃËÿ ‚ŒË ߸.¬Í.

41. „ÊÕ˪È껧Ê-Á‡Ê‹Ê‹π ∑§Ë ß‚ ¬¥ÁÄà ◊¥ “÷⁄Uœfl‚” ∑§Ê ©À‹π Á◊‹ÃÊ „Ò —
(1) ’Ê⁄U„flË¥ (2) Œ‡Ê◊Ë (3) •Ê∆UflË¥ (4) ŸÊÒflË¥

42. ‚◊˝Ê≈˜U πÊ⁄Ufl‹ ∑§ ∑ȧ◊Ê⁄UË ¬fl¸Ã ¬⁄U ‚ʜȕÊ¥ ∑§Ê ‚ê◊‹Ÿ ’È‹ÊŸ ∑§Ê ©À‹π Á‡Ê‹Ê‹π ∑§Ë ß‚ ¬¥ÁÄà ◊¥ Á∑§ÿÊ „Ò —
(1) ÁmÃËÿ (2) ¬¥ø◊ (3) øÃÈŒ¸‡Ê (4) mÊŒ‡Ê

43. „ÊÕ˪È껧Ê-•Á÷‹π ◊¥ ∑ȧ◊Ê⁄U∑˝§Ë«UÊ ∑§Ê fláʸŸ Á∑§‚ ¬¥ÁÄà ◊¥ ©¬‹éœ „Ò?
(1) øÃÈÕ¸ (2) mÊŒ‡Ê (3) ÁmÃËÿ (4) ¬¥ø◊

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44. This group belongs to Prakrit Saòòakas :
(1) KarpöramaájarÍ, SißgÂramaájarÍ, Kavidarpaàa
(2) NÂmamÂlÂ, Amarakoîa, ÀnandasundarÍ
(3) Mçcchakaòika, KarpöramaájarÍ, Kavidarpaàa
(4) ÀnandasundarÍ, SißgÂramaájarÍ, CandalehÂ

45. Match each author from Part - I and his work from Part - II and identify the correct answer :
Part - I Part - II
(a) Candaleh (i) ` `
Visvesvara
(b) ÀnandasundarÍ (ii) Nayacandra
(c) SißgÂramaájarÍ (iii) Ghanas` yama
(d) RambhÂmaájarÍ (iv) RudradÂsa
Code :
(1) (a) + (iv)
(2) (b) + (i)
(3) (c) + (ii)
(4) (d) + (iii)

46. ‘Vala a sundara ar raaàaßkura JalapaÅivaddhÂ’ this line is quoted from this text.
(1) KarpöramaájarÍ (2) AvimÂraka
(3) `
AbhijáÂnasÂkuntalam (4) Mçcchakaòikam

47. The KarpöramaájarÍ is known as :
(1) NÂòaka (2) Prakaraàa (3) Prahasana (4) Saòòaka

48. In Mçcchakaòikam -
‘Tado mae paÅhamaØ saØtappidavvaØ. haáje, geàha edaØ raaàÂvaliØ, this statement is given
by :
(1) Radanik (2) Basantasen (3) Madanik (4) Vidöîaka

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44. ÿ„ ‚◊Í„ ¬˝Ê∑Χà ‚^∑§Ê¥ ‚ ‚ê’ÁãœÃ „Ò —
(1) ∑§¬Í¸⁄U◊¥¡⁄UË, Á‚¥ªÊ⁄U◊¥¡⁄UË, ∑§ÁflŒ¬¸áÊ
(2) ŸÊ◊◊Ê‹Ê, •◊⁄U∑§Ê·, •ÊŸãŒ‚ÈãŒ⁄UË
(3) ◊Îë¿U∑§Á≈U∑§, ∑§¬Í¸⁄U◊¥¡⁄UË, ∑§ÁflŒ¬¸áÊ
(4) •ÊŸãŒ‚ÈãŒ⁄UË, Á‚¥ªÊ⁄U◊¥¡⁄UË, ø㌋„Ê

45. ¬˝Õ◊ ÷ʪ ‚ ¬˝àÿ∑§ ‹π∑§ •ÊÒ⁄U ÁmÃËÿ ÷ʪ ‚ ©Ÿ∑§Ë ⁄UøŸÊ•Ê¥ ∑§Ê Á◊‹ÊŸ ∑§ËÁ¡∞ •ÊÒ⁄U ‚„Ë ©ûÊ⁄U ¬„øÊÁŸ∞ —
÷ʪ - I ÷ʪ - II
(a) ø㌋„Ê (i) Áfl‡fl‡fl⁄U
(b) •ÊŸãŒ‚ÈãŒ⁄UË (ii) ŸÿøãŒ˝
(c) Á‚¥ªÊ⁄U◊Ü¡⁄UË (iii) ÉÊŸ‡ÿÊ◊
(d) ⁄Uê÷Ê◊Ü¡⁄UË (iv) L§Œ˝ŒÊ‚
∑ͧ≈U —
(1) (a) + (iv)
(2) (b) + (i)
(3) (c) + (ii)
(4) (d) + (iii)

46. “fl‹•Ê • ‚ÈãŒ⁄U •⁄UÊ ⁄U•áÊ¥∑ȧ⁄U¡Ê‹¬Á«UflhÊ” ÿ„ ¬¥ÁÄà ߂ ª˝ãÕ ‚ ©hÎà „Ò —
(1) ∑§¬Í¸⁄U◊Ü¡⁄UË (2) •Áfl◊Ê⁄U∑§
(3) •Á÷ôÊÊŸ‡ÊÊ∑ȧãË◊˜ (4) ◊Îë¿U∑§Á≈U∑§◊˜

47. ∑§¬Í¸⁄U◊¥¡⁄UË „Ò —
(1) ŸÊ≈U∑§ (2) ¬˝∑§⁄UáÊ (3) ¬˝„‚Ÿ (4) ‚^∑§

48. ◊Îë¿U∑§Á≈U∑§◊˜ ◊¥ -
“ÃŒÊ ◊∞ ¬…U◊¥ ‚¥ÃÁ嬌√fl¥– „Ü¡, ªá„ ∞Œ¥ ⁄U•áÊÊflÁ‹¥–” ÿ„ ∑§ÕŸ ߟ∑§ mÊ⁄UÊ ∑§„Ê ªÿÊ „Ò —
(1) ⁄UŒÁŸ∑§Ê (2) ’‚ãÂŸÊ (3) ◊ŒÁŸ∑§Ê (4) ÁflŒÍ·∑§

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49. Read the units I and II for the correct match :
I II
(a) Chandakosa ` (i) VirahÂßka
(b) GahÂlakkhaàa (ii) Ratnasekhar
` suri
(c) Svayambhö Chanda (iii) NanditÂÅhya
(d) VçttajÂtisamuccaya (iv) Svayambhö
Choose the correct answer :
(a) (b) (c) (d)
(1) (iv) (i) (ii) (iii)
(2) (iii) (iv) (i) (ii)
(3) (ii) (iii) (iv) (i)
(4) (i) (ii) (iii) (iv)

50. Ebba àedaØ, turagassa sigghattaàe kiØ pucchÍanti’ this statement used by :
(1) Kuraßgik (2) VaitÂlika (3) Vicakîaà (4) Vidöîaka

51. The PÂiyalacchÍnÂmamÂl is composed by :
(1) Hemachandra (2) DhanapÂla (3) Jinaprabha (4) `
Visvanatha

52. In MçcchakaòikaØ -
‘Ko taØ guàÂravindaØ sÍlamiaßkaØ Jaào àa JÂàÂsi’ this statement is given by :
(1) Basantasen `
(2) Sakara (3) Candanaka (4) VÍraka

53. RayaàÂvalÍ is the text of this kind :
(1) Kavya (2) Drama (3) `
Kosa (4) Chanda

54. RayaàÂvalÍ is composed in this language :
(1) PÂli (2) Apabhramɺ sa ` (3) Sanskrit (4) Prakrit

55. This is not a correct pair :
(1) Jinabhadra - RayaàÂvalÍ (2) Virahaßka - VçttajÂtisamuccaya
(3) DhanapÂla - PÂiyalacchÍnÂmamÂl (4) `
Ratnasekhar suri - Chandakosa
`

56. ‘OhÂrio pavahaào Vaccai majjheàa rÂamaggassa’ this line occurs in this work :
(1) KarpöramaájarÍ (2) RambhÂmaájarÍ (3) Mçcchakaòikam (4) MudrÂrÂkîasa

57. The Prakrit paißgalaØ was composed in this century :
(1) 11th CE (2) 13th CE (3) 14th CE (4) 12th CE

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49. ‚„Ë Á◊‹ÊŸ ∑§ Á‹∞ ¬˝Õ◊ •ÊÒ⁄U ÁmÃËÿ ÃÊÁ‹∑§Ê•Ê¥ ∑§Ê ¬Á…∏∞ —
I II
(a) ¿UãŒ∑§Ê‡Ê (i) Áfl⁄U„Ê¥∑§
(b) ªÊ„Ê‹ÄπáÊ (ii) ⁄UàŸ‡Êπ⁄U‚ÍÁ⁄U
(c) Sflÿê÷Í ¿U㌠(iii) ŸÁãŒÃÊ…˜ÿ
(d) flÎûÊ¡ÊÁÂ◊Èëøÿ (iv) Sflÿê÷Í
‚„Ë ©ûÊ⁄U ∑§Ê øÈÁŸ∞ —
(a) (b) (c) (d)
(1) (iv) (i) (ii) (iii)
(2) (iii) (iv) (i) (ii)
(3) (ii) (iii) (iv) (i)
(4) (i) (ii) (iii) (iv)

50. “∞é’ áÊŒ¥ ÃÈ⁄UªS‚ Á‚ÇÉÊûÊáÊ Á∑¥§ ¬Èë¿UË•¥ÁÔ ÿ„ ∑§ÕŸ ߟ∑§ mÊ⁄UÊ ¬˝ÿÈÄà Á∑§ÿÊ ªÿÊ —
(1) ∑ȧ⁄UÁX∑§Ê (2) flÒÃÊÁ‹∑§ (3) ÁfløˇÊáÊÊ (4) ÁflŒÍ·∑§

51. ¬Êßÿ‹ë¿UËŸÊ◊◊Ê‹Ê ßŸ∑§ mÊ⁄UÊ Á‹πË ªÿË „Ò —
(1) „◊øãŒ˝ (2) œŸ¬Ê‹ (3) Á¡Ÿ¬˝÷ (4) Áfl‡flŸÊÕ

52. ◊Îë¿U∑§Á≈U∑§◊˜ ◊¥ -
“∑§Ê Ã¥ ªÈáÊÊ⁄UÁfl㌥ ‚Ë‹Á◊•¥∑¥§ ¡áÊÊ áÊ ¡ÊáÊÊÁ‚” ÿ„ ∑§ÕŸ ߟ∑§ mÊ⁄UÊ ∑§„Ê ªÿÊ „Ò —
(1) ’‚ãÂŸÊ (2) ‡Ê∑§Ê⁄U (3) ø㌟∑§ (4) flË⁄U∑§

53. ⁄UÿáÊÊfl‹Ë ß‚ ÁflœÊ ∑§Ë ⁄UøŸÊ „Ò —
(1) ∑§Ê√ÿ (2) ŸÊ≈U∑§ (3) ∑§Ê‡Ê (4) ¿UãŒ

54. ⁄UÿáÊÊfl‹Ë ß‚ ÷Ê·Ê ◊¥ ÁŸ’h „Ò —
(1) ¬ÊÁ‹ (2) •¬÷˝¥‡Ê (3) ‚¥S∑Χà (4) ¬˝Ê∑ΧÃ

55. ÿ„ ÿÈÇ◊ ‚„Ë Ÿ„Ë¥ „Ò —
(1) Á¡Ÿ÷Œ˝ - ⁄UÿáÊÊfl‹Ë (2) Áfl⁄U„Ê¥∑§ - flÎûÊ¡ÊÁÂ◊Èëøÿ
(3) œŸ¬Ê‹ - ¬Êßÿ‹ë¿UËŸÊ◊◊Ê‹Ê (4) ⁄UàŸ‡Êπ⁄U ‚ÍÁ⁄U - ¿UãŒ∑§Ê‡Ê

56. “•Ê„ÊÁ⁄U•Ê ¬fl„áÊÊ flëøß ◊í¤ÊáÊ ⁄UÊ•◊ǪS‚” ÿ„ ¬¥ÁÄà ߂ ª˝ãÕ ◊¥ ©¬‹éœ „Ò —
(1) ∑§¬Í¸⁄U◊Ü¡⁄UË (2) ⁄Uê÷Ê◊Ü¡⁄UË (3) ◊Îë¿U∑§Á≈U∑§◊˜ (4) ◊ÈŒ˝Ê⁄UÊˇÊ‚

57. ¬˝Ê∑Χìҥª‹◊˜ ß‚ ‡ÊÃÊéŒË ◊¥ Á‹πË ªÿË „Ò —
(1) 11 flË¥ ‡ÊÃË ß¸. (2) 13 flË¥ ‡ÊÃË ß¸. (3) 14 flË¥ ‡ÊÃË ß¸. (4) 12 flË¥ ‡ÊÃË ß¸.

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58. The raÅÅa chanda of Apabhramɺ sa
` is found, the text is :
(1) AlaßkÂra dappaàa (2) VçttajÂtisamuccaya
(3) Kavidarpaàa (4) GÂhÂlakkhaàa

59. In MçcchakaòikaØ :
‘ Es` e mhi tulidatulide laßkÂàa alÍe gaaàa gacchante’, this statement used by :
(1) Bhikîu (2) VÍraka (3) Vidöîaka (4) `
Sakara

60. The number of the GÂthÂs in GahÂlakkhaàa is :
(1) 82 (2) 72 (3) 90 (4) 92

61. The word ‘SarvajáaÉ’ is changed into MahÂrÂîòrÍ as :
(1) Savvaàào (2) Savvaààö (3) Savaààö (4) Savvajjö

62. In MahÂrÂîòrÍ the preceding vowel of the conjunct consonants becomes thus :
(1) short (2) long (3) prolated (4) elided

63. Root bhö is substituted in MahÂrÂîòri as :
(1) raho, rahuva, rahava (2) kho, khuva, khava
(3) ho, huva, hava (4) saho, sahuva, sahava

64. Changing of à into n is found in this Prakrit :
(1) `
SÂkÂrÍ (2) ÄhakkÍ (3) MahÂrÂîòrÍ (4) PaiïÂcÍ

65. The word ‘hçdaya’ is developed into PaisÂcÍ
` as :
(1) hiyaya (2) hitapaka (3) hidao (4) hidayo

66. This is an ApabhraÙsa
` term of the word ‘tçàa’ optionally’:
(1) tin (2) tan (3) tçàu (4) tÂna

67. This is an example of quantitative change :
(1) s̀ayy > sejj (2) puîkara > pokkhara
(3) lat > lay (4) deva > deva

68. This is not an example of palatalization :
(1) Sacca٠(2) kicc (3) gajja (4) sakka

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58. •¬÷˝¥‡Ê ∑§Ê ⁄UaÊ ¿U㌠Á¡‚◊¥ ¬ÊÿÊ ¡ÊÃÊ „Ò, fl„ ª˝ãÕ „Ò —
(1) •‹VÊ⁄U Œå¬áÊ (2) flÎûÊ¡ÊÁÂ◊Èëøÿ
(3) ∑§ÁflŒ¬¸áÊ (4) ªÊ„Ê‹ÄπáÊ

59. ◊Îë¿U∑§Á≈U∑§◊˜ ◊¥ -
“∞‡Ê Áê„ ÃÈÁ‹ŒÃÈÁ‹Œ ‹VÊáÊ •‹Ë∞ ª•áÊ ªë¿UãÃ” ÿ„ ∑§ÕŸ ߟ∑§ mÊ⁄UÊ ∑§„Ê ªÿÊ „Ò —
(1) Á÷ˇÊÈ (2) flË⁄U∑§ (3) ÁflŒÍ·∑§ (4) ‡Ê∑§Ê⁄U

60. ªÊ„Ê‹ÄπáÊ ◊¥ ªÊÕÊ•Ê¥ ∑§Ë ‚¥ÅÿÊ ÿ„ „Ò¥ —
(1) 82 (2) 72 (3) 90 (4) 92

61. “‚fl¸ôÊ—” ‡ÊéŒ ∑§Ê ◊„Ê⁄UÊc≈˛UË ¬˝Ê∑Χà ◊¥ ÿ„ ¬Á⁄UfløŸ „ÊÃÊ „Ò —
(1) ‚√flááÊÊ (2) ‚√flááÊÍ (3) ‚flááÊÍ (4) ‚√flí¡Í

62. ◊„Ê⁄UÊc≈˛UË ◊¥ ‚¥ÿÈÄà √ÿ¥¡Ÿ ∑§ ¬Ífl¸ Sfl⁄U ∑§Ë ÁSÕÁà ∞‚Ë „ÊÃË „Ò —
(1) OSfl (2) ŒËÉʸ (3) ‹Èåà (4) ‹Ê¬

63. ÷Í œÊÃÈ ∑§Ê ◊„Ê⁄UÊc≈˛UË ◊¥ ÿ„ •ÊŒ‡Ê „ÊÃÊ „Ò —
(1) ⁄U„Ê, ⁄U„Èfl, ⁄U„fl (2) πÊ, πÈfl, πfl
(3) „Ê, „Èfl, „fl (4) ‚„Ê, ‚„Èfl, ‚„fl

64. “áÊ” ∑§ SÕÊŸ ¬⁄U “Ÿ” ◊¥ ¬Á⁄UfløŸ „ÊŸÊ ß‚ ¬˝Ê∑Χà ◊¥ ¬ÊÿÊ ¡ÊÃÊ „Ò —
(1) ‡ÊÊ∑§Ê⁄UË (2) …UP§Ë (3) ◊„Ê⁄UÊc≈˛UË (4) ¬Ò‡ÊÊøË

65. “NŒÿ” ‡ÊéŒ ∑§Ê ¬Ò‡ÊÊøË ◊¥ ÿ„ Áfl∑§Ê‚ „È•Ê „Ò —
(1) Á„ÿÿ (2) Á„ì∑§ (3) Á„Œ•Ê (4) Á„ŒÿÊ

66. •¬÷˝‡Ê¥ ◊¥ “ÃÎáÊ” ‡ÊéŒ ∑§Ê Áfl∑§À¬ ‚ ÿ„ M§¬ „Ò —
(1) ÁÃŸÊ (2) ÃŸÊ (3) ÃÎáÊÈ (4) ÃÊŸ

67. ÿ„ ªÈáÊÊà◊∑§ ¬Á⁄UfløŸ ∑§Ê ©ŒÊ„⁄UáÊ „Ò —
(1) ‡ÊƒÿÊ > ‚í¡Ê (2) ¬Èc∑§⁄U > ¬ÊÄπ⁄U
(3) ‹ÃÊ > ‹ÿÊ (4) Œfl > Œfl

68. ÿ„ ÃÊ‹√ÿË∑§⁄UáÊ ∑§Ê ©ŒÊ„⁄UáÊ Ÿ„Ë¥ „Ò —
(1) ‚ëø¥ (2) Á∑§ëøÊ (3) ªí¡ (4) ‚P§

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69. ‘Sottio via suhovaviòòho àiddÂadi duvÂrio’ is found in this text :
(1) KarpöramaájarÍ (2) MçcchakaòikaØ (3) MudrÂrÂkîasa (4) CandalehÂ

70. The subject matter of Kavidarpaàa is :
(1) AlaØkÂra (2) Kosa ` (3) Kavya (4) Chanda

71. In Prakrit Sandhi does not occur in this case :
(1) a + Â (2) Â + u (3) i+a (4) a+i

72. This vowel does not occur in Prakrit :
(1) Í (2) au (3) e (4) o

73. In Prakrit Visarga after ‘a’ sound becomes :
(1) Â (2) i (3) o (4) ö

74. In Prakrit Genitive Plural of the word ‘mÂlÂ’ becomes :
(1) mÂlÂsu (2) mÂlÂe (3) mÂleàa, mÂleàaÙ (4) mÂlÂàa, mÂlÂàaÙ

75. The author of KahÂrayaàa Kosa is :
(1) Guàacandra (2) Somaprabhasöri (3) `
Mahesvarasöri (4) Jinaharîagaài

76. This is the correct group of Aßga-Àgamas :
(1) ÀyÂro, SöyagaÅo, PavayaàasÂro
(2) UvÂsagadasÂo, DasveÂliyam, UttarajjhayaàÂài
(3) PaàhavÂgaraàÂiÙ, BhagavaÍ, AntagaÅadasÂo
(4) ÀyÂro, SamavÂyÂßga, MölÂcÂra

77. Match the Unit - I and II for the correct answer :
Unit - I Unit - II
(a) BhagavaÍ - SuttaÙ (i) Cheda Sötra
(b) JÍvÂjÍvÂbhigama (ii) Aßga - Àgama
(c) VavahÂrasuttaÙ (iii) Mölasötra
(d) UttarajjhayaàaÙ (iv) UpÂßga-Àgama
Choose the correct answer :
(1) (a) + (iv)
(2) (b) + (i)
(3) (c) + (ii)
(4) (d) + (iii)

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69. “‚ÊÁûÊ•Ê Áfl• ‚È„ÊflÁfl_Ê ÁáÊgÊ•ÁŒ ŒÈflÊÁ⁄U•Ê” ÿ„ ß‚ ª˝ãÕ ◊¥ ¬˝Êåà „ÊÃÊ „Ò —
(1) ∑§¬Í¸⁄U◊Ü¡⁄UË (2) ◊Îë¿U∑§Á≈U∑§◊˜ (3) ◊ÈŒ˝Ê⁄UÊˇÊ‚ (4) ø㌋„Ê

70. ∑§ÁflŒ¬¸áÊ ∑§Ë Áfl·ÿflSÃÈ ÿ„ „Ò —
(1) •‹VÊ⁄U (2) ∑§Ê‡Ê (3) ∑§Ê√ÿ (4) ¿UãŒ

71. ¬˝Ê∑Χà ◊¥ ß‚ ◊¥ ‚Á㜠Ÿ„Ë¥ „ÊÃË —
(1) • + •Ê (2) •Ê + © (3) ß+• (4) •+ß

72. ÿ„ Sfl⁄U ¬˝Ê∑Χà ◊¥ Ÿ„Ë¥ „Ò —
(1) ߸ (2) •ÊÒ (3) ∞ (4) •Ê

73. ¬˝Ê∑Χà ◊¥ “•” äflÁŸ ‚ ¬⁄U ÁSÕà Áfl‚ª¸ ∑§Ê ÿ„ „ÊÃÊ „Ò —
(1) •Ê (2) ß (3) •Ê (4) ™§

74. ¬˝Ê∑Χà ◊¥ “◊Ê‹Ê” ‡ÊéŒ ∑§ ·c∆UË ’„ÈfløŸ ∑§Ê ÿ„ M§¬ „Ò —
(1) ◊Ê‹Ê‚È (2) ◊Ê‹Ê∞ (3) ◊Ê‹áÊ, ◊Ê‹áÊ¥ (4) ◊Ê‹ÊáÊ, ◊Ê‹ÊáÊ¥

75. ∑§„Ê⁄UÿáÊ ∑§Ê‚ ∑§ ⁄UøŸÊ∑§Ê⁄U „Ò¥ —
(1) ªÈáÊøãŒ˝ (2) ‚Ê◊¬˝÷‚ÍÁ⁄U (3) ◊„‡fl⁄U‚ÍÁ⁄U (4) Á¡Ÿ„·¸ªÁáÊ

76. •¥ª •Êª◊Ê¥ ∑§Ê ÿ„ ‚„Ë ‚◊Í„ „Ò —
(1) •ÊÿÊ⁄UÊ, ‚Íÿª«UÊ, ¬flÿáÊ‚Ê⁄UÊ
(2) ©flÊ‚ªŒ‚Ê•Ê¥, Œ‚fl•ÊÁ‹ÿ¥, ©ûÊ⁄Uí¤ÊÿáÊÊÁáÊ
(3) ¬á„flʪ⁄UáÊÊߥ, ÷ªfl߸, •¥Ãª«UŒ‚Ê•Ê
(4) •ÊÿÊ⁄UÊ, ‚◊flÊÿÊ¥ª, ◊Í‹ÊøÊ⁄U

77. ß∑§Ê߸ ¬˝Õ◊ ∞fl¥ ÁmÃËÿ ∑§Ê ‚„Ë ©ûÊ⁄U ∑§ Á‹∞ Á◊‹ÊŸ ∑§ËÁ¡∞ —
ß∑§Ê߸ - ¬˝Õ◊ ß∑§Ê߸ - ÁmÃËÿ
(a) ÷ªfl߸ ‚ÈûÊ¥ (i) ¿UŒ‚ÍòÊ
(b) ¡ËflÊ¡ËflÊÁ÷ª◊ (ii) •¥ª-•Êª◊
(c) flfl„Ê⁄U‚ÈûÊ¥ (iii) ◊Í‹-‚ÍòÊ
(d) ©ûÊ⁄Uí¤ÊÿáÊ¥ (iv) ©¬Ê¥ª-•Êª◊
‚„Ë ©ûÊ⁄U ∑§Ê øÿŸ ∑§ËÁ¡∞ —
(1) (a) + (iv)
(2) (b) + (i)
(3) (c) + (ii)
(4) (d) + (iii)

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78. The name of this garden has been mentioned in the chapter of kesi
` -GotamÍya of Uttaradhyayana.

(1) GuàaïÍla (2) Tinduka (3) `
SÂlibhadra (4) DurgilÂ

79. The UttarÂdhyayna Sötra has this number of chapters :
(1) 36 (2) 38 (3) 40 (4) 42

80. SattacchaÂàam gandho laggai hiae ............. !’’
,
this portion of verse the ‘SattacchaÂàam’ term reffered to :
(1) Seven types of shadow
(2) Touching seven leaves
(3) Tree with the bunch of seven leaves
(4) Leaves with hole

81. The inherent meaning of the word ‘samaàa’ as mentioned in the pravacanasÂra is :
(1) AnaÙtavÍrio (2) Sama-suha-dukkho
(3) dhammassa kattÂro (4) àeyaÙ loyÂloyaÙ

82. The name of vidöîaka of KarpöramaájarÍ is :
(1) Maitreya (2) CaàÅapÂla (3) BhairavÂnanda (4) Kapiájala

83. Total number of mÂtrÂs are found in ‘‘GÂhÂ’’ chanda :
(1) 41 (2) 37 (3) 35 (4) 57

84. Identify the correct pair :
(1) Jo jÂàadi so àÂàam - ìivÂrya
(2) Tamh Savve vi àay micchÂdiòòhÍ - Kundakunda
(3) TikkÂle cadupÂà - Siddhasena
(4) DhammeÙ viàu àa atthu SÂhijjai - Kavi Puîpadanta

85. As reffered in the UttarÂdhyayanasötra, kesÍ
` Kumar was the :

(1) Deva (2) TÍrthaßkara (3) S` ramaàa (4) Sarvajáa

86. The number of sub chapters ( Uddesaka
` ’s) of ‘‘Lokavicaya’’ chapters of ÀcÂrÂßga is :
(1) 6 (2) 7 (3) 9 (4) 10

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78. ©ûÊ⁄UÊäÿÿŸ ∑§ ∑§Á‡Ê-ªÊÒÃ◊Ëÿ •äÿÿŸ ◊¥ ß‚ ©lÊŸ ∑§Ê ©À‹π „Ò —
(1) ªÈáʇÊË‹ (2) ÁÃãŒÈ∑§ (3) ‡ÊÊÁ‹÷Œ˝ (4) ŒÈÁª¸‹Ê

79. ©ûÊ⁄UÊäÿÿŸ ‚ÍòÊ ◊¥ •äÿÿŸ „Ò —
(1) 36 (2) 38 (3) 40 (4) 42

80. ““‚ûÊë¿U•ÊáÊ¥ ªãœÊ ‹Çªß Á„•∞ .............. !’’
ªÊÕÊ¥‡Ê ◊¥ “‚ûÊ¿U•ÊáÊ¥” ¬Œ ‚ •Á÷¬˝à „Ò —
(1) ‚Êà ¬˝∑§Ê⁄U ∑§Ë ¿UÊÿÊ
(2) ‚Êà ¬ûÊÊ¥ ∑§Ê S¬‡Ê¸ ∑§⁄UŸÊ
(3) ‚Êà ¬ûÊÊ¥ ∑§ ªÈë¿U flÊ‹Ê flΡÊ
(4) Á¿UŒ˝ ‚Á„à ¬ûÊ

81. ¬˝fløŸ‚Ê⁄U ◊¥ ‚◊áÊ ‡ÊéŒ ∑§Ê •Õ¸ ß‚◊¥ ÁŸÁ„à „Ò —
(1) •áÊ¥Ãfl⁄UflËÁ⁄U•Ê (2) ‚◊‚È„ŒÈÄπÊ
(3) œê◊S‚ ∑§ûÊÊ⁄UÊ (4) áÊÿ¥ ‹ÊÿÊ‹Êÿ¥

82. ∑§¬Í¸⁄U◊Ü¡⁄UË ◊¥ ÁflŒÍ·∑§ ∑§Ê ŸÊ◊ ÿ„ „Ò —
(1) ◊ÒòÊÿ (2) øá«U¬Ê‹ (3) ÷Ò⁄Uflʟ㌠(4) ∑§Á¬Ü¡‹

83. ““ªÊ„Ê”” ¿U㌠◊¥ ∑ȧ‹ Á◊‹Ê∑§⁄U ßÃŸË ◊ÊòÊÊ∞° „ÊÃË „Ò¥ —
(1) 41 (2) 37 (3) 35 (4) 57

84. ‚„Ë ÿÈÇ◊ ¬„øÊÁŸÿ —
(1) ¡Ê ¡ÊáÊÁŒ ‚Ê áÊÊáÊ¥ - Á‡ÊflÊÿ¸
(2) Ãê„Ê ‚√fl Áfl áÊÿÊ Á◊ë¿UÊÁŒ_Ë - ∑ȧãŒ∑ȧãŒ
(3) ÁÃÄ∑§Ê‹ øŒÈ¬ÊáÊÊ - Á‚h‚Ÿ
(4) œê◊¥ ÁfláÊÈ áÊ •àÕÈ ‚ÊÁ„í¡ß - ∑§Áfl ¬Èc¬ŒãÃ

85. ©ûÊ⁄UÊäÿÿŸ‚ÍòÊ ◊¥ ©ÁÀ‹Áπà ∑§‡ÊË ∑ȧ◊Ê⁄U Õ —
(1) Œfl (2) ÃËÕZ∑§⁄U (3) üÊ◊áÊ (4) ‚fl¸ôÊ

86. •ÊøÊ⁄UÊ¥ª ∑§ ‹Ê∑§Áfløÿ •äÿÿŸ ∑§ ©Œ˜Œ‡Ê∑§Ê¥ ∑§Ë ‚¥ÅÿÊ „Ò —
(1) 6 (2) 7 (3) 9 (4) 10

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87. ‘‘Aàu-gurudeha-PamÂào’’ in this term, according to Dravya Saßgraha refford to the feature of
this substance :
(1) KÂla Dravya (2) Dharma Dravya (3) JÍva Dravya (4) ` Dravya
ÀkÂsa

88. The subject matter of JáÂnÂdhikÂra of PravacansÂra is :
(1) MahÂvrata (2) Dravya-Guàa Vivecana
(3) Àtma - JáÂna Swaröpa (4) Karma SiddhÂnta

89. ÀcÂrya Haribhadra Söri belongs to this period :
(1) Fifth Century C.E. (2) Seventh Century C.E.
(3) Eighth Century C.E. (4) Eleventh Century C.E.

90. This pair is not correct :
(1) VasudevahiàÅÍ - SaßghadÂsa DharmadÂsagaài
(2) KumÂra vÂlapaÅiboha - Somaprabha Söri
(3) JinadattÂkhyana - Jinaharîa Söri
(4) ÀkkhÂàayamaàikosa - Nemicandra Söri

91. The number of works in ApabhraÙïa of MahÂkavi puîpadanta is :
(1) Two (2) Three (3) Five (4) Six

92. ‘‘Aha paÅivaààavirohe rÂhavavammahasareàa mÂàabbhahie’’. This portion of verse occurs in
this work :
(1) KuvalayamÂlÂkah (2) Setubandha
(3) GauÅavaho (4) PaumacariaÙ

93. This statement is not true :
(1) Setubandha is an epic
(2) Setubandha has been written in MahÂrÂîòri Prakrit
(3) The story of setubandha is related to churning of the ocean
(4) Setubandha has been written by Praversena.

94. Simili of a person without PuruîÂrtha is given in KuvalayamÂlÂkah as :
(1) Lotus (2) Campaka flower (3) Rose (4) Sugarcane flower

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87. ““•áÊÈ-ªÈL§Œ„-¬◊ÊáÊÊ”” ¬Œ ◊¥ Œ˝√ÿ‚¥ª˝„ ∑§ •ŸÈ‚Ê⁄U ß‚ Œ˝√ÿ ∑§Ê ‹ˇÊáÊ „Ò —
(1) ∑§Ê‹ Œ˝√ÿ (2) œ◊¸ Œ˝√ÿ (3) ¡Ëfl Œ˝√ÿ (4) •Ê∑§Ê‡Ê Œ˝√ÿ

88. ¬˝fløŸ‚Ê⁄U ∑§ ôÊÊŸÊÁœ∑§Ê⁄U ∑§Ê fláÿ¸-Áfl·ÿ „Ò —
(1) ◊„Êfl˝Ã (2) Œ˝√ÿªÈáÊ ÁflfløŸ
(3) •Êà◊Ê-ôÊÊŸ SflM§¬ (4) ∑§◊¸ Á‚hÊãÃ

89. •ÊøÊÿ¸ „Á⁄U÷Œ˝ ‚ÍÁ⁄U ß‚ ‡ÊÃÊéŒË ∑§ ⁄UøŸÊ∑§Ê⁄U „Ò¥ —
(1) ¬Ê°øflË¥ ߸SflË ‡ÊÃÊéŒË (2) ‚ÊÃflË¥ ߸SflË ‡ÊÃÊéŒË
(3) •Ê∆UflË¥ ߸SflË ‡ÊÃÊéŒË (4) ÇÿÊ⁄U„flË¥ ߸SflË ‡ÊÃÊéŒË

90. ÿ„ ÿÈÇ◊ ‚„Ë Ÿ„Ë¥ „Ò —
(1) fl‚ÈŒflÁ„á«UË - ‚¥Éʌʂ œ◊¸ŒÊ‚ªÁáÊ
(2) ∑ȧ◊Ê⁄UflÊ‹¬Á«U’Ê„ - ‚Ê◊¬˝÷ ‚ÍÁ⁄U
(3) Á¡ŸŒûÊÊÅÿÊŸ - Á¡Ÿ„·¸ ‚ÍÁ⁄U
(4) •ÄπÊáÊÿ◊ÁáÊ∑§Ê‚ - ŸÁ◊øãŒ˝ ‚ÍÁ⁄U

91. ◊„Ê∑§Áfl ¬Èc¬Œãà ∑§Ë •¬◊˝¥‡Ê ⁄UøŸÊ∞° „Ò¥ —
(1) ŒÊ (2) ÃËŸ (3) ¬Ê°ø (4) ¿U—

92. ““•„ ¬Á«UflááÊÁfl⁄UÊ„ ⁄UÊ„flflê◊„‚⁄UáÊ ◊ÊáÊé÷Á„∞–”” ÿ„ ¬lÊ¥‡Ê ß‚ ª˝ãÕ ◊¥ „Ò —
(1) ∑ȧfl‹ÿ◊Ê‹Ê∑§„Ê (2) ‚ÃÈ’ãœ
(3) ª©«Ufl„Ê (4) ¬©◊øÁ⁄Uÿ¥

93. ÿ„ ∑§ÕŸ ‚àÿ Ÿ„Ë¥ „Ò —
(1) ‚ÃȒ㜠∞∑§ ◊„Ê∑§Ê√ÿ „Ò–
(2) ‚ÃȒ㜠∑§Ë ÷Ê·Ê ◊„Ê⁄UÊc≈˛UË ¬˝Ê∑Χà „Ò–
(3) ‚ÃȒ㜠∑§Ë ∑§ÕÊ ‚◊ÈŒ˝-◊ãÕŸ ‚ ‚ê’ÁãœÃ „Ò–
(4) ‚ÃȒ㜠¬˝fl⁄U‚Ÿ ∑§Ë ⁄UøŸÊ „Ò–

94. ∑ȧfl‹ÿ◊Ê‹Ê∑§„Ê ◊¥ ¬ÈL§·ÊÕ¸ ‚ ⁄UÁ„à √ÿÁÄà ∑§Ë ß‚ ‚ ©¬◊Ê ŒË ªß¸ „Ò —
(1) ∑§◊‹ ¬Èc¬ (2) øê¬Ê ¬Èc¬ (3) ªÈ‹Ê’ ¬Èc¬ (4) ߸π ¬Èc¬

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95. ‘‘GhorÂsamaØ CaittÂàaØ’’ in this term the meaning of GhorÂsamaØ is :
(1) Asceticism (2) Jain Temple (3) House-hold life (4) SthÂnaka

96. A.N. Upadhye is the editor of this text :
(1) PravacanasÂra (2) VasudevahiàÅÍ
(3) Jayadhaval TÍk (4) SaòkhaàÅÂgama

97. This is not included into the Mölasötra :
(1) UttarÂdhyayana (2) `
DasavaikÂlika (3) `
ÀcÂradas (4) `
Àvasyaka

98. ‘‘Cicc abhinikkhanto, egantamahiòòhio bhayavaÙ’’ from the above portion of the verse the
meaning of ‘bhayavaÙ’ is :
(1) Sudharm (2) Gautama
(3) Nami Rajarîi (4) TÍrthaßkara NeminÂtha

99. He is an established author as a commentator and narrator :
(1) Jinabhadra Gaài (2) JinadÂsagaài Mahattara
(3) SanghadÂsa Gaài (4) Uddyotana Söri

100. This is the work of MahÂkavi Puîpadanta :
(1) SanatkumÂracariu (2) BhavisayattakahÂ
(3) VilÂsavaÍkah (4) Jasaharacariu

-oOo-

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95. ““ÉÊÊ⁄UÊ‚◊¥ øßûÊÊáÊ¥”” ¬Œ ◊¥ ÉÊÊ⁄UÊ‚◊¥ ∑§Ê •Õ¸ „Ò —
(1) ‚¥ãÿÊ‚ (2) ¡ÒŸ ◊¥ÁŒ⁄U (3) ªÎ„SÕÊüÊ◊ (4) SÕÊŸ∑§

96. •Ê.Ÿ. ©¬Êäÿ ß‚ ª˝ãÕ ∑§ ‚ê¬ÊŒ∑§ „Ò¥ —
(1) ¬˝fløŸ‚Ê⁄U (2) fl‚ÈŒflÁ„á«UË
(3) ¡ÿœfl‹Ê ≈UË∑§Ê (4) ·≈˜πá«Uʪ◊

97. ÿ„ ◊Í‹‚ÍòÊ ◊¥ ¬Á⁄UªÁáÊà Ÿ„Ë¥ „Ò —
(1) ©ûÊ⁄UÊäÿÿŸ (2) Œ‡ÊflÒ∑§ÊÁ‹∑§ (3) •ÊøÊ⁄UŒ‡ÊÊ (4) •Êfl‡ÿ∑§

98. ““ÁøëøÊ •Á÷ÁŸÄπãÃÊ, ∞ªãÃ◊Á„Á≈˜∆U•Ê ÷ÿfl¥”” ©¬ÿȸÄà ªÊÕÊ¥‡Ê ◊¥ “÷ÿfl¥” ¬Œ ‚ ÿ„ •Õ¸ •Á÷¬˝à „Ò —
(1) ‚Èœ◊ʸ (2) ªÊÒÃ◊
(3) ŸÁ◊ ⁄UÊ¡Á·¸ (4) ÃËÕZ∑§⁄U ŸÁ◊ŸÊÕ

99. ÷Êcÿ∑§Ê⁄U ∞fl¥ ∑§ÕÊ∑§Ê⁄U ∑§ M§¬ ◊¥ ◊Êãÿ ⁄UøŸÊ∑§Ê⁄U „Ò¥ —
(1) Á¡Ÿ÷Œ˝ ªÁáÊ (2) Á¡ŸŒÊ‚ªÁáÊ ◊„ûÊ⁄U
(3) ‚¥Éʌʂ ªÁáÊ (4) ©gÿÊß ‚ÍÁ⁄U

100. ◊„Ê∑§Áfl ¬Èc¬Œãà ∑§Ë ⁄UøŸÊ ÿ„ „Ò —
(1) ‚Ÿà∑ȧ◊Ê⁄UøÁ⁄U© (2) ÷Áfl‚ÿûÊ∑§„Ê
(3) Áfl‹Ê‚fl߸∑§„Ê (4) ¡‚„⁄UøÁ⁄U©

-oOo-

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Space For Rough Work

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