HBSE Class 9 Syllabus 2027 Music Instrumental

FOR HARYANA CLASS 9 PREPARATION

HBSE Class 9 Syllabus
2027 Music
Instrumental
EXAM YEAR TYPE SUBJECT

Haryana Class 9 2027 Syllabus Music

Notes · Sample Papers · Previous Year Papers · Mock Tests

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ह रयाणा िव ालय िश ा बोड
पाठ्य म और अंक का अ यायवार िवभाजन (2026-27)
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सामा य िनदश
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2. वािषक परी ा 20 अक ं क होगी, ायोिगक/ि या मक परी ा 60 अक ं क होगी
और आंत रक मू यांकन 20 अंक का होगा।
3. ायोिगक/ि या मक परी ा 60 अंक के िलए िन न कार से पछ ू े जायगे -
i) 20 अक ं क ायोिगक/ि या मक पिु तका।
ii) िकसी एक राग के शा ीय प रचयmके 10 अक ं क मौिखक परी ा।
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iii) िकसी एक ताल का शा ीय.पc रचय के 05 अक ं क मौिखक परी ा।
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iv) िकसी एक राग और िकसी
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v) रा ीय गान क धनु , कोई भी लोक गीत धनु क मौिखक परी ा के 05
अक ं ।
4. आतं रक मू याक ं न के िलए िन नानसु ार आविधक मू याक ं न होगा:
i) 06 अंक के िलए तीन SAT परी ा आयोिजत क जायेगी िजनका अिं तम
आंत रक मू याक ं न के िलए 06 अक ं का भारांक होगा।
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m ii) 02 अक ं के िलए एक अध-वािषक परी ा आयोिजत क जाये ग.
ी cिजसका
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ं का भारांक sहोगा।
s e iii) 02 अंक के िलए िवषय िश क CRP (क ा कagकl भागीदारी) के िलए
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a मू याक ं न करगे और अिधकतम 02 अंक दगे।
iv) 05 अंक के िलए छा ारा एक प रयोजना काय िकया जायेगा िजसका
अिं तम आतं रक मू याक ं न के िलए 05 अकं का भाराक ं होगा।

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v) 05 अंक के िलए िव ाथ क उपि थित के िन नानसु ार 05 अक
ं दान िकए
जायगे।
75% से 80% तक - 01 अंक
80% से अिधक से 85% तक - 02 अक ं
85% से अिधक से 90% तक - 03 अंक
90% से अिधक से 95% तक - 04 अंक
95% से अिधक से 100% तक - 05 अंक

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पाठ्य म सरंचना (2026-27)
क ा-:9व िवषय: िहदं ु तानी सगं ीत (वादन) MHI कोड: 089

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2 2

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20
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a कुल योग 100

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 संबध
ं ी

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 रजाखानी
गत

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

रजाखानी गत





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मािसक पाठ्य म िश ण योजना (2026-27)
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क ा-:9व
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मास sem िवषय -व तु िश ण दोहराई योगा मक gla
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अ ैल सबं ध
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मई संबध
ं ी 04 04 08




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





जून
(गितिविध आविं टत क जाए)

जल
ु ाई 06 04 04






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अग त 04 02 10

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रजाखानी गत

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अ ू बर
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नवंबर 05 05 08


िदसबं र 04 04 10







जनवरी 05 05 08

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माच

नोट:
िवषय िश क को सलाह दी जाती है िक वे छा कोmश दावली या अवधारणा क प ता
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को बढ़ाने के िलए अ याय म उपयोग क जानेmवाली श दावली प रभाषा मक श द क /
s e
नोटबक
ु तैयार करने के िलए िनदिशत कर।
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प ा प (2026-27)
क ा-:9व िवषय: िहंदु तानी संगीत (वादन) MHI कोड: 089
समय: 2½ घंटे
द ताएं अकं ितशतता
ान 7 35%
बोध 7 35%
अनु योग 3 15%
कौशल 3 15%
कुल 20 100%

का अंक सं या िववरण कुल अंक
कार

02 बह-िवक पीय ।
01 र थान भरो ।
1 05 01 अिभकथन-कारण 05
व तिु न 01 एक श दीय उ र के ।

अित दोन ो म आंत रक िवक प िदया
लघुउ रा मक 2 02 जायेगा। 04

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दोन ो म आंत रक िवक प िदया
लघउु रा मक 3 02 जायेगा। 06

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01 एक म आंत रक िवक प िदया जायेगा। 05
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BOARD OF SCHOOL EDUCATION HARYANA
Syllabus and Chapter wise division of Marks (2026-27)
Class- 9th Subject: Hindustani Music (Instrument)MHI Code: 089
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General Instructions:
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1. There will be an annual examination based on the entire syllabus.
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2. The annual examination will be of 20 marks, practical examination will be
of 60 marks and internal assessment will be of 20 marks.

3. Practical test for 60 marks questions will be asked in the following way –

i) Practical/Activity Booklet for 20 marks.
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iii) Oral test of 05 marks for classicalgintroduction
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a one Taal.
iv) 20 marks for practical knowledge of any one raga and
any one taal.

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v) Tune of the National Anthem and any Folk song 05
marks in oral examination.
4. For internal assessment:
The periodic evaluation will be as follows:
i) For 6 marks - Three SAT exams will be conducted
which will have a weightage of 06 marks for the final
internal assessment.
ii) For 2 marks - A half-yearly examination will be
conducted which will have a weightage of 02 marks for
the final internal assessment.
iii) For 02 marks - The subject teacher will evaluate for
CRP (classroom participation) and give a maximum of
02 marks.
iv) For 05 marks - A project work will be done by the
students which will have a weightage of 05 marks for
the final internal assessment.
v) For 05 marks - 05 marks will be awarded as per the
attendance of the student.

Above 75% to 80% = 1 marks
Above 80% to 85% = 2 marks
Above 85% to 90% = 3 marks
Above 90% to 95% = 4 marks
Above 95% = 5 marks

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ag Course Structure (2026-27)
Class- 9th Subject: Hindustani Music (Instrument)MHI Code: 089

Sr. No. Chapter Marks

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Definitions related to music em
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Definition of Thaat and rules of Thaat

3 2
Definition of Sthai-Antra, Alap, Taan

4 4
Biography of Musicians m
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s e m 2
s em North and South Indian Music Systems
g la
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Theoretical knowledge of Ragas -
6

Total 20

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Practical Examination 60

Internal Assessment 20

Grand Total 100

Chapter 1: Definitions of Music
1. Definition of Music
 Types of music - singing, playing and dancing
2. Definition of Sound
 Perceivers of sound – producer (utpadk),
medium(madhayam, consumer (Gun)
Types of Vibration (Andolan) (Andolan) - transverse
Vibration (Andolan) (Andolan), longitudinal Vibration
(Andolan) (Andolan)
3. Definition of sound
 Types of Naad - Aahat Naad, Anahat Naad
 Characteristics of sound - Pitch (Tarta), Intensity (Tivrta),
Quality (Gun)
4. Definition of Shruti
 Names of Shrutis
5. Definition of Swara
 Types of Swara – Shudh Swara, Komal Swara, Tivre Swara.
6. Definition of octave (Saptak)
 Types of Saptak - Mandra Saptak, Madhya Saptak and Tar
Saptak
7. Definition of Ornament (Alankar)
 One to eight Alankar in Shudh Swara

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8. Definition of Rhythm (Taal)
 Ten Pranas of Rhythm (Taal)
 Various definitions – Clap (Taali), blank (Khali), even
(Sam), quantity (Matrayen), bol, division (Vibhag), rotation
(Aavartan)
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 Three taals, Kaharwa taal, Dadra taal's scripted one guna.
om . co
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em l as
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ag 9. Definition of rhythm (Laya)
 Types of rhythm (Laya) – Delayed rhythm (Vilambhit Laya)
(Vilambhit Laya), Middle rhythm (Madhya Laya) (Madhya
Laya), Fast rhythm (Dhrut Laya). (Dhrut Laya).
10. Definition of Raga
 Rules of Raga

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11. Definition of Aaroh – Avroh and Pakad
 One example each m
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of .Aaroh – Avroh and Pakad Swara
s e (Vaadi), Conversant (Sanwadi),
12. Definition ofaPlaintiff
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Translator (Anuvaadi, Controversial (Vivadi) Swara.
Chapter 2: Definition of Thaat and Rules of Thaat
 Definition of Thaat and rules of Thaat.
Chapter 3: Definition of Sthai-Antara, Aalap, Taan
 Definition of Sthai-Antra.
 Definition of Aalap singing and modern types of Aalap
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Swara (Bol Taan), vocal Swara (Swara Taan).
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s e Chapter 4: Biography of the Musician:
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a 1. Life introduction of Pt. Ravi Shankar.
 Contribution and life introduction of Pandit Ravi
Shankar in the field of music.
2. Life introduction of Annapurna Devi.
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 Contribution and life introduction of Annapurna
Devi in the field of music.
Chapter 5: North and South Indian Music Systems
 Similarities in North and South Indian music system
 Language, rhythm, raga classification, singing styles,
playing styles, differences in Swara in North and South Indian
music system

Chapter 6: Theoretical Knowledge of Ragas
 Classical introduction to Raag Bhairav, Yaman and Bhairavi
- Thaat, caste (Jati), swara, nyas's swar, plaintive-
conversational swar (Vaadi-Samvadi swara), singing time,
aroh-avroh's swar, grip's (Pakad’s) swar
 Rajakhani Gat/Swarlipi method of Raag Bhairav, Yaman
and Bhairavi.
Experimental/Functional :
Chapter: 7 Functional Knowledge of Ragas
1. Classical introduction to Raag Bhairav, Yaman and Bhairavi
-
 Thaat, caste (Jati), swara, nyas's swar, plaintive-conversational
swar (Vaadi-Samvadi swara), singing time, aroh-avroh's swar, grip's
(Pakad’s) swar
2. Tune (Dhun) of Raag Bhairav, Yaman and Bhairavi (show it
by playing it on the instrument)
Chapter: 8 National Anthem.
Demonstrate practical knowledge by playing the tune of the
National Anthem (on your instrument)
Chapter: 9 Folk Songs.
 Recite any folk song tune (Dhun) (on your instrument) - practical
knowledge
Chapter: 10 Information about playing any one instrument -
Knowledge of playing any one of the following instruments -
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 Sitar, Sarod, Violin, Dilruba/Israj, Flute, Mandolin, Guitar,
Sarangi) practical knowledge

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Month wise Syllabus Teaching Plan (2026-27) ag
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Class- 9 th
Subject: Hindustani Music (Instrument)MHI Code: 089

Month Subject- content Teaching Revision Practical
Periods Periods Work
April Chapter:1 Definitions of
m 06 06 06
Music c. o
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1. Definition of Music
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ag
 Types of music - singing,
playing and dancing

2.Definition of Sound
 Perceivers of sound -
producer (utpadk),
medium(madhayam,
consumer (Gun)
 Types of Vibration
m
m (Andolan) (Andolan) –
.co
m .co transverse Vibration
s e m
la
(Andolan), longitudinal
s e g
la
Vibration (Andolan)
g 3. Definition of sound a
a  Types of Naad - Aahat
Naad, Anahat Naad

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 Characteristics of sound
- Pitch (Tarta), Intensity
(Tivrta), Quality (Gun)

4.Definition of Shruti
 Names of Shrutis

5. Definition of Swara
 Types of Swara - pure
Swara, soft Swara, sharp
Swara

6.Definition of octave
(Saptak)
 Types of Saptak -
Mandra Saptak, Madhya
Saptak and Tar Saptak
May Chapter 1: Definitions of 04 04 08
Music
1. Definition of Ornament
(Alankar)
 One to eight Alankar in
pure Swara

2. Definition of Rhythm
(Taal)
 Ten Pranas of Rhythm
(Taal)
 Various definitions -
clap (Taali), blank
(Khaali), even (Sam),
quantity (Matrayen), bol,
division (Vibhag),
rotation(Avartan)
 Three taals, Kaharwa
taal, Dadra taal's scripted
one guna.

3. Definition of Rhythm
(Laya)

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 Types of rhythm -
delayed (vilambit) rhythm,
middle (madhya) rhythm,
fast(Dhrut) rhythm

4. Definition of Raga
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 Rules of melody

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5. Ascension, definition e m .
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l as  One example each of ag
ag Aaroh – Avroh and Pakad
Swara

6. Definition of Vaadi-
Samwadi and pakad
swara
June
Activity to be assigned
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Chapter 2: Definition of l a
ag
Thaat and Laws of Thaat.

Chapter 3: Definition of
Sthai-Antara, Aalap,
Taan

 Definition of Sthai -
Antra.
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 Definition of Aalap
m singing and modern types s e
s e of Aalap
g la
g la a
a  Definition of Swara and
main types of Swara -
spoken Swara, vocal Swara

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August Chapter 6 and 7: 04 02 10
Theoretical and practical
knowledge of ragas and
talas

1. Classical introduction
to Raag Bhairav, Yaman
and Bhairavi -

 Thaat, caste (Jati),
swara, nyas's swar,
plaintive-conversational
swar (Vaadi-Samvadi
swara), singing time,
aroh-avroh's swar, grip's
(Pakad’s) swar
2. Rajakhani Gat/Swarlipi
method and tune of Raag
Bhairav, Yaman and
Bhairavi (show it by
playing on the
instrument).
September Revision 04 04 08

October Chapter 4: Biography of 06 02 04
the Musician:

1. Life introduction of Pt.
Ravi Shankar.

 Contribution and life
introduction of Pandit
Ravi Shankar in the field
of music.

2. Life introduction of
Annapurna Devi.

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 Contribution and life
introduction of Annapurna
Devi in the field of music.
November Chapter: 8 National 05 05 08
Anthem.

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Demonstrate practical
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knowledge by playing the . co
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tune of the National
em l as
l asAnthem (on your
instrument) ag
ag
December Chapter 5: North and 04 04 10
South Indian Music
Systems
 Similarities in North
and South Indian music
systems.
 Language, taal, raga
classification, singing
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styles, playing styles,
differences in Swara in
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North and South Indian
music system. l as
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Chapter: 10 Information
about playing any one
instrument -
 Knowledge of playing
any one of the following
instruments - Sitar, Sarod,
Violin, Dilruba/Israj,
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Flute, Medolin, Guitar,
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Sarangi) Functional
m knowledge s e
s e January Chapter: 9 Folk Songs. 05
g la
05 08
g la  Recite any folk song a
a tune (on your instrument) -
practical knowledge

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February (Revision) 10 12

Annual Practical
Examination
March Annual Examination

Note: Subject teachers are advised to direct the students to prepare notebook
of the Terminology/Definitional Words used in the chapters for enhancement
of vocabulary or clarity of the concept.

Question Paper Design (2026-27)
Class- 9th Subject: Hindustani Music (Instrument)MHI Code: 089
Time: 2½ Hours
Competencies Marks Percentage
Knowledge 7 35%
Understanding 7 35%
Application 3 15%
Skill 3 15%
Total 20 100%

Type of Marks Number Description Total
Question Marks

02 Multiple choice questions.
Objective
type 1 05 01 Fill in the blanks Questions. 05
questions

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01 Assertion Reason Questions

01 One word answer type
questions.

Very short Internal choice will be given in
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answer type 2 02 all questions. 04
questions
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Shortas Internal choice will be given in ag
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answer 3 02 all questions.
questions

Long
answerable Internal choice will be given in
Question 5 01 all questions. 05

Total 10 20
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