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HBSE Class 12 Sample Paper 2027 Fine Arts

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Page 1

FOR HARYANA CLASS 12 PREPARATION

HBSE Class 12 Sample
Paper 2027 Fine Arts
EXAM YEAR TYPE

Haryana Class 12 2027 Sample Paper

Notes · Sample Papers · Previous Year Papers · Mock Tests

Page 2

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प्रश्न पत्र: ल लत कला (FINEaARTS)

विषय (Subject): Fine Arts (ल लत कला) कोड (Code): 770

कक्षा (Class): 10+2 (2026-27) कुल अंक (Total Marks): 30

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समय (Time): 2.5 घंटे (2.5 Hours)
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a विस्तु निष्ठ प्रश्न (Objective Type Questions) | (8 × 1 = 8 Marks)
प्र० 1. कस शैली को " हिन्दू शैली" भी कहिा जाता हिै?

A) | मुगल शैली B) | राजस्थानी शैली

C) | द क्षिण शैली D) | पहाड़ी शैली

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c.B)o1600 ई० से
प्र० 2. राजस्थानिी शैली मुख्य रूप से कब प्रारम्भ हुई?

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A) 1500 ई० से

C) 1700 ई० से
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प्र० 3. मुगल बादशाहि के काल में म हिलाएँ भी चित्रकार थीं।

प्र० 4. गोलकुण्डा शैली का केन्द्र था।

प्र० 5. पहिाड़ी चित्रों की खोज करनिे का प्रथम श्रेय कस व्य त को जाता हिै?

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प्र० 6. पहिाड़ी शैली की कसी एक उपशैली का निाम बताओ।

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c.A o(कथनि): बंगाल स्कूल भारतीय कला में पुनजार्जागरण लाया। se
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प्र० 7.

s em R (कारण): बंगाल स्कूल ने अजन्ता भ त्ति चित्रों के साथ-साथ मुगल और पहाड़ी लघु चित्रों gसेlप्रेaरणा ली।
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a A) (A) और (R) दोनों सत्य हैं और (A), (R) की सही व्याख्या है।

B) (A) और (R) दोनों सत्य हैं और (A), (R) की सही व्याख्या नहीं है।

C) (A) सत्य है कन्तु (R) असत्य है।

D) (A) असत्य है कन्तु (R) सत्य है।

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पृष्ठ 1 ऑफ़ 3
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Page 3

प्र० 8.

A (कथनि): दे वी मू तर्ति को ज्यो त भट्ट द्वारा एक प्र त ष्ठत छ व के रूप में केन्द्र में रखा गया है।
R (कारण): दे वी के मुख का रेखीय चित्र सामने से बनाया गया है।

A) (A) और (R) दोनों सत्य हैं और (A), (R) की सही व्याख्या है।

B) (A) और (R) दोनों सत्य हैं और (A), (R) की सही व्याख्या नहीं है।

C) (A) सत्य है कन्तु (R) असत्य है।

D) (A) असत्य है कन्तु (R) सत्य है।

SECTION - B

अ त लघु उत्तरीय प्रश्न (Very Short Answer Type Questions) | (4 × 2 = 8 Marks)

प्र० 9. | कशनिगढ़ शैली की कोई 2 विषय विस्तु बताओ।

अथवा (OR)

शाहिजहिाँ के शासनि काल में चित्रकला की अविनि त यों हुई?

प्र० 10. गोलकुण्डा के चित्रों में भविनि सज्जा कैसी की गई हिै?

अथवा (OR)

तन्जौर शैली में कस प्रकार के चित्र बनिे हिैं?

प्र० 11. पहिाड़ी शैली की उत्प त्त कैसे हुई?

अथवा (OR)

पहिाड़ी शैली के अन्तगर्गत बनिे 2 चित्रों वि उनिके चित्रकारों के निाम बताइए।

प्र० 12. | बंगाल चित्र शैली की दो क मयाँ बताओ।

अथवा (OR)

पटनिा शैली को कम्पनिी शैली यों कहिा जाता हिै?

SECTION - C

लघु उत्तरीय प्रश्न (Short Answer Type Questions) | (3 × 3 = 9 Marks)

प्र० 13. द क्षण शैली में बनिे पोथी चित्र वि चिश्म चिेहिरे का विणर्गनि करें।

अथवा (OR)

चिाँद बीबी पोलो खेलते हुए चित्र का विणर्गनि करो।

पृष्ठ 2 ऑफ़ 3
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Page 4

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अथवा (OR)

श्रम की विजय (Triumph of Labour) मू तर्ति का विणर्गनि करें।

प्र० 15. "फड़ लोककला" पर प्रकाश डालें।

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अथवा (OR)

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"गोंड कला" की विशेषताओं का विणर्गनि करें।

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lदीघर्ग उत्तरीय प्रश्न (Long Answer Type Questions) | (5 × 1 = 5 Marks)
SECTION - D
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प्र० 16. भारतीय चित्रकला में राजस्थानिी शैली का विशेष महित्त्वि हिै, स्पष्ट की जए।

अथवा (OR)

मुगल चित्रकला में जहिाँगीर के काल को स्विणर्ग युग मानिा गया हिै, यों?

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पृष्ठ 3 ऑफ़ 3
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Page 5

QUESTION PAPER: FINE ARTS (ल लत कला)

Subject: Fine Arts Code: 770

Class: 10+2 (2026-27) Total Marks: 30

Time Allowed: 2.5 Hours

SECTION - A

Objective Type Questions | (8 × 1 = 8 Marks)

Q. 1. Which style/school is also known as the "Hindu Style"?

A) Mughal School / Style B) Rajasthani School / Style

C) Deccan School / Style D) Pahari School / Style

Q. 2. When did the Rajasthani School / Style mainly originate?

A) From 1500 AD B) From 1600 AD

C) From 1700 AD D) From 1800 AD

Q. 3. Women were also painters during the reign of Mughal Emperor .

Q. 4. Golconda was the center of School / Style.

Q. 5. To whom goes the first credit for discovering Pahari paintings?

Q. 6. Name any one sub-school of Pahari School / Style.

Q. 7.

A (Assertion): The Bengal School brought a renaissance in Indian Art.
R (Reason): The Bengal School took inspiration from Ajanta frescoes along with Mughal and
Pahari miniature paintings.

A) Both (A) and (R) are true and (R) is the correct explanation of (A).

B) Both (A) and (R) are true but (R) is not the correct explanation of (A).

C) (A) is true but (R) is false.

D) (A) is false but (R) is true.

Page 1 of 9
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Page 6

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A (Assertion): The deity idol 'Devi' has been kept in the center as an iconic image by Jyoti
Bhatt.
R (Reason): The linear drawing of Devi's face has been made from the front view.

A) Both (A) and (R) are true and (R) is the correct explanation of (A).

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B) Both (A) and (R) are true but (R) is not the correct explanation of (A).

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C) (A) is true but (R) is false.
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D) (A) is false but (R)
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a SECTION - B

Very Short Answer Type Questions | (4 × 2 = 8 Marks)

Q. 9. State any 2 themes (subject matter) of Kishangarh Style.

OR

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Why did painting decline during the reign of Shah Jahan?

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Q. 10. How is the architectural decoration (building
Golconda?
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OR

What type of paintings were made in Thanjavur (Tanjore) Style?

Q. 11. How did the Pahari School / Style originate?

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Name 2 paintings and their respective painters made under the Pahari School.

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OR

Why is the Patna Style called the Company School?

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Page 7

SECTION - C

Short Answer Type Questions | (3 × 3 = 9 Marks)

Q. 13. Describe the manuscript painting (Pothi Chitra) and profile faces (Chashm Chehra) in
the Deccani School.

OR

Describe the painting "Chand Bibi Playing Polo".

Q. 14. Describe the painting "Haldi Grinders".

OR

Describe the sculpture "Triumph of Labour" (श्रम की विजय).

Q. 15. Throw light on "Phad Folk Art" (फड़ लोककला).

OR

Describe the characteristics of "Gond Art" (गोंड कला).

SECTION - D

Long Answer Type Questions | (5 × 1 = 5 Marks)

Q. 16. "Rajasthani School has a special significance in Indian Painting." Elucidate / Explain.

OR

Why is the period of Jahangir considered the Golden Age in Mughal Painting?

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Page 8

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MARKING SCHEME (अंकन योजना)

Subject: Fine Arts Code: 770

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Class: 10+2 (2026-27) Total Marks: 30

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SECTION - A: MARKING SCHEME

Objective Type Questions

Q. No. Correct Answer Marks

1 (B) Rajasthani School / Style 1

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2 (B) From 1600 AD 1

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3 Jahangir 1

4 Deccan School / Style a g 1

5 Metcalfe 1

6 Kangra, Guler, or Basohli 1

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7 (A) Both A and R are true, and A, R is the correct explanation. 1

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Very Short Answer Type Questions

Q. No. Key Points / Model Answers Marks

9 Two Themes of Kishangarh Style: 2

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(1 + 1)

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• 1. Depiction of Women (Nari Chitran) :- Explanation (1 Mark)

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Page 9

Q. No. Key Points / Model Answers Marks

• 2. Courtly Paintings (Darbari Chitra) :- Explanation (1 Mark)

Note: Alternatively, any other two relevant themes described point-
wise should be awarded marks.

2
OR

Reasons for the decline of painting under Shah Jahan:
Shah Jahan was a ruler who strictly adhered to court etiquettes,
rules, and protocols. During his reign, painters did not have the
freedom to practice independent and spontaneous painting. Artists
were bound by court constraints; hence, art could not develop as
dynamically or optionally during this era.

10 Architectural Decoration in Golconda Paintings: 2

The architectural decoration in Golconda paintings is remarkably
beautiful. This is evident from a painting depicting 'The Court of
Muhammad Qutb Shah'. In this artwork, circular lines are drawn in
blue against a light blue sky. White parapets (Munder) and lattice
windows (Jali-dar Gavaksha) are crafted atop the buildings. Patterns
of flower-sprays/vines (Boote) are beautifully detailed on doors.

2
OR
(1 + 1)
Paintings of Thanjavur (Tanjore) Style:
• 1. Paintings of Gods and Goddesses :- Brief explanation (1 Mark)
• 2. Courtly Paintings :- Brief explanation (1 Mark)

11 Origin of Pahari School: 2

The Pahari School originated around 1760 AD from Guler. Initially, it
developed as a traditional folk art style. Scholars suggest that when
the Mughal emperor Aurangzeb exiled and banished all court
artists, these painters took refuge under Pahari rulers and began
painting freely. This marked the birth of the Pahari Style. The role of
King Sansar Chand is notable in its growth.

2
OR
(1 + 1)

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Page 10

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Paintings under Pahari School:
• 1. 'Krishna Waiting and Skeptical Radha' — Artist: Manaku (1
Mark)
• 2. 'Nanda, Yashoda and Krishna' — Artist: Nainsukh (1 Mark)

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Two Shortcomings of Bengal School:

m . unrefined imitation of Ajanta, Mughal, and Rajasthani (1 + 1)
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• 1. Lifeless,

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•l2. Excessive use of hazy, dull, and washed-out colors. (1 Mark)
schools.

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Note: Alternatively, any other point-wise descriptions of major
drawbacks should be credited.

2
OR

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Why Patna Style is called Company School:

em patronage and preferences
Patna Style is termed the Company School because its origin, style,

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and evolution occurred under the direct

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of East India Company officials.
buyers of these artists were
officials of the Company.

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Page 6 of 9
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Page 11

SECTION - C: MARKING SCHEME

Short Answer Type Questions

Q. No. Key Points / Model Answers Marks

13 Manuscript Paintings and Profile Faces in Deccani School: 3
(1.5 + 1.5)
• 1. Manuscript Painting (Pothi Chitra) — Brief description (1.5
Marks)
• 2. Profile Faces (Chashm Chehra) — Brief description (1.5 Marks)

3
OR

Chand Bibi Playing Polo:
• School / Style: Golconda (Deccan) (0.5 Mark)
• Medium: Tempera, Water Color (0.5 Mark)
• Artwork Description: Detailed description of the overall
composition (2 Marks)

14 Haldi Grinders Painting Description: 3

• Artist: Amrita Sher-Gil (0.5 Mark)
• Style / School: Bengal School (0.5 Mark)
• Medium: Oil Colors (0.5 Mark)
• Composition Details: Description of the landscape scene,
figures, colors, etc. (1.5 Marks)

3
OR

Triumph of Labour Sculpture:
• Sculptor: D. P. Roy Choudhury (0.5 Mark)
• Medium: Cement and Bronze (0.5 Mark)
• Year: 1954 (0.5 Mark)
• Full Description: Artistic analysis of the posture, figures, and
meaning (1.5 Marks)

15

Page 7 of 9
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Page 12

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Phad Folk Art: 3
(1 + 1 + 1)
• 1. Major centers and background introduction (1 Mark)
• 2. Themes and Subject Matter (1 Mark)
• 3. Artistic Features / Characteristics (1 Mark)

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3
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OR

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Characteristics of Gond Art:
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•l1. Depiction of Nature :- Explanation (1 Mark)
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• 3. Vibrant Color choices :- Explanation (1 Mark)

SECTION - D: MARKING SCHEME

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Long Answer Type Questions

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Q. No. Key Points / Model Answers

g l a Marks

16 a
Significance of Rajasthani School in Indian Painting: 5
(5 × 1)
• 1. Introduction and names of sub-schools (Mewar, Kishangarh,
Bundi, etc.) (1 Mark)
• 2. Impact and influence of Rajasthani School on other Indian
contemporary schools (1 Mark)

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• 3. Religious, devotional, and spiritual impacts (Bhakti/Radha-

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Krishna themes) (1 Mark)

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em • 5. Distinctive stylistic and aesthetic features (1 Mark) la
• 4. Broad subject matter and canonical themes (1 Mark)

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ag 5
OR

Why the Reign of Jahangir is the Golden Age of Mughal Art:
• 1. Brief contextual introduction to Mughal Miniature Art (1 Mark)
• 2. Jahangir's personal aesthetic taste, deep love for nature, and

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personality (2 Marks)

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Page 13

Q. No. Key Points / Model Answers Marks

• 3. Prestige, high respect, financial incentives, and
encouragement given to royal court painters (1 Mark)
• 4. Egalitarian, secular, and unbiased treatment towards Hindu,
Muslim, and female painters (1 Mark)

Page 9 of 9
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Document Details

Board / OrgHaryana Board
ExamClass 12
TypeSample Paper
Pages12
Updated03 Nov 2026