HP Board Class 12 Syllabus 2022 Music

HINDUSTANI MUSIC (VOCAL) 10+2
Theory Time : 3 Hours MM:30

1. Defination of the following:
Varna, Gram, Murchana, Alankar, Gamak
3. Description and notation of Bandish ( Drut Khayal ) in Raag
Bihag and Bhimplasi.
4. Description and notation of Taals Rupak and Jhaptaal.
5. Biography of Musicians:
i. Ustad Abdul Karim Khan
ii. Ustad Fayaz Khan
iii. Pt. Krishan Rao Shankar

PRACTICAL PAPER MM:25
1. One Drut Khayal in Raag Bihag and Bhimplasi.
2. The Recitation of Thekas in Taal Rupak and Jhaptal with Ekgun
3. Ability to sing Aroha, Avroha, Pakad and Simple Vistar of
Prescribed Ragas.
4. Ability to recognize the Prescribed Ragas.
5. One folk song or a devotional Song.

HINDUSTANI MUSIC (VOCAL) 10+2
Theory Time : 3 Hours MM:30

1. Defination of the following:
Khatka, Murki, Kann, laya and Taal
2. Brief History of Medieval and Modern period of Hindustani
music with special reference to Sangeet Parijat and the work of
Pt. V.N Bhatkande.
3. Description with Notation of Bandish ( Drut Khayal ) in Raga
Kedar and Bhairav.
4. Description and notation of Taal Tilwada and Dhamar.
5. Biography of Musicians:
i. Ustad Bade Ghulam Ali Khan
ii. Tyag Raj

PRACTICAL PAPER MM:25

1. One Drut Khayal in Raga Kedar and Bhairav.
2. The Recitation of Thekas in Taal Tilwada and Dhamar.with Ekgun
3. Ability to sing Aroha, Avroha, Pakad and Simple Vistar of
Prescribed Ragas.
4. Ability to recognize the Prescribed Ragas.
5. One folk song or a devotional Song.

HINDUSTANI (INSTRUMENTAL MELODIC) 10+2
Theory Time : 3 Hours MM:30

1.
(a)Defination of the following:
Gram, Murchhan and Alankar.
(b) Classification of Ragas
3. Description of Raag Bihag and Bhimplasi along with Gat and
Todas/Taans.
4. Writing of notation of composition(Gat) and Taal Rupak and
Jhaptaal.
5. Description and Construction of Instruments opted along with
Basic technique of playing.
6. Biography of Musicians.
i. Tansen,
ii. Ustad Innayat Khan

PRACTICAL PAPER MM:25
1. One RazaKhani Gat(Drut) in Raag Bihag and Bhimplasi alongwith
Aroha, Avroha,Pakad and Toras/Taans.
2. The Recitation of Thekas in Taal Rupak and Jhaptal with Ekgun
3. Ability to recognize the Prescribed Ragas from given passage of
given Swaras sung or played by the examiner.
4. To recognize the Swaras.

HINDUSTANI (INSTRUMENTAL MELODIC) 10+2
Theory Time : 3 Hours MM:30

7.
(a)Defination of the following:
Gamak, Krintan and Zamzama.
(b) Time theory of Ragas.
8. Brief History of medieval and modern period of Hindustani music
with special reference to Sangeet Parijat and thw work of Pt.
V.N Bhatkhande.
9. Description of Raag Kedar and Bhairav alongwith Gat and
Todas/Taans.
10.Writing of notation of composition(Gat) and Taal Tilwada and
Dhamar.
11.Description and Construction of Instruments opted along with
Basic technique of playing.
12.Biography of Musicians.
i. Mushtaq Ali Khan
ii. Ustad Alauddin Khan
iii. Ustad Alladiya Khan

PRACTICAL PAPER MM:25
5. One RazaKhani Gat(Drut) and one MaseetKhani Gat(Vilambit) in
Raag Kedar and Bhairav alongwith Aroha, Avroha,Pakad and
Toras/Taans.
6. The Recitation of Thekas in Taal Tilwada and Dhamar with Ekgun
and Dugun keeping Taal with hand beats.
7. Ability to recognize the Prescribed Ragas from given passage of
given Swaras sung or played by the examiner.
8. To recognize the Swaras.
9. One composition in Raag Khamaj other than Teentaal.

HINDUSTANI (INSTRUMENTAL PERCUSSION) 10+2
Theory Time : 3 Hours MM:30
1.
a. Defination of the following:
Varna, Alankar, Krintan, Zamzama, Gamak
b. Comparitive Study of Smantar Taals
i. Chautal - Ektal
ii. Jhaptal – Sooltal
iii. Dhamar - Chautal
3. Description of Taals Rupak and Jhaptal.
4. Writing notation of prescribed Taals.
5. Recognition of Taals from given portion of the Thekas.

PRACTICAL PAPER MM:25
1. Playing the Thekas of Rupak and Jhaptal on tabla with simple
elaboration.
2. Two Peshkaras, two Qayadas, two Tukras and a few Gats in
Taal Rupak and Jhaptal.
3. Playing the Thekas of Taal Rupak and Jhaptal with Mukhda
and Tihai.
4. Recitation of the prescribed Taals with Dugun and Chaugun
keeping taal with hand beats.
5. Knowledge of tuning of the instrument.

HINDUSTANI (INSTRUMENTAL PERCUSSION) 10+2
Theory Time : 3 Hours MM:30
6.
a. Defination of the following:
Zarab, Kala, Kriya, Anga, Peshkar and Rela
b. Classification of Jatis of different patterns.
c. Classification of Layakari.
7. Brief History of medieval and modern period of Hindustani Music with
special reference to Sangeet Parijat and the work of Pt. V.N.
Bhatkhande.
8. Description of Taals Chautaal, Sooltaal, and Dhamar.
9. Writing notation of prescribed Taals.
10.Recognition of Taals from given portion of the Thekas.

PRACTICAL PAPER MM:25
6. Playing the Thekas of Sooltaal and Chautaal on tabla with simple
elaboration.
7. Two Peshkaras, two Qayadas, two Tukras and a few Gats in Taal
Rupak and Jhaptal.
8. Playing the Thekas of Taal Tilwada and Dhamar. with Mukhda and
Tihai.
9. Recitation of the prescribed Taals with Dugun and Chaugun keeping
taal with handbeats.
10. Knowledge of tuning of the instrument.