Rajasthan Board Class 12 Question Paper 2019 Music Vocal or Instrumental or Dance

Zm_m§ H $ Roll No.

Tear Here
Sl.No. :

SS–16,63,64,65,66,67,68,69,70,71–Music (V& I & D)
No. of Questions – 19×4
No. of Printed Pages – 11

Cƒ _mÜ`{_H$ narjm, 2019
SENIOR SECONDARY EXAMINATION, 2019
g§JrV - H$ÊR> AWdm dmÚ AWdm Z¥Ë`

TEAR HERE TO OPEN THE QUESTION PAPER
(MUSIC - VOCAL OR INSTRUMENTAL OR DANCE)

àíZ nÌ H$mo ImobZo Ho$ {bE `hm± \$m‹S>|
g_` : 3¼ KÊQ>o
nyUmªH$ : 24

narjm{W© ` m| Ho $ {bE gm_mÝ` {ZX} e …

GENERAL INSTRUCTIONS TO THE EXAMINEES :

1) narjmWu gd©àW_ AnZo àíZ nÌ na Zm_m§H$ A{Zdm`©V… {bI| &

Candidate must first write his / her Roll No. on the question paper
compulsorily.

2) g^r àíZ H$aZo A{Zdm`© h¢ &

All the questions are compulsory.

3) àË`oH$ àíZ H$m CÎma Xr JB© CÎma-nwpñVH$m _| hr {bI| &

Write the answer to each question in the given answer-book only.

4) {OZ àíZm| ‘| AmÝV[aH$ IÊS> h¢, CZ g^r Ho$ CÎma EH$ gmW hr {bI|&
`hm± go H$m{Q>E

For questions having more than one part, the answers to those parts are to
be written together in continuity.

SS –16,63,64,65,66,67,68,69,70,71- Music (V&I & D) 1311 [ Turn Over

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5) àíZ nÌ Ho$ [hÝXr d A§J«oOr ê$nmÝVa _| {H$gr àH$ma H$s Ìw{Q> / AÝVa / {damoYm^mg hmoZo na {hÝXr ^mfm
Ho$ àíZ H$mo ghr _mZ|&
If there is any error / difference / contradiction in Hindi & English versions of
the question paper the question of Hindi version should be treated valid.
6) Jm`Z {df` boZo dmbo N>mÌ Ho$db ^mJ - A Ho$ g^r àíZm§o Ho$ hr CÎma {bI|& {gVma, gamoX,dm`{bZ,
{Xbê$~m AWdm BgamO, ~m§gwar d {JQ>ma {df` Ho$ narjmWv Ho$db ^mJ - ~ Ho$ àíZm§o Ho$ hr CÎma
{bI| VWm V~bm d nImdO {df` Ho$ narjmWv Ho$db ^mJ - g Ho$ àíZm§o Ho$ hr CÎma {bI| VWm H$WH$
Z¥Ë¶ {df¶ Ho$ narjmWu Ho$db ^mJ - X Ho$ àíZm| Ho$ hr CÎma {bI|&
Candidates offering vocal music should attempt only the questions of Part - A.
Candidates offering Sitar, Sarod, Violin, Dilruba or Israj, Flute and Guitar should
attempt only the questions of Part - B and candidates offering Tabla and Pakhawaj
should attempt only the questions of Part - C and candidates offering Kathak
Dance should attempt only the questions of Part - D.
7) CÎma - nwpñVH$m Ho$ _wIn¥ð> na {df` ñnï> ê$n go {bI|&
Write your subject clearly on the cover page of the answer book.

^mJ> - A (Part - A)
g§JrV (Jm`Z) Music - Vocal
A{VbKwËVamË‘H$ àíZ, (eãX gr‘m 20 eãX) à˶oH$ àíZ ½ A§H$

1) Ab§H$ma H$mo n[a^m{fV H$s{OE& [½]
Define the 'Alankar'.

2) dU© {H$VZo àH$ma Ho$ hmoVo h¢? Zm‘ {b{IE& [½]
How many types of 'Varna'? Write their names.

[a³V ñWmZ H$s ny{V© H$a|& Fill in the blanks. [2 × ½ = 1]

3) ZmQ²>¶emó ‘| Hw$b .......... ly{V¶m| H$m CëboI {‘bVm h¡&
The total __________ Shruties are mentioned in Natyashastra.

SS –16,63,64,65,66,67,68,69,70,71- Music (V&I & D) 1311

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4) g§JrV aËZmH$a ‘§o Hw$b ......... amJm| H$m dU©Z {X¶m J¶m h¢&
A total of ________ Ragas have been described in Sangeet Ratnakar.

(5-8) amJ nhMm{ZE& [4 × ½ = 2]

5) ‹{Z gm, J ‘ n, J ‘ J
6) ‹{Z gm ao, ‘ ao, n ‘ ao, gm
7) J ‘ Y {Z, Y ‘, J gm
8) ‘ J gm, ao gm, ‹Y ‹{Z gm
(5-8) Identify the Raga –

5) Ni Sa, Ga Ma Pa, Ga Ma Ga

6) Ni Sa Re, Ma Re, Pa Ma Re, Sa

7) Ga Ma Dha Ni, Dha Ma, Ga Sa
8) Ma Ga Sa, Re Sa, Dha. Ni. Sa

bKwÎmamË‘H àíZ$-I, à˶oH$ àíZ -1 A§H$ (eãX gr‘m 20-50 eãX)
9) g‘¶ {gÜXm§V ‘| "g§{Y àH$me dJ©' go Amn ³¶m g‘PVo h¢? [1]
What you understand by 'Sandhi Prakash Category' in Time - Theory?

10) ½dm{b¶a VWm {H$amZm KamZo Ho$ Xmo-Xmo H$bmH$mam| Ho$ Zm‘ {b{IE& [1]
Write the names of two artists of Gwalior and Kirana Gharana.

11) O¶nwa AWdm ½dm{b¶a KamZo H$s ‘w»¶ {deofVmE| {b{I¶o& [1]
Write the chief characteristics of Jaipur or Gwalior Gharana.

12) Vmb-Mm¡Vmb H$m R>oH$m {b{I¶o& [1]
Write the 'Theka'of tal Chautal.

SS –16,63,64,65,66,67,68,69,70,71- Music (V&I & D) 1311 [ Turn Over

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13) n§. Hw$‘ma J§Yd© Ûmam a{MV {H$Ýht 4 amJm| Ho$ Zm‘ {b{IE& [1]
Write the names of any 4 Ragas created by Pt. Kumar Gandharva.

bKwÎmamË‘H$ àíZ-II, à˶oH$ àíZ-.2 A§H$ (eãX gr‘m 100-150 eãX)
14) lr ‘ëbú¶ g§JrV‘² J«§W H$m g§{já n[aM¶ {b{I¶o& [2]
Write the brief introduction of 'Shri Mallakshya Sangeetam'.

15) VmZnwam dmÚ H$m {MÌ ~ZmH$a BgHo$ A§Jm| Ho$ Zm‘ {b{IE& [2]
Make a diagram of Tanpura and write the names of it Parts.

16) amJ {~hmJ AWdm ^¡adr H$m n[aM¶, Amamoh-Adamoh, nH$‹S> g{hV {b{IE& [2]
Write the introduction of Rag Bihag or Bhairvi with Aroh, Avroh and Pakad.

{Z~§YmË‘H$ àíZ, à˶oH$ àíZ-3 A§H$ (eãX gr‘m 300-400 eãX)
17) {hÝXþñVmZr VWm H$Zm©QH$ g§JrV ‘§o g‘mZVm VWm {^ÝZVm ñnï> H$s{OE& [3]
Explain the similarities and differences in Hindustani and Karnatac Music.

18) AnZo nmR²>¶H«$‘ ‘| d{U©V {H$gr amJ H$m N>moQ>m »¶mb ñda{b{n~Õ {b{IE& [3]
Write the notation of any 'Chota -Khayal' in the Raga mentioned in your syllabus.

19) ‘hmamUm Hw§$^m AWdm C. Aëbm{X¶m Im§ H$m OrdZ n[aM¶ VWm g§JrV joÌ ‘| ¶moJXmZ H$mo {b{IE&[3]
Write the life sketch and contribution of Maharana Kumbha or Ut. Alladiya
Khan in the field of Music.

SS –16,63,64,65,66,67,68,69,70,71- Music (V&I & D) 1311

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^mJ> - ~ (Part - B)
g§JrV (ñda dmÚ)
({gVma/ gamo X / dm° ¶ {bZ / {Xbê$~m - BgamO / ~m§ g w a r / {JQ>ma)
Music (Melody Instrument)
(Sitar / Sarod / Violin / Dilruba - Israj / Flute / Guitar)

A{VbKwÎmamË‘H$ à˶oH$ àíZ ½ A§H$ (eãX gr‘m 20 eãX)
1) ‘tS> H$s n[a^mfm {b{I¶o& [½]
Define Meend.

2) {H$gr ^r amJ H$s nH$‹S> {b{I¶o& [½]
Write Pakad of any Rag.

3) X{jU ^maVr¶ g§JrV nÕ>{V H$s ‘w»¶ Vmbo {H$VZr h¢? [½]
How many main tals are in South Indian music system?

4) g§Mmar ³¶m h¢? [½]
What is Sanchari?

5) ^aV Zo EH$ gáH$ ‘| {H$VZr lw{V¶m± ‘mZr h¡? [½]
·

How many shruties are in Saptak according to Bharat?

6) ""lr ‘ëbú¶ g§JrV‘²'' J«ÝW ^mVIÊS>oOr Zo {H$g CnZm‘ go {bIm h¡? [½]
By which nick name Bhatkhandeji has wrote "Shri Mallakshya Sangeetam"
·

granth?
SS –16,63,64,65,66,67,68,69,70,71- Music (V&I & D) 1311 [ Turn Over

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7) {H$gr EH$ ‘{hbm gwa~hma dm{XH$m H$m Zm‘ {b{I¶o& [½]
Write the name of any one (Lady) Mahila Surbahar Vadika.

8) ‘mohZ drUm H$m OZH$ {H$go ‘mZm OmVm h¡? [½]
Who is the creator of Mohan Veena?

bKwÎmamË‘H$ I-à˶oH$ àíZ 1 A§H$ (eãX gr‘m 20-50 eãX)
9) g§{Y àH$me amJ H$mo g‘PmB¶o& [1]
Explain Sandhi Prakash rag.

10) ‘¡ha ~mO H$s Xmo {deofVmE± {b{I¶o& [½ + ½ = 1]
Write the two speciality of Maihar Baj.

11) {XE JE ñdam| go amJ nhMm{Z¶o& [½ + ½ = 1]
(A) n {Z n ‘ n {Z gm§
(~) J ‘ n {Z n J ‘ J
Identify rag by given swars.
.
(A) PA NI PA MA PA Ni SA
(B) GA MA PA NI PA GA MA GA

12) g‘mZ ‘mÌm H$s Xmo Vmbm| Ho$ Zm‘ {b{I¶o& [½ + ½ = 1]
Write the name of two tal of same matra (beats).

13) ""{ed-h[a'' Zm‘H$ Omo‹S>r Zo {H$Z {hÝXr [’$ë‘m| ‘| g§JrV {X¶m h¡? [1]
In which Hindi films Music composed by "Shiv - Hari"?

bKwÎmamË‘H$ II - à˶oH$ àíZ 2 A§H$ (eãX gr‘m 100-150 eãX)
14) CÎmar Ed‘² X{jU g§JrV nÕ{V Ho$ ñdam| Ho$ Zm‘ {b{I¶o& [1 + 1 = 2]

Write the name of swar of North and South music system.

SS –16,63,64,65,66,67,68,69,70,71- Music (V&I & D) 1311

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15) ema§JXod H¥$V lw{V ñda {d^mOZ H$mo g‘PmB¶o& [2]
Explain Shruti Swar division according to Sharang Dev.

16) AnZo nmR²>¶H«$‘ ‘| go {H$gr EH$ g§JrVk H$m OrdZ n[aM¶ Ed‘² g§JrV Ho$ joÌ ‘o§ CZHo$ ¶moJXmZ H$mo
{b{I¶o & [1 + 1 = 2]
Write life sketch and contribution in the field of music of any one musician from
your syllabus.
{Z~ÝYmË‘H$ - à˶oH$ àíZ 3 A§H$ (eãX gr‘m 300-400 eãX)
17) Amn Ûmam M¶{ZV dmÚ H$m {MÌ g{hV dU©Z H$amo& [2 + 1 = 3]
Describe instrument which is selected by you with diagram.

18) AnZo nmR²>¶H«$‘ H$s {H$gr EH$ amJ H$m nyU© n[aM¶ Amamoh Adamoh Ed‘² nH$‹S> g{hV {b{I¶o& [3]
Give full introduction of any one rag from your syllabus with aroh, avroh and
pakad.

19) Y‘ma Vmb H$mo XþJwZ g{hV {b{I¶o& [1 ½ + 1½ = 3]
Write Dhamar tal with dugun.
¶m/ or
AnZo nmR²>¶H«$‘ ‘| go {H$gr EH$ amJ ‘| ‘grVImZr JV Xmo VmoS>m| g{hV {b{I¶o&
Write the notation of Masitkhani gat in any rag from your syllabus with two
todas.
^mJ - g (Part - C)
g§JrV (Vmb dmÚ)
(Rhythm Instruments)
(V~bm / nImdO)
(Tabla / Pakhawaj)
A{V bKwÎmamË‘H$ - à˶oH$ àíZ ½ A§H$ (eãX gr‘m 20 eãX)
1) aobm {H$VZo àH$ma H$m hmoVm h¡? Zm‘ {b{I¶o& [½]
How many types of rela are? Write name.
SS –16,63,64,65,66,67,68,69,70,71- Music (V&I & D) 1311 [ Turn Over

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2) "gmYmaU Ed‘² ’$a‘mBer' {H$gH$m àH$ma h¡? [½]
"Sadharan and farmaishi" is type of which?

3) g§JrV H$m àmU {H$go H$hVo h¡? [½]
Who is called Pran of Music?

4) {H$g Vmb ‘| Mma ~ma {Va{H$Q> H$m à¶moJ hmoVm h¡? [½]
In which tal Trikit is used four time?

5) d¡{XH$ H$mbrZ {H$gr EH$ dmÚ H$m Zm‘ {bImo& [½]
Write name of any one instrument of Vaidik Period.

6) ’$ê$Im~mX KamZo Ho$ àUoVm H$m Zm‘ ~VmB¶o& [½]
Write name of founder of Farukhabad Gharana.

7) ""Zm {Y§ qY Zm'' Ho$ OmXÿJa H$m Zm‘ {bImo& [½]
Write the name of magician of "NA Dhin Dhin NA".

8) nwê$fmoÎm‘Xmg H$m¡Zgm dmÚ ~OmVo h¢? [½]
Which instrument is played by Purushottam das?

bKwÎmamË‘H$ I à˶oH$ àíZ 1 A§H$ (eãX gr‘m 20 - 50 eãX)
9) {H«$¶m H$mo g‘PmB¶o& [1]
Explain Kriya.

10) ê$nH$ d Vrd«m Vmb ‘§o g‘mZVm ~VmB¶o& [1]
Explain similarities in Rupak and Tivra tal.

11) AnZo nmR²>¶H«$‘ go Mma {d^mJ dmbr {H$gr ^r Vmb H$m R>oH$m {b{I¶o& [1]
Write theka of any tal of four division from your syllabus.

SS –16,63,64,65,66,67,68,69,70,71- Music (V&I & D) 1311

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12) Mma AdZÕ dmÚm| Ho$ Zm‘ {bImo {Og‘| S>moar ~§Yr hmoVr h¡& [¼+¼+¼+¼=1]
Write name of four Avnadh instruments which is tightened by rope.

13) n§{S>V am‘ ghm¶ {H$g KamZo go gå~pÝYV h¢? [1]
Pt. Ram Sahay is related to which Gharana?

bKwÎmamË‘H$ II à˶oH$ àíZ 2 A§H$ (eãX gr‘m 100 - 150 eãX)
14) {ÌVmb ‘| EH$ M³H$aXma {VhmB© {bImo& [2]
Write one Chakkardar Tihai in Trital.

15) n§{S>V MVwabmb Ho$ gm§Jr{VH$ ¶moJXmZ H$mo ñnï> H$s{O¶o& [2]
Explain the musical contribution of Pt. Chaturlal.

16) ZmQ²>¶emó Ho$ AZwgma g§JrV Ho$ dmÚ dJuH$aU H$mo CXmhaU g{hV g‘PmB¶o& [2]
Explain classification of instrument of Music according to Natya Shastra with
example.

{Z~§YmË‘H$-à˶oH$ àíZ 3 A§H$ (eãX gr‘m 300 - 400 eãX)
17) g‘mZ ‘mÌm H$s Xmo Vmbm| H$s VwbZm H$aVo hþ¶o CZ‘| go {H$gr ^r EH$ Vmb H$mo XþJZw Mm¡JZw g{hV {b{I¶o&[3]
Compare two tals of same beats and write any one of them with dugun and
Chaugun.

18) amOñWmZ Ho$ {H$Ýhr VrZ bmoH$ AdZÕ dmÚm| H$m {MÌ ~ZmB¶o& [3]
Make diagram of any three folk Avnadh Instruments of Rajasthan.

19) nImdO ¶m V~bo H$m g{MÌ dU©Z H$[a¶o& [3]
Describe Pakhawaj or Tabla with diagram.
^mJ> - X (Part - D)
H$WH$ Z¥Ë¶ (Kathak Dance)
A{V bKwÎmamË‘H$ àíZ, eãX gr‘m -20 eãX, à˶oH$ àíZ ½ A§H$
1) Rw>‘ar Jm¶Z H$s e¡{b¶m§ (A§J) H$m¡Zgr h¢? Zm‘ {b{IE& [½]
What are the styles of 'Thumri'? Write names.

SS –16,63,64,65,66,67,68,69,70,71- Music (V&I & D) 1311 [ Turn Over

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2) MVwa§J JrV aMZm Ho$ 4 A§Jm| Ho$ Zm‘ {b{IE& [½]
Write the names of four parts of Chaturang Song.

(3-6) gw‘o{bV H$s{OE- [4 × ½ = 2]
3) dëbWmob - i) ‘mo{hZrAÅ>‘
4) {gVoÝÐ ¶moJr - ii) H$WH${b
5) lr‘V e§H$aXod - iii) Hw${Mnw‹S>r
6) ñdm{V {Vê$Zmb - iv) g{̶m
(3-6) Match the following–
3) Vallathol - i) Mohiniattam
4) Sitendra Yogi - ii) Kathakali
5) Shrimat Shankardev - iii) Kuchipudi
6) Swati Tirunal - iv) Satriya

7) nmR²>¶H«$‘ H$s {H$g Vmb ‘| "Imbr' Zhr h¢? [½]
Which tal of the syllabus has not 'Khali'?

8) nmR²>¶H«$‘ H$s {H$g Vmb ‘| 5 ~ma "qY' eãX (~mob) H$m à¶moJ hþAm h¡? [½]
In which tal of the syllabus has been used the term (Bol) 'Dhin' five times?

bKwÎmamË‘H$ àíZ -I, à˶oH$ àíZ-1 A§H$, (eãX gr‘m 20 - 50 eãX)
9) Vm§S>d AWdm bmñ¶ H$mo n[a^m{fV H$s{OE& [1]
Define the Tandava or Lasya.

10) {H$Ýht 10 g§¶w³V hñVH$m| Ho$ Zm‘ {b{IE& [1]
Write any 10 Samyukt hastakas.

11) "à‘bw' aMZm H$s {deofVm ³¶m h¡? [1]
What is the characteristic of 'Pramlu' composition?

SS –16,63,64,65,66,67,68,69,70,71- Music (V&I & D) 1311

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12) bIZD$ KamZo Ho$ {H$Ýhr Mma Z¥Ë¶H$mam| Ho$ Zm‘ {b{IE& [1]
Write the name of any four dancers of Lucknow Gharana.

13) H$mb~o{b¶m Z¥Ë¶ ‘| à¶w³V dmÚm| Ho$ Zm‘ {b{IE& [1]
Write the name of instruments used in Kalbelia Dance.

bKwÎmamË‘H$ àíZ -II, à˶oH$ àíZ -2 A§H$, (eãX gr‘m 100 - 150 eãX)
14) A{^Z¶ Ho$ 4 A§Jm§o (Am§{JH$, dm{MH$, gmpËdH$, Amhm¶©) H$mo g‘PmB¶o& [2]
Explain the four parts (Angik, Vachik, Satvik, Aharya) of Abhinaya.

15) O¶nwa KamZo H$s Z¥Ë¶ {deofVmAm| H$m CëboI H$s{OE& [2]
Describe the characteristics of Jaipur dance style.

16) Vmb n§Om~r AWdm PnVmb H$m R>oH$m VWm XþJwZ {b{IE& [2]
Write the Theka and Dugun of Tal Punjabi or Jhaptal.

{Z~§YmË‘H$ àíZ, à˶oH$ àíZ -3 A§H$, (eãX gr‘m 300 - 400 eãX)
17) H$WH$ Z¥Ë¶ H$m g§{já B{Vhmg {b{IE& [3]
Write the brief history of Kathak Dance.

18) n§. AÀN>Z ‘hmamO AWdm n§. JmonrH¥$îU H$m OrdZ n[aM¶ VWm Z¥Ë¶ ¶moJXmZ H$m CëboI H$s{OE&[3]
Write the Life sketch and Dance contribution of Pt. Achhan-Maharaj or Pt.
Gopi Krishna.

19) H$WH${b AWdm J¡a Z¥Ë¶ e¡br H$m {dñV¥V dU©Z H$s{OE& [3]
Explain the Kathakali or Gair dance form in detail.

M M M

SS –16,63,64,65,66,67,68,69,70,71- Music (V&I & D) 1311

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