Karnataka SSLC Question Paper 2026 Carnatic Music
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About Karnataka SSLC Question Paper 2026 Carnatic Music
Karnataka SSLC Question Paper 2026 Carnatic Music is available here for free download. Published by Karnataka Board for Class 10, this question paper can be viewed online or downloaded as a PDF (24 pages). Candidates preparing for Class 10 can use Karnataka SSLC Question Paper 2026 Carnatic Music to understand the exam pattern, the type of questions asked, and the overall difficulty level.
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Karnataka SSLC Question Paper 2026 Carnatic Music – Text
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Page 1
±ÜÅÍæ° ±Ü£ÅPæ PÜÅÊÜá ÓÜíTæ :
Q.P. Sl. No. :
Tear here/CÈÉí¨Ü
PÜñܤÄÔ
Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 8 ]
Total No. of Printed Pages : 8 ] A
Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 25 ] CCE RF/RR/
Total No. of Questions : 25 ] PF/PR
TEAR HERE TO OPEN THE QUESTION PAPER WITH REVERSE JACKET
ÓÜíPæàñÜ ÓÜíTæ : 29-E Code No. : 29-E
×ÊÜáá¾S hÝPæp… Öæãí©ÃÜáÊÜ ±ÜÅÍ氱ܣÅPæ¿á®Üá° ñæÃæ¿áÆá CÈÉ PÜñܤÄÔ
—
Subject : CARNATIC MUSIC — THEORY
( / English Medium )
ÍÝÇÝ A»Ü¦ì / ÍÝÇÝ ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì / TÝÓÜX A»Ü¦ì / TÝÓÜX ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì
Regular Fresh / Regular Repeater / Private Fresh / Private Repeater
©®ÝíPÜ 23. 03. 2026 ] [ Date : 23. 03. 2026
ÓÜÊÜá¿á 2-00 3-45 ] [ Time : 2-00 P.M. to 3-45 P.M.
WÜÄÐÜu AíPÜWÜÙÜá 40 ] [ Max. Marks : 40
Cut here/CÈÉ PÜñܤÄÔ
General Instructions to the Candidate :
1. This Question Paper consists of 25 questions.
2. This question paper has been sealed by reverse jacket. You have to
cut on the right side to open the paper at the time of
commencement of the examination ( Follow the arrow mark ). Do not
cut the left side to open the paper. Check whether all the pages of
the question paper are intact.
3. Follow the instructions given against the questions.
4. Figures in the right hand margin indicate maximum marks for the
Tear here/CÈÉí¨Ü
question.
5. The maximum time to answer the paper is given at the top of the
PÜñܤÄÔ
question paper. It includes 15 minutes for reading the question paper.
10/204 1 of 8
Q.P. Sl. No. :
Tear here/CÈÉí¨Ü
PÜñܤÄÔ
Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 8 ]
Total No. of Printed Pages : 8 ] A
Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 25 ] CCE RF/RR/
Total No. of Questions : 25 ] PF/PR
TEAR HERE TO OPEN THE QUESTION PAPER WITH REVERSE JACKET
ÓÜíPæàñÜ ÓÜíTæ : 29-E Code No. : 29-E
×ÊÜáá¾S hÝPæp… Öæãí©ÃÜáÊÜ ±ÜÅÍ氱ܣÅPæ¿á®Üá° ñæÃæ¿áÆá CÈÉ PÜñܤÄÔ
—
Subject : CARNATIC MUSIC — THEORY
( / English Medium )
ÍÝÇÝ A»Ü¦ì / ÍÝÇÝ ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì / TÝÓÜX A»Ü¦ì / TÝÓÜX ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì
Regular Fresh / Regular Repeater / Private Fresh / Private Repeater
©®ÝíPÜ 23. 03. 2026 ] [ Date : 23. 03. 2026
ÓÜÊÜá¿á 2-00 3-45 ] [ Time : 2-00 P.M. to 3-45 P.M.
WÜÄÐÜu AíPÜWÜÙÜá 40 ] [ Max. Marks : 40
Cut here/CÈÉ PÜñܤÄÔ
General Instructions to the Candidate :
1. This Question Paper consists of 25 questions.
2. This question paper has been sealed by reverse jacket. You have to
cut on the right side to open the paper at the time of
commencement of the examination ( Follow the arrow mark ). Do not
cut the left side to open the paper. Check whether all the pages of
the question paper are intact.
3. Follow the instructions given against the questions.
4. Figures in the right hand margin indicate maximum marks for the
Tear here/CÈÉí¨Ü
question.
5. The maximum time to answer the paper is given at the top of the
PÜñܤÄÔ
question paper. It includes 15 minutes for reading the question paper.
10/204 1 of 8
Page 2
CCE RF/RR/PF/PR(A) 29-E
I. Four alternatives are given for each of the following
questions / incomplete statements. Only one of them is
correct or most appropriate. Choose the correct alternative
and write the complete answer along with its alphabet.
8×1=8
1. Mrudanga is a
(A) Carnatic talavadya
(B) Hindustani talavadya
(C) Western talavadya
(D) Folk talavadya
2. The Varga of mohana raga is
(A) Oudava (B) Shadava
(C) Vakra (D) Sampoorna
3. The reason for Carnatic music to be called as 'Dakshinadi
Sangeetha' is that this music system is originated from
(A) South Canara (B) South India
(C) South Asia (D) South Kashi
10/204 2 of 8
I. Four alternatives are given for each of the following
questions / incomplete statements. Only one of them is
correct or most appropriate. Choose the correct alternative
and write the complete answer along with its alphabet.
8×1=8
1. Mrudanga is a
(A) Carnatic talavadya
(B) Hindustani talavadya
(C) Western talavadya
(D) Folk talavadya
2. The Varga of mohana raga is
(A) Oudava (B) Shadava
(C) Vakra (D) Sampoorna
3. The reason for Carnatic music to be called as 'Dakshinadi
Sangeetha' is that this music system is originated from
(A) South Canara (B) South India
(C) South Asia (D) South Kashi
10/204 2 of 8
Page 3
CCE RF/RR/PF/PR(A) 29-E
4. The first tala among Suladi Sapthatalas is
(A) Rupaka tala (B) Matyatala
(C) Druva tala (D) Ekatala
5. The swaras having dot above them are
(A) Mandra sthayi swaras
(B) Tara sthayi swaras
(C) Madhya sthayi swaras
(D) Sarale swaras
6. 'Ghatam' instrument is called a ghana instrument,
because this instrument is made of
(A) Metal (B) Wood
(C) Skin (D) Clay
10/204 3 of 8
4. The first tala among Suladi Sapthatalas is
(A) Rupaka tala (B) Matyatala
(C) Druva tala (D) Ekatala
5. The swaras having dot above them are
(A) Mandra sthayi swaras
(B) Tara sthayi swaras
(C) Madhya sthayi swaras
(D) Sarale swaras
6. 'Ghatam' instrument is called a ghana instrument,
because this instrument is made of
(A) Metal (B) Wood
(C) Skin (D) Clay
10/204 3 of 8
Page 4
CCE RF/RR/PF/PR(A) 29-E
7. As a nadaswara produces musical sound by air, it is
called
(A) an Auspicious instrument
(B) a Avanaddha instrument
(C) a Sushira instrument
(D) a Carnatic musical instrument
8. Tabla is an avanaddha instrument, because this
instrument produces musical sound by
(A) strings (B) wind
(C) finger (D) skin
II. Answer the following questions in a sentence each :
8×1=8
9. With reference to sound, which Shastra (theory) is related
to music ?
10/204 4 of 8
7. As a nadaswara produces musical sound by air, it is
called
(A) an Auspicious instrument
(B) a Avanaddha instrument
(C) a Sushira instrument
(D) a Carnatic musical instrument
8. Tabla is an avanaddha instrument, because this
instrument produces musical sound by
(A) strings (B) wind
(C) finger (D) skin
II. Answer the following questions in a sentence each :
8×1=8
9. With reference to sound, which Shastra (theory) is related
to music ?
10/204 4 of 8
Page 5
CCE RF/RR/PF/PR(A) 29-E
10. What is nada ?
11. In Carnatic music, which raga is sung in Sarale
varases ?
12. Give an example for Thatha instrument.
13. What is Hindola raga called in Hindustani system ?
14. Why is Vasantha raga called a Vakra raga ?
15. Write any one difference between Druva tala and Matya
tala.
16. Why is 'Panchama' swara called a Prakruthi swara ?
III. Answer the following questions in two to three sentences
each : 7 × 2 = 14
17. What is the reason to say music is related to
mathematics ?
10/204 5 of 8
10. What is nada ?
11. In Carnatic music, which raga is sung in Sarale
varases ?
12. Give an example for Thatha instrument.
13. What is Hindola raga called in Hindustani system ?
14. Why is Vasantha raga called a Vakra raga ?
15. Write any one difference between Druva tala and Matya
tala.
16. Why is 'Panchama' swara called a Prakruthi swara ?
III. Answer the following questions in two to three sentences
each : 7 × 2 = 14
17. What is the reason to say music is related to
mathematics ?
10/204 5 of 8
Page 6
CCE RF/RR/PF/PR(A) 29-E
18. Write a difference between Marga and Deshi music
systems.
19. What is the reason for Kambhoji raga to be called a
Bhashanga raga ?
20. Write a difference between Veena and Flute instruments.
21. Classify the following instruments into Carnatic and
Hindustani music instruments :
Khanjira, Sitar, Santoor, Morching.
22. Classify the following Prabhedas as Rishabha and
Gandhara Prabhedas :
Chatushruti, Antara, Shatshruti, Sadharana.
23. Classify the following compositions as Sabhagana and
Abhyasagana compositions :
Alankara, Geethe, Varna, Vachana.
10/204 6 of 8
18. Write a difference between Marga and Deshi music
systems.
19. What is the reason for Kambhoji raga to be called a
Bhashanga raga ?
20. Write a difference between Veena and Flute instruments.
21. Classify the following instruments into Carnatic and
Hindustani music instruments :
Khanjira, Sitar, Santoor, Morching.
22. Classify the following Prabhedas as Rishabha and
Gandhara Prabhedas :
Chatushruti, Antara, Shatshruti, Sadharana.
23. Classify the following compositions as Sabhagana and
Abhyasagana compositions :
Alankara, Geethe, Varna, Vachana.
10/204 6 of 8
Page 7
CCE RF/RR/PF/PR(A) 29-E
IV. Answer the following questions in brief :
24. Design and write the Alankara of Chaturashra jathi
Rupaka tala in Swara and Talalipi. 4
25. Explain, in brief, the life history of Thyagarajar. 6
10/204 7 of 8
IV. Answer the following questions in brief :
24. Design and write the Alankara of Chaturashra jathi
Rupaka tala in Swara and Talalipi. 4
25. Explain, in brief, the life history of Thyagarajar. 6
10/204 7 of 8
Page 8
CCE RF/RR/PF/PR(A) 29-E
10/204 8 of 8
10/204 8 of 8
Page 9
±ÜÅÍæ° ±Ü£ÅPæ PÜÅÊÜá ÓÜíTæ :
Tear here/CÈÉí¨Ü PÜñܤÄÔ
Q.P. Sl. No. :
Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 8 ]
Total No. of Printed Pages : 8 ] A
Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 25 ] CCE RF/RR/
Total No. of Questions : 25 ]
PF/PR
TEAR HERE TO OPEN THE QUESTION PAPER WITH REVERSE JACKET
ÓÜíPæàñÜ ÓÜíTæ : 29-K Code No. : 29-K
×ÊÜáá¾S hÝPæp… Öæãí©ÃÜáÊÜ ±ÜÅÍ氱ܣÅPæ¿á®Üá° ñæÃæ¿áÆá CÈÉ PÜñܤÄÔ
ËÐÜ¿á : PÜ®ÝìoPÜ ÓÜíXàñÜ — ÍÝÓÜŒ Ë»ÝWÜ
Subject : CARNATIC MUSIC — THEORY
PܮܰvÜ ÊÜÞ«ÜÂÊÜá / Kannada Medium
ÍÝÇÝ A»Ü¦ì / ÍÝÇÝ ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì / TÝÓÜX A»Ü¦ì / TÝÓÜX ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì
Regular Fresh / Regular Repeater / Private Fresh / Private Repeater
©®ÝíPÜ 23. 03. 2026 ] [ Date : 23. 03. 2026
ÓÜÊÜá¿á : ÊÜá«ÝÂÖÜ° 2-00 Äí¨Ü ÓÜíhæ 3-45 ÃÜÊÜÃæWæ ] [ Time : 2-00 P.M. to 3-45 P.M.
WÜÄÐÜu AíPÜWÜÙÜá 40 ] [ Max. Marks : 40
±ÜÄàûݦìWÝX ÓÝÊÜޮܠÓÜãaÜ®æWÜÙÜá Cut here/CÈÉ PÜñܤÄÔ
1. D ±ÜÅÍ氱ܣÅPæ¿áá Joár 25 ±ÜÅÍæ°WÜÙÜ®Üá° Öæãí©¨æ.
2. D ±ÜÅÍ氱ܣÅPæ¿á®Üá° ×ÊÜáá¾S hÝPæp… ÊÜáãÆPÜ ÊæãÖÜÃÜá ÔàÇ… ÊÜÞvÜÇÝX¨æ. ±ÜÄàûæ
±ÝÅÃÜí»ÜÊÝWÜáÊÜ ÓÜÊÜá¿áPæR ¯ÊÜá¾ ±ÜÅÍ氱ܣÅPæ¿á ŸÆŸ© ±ÝÍÜÌìÊÜ®Üá° PÜñܤÄÔ ¸Ý|¨Ü
WÜáÃÜáñÜ®Üá° A®ÜáÓÜÄÔ . ±ÜÅÍ氱ܣÅPæ¿áÈÉ GÇÝÉ ±ÜâoWÜÙÜá CÊæÁáà Gí¨Üá ±ÜÄàüÔPæãÚÛ.
3. ±ÜÅÍæ°WÜÚWæ PæãqrÃÜáÊÜ ÓÜãaÜ®æWÜÙÜ®Üá° ±ÝÈÔ.
Tear here/CÈÉí¨Ü PÜñܤÄÔ
4. ŸÆ»ÝWܨÜÈÉ PæãqrÃÜáÊÜ AíQWÜÙÜá ±ÜÅÍæ°WÜÚXÃÜáÊÜ ±Üä|ì AíPÜWÜÙÜ®Üá° ÓÜãbÓÜáñܤÊæ.
5. ±ÜÅÍ氱ܣÅPæ¿á®Üá° K©PæãÙÜÛÆá 15 ¯ËáÐÜWÜÙÜ PÝÇÝÊÜPÝÍÜÊÜâ ÓæàĨÜíñæ, EñܤÄÓÜÆá
¯WÜ©±ÜwÓÜÇÝ¨Ü ÓÜÊÜá¿áÊÜ®Üá° ±ÜÅÍ氱ܣÅPæ¿á ÊæáàÇݽWܨÜÈÉ ¯àvÜÇÝX¨æ.
10/203 1 of 8
Tear here/CÈÉí¨Ü PÜñܤÄÔ
Q.P. Sl. No. :
Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 8 ]
Total No. of Printed Pages : 8 ] A
Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 25 ] CCE RF/RR/
Total No. of Questions : 25 ]
PF/PR
TEAR HERE TO OPEN THE QUESTION PAPER WITH REVERSE JACKET
ÓÜíPæàñÜ ÓÜíTæ : 29-K Code No. : 29-K
×ÊÜáá¾S hÝPæp… Öæãí©ÃÜáÊÜ ±ÜÅÍ氱ܣÅPæ¿á®Üá° ñæÃæ¿áÆá CÈÉ PÜñܤÄÔ
ËÐÜ¿á : PÜ®ÝìoPÜ ÓÜíXàñÜ — ÍÝÓÜŒ Ë»ÝWÜ
Subject : CARNATIC MUSIC — THEORY
PܮܰvÜ ÊÜÞ«ÜÂÊÜá / Kannada Medium
ÍÝÇÝ A»Ü¦ì / ÍÝÇÝ ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì / TÝÓÜX A»Ü¦ì / TÝÓÜX ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì
Regular Fresh / Regular Repeater / Private Fresh / Private Repeater
©®ÝíPÜ 23. 03. 2026 ] [ Date : 23. 03. 2026
ÓÜÊÜá¿á : ÊÜá«ÝÂÖÜ° 2-00 Äí¨Ü ÓÜíhæ 3-45 ÃÜÊÜÃæWæ ] [ Time : 2-00 P.M. to 3-45 P.M.
WÜÄÐÜu AíPÜWÜÙÜá 40 ] [ Max. Marks : 40
±ÜÄàûݦìWÝX ÓÝÊÜޮܠÓÜãaÜ®æWÜÙÜá Cut here/CÈÉ PÜñܤÄÔ
1. D ±ÜÅÍ氱ܣÅPæ¿áá Joár 25 ±ÜÅÍæ°WÜÙÜ®Üá° Öæãí©¨æ.
2. D ±ÜÅÍ氱ܣÅPæ¿á®Üá° ×ÊÜáá¾S hÝPæp… ÊÜáãÆPÜ ÊæãÖÜÃÜá ÔàÇ… ÊÜÞvÜÇÝX¨æ. ±ÜÄàûæ
±ÝÅÃÜí»ÜÊÝWÜáÊÜ ÓÜÊÜá¿áPæR ¯ÊÜá¾ ±ÜÅÍ氱ܣÅPæ¿á ŸÆŸ© ±ÝÍÜÌìÊÜ®Üá° PÜñܤÄÔ ¸Ý|¨Ü
WÜáÃÜáñÜ®Üá° A®ÜáÓÜÄÔ . ±ÜÅÍ氱ܣÅPæ¿áÈÉ GÇÝÉ ±ÜâoWÜÙÜá CÊæÁáà Gí¨Üá ±ÜÄàüÔPæãÚÛ.
3. ±ÜÅÍæ°WÜÚWæ PæãqrÃÜáÊÜ ÓÜãaÜ®æWÜÙÜ®Üá° ±ÝÈÔ.
Tear here/CÈÉí¨Ü PÜñܤÄÔ
4. ŸÆ»ÝWܨÜÈÉ PæãqrÃÜáÊÜ AíQWÜÙÜá ±ÜÅÍæ°WÜÚXÃÜáÊÜ ±Üä|ì AíPÜWÜÙÜ®Üá° ÓÜãbÓÜáñܤÊæ.
5. ±ÜÅÍ氱ܣÅPæ¿á®Üá° K©PæãÙÜÛÆá 15 ¯ËáÐÜWÜÙÜ PÝÇÝÊÜPÝÍÜÊÜâ ÓæàĨÜíñæ, EñܤÄÓÜÆá
¯WÜ©±ÜwÓÜÇÝ¨Ü ÓÜÊÜá¿áÊÜ®Üá° ±ÜÅÍ氱ܣÅPæ¿á ÊæáàÇݽWܨÜÈÉ ¯àvÜÇÝX¨æ.
10/203 1 of 8
Page 10
CCE RF/RR/PF/PR(A) 29-K
I. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ A¥ÜÊÝ A±Üä|ì ÖæàÚPæWÜÚWæ ®ÝÆáR ±Ü¿Þì¿á EñܤÃÜWÜÙÜ®Üá°
¯àvÜÇÝX¨æ. AÊÜâWÜÙÜÈÉ ÓÜãPܤÊÝ¨Ü Jí¨Üá EñܤÃÜÊÜ®Üá° BÄÔ, A¨ÜÃÜ PÜÅÊÜÞûÜÃܨæãvÜ®æ
±Üä|ì EñܤÃÜÊÜ®Üá° ŸÃæÀáÄ : 8×1=8
1. ÊÜáê¨ÜíWÜÊÜâ Jí¨Üá
(A) PÜ®ÝìoPÜ ñÝÙÜÊݨÜÂ
(B) ×í¨ÜãÓݧ¯ ñÝÙÜÊݨÜÂ
(C) ±ÝÍÝcñÜ ñÝÙÜÊݨÜÂ
(D) g®Ü±Ü¨Ü ñÝÙÜÊݨÜÂ
2. ÊæãàÖÜ®Ü ÃÝWÜ¨Ü ÊÜWÜì
(A) LvÜÊÜ
(B) ÐÝvÜÊÜ
(C) ÊÜPÜÅ
(D) ÓÜí±Üä|ì
10/203 2 of 8
I. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ A¥ÜÊÝ A±Üä|ì ÖæàÚPæWÜÚWæ ®ÝÆáR ±Ü¿Þì¿á EñܤÃÜWÜÙÜ®Üá°
¯àvÜÇÝX¨æ. AÊÜâWÜÙÜÈÉ ÓÜãPܤÊÝ¨Ü Jí¨Üá EñܤÃÜÊÜ®Üá° BÄÔ, A¨ÜÃÜ PÜÅÊÜÞûÜÃܨæãvÜ®æ
±Üä|ì EñܤÃÜÊÜ®Üá° ŸÃæÀáÄ : 8×1=8
1. ÊÜáê¨ÜíWÜÊÜâ Jí¨Üá
(A) PÜ®ÝìoPÜ ñÝÙÜÊݨÜÂ
(B) ×í¨ÜãÓݧ¯ ñÝÙÜÊݨÜÂ
(C) ±ÝÍÝcñÜ ñÝÙÜÊݨÜÂ
(D) g®Ü±Ü¨Ü ñÝÙÜÊݨÜÂ
2. ÊæãàÖÜ®Ü ÃÝWÜ¨Ü ÊÜWÜì
(A) LvÜÊÜ
(B) ÐÝvÜÊÜ
(C) ÊÜPÜÅ
(D) ÓÜí±Üä|ì
10/203 2 of 8
Page 11
CCE RF/RR/PF/PR(A) 29-K
3. PÜ®ÝìoPÜ ÓÜíXàñÜÊÜ®Üá° ¨ÜüOÝ© ÓÜíXàñÜ Gí¨Üá PÜÃæ¿áÆá PÝÃÜ|Êæí¨ÜÃæ D
ÓÜíXàñÜ ±Ü¨Üœ£¿á ÊÜáãÆ
(A) ¨Üü| PܮܰvÜ
(B) ¨Üü| »ÝÃÜñÜ
(C) ¨Üü| HÐÝÂ
(D) ¨Üü| PÝÎ
4. ÓÜáÙÝ© ÓܱܤñÝÙÜWÜÙÜÈÉ Êæã¨ÜÆ®æ¿á ñÝÙÜ
(A) ÃÜã±ÜPÜñÝÙÜ
(B) ÊÜásÜÂñÝÙÜ
(C) ¨ÜáÅÊÜñÝÙÜ
(D) HPÜñÝÙÜ
10/203 3 of 8
3. PÜ®ÝìoPÜ ÓÜíXàñÜÊÜ®Üá° ¨ÜüOÝ© ÓÜíXàñÜ Gí¨Üá PÜÃæ¿áÆá PÝÃÜ|Êæí¨ÜÃæ D
ÓÜíXàñÜ ±Ü¨Üœ£¿á ÊÜáãÆ
(A) ¨Üü| PܮܰvÜ
(B) ¨Üü| »ÝÃÜñÜ
(C) ¨Üü| HÐÝÂ
(D) ¨Üü| PÝÎ
4. ÓÜáÙÝ© ÓܱܤñÝÙÜWÜÙÜÈÉ Êæã¨ÜÆ®æ¿á ñÝÙÜ
(A) ÃÜã±ÜPÜñÝÙÜ
(B) ÊÜásÜÂñÝÙÜ
(C) ¨ÜáÅÊÜñÝÙÜ
(D) HPÜñÝÙÜ
10/203 3 of 8
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CCE RF/RR/PF/PR(A) 29-K
5. ÓÜÌÃÜWÜÙÜ ÊæáàÇæ aÜáQR CÃÜáÊÜ ÓÜÌÃÜWÜÙÜá
(A) ÊÜáí¨ÜÅÓݧÀá ÓÜÌÃÜWÜÙÜá
(B) ñÝÃÜÓݧÀá ÓÜÌÃÜWÜÙÜá
(C) ÊÜá«ÜÂÓݧÀá ÓÜÌÃÜWÜÙÜá
(D) ÓÜÃÜÙæ ÓÜÌÃÜWÜÙÜá
6. Zoí ÊݨÜÂÊÜ®Üá° Z®ÜÊݨÜÂÊæí¨Üá PÜÃæ¿ááÊÜÃÜá, HPæí¨ÜÃæ D ÊݨÜÂÊÜâ
(A) ÇæãàÖÜ©í¨Ü ÊÜÞvÜƳqr¨æ
(B) ÊÜáÃÜ©í¨Ü ÊÜÞvÜƳqr¨æ
(C) aÜÊÜáì©í¨Ü ÊÜÞvÜƳqr¨æ
(D) ÊÜá~¡¯í¨Ü ÊÜÞvÜƳqr¨æ
7. ®Ý¨ÜÓÜÌÃÜÊÜâ WÝÚÀáí¨Ü ®Ý¨æãàñܳ£¤ ÊÜÞvÜáÊÜ PÝÃÜ|©í¨Ü D ÊݨÜÂÊÜ®Üá°
(A) ÊÜáíWÜÙÜ ÊݨÜÂÊæ®Üá°ÊÜÃÜá
(B) AÊܮܨܜ ÊݨÜÂÊæ®Üá°ÊÜÃÜá
(C) ÓÜáÑÃÜ ÊݨÜÂÊæ®Üá°ÊÜÃÜá
(D) PÜ®ÝìoPÜ ÓÜíXàñÜ ÊݨÜÂÊæ®Üá°ÊÜÃÜá
10/203 4 of 8
5. ÓÜÌÃÜWÜÙÜ ÊæáàÇæ aÜáQR CÃÜáÊÜ ÓÜÌÃÜWÜÙÜá
(A) ÊÜáí¨ÜÅÓݧÀá ÓÜÌÃÜWÜÙÜá
(B) ñÝÃÜÓݧÀá ÓÜÌÃÜWÜÙÜá
(C) ÊÜá«ÜÂÓݧÀá ÓÜÌÃÜWÜÙÜá
(D) ÓÜÃÜÙæ ÓÜÌÃÜWÜÙÜá
6. Zoí ÊݨÜÂÊÜ®Üá° Z®ÜÊݨÜÂÊæí¨Üá PÜÃæ¿ááÊÜÃÜá, HPæí¨ÜÃæ D ÊݨÜÂÊÜâ
(A) ÇæãàÖÜ©í¨Ü ÊÜÞvÜƳqr¨æ
(B) ÊÜáÃÜ©í¨Ü ÊÜÞvÜƳqr¨æ
(C) aÜÊÜáì©í¨Ü ÊÜÞvÜƳqr¨æ
(D) ÊÜá~¡¯í¨Ü ÊÜÞvÜƳqr¨æ
7. ®Ý¨ÜÓÜÌÃÜÊÜâ WÝÚÀáí¨Ü ®Ý¨æãàñܳ£¤ ÊÜÞvÜáÊÜ PÝÃÜ|©í¨Ü D ÊݨÜÂÊÜ®Üá°
(A) ÊÜáíWÜÙÜ ÊݨÜÂÊæ®Üá°ÊÜÃÜá
(B) AÊܮܨܜ ÊݨÜÂÊæ®Üá°ÊÜÃÜá
(C) ÓÜáÑÃÜ ÊݨÜÂÊæ®Üá°ÊÜÃÜá
(D) PÜ®ÝìoPÜ ÓÜíXàñÜ ÊݨÜÂÊæ®Üá°ÊÜÃÜá
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CCE RF/RR/PF/PR(A) 29-K
8. ñÜŸÆ ÊݨÜÂÊÜâ Jí¨Üá AÊܮܨܜ ÊݨÜÂÊÝX¨æ. HPæí¨ÜÃæ, D ÊݨÜÂÊÜâ
(A) ñÜí£Àáí¨Ü ®Ý¨æãàñܳ£¤ ÊÜÞvÜáñܤ¨æ
(B) WÝÚÀáí¨Ü ®Ý¨æãàñܳ£¤ ÊÜÞvÜáñܤ¨æ
(C) ¸æÃÜÚ¯í¨Ü ®Ý¨æãàñܳ£¤ ÊÜÞvÜáñܤ¨æ
(D) aÜÊÜáì©í¨Ü ®Ý¨æãàñܳ£¤ ÊÜÞvÜáñܤ¨æ
II. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ Jí¨æãí¨Üá ÊÝPܨÜÈÉ EñܤÄÔ : 8×1=8
9. ÍÜŸœPæR ÓÜíŸí˜Ô¨Üíñæ ÓÜíXàñÜÊÜâ ¿ÞÊÜ ÍÝÓÜŒ¨æãí©Wæ ÓÜíŸí«Ü Öæãí©¨æ
10. ®Ý¨Ü Gí¨ÜÃæà®Üá
11. PÜ®ÝìoPÜ ÓÜíXàñܨÜÈÉ ÓÜÃÜÙæÊÜÃÜÓæ¿á®Üá° ¿ÞÊÜ ÃÝWܨÜÈÉ ÖÝvÜáñݤÃæ
12. ñÜñÜ ÊݨÜÂPæR Jí¨Üá E¨ÝÖÜÃÜOæ Pæãw.
13. ×í¨æãàÙÜ ÃÝWÜÊÜ®Üá° ×í¨ÜãÓݧ¯ ±Ü¨Üœ£¿áÈÉ H®æí¨Üá PÜÃæ¿ááÊÜÃÜá
10/203 5 of 8
8. ñÜŸÆ ÊݨÜÂÊÜâ Jí¨Üá AÊܮܨܜ ÊݨÜÂÊÝX¨æ. HPæí¨ÜÃæ, D ÊݨÜÂÊÜâ
(A) ñÜí£Àáí¨Ü ®Ý¨æãàñܳ£¤ ÊÜÞvÜáñܤ¨æ
(B) WÝÚÀáí¨Ü ®Ý¨æãàñܳ£¤ ÊÜÞvÜáñܤ¨æ
(C) ¸æÃÜÚ¯í¨Ü ®Ý¨æãàñܳ£¤ ÊÜÞvÜáñܤ¨æ
(D) aÜÊÜáì©í¨Ü ®Ý¨æãàñܳ£¤ ÊÜÞvÜáñܤ¨æ
II. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ Jí¨æãí¨Üá ÊÝPܨÜÈÉ EñܤÄÔ : 8×1=8
9. ÍÜŸœPæR ÓÜíŸí˜Ô¨Üíñæ ÓÜíXàñÜÊÜâ ¿ÞÊÜ ÍÝÓÜŒ¨æãí©Wæ ÓÜíŸí«Ü Öæãí©¨æ
10. ®Ý¨Ü Gí¨ÜÃæà®Üá
11. PÜ®ÝìoPÜ ÓÜíXàñܨÜÈÉ ÓÜÃÜÙæÊÜÃÜÓæ¿á®Üá° ¿ÞÊÜ ÃÝWܨÜÈÉ ÖÝvÜáñݤÃæ
12. ñÜñÜ ÊݨÜÂPæR Jí¨Üá E¨ÝÖÜÃÜOæ Pæãw.
13. ×í¨æãàÙÜ ÃÝWÜÊÜ®Üá° ×í¨ÜãÓݧ¯ ±Ü¨Üœ£¿áÈÉ H®æí¨Üá PÜÃæ¿ááÊÜÃÜá
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CCE RF/RR/PF/PR(A) 29-K
14. ÊÜÓÜíñÜ ÃÝWÜÊÜ®Üá° ÊÜPÜÅÃÝWÜÊæí¨Üá HPæ PÜÃæ¿ááÊÜÃÜá
15. «ÜáÅÊÜñÝÙÜ ÊÜáñÜᤠÊÜásÜÂñÝÙÜWÜÙÜ ®ÜvÜá訆 ¿ÞÊÜâ¨Ý¨ÜÃÜã Jí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá°
ŸÃæÀáÄ.
16. ±ÜíaÜÊÜá ÓÜÌÃÜÊÜ®Üá° ±ÜÅPÜê£ ÓÜÌÃÜÊæí¨Üá HPæ PÜÃæ¿ááÊÜÃÜá
III. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ GÃÜvÜÄí¨Ü ÊÜáãÃÜá ÊÝPÜÂWÜÙÜÈÉ EñܤÄÔ : 7 × 2 = 14
17. ÓÜíXàñÜÊÜâ WÜ~ñÜÍÝÓÜŒPæR ÓÜíŸí˜Ô¨æ Gí¨Üá ÖæàÙÜÆá PÝÃÜ|Êæà®Üá
18. ÊÜÞWÜì ÊÜáñÜᤠ¨æàÎà ÓÜíXàñÜ ±ÜÅPÝÃÜWÜÙÜ ®ÜvÜá訆 Jí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá° ŸÃæÀáÄ.
19. PÝí»æãài ÃÝWÜÊÜ®Üá° »ÝÐÝíWÜÃÝWÜÊæí¨Üá PÜÃæ¿áÆá PÝÃÜ|Êæà®Üá
20. ËàOæ ÊÜáñÜᤠPæãÙÜÆá ÊݨÜÂWÜÙÜ ®ÜvÜá訆 Jí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá° ŸÃæÀáÄ.
21. D PæÙÜX®Ü ÊݨÜÂWÜÙÜ®Üá° PÜ®ÝìoPÜ ÊÜáñÜᤠ×í¨ÜãÓݧ¯ ÓÜíXàñÜ ÊݨÜÂWÜÙÝX
ÊÜXàìPÜÄÔ ŸÃæÀáÄ
SíiÃÜ, ÔñÝÃ…, ÓÜíñÜãÃ…, ÊæãàbìíW…
22. D PæÙÜX®Ü ±ÜÅ»æà¨ÜWÜÙÜ®Üá° ÄÐÜ»Ü ÖÝWÜã WÝí«ÝÃÜ ±ÜÅ»æà¨ÜWÜÙÝX ÊÜXàìPÜÄÔ
ŸÃæÀáÄ
aÜñÜáÍÜáÅ£, AíñÜÃÜ, ÐÜp…ÍÜáÅ£, ÓÝ«ÝÃÜ|
23. D PæÙÜX®Ü ÃÜaÜ®æWÜÙÜ®Üá° ÓÜ»ÝWÝ®Ü ÖÝWÜã A»ÝÂÓÜWÝ®Ü ÃÜaÜ®æWÜÙÝX ÊÜXàìPÜÄÔ
ŸÃæÀáÄ
AÆíPÝÃÜ, Xàñæ, ÊÜ|ì, ÊÜaÜ®Ü.
10/203 6 of 8
14. ÊÜÓÜíñÜ ÃÝWÜÊÜ®Üá° ÊÜPÜÅÃÝWÜÊæí¨Üá HPæ PÜÃæ¿ááÊÜÃÜá
15. «ÜáÅÊÜñÝÙÜ ÊÜáñÜᤠÊÜásÜÂñÝÙÜWÜÙÜ ®ÜvÜá訆 ¿ÞÊÜâ¨Ý¨ÜÃÜã Jí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá°
ŸÃæÀáÄ.
16. ±ÜíaÜÊÜá ÓÜÌÃÜÊÜ®Üá° ±ÜÅPÜê£ ÓÜÌÃÜÊæí¨Üá HPæ PÜÃæ¿ááÊÜÃÜá
III. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ GÃÜvÜÄí¨Ü ÊÜáãÃÜá ÊÝPÜÂWÜÙÜÈÉ EñܤÄÔ : 7 × 2 = 14
17. ÓÜíXàñÜÊÜâ WÜ~ñÜÍÝÓÜŒPæR ÓÜíŸí˜Ô¨æ Gí¨Üá ÖæàÙÜÆá PÝÃÜ|Êæà®Üá
18. ÊÜÞWÜì ÊÜáñÜᤠ¨æàÎà ÓÜíXàñÜ ±ÜÅPÝÃÜWÜÙÜ ®ÜvÜá訆 Jí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá° ŸÃæÀáÄ.
19. PÝí»æãài ÃÝWÜÊÜ®Üá° »ÝÐÝíWÜÃÝWÜÊæí¨Üá PÜÃæ¿áÆá PÝÃÜ|Êæà®Üá
20. ËàOæ ÊÜáñÜᤠPæãÙÜÆá ÊݨÜÂWÜÙÜ ®ÜvÜá訆 Jí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá° ŸÃæÀáÄ.
21. D PæÙÜX®Ü ÊݨÜÂWÜÙÜ®Üá° PÜ®ÝìoPÜ ÊÜáñÜᤠ×í¨ÜãÓݧ¯ ÓÜíXàñÜ ÊݨÜÂWÜÙÝX
ÊÜXàìPÜÄÔ ŸÃæÀáÄ
SíiÃÜ, ÔñÝÃ…, ÓÜíñÜãÃ…, ÊæãàbìíW…
22. D PæÙÜX®Ü ±ÜÅ»æà¨ÜWÜÙÜ®Üá° ÄÐÜ»Ü ÖÝWÜã WÝí«ÝÃÜ ±ÜÅ»æà¨ÜWÜÙÝX ÊÜXàìPÜÄÔ
ŸÃæÀáÄ
aÜñÜáÍÜáÅ£, AíñÜÃÜ, ÐÜp…ÍÜáÅ£, ÓÝ«ÝÃÜ|
23. D PæÙÜX®Ü ÃÜaÜ®æWÜÙÜ®Üá° ÓÜ»ÝWÝ®Ü ÖÝWÜã A»ÝÂÓÜWÝ®Ü ÃÜaÜ®æWÜÙÝX ÊÜXàìPÜÄÔ
ŸÃæÀáÄ
AÆíPÝÃÜ, Xàñæ, ÊÜ|ì, ÊÜaÜ®Ü.
10/203 6 of 8
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CCE RF/RR/PF/PR(A) 29-K
IV. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ ÓÜíü±Ü¤ÊÝX EñܤÄÔ :
24. aÜñÜáÃÜÍÜÅhÝ£ ÃÜã±ÜPÜñÝÙÜ¨Ü ÓÜÌÃÝÆíPÝÃÜÊÜ®Üá° ÓÜÌÃÜ ÊÜáñÜᤠñÝÙÜȲÁãí©Wæ
Ë®ÝÂÓÜWæãÚÔ ŸÃæÀáÄ. 4
25. ÎÅà ñÝÂWÜÃÝgÃÜ iàÊÜ®Ü aÜÄñæÅ¿á®Üá° ÓÜíü±Ü¤ÊÝX ËÊÜÄÔ. 6
10/203 7 of 8
IV. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ ÓÜíü±Ü¤ÊÝX EñܤÄÔ :
24. aÜñÜáÃÜÍÜÅhÝ£ ÃÜã±ÜPÜñÝÙÜ¨Ü ÓÜÌÃÝÆíPÝÃÜÊÜ®Üá° ÓÜÌÃÜ ÊÜáñÜᤠñÝÙÜȲÁãí©Wæ
Ë®ÝÂÓÜWæãÚÔ ŸÃæÀáÄ. 4
25. ÎÅà ñÝÂWÜÃÝgÃÜ iàÊÜ®Ü aÜÄñæÅ¿á®Üá° ÓÜíü±Ü¤ÊÝX ËÊÜÄÔ. 6
10/203 7 of 8
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CCE RF/RR/PF/PR(A) 29-K
10/203 8 of 8
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Page 17
±ÜÅÍæ° ±Ü£ÅPæ PÜÅÊÜá ÓÜíTæ :
Q.P. Sl. No. :
Tear here/CÈÉí¨Ü
PÜñܤÄÔ
Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 4 ]
Total No. of Printed Pages : 4 ] A
Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 8 ] CCE RF/RR/
Total No. of Questions : 8 ] PF/PR
TEAR HERE TO OPEN THE QUESTION PAPER WITH REVERSE JACKET
×ÊÜáá¾S hÝPæp… Öæãí©ÃÜáÊÜ ±ÜÅÍ氱ܣÅPæ¿á®Üá° ñæÃæ¿áÆá CÈÉ PÜñܤÄÔ
ÓÜíPæàñÜ ÓÜíTæ : 29-E Code No. : 29-E
—
Subject : CARNATIC MUSIC — PRACTICAL
( / English Medium )
ÍÝÇÝ A»Ü¦ì / ÍÝÇÝ ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì / TÝÓÜX A»Ü¦ì / TÝÓÜX ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì
Regular Fresh / Regular Repeater / Private Fresh / Private Repeater
©®ÝíPÜ 23. 03. 2026 ] [ Date : 23. 03. 2026
ÓÜÊÜá¿á 1 30 ] [ Time : 1 hour 30 minutes
WÜÄÐÜu AíPÜWÜÙÜá 40 ] [ Max. Marks : 40
Cut here/CÈÉ PÜñܤÄÔ
General Instructions to the Candidate :
1. This Question Paper consists of 8 questions.
2. This question paper has been sealed by reverse jacket. You have to
cut on the right side to open the paper at the time of
commencement of the examination ( Follow the arrow mark ). Do not
cut the left side to open the paper. Check whether all the pages of
the question paper are intact.
3. Follow the instructions given against the questions.
4. Figures in the right hand margin indicate maximum marks for the
Tear here/CÈÉí¨Ü
question.
5. The maximum time to answer the paper is given at the top of the
PÜñܤÄÔ
question paper.
10/204 1 of 4
Q.P. Sl. No. :
Tear here/CÈÉí¨Ü
PÜñܤÄÔ
Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 4 ]
Total No. of Printed Pages : 4 ] A
Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 8 ] CCE RF/RR/
Total No. of Questions : 8 ] PF/PR
TEAR HERE TO OPEN THE QUESTION PAPER WITH REVERSE JACKET
×ÊÜáá¾S hÝPæp… Öæãí©ÃÜáÊÜ ±ÜÅÍ氱ܣÅPæ¿á®Üá° ñæÃæ¿áÆá CÈÉ PÜñܤÄÔ
ÓÜíPæàñÜ ÓÜíTæ : 29-E Code No. : 29-E
—
Subject : CARNATIC MUSIC — PRACTICAL
( / English Medium )
ÍÝÇÝ A»Ü¦ì / ÍÝÇÝ ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì / TÝÓÜX A»Ü¦ì / TÝÓÜX ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì
Regular Fresh / Regular Repeater / Private Fresh / Private Repeater
©®ÝíPÜ 23. 03. 2026 ] [ Date : 23. 03. 2026
ÓÜÊÜá¿á 1 30 ] [ Time : 1 hour 30 minutes
WÜÄÐÜu AíPÜWÜÙÜá 40 ] [ Max. Marks : 40
Cut here/CÈÉ PÜñܤÄÔ
General Instructions to the Candidate :
1. This Question Paper consists of 8 questions.
2. This question paper has been sealed by reverse jacket. You have to
cut on the right side to open the paper at the time of
commencement of the examination ( Follow the arrow mark ). Do not
cut the left side to open the paper. Check whether all the pages of
the question paper are intact.
3. Follow the instructions given against the questions.
4. Figures in the right hand margin indicate maximum marks for the
Tear here/CÈÉí¨Ü
question.
5. The maximum time to answer the paper is given at the top of the
PÜñܤÄÔ
question paper.
10/204 1 of 4
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CCE RF/RR/PF/PR(A) 29-E
The examiners are to ask the following questions to the students :
1. What are Saralevarases ?
Sing the third Sarale in three speeds. 4
2. Mention any one difference between Pillari geethas and
Sanchari geethas.
Sing any one Pillari geethe. 4
3. What is Jathiswara ?
Sing any one Jathiswara. 4
4. How is the Poorvardha of a Tanavarna different from the
Uttarardha ?
Sing the Poorvardha of a Tanavarna. 8
5. Mention any one difference between Madhyama kala Krithi
and Vilamba kala Krithi.
Sing a Madhyama kala Krithi. 6
6. Mention any one difference between the Poorvardha and
Uttarardha of a Vilamba kala Krithi.
Sing the Uttarardha of a Vilamba kala Krithi. 6
10/204 2 of 4
The examiners are to ask the following questions to the students :
1. What are Saralevarases ?
Sing the third Sarale in three speeds. 4
2. Mention any one difference between Pillari geethas and
Sanchari geethas.
Sing any one Pillari geethe. 4
3. What is Jathiswara ?
Sing any one Jathiswara. 4
4. How is the Poorvardha of a Tanavarna different from the
Uttarardha ?
Sing the Poorvardha of a Tanavarna. 8
5. Mention any one difference between Madhyama kala Krithi
and Vilamba kala Krithi.
Sing a Madhyama kala Krithi. 6
6. Mention any one difference between the Poorvardha and
Uttarardha of a Vilamba kala Krithi.
Sing the Uttarardha of a Vilamba kala Krithi. 6
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CCE RF/RR/PF/PR(A) 29-E
7. How are Dasara Keerthanas different from Krithis ?
Sing any one Dasara Keerthana. 4
8. Sing a Shivasharana Vachana.
(Observe the style while singing). 4
10/204 3 of 4
7. How are Dasara Keerthanas different from Krithis ?
Sing any one Dasara Keerthana. 4
8. Sing a Shivasharana Vachana.
(Observe the style while singing). 4
10/204 3 of 4
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CCE RF/RR/PF/PR(A) 29-E
10/204 4 of 4
10/204 4 of 4
Page 21
±ÜÅÍæ° ±Ü£ÅPæ PÜÅÊÜá ÓÜíTæ :
Tear here/CÈÉí¨Ü PÜñܤÄÔ
Q.P. Sl. No. :
Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 4 ]
Total No. of Printed Pages : 4 ] A
Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 8 ] CCE RF/RR/
Total No. of Questions : 8 ]
PF/PR
TEAR HERE TO OPEN THE QUESTION PAPER WITH REVERSE JACKET
ÓÜíPæàñÜ ÓÜíTæ : 29-K Code No. : 29-K
ËÐÜ¿á : PÜ®ÝìoPÜ ÓÜíXàñÜ — ±ÝÅÁãàXPÜ Ë»ÝWÜ
×ÊÜáá¾S hÝPæp… Öæãí©ÃÜáÊÜ ±ÜÅÍ氱ܣÅPæ¿á®Üá° ñæÃæ¿áÆá CÈÉ PÜñܤÄÔ
Subject : CARNATIC MUSIC — PRACTICAL
(PܮܰvÜ ÊÜÞ«ÜÂÊÜá / Kannada Medium)
ÍÝÇÝ A»Ü¦ì / ÍÝÇÝ ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì / TÝÓÜX A»Ü¦ì / TÝÓÜX ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì
Regular Fresh / Regular Repeater / Private Fresh / Private Repeater
©®ÝíPÜ 23. 03. 2026 ] [ Date : 23. 03. 2026
ÓÜÊÜá¿á : 1 WÜípæ 30 ¯ËáÐÜWÜÙÜá ] [ Time : 1 hour 30 minutes
WÜÄÐÜu AíPÜWÜÙÜá : 40 ] [ Max. Marks : 40
±ÜÄàûݦìWÝX ÓÝÊÜޮܠÓÜãaÜ®æWÜÙÜá : Cut here/CÈÉ PÜñܤÄÔ
1. D ±ÜÅÍ氱ܣÅPæ¿áá 8 ±ÜÅÍæ°WÜÙÜ®Üá° Öæãí©¨æ.
2. D ±ÜÅÍ氱ܣÅPæ¿á®Üá° ×ÊÜáá¾S hÝPæp… ÊÜáãÆPÜ ÊæãÖÜÃÜá ÔàÇ… ÊÜÞvÜÇÝX¨æ. ±ÜÄàûæ
±ÝÅÃÜí»ÜÊÝWÜáÊÜ ÓÜÊÜá¿áPæR ¯ÊÜá¾ ±ÜÅÍ氱ܣÅPæ¿á ŸÆŸ© ±ÝÍÜÌìÊÜ®Üá° PÜñܤÄÔ ¸Ý|¨Ü
WÜáÃÜáñÜ®Üá° A®ÜáÓÜÄÔ . ±ÜÅÍ氱ܣÅPæ¿áÈÉ GÇÝÉ ±ÜâoWÜÙÜá CÊæÁáà Gí¨Üá ±ÜÄàüÔPæãÚÛ.
3. ±ÜÅÍæ°WÜÚWæ PæãqrÃÜáÊÜ ÓÜãaÜ®æWÜÙÜ®Üá° ±ÝÈÔ.
4. ŸÆ»ÝWܨÜÈÉ PæãqrÃÜáÊÜ AíQWÜÙÜá ±ÜÅÍæ°WÜÚXÃÜáÊÜ ±Üä|ì AíPÜWÜÙÜ®Üá° ÓÜãbÓÜáñܤÊæ.
Tear here/CÈÉí¨Ü PÜñܤÄÔ
5. ±ÜÅÍ氱ܣÅPæWæ EñܤÄÓÜÆá ¯WÜ©±ÜwÓÜÇÝ¨Ü ÓÜÊÜá¿áÊÜ®Üá° ±ÜÅÍ氱ܣÅPæ¿á ÊæáàÇݽWܨÜÈÉ
¯àvÜÇÝX¨æ.
10/203 1 of 4
Tear here/CÈÉí¨Ü PÜñܤÄÔ
Q.P. Sl. No. :
Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 4 ]
Total No. of Printed Pages : 4 ] A
Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 8 ] CCE RF/RR/
Total No. of Questions : 8 ]
PF/PR
TEAR HERE TO OPEN THE QUESTION PAPER WITH REVERSE JACKET
ÓÜíPæàñÜ ÓÜíTæ : 29-K Code No. : 29-K
ËÐÜ¿á : PÜ®ÝìoPÜ ÓÜíXàñÜ — ±ÝÅÁãàXPÜ Ë»ÝWÜ
×ÊÜáá¾S hÝPæp… Öæãí©ÃÜáÊÜ ±ÜÅÍ氱ܣÅPæ¿á®Üá° ñæÃæ¿áÆá CÈÉ PÜñܤÄÔ
Subject : CARNATIC MUSIC — PRACTICAL
(PܮܰvÜ ÊÜÞ«ÜÂÊÜá / Kannada Medium)
ÍÝÇÝ A»Ü¦ì / ÍÝÇÝ ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì / TÝÓÜX A»Ü¦ì / TÝÓÜX ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì
Regular Fresh / Regular Repeater / Private Fresh / Private Repeater
©®ÝíPÜ 23. 03. 2026 ] [ Date : 23. 03. 2026
ÓÜÊÜá¿á : 1 WÜípæ 30 ¯ËáÐÜWÜÙÜá ] [ Time : 1 hour 30 minutes
WÜÄÐÜu AíPÜWÜÙÜá : 40 ] [ Max. Marks : 40
±ÜÄàûݦìWÝX ÓÝÊÜޮܠÓÜãaÜ®æWÜÙÜá : Cut here/CÈÉ PÜñܤÄÔ
1. D ±ÜÅÍ氱ܣÅPæ¿áá 8 ±ÜÅÍæ°WÜÙÜ®Üá° Öæãí©¨æ.
2. D ±ÜÅÍ氱ܣÅPæ¿á®Üá° ×ÊÜáá¾S hÝPæp… ÊÜáãÆPÜ ÊæãÖÜÃÜá ÔàÇ… ÊÜÞvÜÇÝX¨æ. ±ÜÄàûæ
±ÝÅÃÜí»ÜÊÝWÜáÊÜ ÓÜÊÜá¿áPæR ¯ÊÜá¾ ±ÜÅÍ氱ܣÅPæ¿á ŸÆŸ© ±ÝÍÜÌìÊÜ®Üá° PÜñܤÄÔ ¸Ý|¨Ü
WÜáÃÜáñÜ®Üá° A®ÜáÓÜÄÔ . ±ÜÅÍ氱ܣÅPæ¿áÈÉ GÇÝÉ ±ÜâoWÜÙÜá CÊæÁáà Gí¨Üá ±ÜÄàüÔPæãÚÛ.
3. ±ÜÅÍæ°WÜÚWæ PæãqrÃÜáÊÜ ÓÜãaÜ®æWÜÙÜ®Üá° ±ÝÈÔ.
4. ŸÆ»ÝWܨÜÈÉ PæãqrÃÜáÊÜ AíQWÜÙÜá ±ÜÅÍæ°WÜÚXÃÜáÊÜ ±Üä|ì AíPÜWÜÙÜ®Üá° ÓÜãbÓÜáñܤÊæ.
Tear here/CÈÉí¨Ü PÜñܤÄÔ
5. ±ÜÅÍ氱ܣÅPæWæ EñܤÄÓÜÆá ¯WÜ©±ÜwÓÜÇÝ¨Ü ÓÜÊÜá¿áÊÜ®Üá° ±ÜÅÍ氱ܣÅPæ¿á ÊæáàÇݽWܨÜÈÉ
¯àvÜÇÝX¨æ.
10/203 1 of 4
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CCE RF/RR/PF/PR(A) 29-K
±ÜÄàûÜPÜÃÜá D PæÙÜX®Ü ±ÜÅÍæ°WÜÙÜ®Üᰠ˨ݦìWÜÚWæ PæàÙÜáÊÜâ¨Üá.
1. ÓÜÃÜÙæÊÜÃÜÓæWÜÙÜá Gí¨ÜÃæà®Üá
ÊÜáãÃÜ®æ¿á ¨ÝoáÊÜÃÜÓæ¿á®Üá° ÊÜáãÃÜá PÝÆWÜÙÜÈÉ ÖÝw. 4
2. ²ÙÝÛÄ XàñæWÜÚWÜã ÓÜíaÝÄXàñæWÜÚWÜã CÃÜáÊÜ ¿ÞÊÜâ¨Ý¨ÜÃÜã Jí¨Üá
ÊÜÂñÝÂÓÜÊÜ®Üá° £ÚÔ.
¿ÞÊÜâ¨Ý¨ÜÃÜã Jí¨Üá ²ÙÝÛÄ Xàñæ¿á®Üá° ÖÝw. 4
3. g£ÓÜÌÃÜ Gí¨ÜÃæà®Üá
¿ÞÊÜâ¨Ý¨ÜÃÜã Jí¨Üá g£ÓÜÌÃÜÊÜ®Üá° ÖÝw. 4
4. ñÝ®ÜÊÜ|ì¨Ü ±ÜäÊÝì«ÜìÊÜâ EñܤÃÝ«ÜìQRíñÜ ÖæàWæ ¼®Ü°ÊÝX¨æ
ñÝ®ÜÊÜ|ìÊæäí¨ÜÃÜ ±ÜäÊÝì«ÜìÊÜ®Üá° ÖÝw. 8
5. ÊÜá«ÜÂÊÜáPÝÆ PÜê£WÜã, ËÙÜíŸPÝÆ PÜê£WÜã CÃÜáÊÜ ¿ÞÊÜâ¨Ý¨ÜÃæãí¨Üá
ÊÜÂñÝÂÓÜÊÜ®Üá° £ÚÔ.
ÊÜá«ÜÂÊÜáPÝÆ PÜê£Áãí¨Ü®Üá° ÖÝw. 6
10/203 2 of 4
±ÜÄàûÜPÜÃÜá D PæÙÜX®Ü ±ÜÅÍæ°WÜÙÜ®Üᰠ˨ݦìWÜÚWæ PæàÙÜáÊÜâ¨Üá.
1. ÓÜÃÜÙæÊÜÃÜÓæWÜÙÜá Gí¨ÜÃæà®Üá
ÊÜáãÃÜ®æ¿á ¨ÝoáÊÜÃÜÓæ¿á®Üá° ÊÜáãÃÜá PÝÆWÜÙÜÈÉ ÖÝw. 4
2. ²ÙÝÛÄ XàñæWÜÚWÜã ÓÜíaÝÄXàñæWÜÚWÜã CÃÜáÊÜ ¿ÞÊÜâ¨Ý¨ÜÃÜã Jí¨Üá
ÊÜÂñÝÂÓÜÊÜ®Üá° £ÚÔ.
¿ÞÊÜâ¨Ý¨ÜÃÜã Jí¨Üá ²ÙÝÛÄ Xàñæ¿á®Üá° ÖÝw. 4
3. g£ÓÜÌÃÜ Gí¨ÜÃæà®Üá
¿ÞÊÜâ¨Ý¨ÜÃÜã Jí¨Üá g£ÓÜÌÃÜÊÜ®Üá° ÖÝw. 4
4. ñÝ®ÜÊÜ|ì¨Ü ±ÜäÊÝì«ÜìÊÜâ EñܤÃÝ«ÜìQRíñÜ ÖæàWæ ¼®Ü°ÊÝX¨æ
ñÝ®ÜÊÜ|ìÊæäí¨ÜÃÜ ±ÜäÊÝì«ÜìÊÜ®Üá° ÖÝw. 8
5. ÊÜá«ÜÂÊÜáPÝÆ PÜê£WÜã, ËÙÜíŸPÝÆ PÜê£WÜã CÃÜáÊÜ ¿ÞÊÜâ¨Ý¨ÜÃæãí¨Üá
ÊÜÂñÝÂÓÜÊÜ®Üá° £ÚÔ.
ÊÜá«ÜÂÊÜáPÝÆ PÜê£Áãí¨Ü®Üá° ÖÝw. 6
10/203 2 of 4
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CCE RF/RR/PF/PR(A) 29-K
6. ËÙÜíŸPÝÆ¨Ü PÜê£Áãí¨ÜÃÜ ±ÜäÊÝì«ÜìPÜãR, EñܤÃÝ«ÜìPÜãR CÃÜáÊÜ
¿ÞÊÜâ¨Ý¨ÜÃæãí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá° £ÚÔ.
Jí¨Üá ËÙÜíŸPÝÆ¨Ü PÜꣿá EñܤÃÝ«ÜìÊÜ®Üá° ÖÝw. 6
7. ¨ÝÓÜÃÜ QàñÜì®æWÜÙÜá PÜê£WÜÚXíñÜ ÖæàWæ ¼®Ü°ÊÝXÊæ
¿ÞÊÜâ¨Ý¨ÜÃæãí¨Üá ¨ÝÓÜÃÜ QàñÜì®æ¿á®Üá° ÖÝw. 4
8. ÎÊÜÍÜÃÜ|ÃÜ ÊÜaÜ®ÜÊæäí¨Ü®Üá° ÖÝw.
ÖÝvÜáÊÜ ÍæçÈ¿á®Üá° WÜÊÜá¯ÓÜáÊÜâ¨Üá 4
10/203 3 of 4
6. ËÙÜíŸPÝÆ¨Ü PÜê£Áãí¨ÜÃÜ ±ÜäÊÝì«ÜìPÜãR, EñܤÃÝ«ÜìPÜãR CÃÜáÊÜ
¿ÞÊÜâ¨Ý¨ÜÃæãí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá° £ÚÔ.
Jí¨Üá ËÙÜíŸPÝÆ¨Ü PÜꣿá EñܤÃÝ«ÜìÊÜ®Üá° ÖÝw. 6
7. ¨ÝÓÜÃÜ QàñÜì®æWÜÙÜá PÜê£WÜÚXíñÜ ÖæàWæ ¼®Ü°ÊÝXÊæ
¿ÞÊÜâ¨Ý¨ÜÃæãí¨Üá ¨ÝÓÜÃÜ QàñÜì®æ¿á®Üá° ÖÝw. 4
8. ÎÊÜÍÜÃÜ|ÃÜ ÊÜaÜ®ÜÊæäí¨Ü®Üá° ÖÝw.
ÖÝvÜáÊÜ ÍæçÈ¿á®Üá° WÜÊÜá¯ÓÜáÊÜâ¨Üá 4
10/203 3 of 4
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CCE RF/RR/PF/PR(A) 29-K
10/203 4 of 4
10/203 4 of 4
Document Details
| Board / Org | Karnataka Board |
| Exam | Class 10 |
| Type | Question Paper |
| Pages | 24 |
| Language | english |
| Updated | 24 Sep 2026 |