CBSE Class 10 Question Paper 2024 Hindustani Music
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CBSE Class 10 Question Paper 2024 Hindustani Music – Text
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Page 1
CBSE
Page 2
Series #CDBA SET-4
-
Q.P. Code 33A
. - -
Roll No. -
Candidates must write the Q.P. Code
on the title page of the answer-book.
= - 7
= - 15
= - - - -
= , -
= - 15 - 10.15
10.15 10.30 -
-
= Please check that this question paper contains 7 printed pages.
= Please check that this question paper contains 15 questions.
= Q.P. Code given on the right hand side of the question paper should be written
on the title page of the answer-book by the candidate.
= Please write down the serial number of the question in the answer-book
before attempting it.
= 15 minute time has been allotted to read this question paper. The question
paper will be distributed at 10.15 a.m. From 10.15 a.m. to 10.30 a.m., the
candidates will read the question paper only and will not write any answer on
the answer-book during this period.
( )
HINDUSTANI MUSIC (Melodic Instruments)
{ZYm©[aV g‘¶ : 2 KÊQ>o A{YH$V‘ A§H$ : 30
Time allowed : 2 hours Maximum Marks : 30
233A
126 Page 1 P.T.O.
-
Q.P. Code 33A
. - -
Roll No. -
Candidates must write the Q.P. Code
on the title page of the answer-book.
= - 7
= - 15
= - - - -
= , -
= - 15 - 10.15
10.15 10.30 -
-
= Please check that this question paper contains 7 printed pages.
= Please check that this question paper contains 15 questions.
= Q.P. Code given on the right hand side of the question paper should be written
on the title page of the answer-book by the candidate.
= Please write down the serial number of the question in the answer-book
before attempting it.
= 15 minute time has been allotted to read this question paper. The question
paper will be distributed at 10.15 a.m. From 10.15 a.m. to 10.30 a.m., the
candidates will read the question paper only and will not write any answer on
the answer-book during this period.
( )
HINDUSTANI MUSIC (Melodic Instruments)
{ZYm©[aV g‘¶ : 2 KÊQ>o A{YH$V‘ A§H$ : 30
Time allowed : 2 hours Maximum Marks : 30
233A
126 Page 1 P.T.O.
Page 3
(i) - : ( 1 )
(ii) - : ( 2 )
(iii) - : ( 6 )
-
1. ? 1
(A) 1 (B) 2
(C) 3 (D) 4
2. 1
(A) - (B) -
(C) -
(D) -
3. ‘’ 1
(A) | (B) O
(C) Ç (D) ´
4. : 1
I.
II. ,
III.
IV. 14
:
(A) I – II (B) II – III
(C) II – IV (D) I – IV
5. : 1
I. 4
II.
III.
IV.
:
(A) I, II, III (B) I, II, IV
(C) I, III, IV (D) II, III, IV
233A Page 2
(i) - : ( 1 )
(ii) - : ( 2 )
(iii) - : ( 6 )
-
1. ? 1
(A) 1 (B) 2
(C) 3 (D) 4
2. 1
(A) - (B) -
(C) -
(D) -
3. ‘’ 1
(A) | (B) O
(C) Ç (D) ´
4. : 1
I.
II. ,
III.
IV. 14
:
(A) I – II (B) II – III
(C) II – IV (D) I – IV
5. : 1
I. 4
II.
III.
IV.
:
(A) I, II, III (B) I, II, IV
(C) I, III, IV (D) II, III, IV
233A Page 2
Page 4
General Instructions :
(i) Section – A : Attempt all questions (Each question will carry 1 mark).
(ii) Section – B : Attempt all questions (Each question will carry 2 marks).
(iii) Section – C : Attempt all questions (Each question will carry 6 marks).
SECTION – A
1. How many Vibhags are there in Tilwada Tala ? 1
(A) 1 (B) 2
(C) 3 (D) 4
2. Jaati of Raga Bhupali is 1
(A) Audav-Audav (B) Shadav-Sampurna
(C) Sampurna-Sampurna (D) Audav-Sampurna
3. The sign of ‘Khali’ in tala is 1
(A) | (B) O
(C) Ç (D) ´
4. Choose the correct statement : 1
I. Raga Khamaj is an Aashray Raga.
II. Tansen was the musician in the court of Akbar.
III. Razakhani Gat is played in Ektala.
IV. Tilwada Tala has 14 beats.
Choose the correct option :
(A) I – II (B) II – III
(C) II – IV (D) I – IV
5. Choose the correct statement : 1
I. Rupak Tala has 4 Vibhagas.
II. The tempo of Maseetkhani Gat is slow.
III. Ustad Allauddin Khan used to play Sarod.
IV. Playing four Bols in 1 beat is called Chaugun.
Choose the correct option :
(A) I, II, III (B) I, II, IV
(C) I, III, IV (D) II, III, IV
233A Page 3 P.T.O.
(i) Section – A : Attempt all questions (Each question will carry 1 mark).
(ii) Section – B : Attempt all questions (Each question will carry 2 marks).
(iii) Section – C : Attempt all questions (Each question will carry 6 marks).
SECTION – A
1. How many Vibhags are there in Tilwada Tala ? 1
(A) 1 (B) 2
(C) 3 (D) 4
2. Jaati of Raga Bhupali is 1
(A) Audav-Audav (B) Shadav-Sampurna
(C) Sampurna-Sampurna (D) Audav-Sampurna
3. The sign of ‘Khali’ in tala is 1
(A) | (B) O
(C) Ç (D) ´
4. Choose the correct statement : 1
I. Raga Khamaj is an Aashray Raga.
II. Tansen was the musician in the court of Akbar.
III. Razakhani Gat is played in Ektala.
IV. Tilwada Tala has 14 beats.
Choose the correct option :
(A) I – II (B) II – III
(C) II – IV (D) I – IV
5. Choose the correct statement : 1
I. Rupak Tala has 4 Vibhagas.
II. The tempo of Maseetkhani Gat is slow.
III. Ustad Allauddin Khan used to play Sarod.
IV. Playing four Bols in 1 beat is called Chaugun.
Choose the correct option :
(A) I, II, III (B) I, II, IV
(C) I, III, IV (D) II, III, IV
233A Page 3 P.T.O.
Page 5
6. : 1
– I – II
(a) (i) 7
(b) (ii)
(c) Ç (iii)
(d) (iv) ,
:
(a) (b) (c) (d)
(A) (iii) (i) (ii) (iv)
(B) (iv) (ii) (i) (iii)
(C) (iv) (i) (ii) (iii)
(D) (iii) (i) (iv) (ii)
7. – I : 1
– II :
:
(A) I II
(B) I II
(C) I II
(D) I II
8. – I : 1
– II :
:
(A) I II
(B) I II
(C) I II
(D) I II
–
9. (a) 2
(b)
233A Page 4
– I – II
(a) (i) 7
(b) (ii)
(c) Ç (iii)
(d) (iv) ,
:
(a) (b) (c) (d)
(A) (iii) (i) (ii) (iv)
(B) (iv) (ii) (i) (iii)
(C) (iv) (i) (ii) (iii)
(D) (iii) (i) (iv) (ii)
7. – I : 1
– II :
:
(A) I II
(B) I II
(C) I II
(D) I II
8. – I : 1
– II :
:
(A) I II
(B) I II
(C) I II
(D) I II
–
9. (a) 2
(b)
233A Page 4
Page 6
6. Match the followings : 1
List – I List – II
(a) Bhupali (i) 7 Matras
(b) Rupak Tala (ii) Meend
(c) Ç (iii) Kalyan Thata
(d) Vrindavani Sarang (iv) Ga, Dha Varjit
Codes :
(a) (b) (c) (d)
(A) (iii) (i) (ii) (iv)
(B) (iv) (ii) (i) (iii)
(C) (iv) (i) (ii) (iii)
(D) (iii) (i) (iv) (ii)
7. Statement – I : Alap is sung in the beginning of the Raga. 1
Statement – II : Alap is sung in slow tempo.
Choose the correct option :
(A) Statement I and II are true.
(B) Statement I and II are false.
(C) Statement I is false and II is true.
(D) Statement I is true and II is false.
8. Statement – I : The prominent swara of Raga is called Vadi. 1
Statement – II : There could be more than one vadi swara in the Raga.
Choose the correct option :
(A) Statement I and II are true.
(B) Statement I and II are false.
(C) Statement I is false and II is true.
(D) Statement I is true and II is false.
SECTION – B
9. (a) Describe Meend and Kan with examples. 2
OR
(b) Describe briefly different parts and tuning of the instrument which
you have opted for.
233A Page 5 P.T.O.
List – I List – II
(a) Bhupali (i) 7 Matras
(b) Rupak Tala (ii) Meend
(c) Ç (iii) Kalyan Thata
(d) Vrindavani Sarang (iv) Ga, Dha Varjit
Codes :
(a) (b) (c) (d)
(A) (iii) (i) (ii) (iv)
(B) (iv) (ii) (i) (iii)
(C) (iv) (i) (ii) (iii)
(D) (iii) (i) (iv) (ii)
7. Statement – I : Alap is sung in the beginning of the Raga. 1
Statement – II : Alap is sung in slow tempo.
Choose the correct option :
(A) Statement I and II are true.
(B) Statement I and II are false.
(C) Statement I is false and II is true.
(D) Statement I is true and II is false.
8. Statement – I : The prominent swara of Raga is called Vadi. 1
Statement – II : There could be more than one vadi swara in the Raga.
Choose the correct option :
(A) Statement I and II are true.
(B) Statement I and II are false.
(C) Statement I is false and II is true.
(D) Statement I is true and II is false.
SECTION – B
9. (a) Describe Meend and Kan with examples. 2
OR
(b) Describe briefly different parts and tuning of the instrument which
you have opted for.
233A Page 5 P.T.O.
Page 7
10. (a) . 2
(b)
11. (a) 2
(b)
12. (a) (Bani) 2
(b) , 50
13. (a) 2
(b)
–
14. (a) 6
(b) ,
15. (a)
6
(b)
______________
233A Page 6
(b)
11. (a) 2
(b)
12. (a) (Bani) 2
(b) , 50
13. (a) 2
(b)
–
14. (a) 6
(b) ,
15. (a)
6
(b)
______________
233A Page 6
Page 8
10. (a) Discuss the contribution made by Pt. Omkar Nath Thakur to Indian
Music. 2
OR
(b) Give the description of Tilwada Tala with its Theka in Tala Notation.
11. (a) Describe the salient features of Raga Khamaj. 2
OR
(b) Briefly discuss life sketch and contribution of Allauddin Khan.
12. (a) Describe Dhrupad and its Banis. 2
OR
(b) Ga Pa Dha Pa, Ga Re Sa. Identify the raga and elaborate upto 50
swara.
13. (a) Give brief description of Raga Vrindavani Sarang. 2
OR
(b) Describe Alap and Taan.
SECTION – C
14. (a) Write the notation of Maseetkhani Gat with its two todas in any one
Raga of your syllabus. 6
OR
(b) Describe Tala Rupak and write its Theka with Dugun and Chaugun
in Tala Notation.
15. (a) Gat is a structure very much like Sthayi and Antara in the vocal
music tradition. It has a fully developed cycle and is invariably
accompanied by the Tabla. Gat are of two types Maseetkhani &
Razakhani.
After reading the above paragraph write and describe all the
features of Maseetkhani Gat & Razakhani Gat. 6
OR
(b) Write down the description of an Artist who plays the same
instrument which you have opted for.
______________
233A Page 7 P.T.O.
Music. 2
OR
(b) Give the description of Tilwada Tala with its Theka in Tala Notation.
11. (a) Describe the salient features of Raga Khamaj. 2
OR
(b) Briefly discuss life sketch and contribution of Allauddin Khan.
12. (a) Describe Dhrupad and its Banis. 2
OR
(b) Ga Pa Dha Pa, Ga Re Sa. Identify the raga and elaborate upto 50
swara.
13. (a) Give brief description of Raga Vrindavani Sarang. 2
OR
(b) Describe Alap and Taan.
SECTION – C
14. (a) Write the notation of Maseetkhani Gat with its two todas in any one
Raga of your syllabus. 6
OR
(b) Describe Tala Rupak and write its Theka with Dugun and Chaugun
in Tala Notation.
15. (a) Gat is a structure very much like Sthayi and Antara in the vocal
music tradition. It has a fully developed cycle and is invariably
accompanied by the Tabla. Gat are of two types Maseetkhani &
Razakhani.
After reading the above paragraph write and describe all the
features of Maseetkhani Gat & Razakhani Gat. 6
OR
(b) Write down the description of an Artist who plays the same
instrument which you have opted for.
______________
233A Page 7 P.T.O.
Page 9
233A 126 Page 8
Page 10
Series #CDBA SET-4
-
Q.P. Code 34
. - -
Roll No. -
Candidates must write the Q.P. Code
on the title page of the answer-book.
= - 11
= - 15
= - - - -
= , -
= - 15 - 10.15
10.15 10.30 -
-
= Please check that this question paper contains 11 printed pages.
= Please check that this question paper contains 15 questions.
= Q.P. Code given on the right hand side of the question paper should be written
on the title page of the answer-book by the candidate.
= Please write down the serial number of the question in the answer-book
before attempting it.
= 15 minute time has been allotted to read this question paper. The question
paper will be distributed at 10.15 a.m. From 10.15 a.m. to 10.30 a.m., the
candidates will read the question paper only and will not write any answer on
the answer-book during this period.
( )
HINDUSTANI MUSIC (Percussion Instruments)
{ZYm©[aV g‘¶ : 2 KÊQ>o A{YH$V‘ A§H$ : 30
Time allowed : 2 hours Maximum Marks : 30
234 Page 1 P.T.O.
127
-
Q.P. Code 34
. - -
Roll No. -
Candidates must write the Q.P. Code
on the title page of the answer-book.
= - 11
= - 15
= - - - -
= , -
= - 15 - 10.15
10.15 10.30 -
-
= Please check that this question paper contains 11 printed pages.
= Please check that this question paper contains 15 questions.
= Q.P. Code given on the right hand side of the question paper should be written
on the title page of the answer-book by the candidate.
= Please write down the serial number of the question in the answer-book
before attempting it.
= 15 minute time has been allotted to read this question paper. The question
paper will be distributed at 10.15 a.m. From 10.15 a.m. to 10.30 a.m., the
candidates will read the question paper only and will not write any answer on
the answer-book during this period.
( )
HINDUSTANI MUSIC (Percussion Instruments)
{ZYm©[aV g‘¶ : 2 KÊQ>o A{YH$V‘ A§H$ : 30
Time allowed : 2 hours Maximum Marks : 30
234 Page 1 P.T.O.
127
Page 11
(i) - : ( 1 )
(ii) - : ( 2 )
(iii) - : ( 6 )
-
1. ? 1
(A)
(B)
(C)
(D)
2. ? 1
(A)
(B)
(C)
(D)
3. ? 1
(A)
(B)
(C)
(D)
234 Page 2
(i) - : ( 1 )
(ii) - : ( 2 )
(iii) - : ( 6 )
-
1. ? 1
(A)
(B)
(C)
(D)
2. ? 1
(A)
(B)
(C)
(D)
3. ? 1
(A)
(B)
(C)
(D)
234 Page 2
Page 12
General Instructions :
(i) Section-A : Attempt all Questions. (Each Question will carry 1 mark)
(ii) Section-B : Attempt all Questions. (Each Question will carry 2 marks)
(iii) Section-C : Attempt all Questions. (Each Question will carry 6 marks)
SECTION – A
1. In which Gharana all five fingers are used to play Tablas ? 1
(A) Delhi
(B) Punjab
(C) Ajarada
(D) Lucknow
2. Name of the upper part of Tripushakar Vadhya is : 1
(A) Ankik
(B) Uradhvak
(C) Patah
(D) Panav
3. Farmaishi Chakradar Tukra is related to : 1
(A) Dholak
(B) Khol
(C) Nagada
(D) Tabla
234 Page 3 P.T.O.
(i) Section-A : Attempt all Questions. (Each Question will carry 1 mark)
(ii) Section-B : Attempt all Questions. (Each Question will carry 2 marks)
(iii) Section-C : Attempt all Questions. (Each Question will carry 6 marks)
SECTION – A
1. In which Gharana all five fingers are used to play Tablas ? 1
(A) Delhi
(B) Punjab
(C) Ajarada
(D) Lucknow
2. Name of the upper part of Tripushakar Vadhya is : 1
(A) Ankik
(B) Uradhvak
(C) Patah
(D) Panav
3. Farmaishi Chakradar Tukra is related to : 1
(A) Dholak
(B) Khol
(C) Nagada
(D) Tabla
234 Page 3 P.T.O.
Page 13
4. -I -II : 1
-I -II
a. i.
b. ii.
c. 12 34 iii.
d. iv. .
:
a b c d
(A) ii iii i iv
(B) ii iii iv i
(C) iii ii iv i
(D) iv iii ii i
5. 12 : 1
a.
b.
c.
d.
:
(A) a d
(B) a b
(C) b c
(D) c d
234 Page 4
-I -II
a. i.
b. ii.
c. 12 34 iii.
d. iv. .
:
a b c d
(A) ii iii i iv
(B) ii iii iv i
(C) iii ii iv i
(D) iv iii ii i
5. 12 : 1
a.
b.
c.
d.
:
(A) a d
(B) a b
(C) b c
(D) c d
234 Page 4
Page 14
4. Match the lists : 1
List – I List – II
a. Tabla i. Layakari
b. Pakhawaj ii. Farrukhabad
c. 12 34 iii. Nana Panse
d. Delhi iv. Ustad Sidhar Khan
Choose the correct option :
a b c d
(A) ii iii i iv
(B) ii iii iv i
(C) iii ii iv i
(D) iv iii ii i
5. Which of the following Talas have 12 matras ? 1
a. Chartaal
b. Sultaal
c. Rupak
d. Ektaal
Choose the correct option :
(A) a&d
(B) a&b
(C) b&c
(D) c & d
234 Page 5 P.T.O.
List – I List – II
a. Tabla i. Layakari
b. Pakhawaj ii. Farrukhabad
c. 12 34 iii. Nana Panse
d. Delhi iv. Ustad Sidhar Khan
Choose the correct option :
a b c d
(A) ii iii i iv
(B) ii iii iv i
(C) iii ii iv i
(D) iv iii ii i
5. Which of the following Talas have 12 matras ? 1
a. Chartaal
b. Sultaal
c. Rupak
d. Ektaal
Choose the correct option :
(A) a&d
(B) a&b
(C) b&c
(D) c & d
234 Page 5 P.T.O.
Page 15
6. : 1
a. b.
c. d.
:
(A) a, c, b, d
(B) d, b, c, a
(C) c, a, b, d
(D) b, c, a, d
7. – I : 1
– II :
:
(A) I II
(B) I II
(C) I , II
(D) I , II
8. – I : 1
– II :
:
(A) I II
(B) I II
(C) I , II
(D) I , II
234 Page 6
a. b.
c. d.
:
(A) a, c, b, d
(B) d, b, c, a
(C) c, a, b, d
(D) b, c, a, d
7. – I : 1
– II :
:
(A) I II
(B) I II
(C) I , II
(D) I , II
8. – I : 1
– II :
:
(A) I II
(B) I II
(C) I , II
(D) I , II
234 Page 6
Page 16
6. Select the correct order of Taal according to the decreasing number of
Matras : 1
a. Dadra b. Sultaal
c. Rupak d. Chartaal
Choose the correct option :
(A) a, c, b, d
(B) d, b, c, a
(C) c, a, b, d
(D) b, c, a, d
7. Statement – I : Tabla is played after tuning it. 1
Statement – II : It is not necessary to tune Pakhawaj.
Choose the correct option :
(A) Statement I and II both are true.
(B) Statement I and II both are false.
(C) Statement I is false but II is true.
(D) Statement I is true but II is false.
8. Statement – I : Ektaal is the Taal of Khayal singing style. 1
Statement – II : Chartaal is the Taal of Dhrupad singing style.
Choose the correct option :
(A) Statement I and II both are true.
(B) Statement I and II both are false.
(C) Statement I false but II is true.
(D) Statement I is true but II is false.
234 Page 7 P.T.O.
Matras : 1
a. Dadra b. Sultaal
c. Rupak d. Chartaal
Choose the correct option :
(A) a, c, b, d
(B) d, b, c, a
(C) c, a, b, d
(D) b, c, a, d
7. Statement – I : Tabla is played after tuning it. 1
Statement – II : It is not necessary to tune Pakhawaj.
Choose the correct option :
(A) Statement I and II both are true.
(B) Statement I and II both are false.
(C) Statement I is false but II is true.
(D) Statement I is true but II is false.
8. Statement – I : Ektaal is the Taal of Khayal singing style. 1
Statement – II : Chartaal is the Taal of Dhrupad singing style.
Choose the correct option :
(A) Statement I and II both are true.
(B) Statement I and II both are false.
(C) Statement I false but II is true.
(D) Statement I is true but II is false.
234 Page 7 P.T.O.
Page 17
–
9. 2
10. 2
11. 2
12. 2
13. - 2
234 Page 8
9. 2
10. 2
11. 2
12. 2
13. - 2
234 Page 8
Page 18
SECTION – B
9. Describe Chartaal and write its Theka in Taal Notation. 2
OR
Write Sultaal in Dugun Laya in Taal Notation.
10. Write brief history of Farrukhabad Gharana. 2
OR
Give an introduction of Farmaishi Chakradar, also mention its special
characteristics.
11. Define Kayada with illustrations. 2
OR
Write a simple Paran in Sultaal with notation.
12. Explain the origin of Tripushakar Vadhya according to Natyasastra. 2
OR
Describe in brief the specialty of Nana Panse style of playing Pakhawaj.
13. Explain the differences between Jhaptaal & Sultaal. 2
OR
Define Rela with suitable example.
234 Page 9 P.T.O.
9. Describe Chartaal and write its Theka in Taal Notation. 2
OR
Write Sultaal in Dugun Laya in Taal Notation.
10. Write brief history of Farrukhabad Gharana. 2
OR
Give an introduction of Farmaishi Chakradar, also mention its special
characteristics.
11. Define Kayada with illustrations. 2
OR
Write a simple Paran in Sultaal with notation.
12. Explain the origin of Tripushakar Vadhya according to Natyasastra. 2
OR
Describe in brief the specialty of Nana Panse style of playing Pakhawaj.
13. Explain the differences between Jhaptaal & Sultaal. 2
OR
Define Rela with suitable example.
234 Page 9 P.T.O.
Page 19
–
14. , 6
,
15.
– , , , , ,
,
6
‘ ’ …. ?
_____________
234 Page 10
14. , 6
,
15.
– , , , , ,
,
6
‘ ’ …. ?
_____________
234 Page 10
Page 20
SECTION – C
14. Write one Kayada with two Palta and a Tihai in Teentaal with Tala
notation. 6
OR
Write one Rela, two Palta and Tihai in Teentaal.
15. There are many different things played on Percussion instruments. These
are the subject-matters and play an important place in solo and
accompaniment of the instrument. These are Uthan, Kayada, Rela, Tihai,
Tukra, Paran, Chakradar etc. There are many Gharanas in Tabla and
Pakhawaj and they have their specialities. Write one Farmaishi Chakradar
according to any one Gharana prescribed in your syllabus. 6
OR
‘Dhir Dhir Kit Tak’ …. – These Bols are played on which instrument ?
Draw its diagram and label its various parts.
_____________
234 Page 11 P.T.O.
14. Write one Kayada with two Palta and a Tihai in Teentaal with Tala
notation. 6
OR
Write one Rela, two Palta and Tihai in Teentaal.
15. There are many different things played on Percussion instruments. These
are the subject-matters and play an important place in solo and
accompaniment of the instrument. These are Uthan, Kayada, Rela, Tihai,
Tukra, Paran, Chakradar etc. There are many Gharanas in Tabla and
Pakhawaj and they have their specialities. Write one Farmaishi Chakradar
according to any one Gharana prescribed in your syllabus. 6
OR
‘Dhir Dhir Kit Tak’ …. – These Bols are played on which instrument ?
Draw its diagram and label its various parts.
_____________
234 Page 11 P.T.O.
Page 21
234 127 Page 12
Page 22
Series #CDBA SET-4
33
àíZ -nÌ H$moS>
Q.P. Code
amob Z§. narjmWu àíZ-nÌ H$moS> >H$mo CÎma-nwpñVH$m Ho$
Roll No. _wI-n¥ð >na Adí` {bIo§ &
Candidates must write the Q.P. Code
on the title page of the answer-book.
· H¥$n`m Om±M H$a b| {H$ Bg àíZ-nÌ _o§ _w{ÐV n¥ð> 7 h¢ &
· H¥ $n`m Om±M H$a b| {H$ Bg àíZ-nÌ _| >15 àíZ h¢ &
· àíZ-nÌ _| Xm{hZo hmW H$s Amoa {XE JE àíZ -nÌ H$moS H$mo narjmWu CÎma -nwpñVH$m Ho$ _wI-n¥>ð> na
{bI| &
H¥$n`m àíZ H$m CÎma {bIZm ewê$ H$aZo go nhbo, CÎma-nwpñVH$m _| àíZ H$m H«$_m§H$ Adí`
{bI| &
· Bg àíZ-nÌ H$mo n‹T>Z o Ho$ {bE 15 {_ZQ >H$m g_` {X`m J`m h¡ & àíZ-nÌ H$m {dVaU ny dm©• _|
10.15 ~Oo {H$`m OmEJm & 10.15 ~Oo go 10.30 ~Oo VH$ N>mÌ Ho$db àíZ-nÌ H$mo n‹T> |Jo Am¡a
Bg Ad{Y Ho$ Xm¡amZ do CÎma -nwpñVH$m na H$moB© CÎma Zht {bI|Jo &
· Please check that this question paper contains 7 printed pages.
· Please check that this question paper contains 15 questions.
· Q.P. Code given on the right hand side of the question paper should be written
on the title page of the answer-book by the candidate.
· Please write down the serial number of the question in the
answer-book before attempting it.
· 15 minute time has been allotted to read this question paper. The question
paper will be distributed at 10.15 a.m. From 10.15 a.m. to 10.30 a.m., the
students will read the question paper only and will not write any answer on
the answer-book during this period.
{hÝXþñVmZr g§JrV (Jm`Z)
*33*
HINDUSTANI MUSIC (Vocal)
{ZYm©[aV g_` : 2 KÊQ>o A{YH$V_ A§H$ : 30
Time allowed : 2 hours Maximum Marks : 30
4-33 Page 1 P.T.O.
33
àíZ -nÌ H$moS>
Q.P. Code
amob Z§. narjmWu àíZ-nÌ H$moS> >H$mo CÎma-nwpñVH$m Ho$
Roll No. _wI-n¥ð >na Adí` {bIo§ &
Candidates must write the Q.P. Code
on the title page of the answer-book.
· H¥$n`m Om±M H$a b| {H$ Bg àíZ-nÌ _o§ _w{ÐV n¥ð> 7 h¢ &
· H¥ $n`m Om±M H$a b| {H$ Bg àíZ-nÌ _| >15 àíZ h¢ &
· àíZ-nÌ _| Xm{hZo hmW H$s Amoa {XE JE àíZ -nÌ H$moS H$mo narjmWu CÎma -nwpñVH$m Ho$ _wI-n¥>ð> na
{bI| &
H¥$n`m àíZ H$m CÎma {bIZm ewê$ H$aZo go nhbo, CÎma-nwpñVH$m _| àíZ H$m H«$_m§H$ Adí`
{bI| &
· Bg àíZ-nÌ H$mo n‹T>Z o Ho$ {bE 15 {_ZQ >H$m g_` {X`m J`m h¡ & àíZ-nÌ H$m {dVaU ny dm©• _|
10.15 ~Oo {H$`m OmEJm & 10.15 ~Oo go 10.30 ~Oo VH$ N>mÌ Ho$db àíZ-nÌ H$mo n‹T> |Jo Am¡a
Bg Ad{Y Ho$ Xm¡amZ do CÎma -nwpñVH$m na H$moB© CÎma Zht {bI|Jo &
· Please check that this question paper contains 7 printed pages.
· Please check that this question paper contains 15 questions.
· Q.P. Code given on the right hand side of the question paper should be written
on the title page of the answer-book by the candidate.
· Please write down the serial number of the question in the
answer-book before attempting it.
· 15 minute time has been allotted to read this question paper. The question
paper will be distributed at 10.15 a.m. From 10.15 a.m. to 10.30 a.m., the
students will read the question paper only and will not write any answer on
the answer-book during this period.
{hÝXþñVmZr g§JrV (Jm`Z)
*33*
HINDUSTANI MUSIC (Vocal)
{ZYm©[aV g_` : 2 KÊQ>o A{YH$V_ A§H$ : 30
Time allowed : 2 hours Maximum Marks : 30
4-33 Page 1 P.T.O.
Page 23
gm_mÝ` {ZX}e :
(i) IÊS> A : g^r àíZm| Ho$ CÎma Xr{OE & àË`oH$ àíZ 1 A§H$ H$m h¡ &
(ii) IÊS> ~ : g^r àíZm| Ho$ CÎma Xr{OE & àË`oH$ àíZ 2 A§H$ H$m h¡ &
(iii) IÊS> g : g^r àíZm| Ho$ CÎma Xr{OE & àË`oH$ àíZ 6 A§H$ H$m h¡ &
IÊS> A $ 8´1=8
1. amJ ^ynmbr H$s CËn{Îm {H$g WmQ> go hþB© ?
(A) H$mµ\$s (B) I_mO
(C) H$ë`mU (D) ^¡ad
2. Xo, ao, Zm, V, Z, Z, Zmo_², Vmo_², BË`m{X eãXm| H$m à`moJ _________ _| hmoVm h¡ :
(A) I`mb (B) VamZm
(C) XmXam (D) Y_ma
3. n§{S>V Am|H$maZmW R>mHw$a H$m KamZm h¡ :
(A) ~Zmag (B) n{Q>`mbm
(C) AmJam (D) ½dm{b`a
4. ghr H$WZ H$mo Mw{ZE :
i. VmZnwao H$m Vw§~m bm¡H$s go ~Zm`m OmVm h¡ &
ii. gXma§J H$m OÝ_ 10dt eVmãXr _| hþAm &
iii. amJ d¥§XmdZr gma§J H$s Om{V Am¡S>d -Am¡S>d h¡ &
iv. VmZnwao _| naXo hmoVo h¢ &
ghr {dH$ën Mw{ZE :
(A) i Am¡a ii (B) i Am¡a iii
(C) ii Am¡a iii (D) ii Am¡a iv
5. ghr H$WZ H$mo Mw{ZE :
i. Y_ma h_oem Y_ma Vmb Ho$ gmW Jm`m OmVm h¡ &
ii. amJ I_mO H$m dmXr-g§dmXr ñda ‘n-Y’ h¡ &
iii. n§{S>V Am|H$maZmW R>mHw$a Zo ‘g§JrVm§O{b’ {bIr &
iv. {Vbdm‹S>m Vmb _| ‘{Va{H$Q>’ H$m à`moJ Xmo ~ma hmoVm h¡ &
ghr {dH$ën Mw{ZE :
(A) i, iii Am¡a iv (B) i, ii Am¡a iii
(C) ii, iii Am¡a iv (D) i, ii Am¡a iv
4-33 Page 2
(i) IÊS> A : g^r àíZm| Ho$ CÎma Xr{OE & àË`oH$ àíZ 1 A§H$ H$m h¡ &
(ii) IÊS> ~ : g^r àíZm| Ho$ CÎma Xr{OE & àË`oH$ àíZ 2 A§H$ H$m h¡ &
(iii) IÊS> g : g^r àíZm| Ho$ CÎma Xr{OE & àË`oH$ àíZ 6 A§H$ H$m h¡ &
IÊS> A $ 8´1=8
1. amJ ^ynmbr H$s CËn{Îm {H$g WmQ> go hþB© ?
(A) H$mµ\$s (B) I_mO
(C) H$ë`mU (D) ^¡ad
2. Xo, ao, Zm, V, Z, Z, Zmo_², Vmo_², BË`m{X eãXm| H$m à`moJ _________ _| hmoVm h¡ :
(A) I`mb (B) VamZm
(C) XmXam (D) Y_ma
3. n§{S>V Am|H$maZmW R>mHw$a H$m KamZm h¡ :
(A) ~Zmag (B) n{Q>`mbm
(C) AmJam (D) ½dm{b`a
4. ghr H$WZ H$mo Mw{ZE :
i. VmZnwao H$m Vw§~m bm¡H$s go ~Zm`m OmVm h¡ &
ii. gXma§J H$m OÝ_ 10dt eVmãXr _| hþAm &
iii. amJ d¥§XmdZr gma§J H$s Om{V Am¡S>d -Am¡S>d h¡ &
iv. VmZnwao _| naXo hmoVo h¢ &
ghr {dH$ën Mw{ZE :
(A) i Am¡a ii (B) i Am¡a iii
(C) ii Am¡a iii (D) ii Am¡a iv
5. ghr H$WZ H$mo Mw{ZE :
i. Y_ma h_oem Y_ma Vmb Ho$ gmW Jm`m OmVm h¡ &
ii. amJ I_mO H$m dmXr-g§dmXr ñda ‘n-Y’ h¡ &
iii. n§{S>V Am|H$maZmW R>mHw$a Zo ‘g§JrVm§O{b’ {bIr &
iv. {Vbdm‹S>m Vmb _| ‘{Va{H$Q>’ H$m à`moJ Xmo ~ma hmoVm h¡ &
ghr {dH$ën Mw{ZE :
(A) i, iii Am¡a iv (B) i, ii Am¡a iii
(C) ii, iii Am¡a iv (D) i, ii Am¡a iv
4-33 Page 2
Page 24
General Instructions :
(i) Section A : Attempt all questions. Each question carries 1 mark.
(ii) Section B : Attempt all questions. Each question carries 2 marks.
(iii) Section C : Attempt all questions. Each question carries 6 marks.
SECTION A 8´1=8
1. Raag Bhupali originated from the Thaat :
(A) Kafi (B) Khamaj
(C) Kalyan (D) Bhairav
2. De, re, Na, Ta, na, na, Nom, Tom, etc. are used in :
(A) Khayal (B) Tarana
(C) Dadra (D) Dhamar
3. Gharana of Pandit Omkarnath Thakur is :
(A) Banaras (B) Patiala
(C) Agra (D) Gwalior
4. Choose the correct statements :
i. Tumba of Tanpura is made of Gourd (Lauki).
ii. Sadarang was born in the 10th century.
iii. Jati of Raga Vrindavani Sarang is Audav-Audav.
iv. Tanpura has frets.
Choose the correct option :
(A) i and ii (B) i and iii
(C) ii and iii (D) ii and iv
5. Choose the correct statements :
i. Dhamar is always sung with Dhamar tala.
ii. Vadi-Samvadi swara of Raga Khamaj is ‘Pa-dha’
iii. Pandit Omkarnath Thakur wrote ‘Sangeetanjali’.
iv. ‘Tirkit’ is used twice in Tilwada Taal.
Choose the correct option :
(A) i, iii and iv (B) i, ii and iii
(C) ii, iii and iv (D) i, ii and iv
4-33 Page 3 P.T.O.
(i) Section A : Attempt all questions. Each question carries 1 mark.
(ii) Section B : Attempt all questions. Each question carries 2 marks.
(iii) Section C : Attempt all questions. Each question carries 6 marks.
SECTION A 8´1=8
1. Raag Bhupali originated from the Thaat :
(A) Kafi (B) Khamaj
(C) Kalyan (D) Bhairav
2. De, re, Na, Ta, na, na, Nom, Tom, etc. are used in :
(A) Khayal (B) Tarana
(C) Dadra (D) Dhamar
3. Gharana of Pandit Omkarnath Thakur is :
(A) Banaras (B) Patiala
(C) Agra (D) Gwalior
4. Choose the correct statements :
i. Tumba of Tanpura is made of Gourd (Lauki).
ii. Sadarang was born in the 10th century.
iii. Jati of Raga Vrindavani Sarang is Audav-Audav.
iv. Tanpura has frets.
Choose the correct option :
(A) i and ii (B) i and iii
(C) ii and iii (D) ii and iv
5. Choose the correct statements :
i. Dhamar is always sung with Dhamar tala.
ii. Vadi-Samvadi swara of Raga Khamaj is ‘Pa-dha’
iii. Pandit Omkarnath Thakur wrote ‘Sangeetanjali’.
iv. ‘Tirkit’ is used twice in Tilwada Taal.
Choose the correct option :
(A) i, iii and iv (B) i, ii and iii
(C) ii, iii and iv (D) i, ii and iv
4-33 Page 3 P.T.O.
Page 25
6. gyMr I H$m gyMr II go {_bmZ H$s{OE :
gyMr I gyMr II
1. d¥§XmdZr gma§J (i) ñdm_r h[aXmg
2. ê$nH$ (ii) ~mZr
3. VmZgoZ (iii) 7 _mÌm
4. Y«wnX (iv) _ n Zr g§ Zr n
ZrMo {XE JE {dH$ënm| _| go ghr CÎma Mw{ZE :
(A) 1-(iii), 2-(ii), 3-(i), 4-(iv)
(B) 1-(ii), 2-(iii), 3-(iv), 4-(i)
(C) 1-(iv), 2-(iii), 3-(i), 4-(ii)
(D) 1-(iv), 2-(iii), 3-(ii), 4-(i)
7. H$WZ I : VmZ _| ÐþV b` ñdam| H$m g§`moOZ h¡ &
H$WZ II : EH$ ñda go Xÿgao ñda VH$ Üd{Z H$mo I§{S>V {H$E {~Zm OmZm _tS> H$hbmVm h¡ &
ghr {dH$ën Mw{ZE :
(A) H$WZ I Am¡a II XmoZm| ghr h¢ &
(B) H$WZ I Am¡a II XmoZm| µJbV h¢ &
(C) H$WZ I ghr h¡, na§Vw H$WZ II Jµ bV h¡ &
(D) H$WZ I Jµ bV h¡, na§Vw H$WZ II ghr h¡ &
8. H$WZ I : amJ I_mO _|, XmoZm| {ZfmX H$m à`moJ hmoVm h¡ &
H$WZ II : amJ I_mO H$m dmXr ñda Vrd« _Ü`_ h¡ &
ghr {dH$ën Mw{ZE :
(A) H$WZ I Am¡a II XmoZm| ghr h¢ &
(B) H$WZ I Am¡a II XmoZm| µJbV h¢ &
(C) H$WZ I ghr h¡, na§Vw H$WZ II Jµ bV h¡ &
(D) H$WZ I Jµ bV h¡, na§Vw H$WZ II ghr h¡ &
4-33 Page 4
gyMr I gyMr II
1. d¥§XmdZr gma§J (i) ñdm_r h[aXmg
2. ê$nH$ (ii) ~mZr
3. VmZgoZ (iii) 7 _mÌm
4. Y«wnX (iv) _ n Zr g§ Zr n
ZrMo {XE JE {dH$ënm| _| go ghr CÎma Mw{ZE :
(A) 1-(iii), 2-(ii), 3-(i), 4-(iv)
(B) 1-(ii), 2-(iii), 3-(iv), 4-(i)
(C) 1-(iv), 2-(iii), 3-(i), 4-(ii)
(D) 1-(iv), 2-(iii), 3-(ii), 4-(i)
7. H$WZ I : VmZ _| ÐþV b` ñdam| H$m g§`moOZ h¡ &
H$WZ II : EH$ ñda go Xÿgao ñda VH$ Üd{Z H$mo I§{S>V {H$E {~Zm OmZm _tS> H$hbmVm h¡ &
ghr {dH$ën Mw{ZE :
(A) H$WZ I Am¡a II XmoZm| ghr h¢ &
(B) H$WZ I Am¡a II XmoZm| µJbV h¢ &
(C) H$WZ I ghr h¡, na§Vw H$WZ II Jµ bV h¡ &
(D) H$WZ I Jµ bV h¡, na§Vw H$WZ II ghr h¡ &
8. H$WZ I : amJ I_mO _|, XmoZm| {ZfmX H$m à`moJ hmoVm h¡ &
H$WZ II : amJ I_mO H$m dmXr ñda Vrd« _Ü`_ h¡ &
ghr {dH$ën Mw{ZE :
(A) H$WZ I Am¡a II XmoZm| ghr h¢ &
(B) H$WZ I Am¡a II XmoZm| µJbV h¢ &
(C) H$WZ I ghr h¡, na§Vw H$WZ II Jµ bV h¡ &
(D) H$WZ I Jµ bV h¡, na§Vw H$WZ II ghr h¡ &
4-33 Page 4
Page 26
6. Match List I with List II :
List I List II
1. Vrindavani Sarang (i) Swami Haridas
2. Rupak (ii) Bani
3. Tansen (iii) 7 Beats
.
4. Dhrupad (iv) Ma Pa Ni Sa Ni Pa
Choose the correct answer from the options given below :
(A) 1-(iii), 2-(ii), 3-(i), 4-(iv)
(B) 1-(ii), 2-(iii), 3-(iv), 4-(i)
(C) 1-(iv), 2-(iii), 3-(i), 4-(ii)
(D) 1-(iv), 2-(iii), 3-(ii), 4-(i)
7. Statement I : Tana is the combination of swaras in drut laya.
Statement II : Meend is the smooth glide from one note to another note.
Choose the correct option :
(A) Both Statements I and II are true.
(B) Both Statements I and II are false.
(C) Statement I is true, but Statement II is false.
(D) Statement I is false, but Statement II is true.
8. Statement I : In Raga Khamaj, both Nishadas are used.
Statement II : Vadi Swara of Raga Khamaj is Teevra Madhyam.
Choose the correct option :
(A) Both Statements I and II are true.
(B) Both Statements I and II are false.
(C) Statement I is true, but Statement II is false.
(D) Statement I is false, but Statement II is true.
4-33 Page 5 P.T.O.
List I List II
1. Vrindavani Sarang (i) Swami Haridas
2. Rupak (ii) Bani
3. Tansen (iii) 7 Beats
.
4. Dhrupad (iv) Ma Pa Ni Sa Ni Pa
Choose the correct answer from the options given below :
(A) 1-(iii), 2-(ii), 3-(i), 4-(iv)
(B) 1-(ii), 2-(iii), 3-(iv), 4-(i)
(C) 1-(iv), 2-(iii), 3-(i), 4-(ii)
(D) 1-(iv), 2-(iii), 3-(ii), 4-(i)
7. Statement I : Tana is the combination of swaras in drut laya.
Statement II : Meend is the smooth glide from one note to another note.
Choose the correct option :
(A) Both Statements I and II are true.
(B) Both Statements I and II are false.
(C) Statement I is true, but Statement II is false.
(D) Statement I is false, but Statement II is true.
8. Statement I : In Raga Khamaj, both Nishadas are used.
Statement II : Vadi Swara of Raga Khamaj is Teevra Madhyam.
Choose the correct option :
(A) Both Statements I and II are true.
(B) Both Statements I and II are false.
(C) Statement I is true, but Statement II is false.
(D) Statement I is false, but Statement II is true.
4-33 Page 5 P.T.O.
Page 27
IÊS> ~$ 5´2=10
9. (H$) VamZm H$s à_wI {deofVmAm| H$mo {b{IE &
AWdm
(I) {ZåZ{b{IV _| go {H$Ýht Xmo H$m dU©Z H$s{OE :
(i) H$U
(ii) Ambmn
(iii) _tS>
10. (H$) ^maVr` g§JrV _| Am|H$maZmW R>mHw$a Ho$ `moJXmZ H$m dU©Z H$s{OE &
AWdm
(I) Y«wnX AWdm Y_ma H$m {dñVmanyd©H$ dU©Z H$s{OE &
11. (H$) amJ d¥§XmdZr gma§J H$m g§{já {ddaU Xr{OE &
AWdm
(I) VmZnwao Ho$ {d{^Þ ^mJm| H$mo ~VmVo hþE, CgH$mo {_bmZo H$s {d{Y H$m g§{jßV dU©Z
H$s{OE &
12. (H$) Mm¡Vmb H$m dU©Z H$s{OE VWm CgH$s R>mh Am¡a {VJwZ Vmb {b{n~Õ H$s{OE &
AWdm
(I) J ao g Y. g ao n J. Bg amJ H$mo nhMmZVo hþE BgH$s à_wI {deofVmAm| H$m dU©Z
H$s{OE VWm 30 ñdam| VH$ {dñVma H$s{OE &
13. (H$) g§JrV _| \¡$æ`mµO Im± Ho$ `moJXmZ Ho$ ~mao _| {b{IE &
AWdm
(I) ê$nH$ H$m dU©Z H$s{OE VWm CgH$s XþJwZ d Mm¡JwZ H$mo Vmb {b{n~Õ H$s{OE &
IÊS> g $ 2´6=12
14. (H$) amJ I_mO H$s à_wI {deofVmE± ~VmBE VWm amJ I_mO Ho$ ÐþV I`mb H$s ñda{b{n
^r {b{IE &
AWdm
(I) AnZo nmR>çH«$_ Ho$ {H$gr EH$ amJ Ho$ {dbpå~V I`mb H$s ñda{b{n {b{IE &
15. (H$) dV©_mZ g_` Ho$ {H$gr EH$ Jm`H$ H$s Jm`Z-e¡br H$m AmbmoMZmË_H$ {díbofU
H$s{OE VWm `h ^r ~VmBE {H$ AmnH$mo CZH$s Jm`H$s Š`m| ng§X h¡ &
AWdm
(I) ~§{Xe Ho$ níMmV² ~‹T>V H$m _hÎdnyU© ^mJ h¡ VmZ & VmZ Ho$ H$B© àH$ma h¢ & VmZ Ho$
H$B© àH$ma ~hþV àM{bV h¢ {H$ÝVw Hw$N> àH$ma gYo hþE H$bmH$ma hr àñVwV H$aVo h¢
O¡go – hbH$ H$s VmZ, J_H$ H$s VmZ &
Cn`w©º$ JÚm§e H$mo n‹T>H$a AnZo nmR>çH«$_ Ho$ àË`oH$ amJ _| XþJwZ b` _| EH$ VmZ
16 _mÌm H$s VWm EH$ VmZ 32 _mÌm H$s {VhmB© g{hV {Z{_©V H$s{OE &
4-33 Page 6
9. (H$) VamZm H$s à_wI {deofVmAm| H$mo {b{IE &
AWdm
(I) {ZåZ{b{IV _| go {H$Ýht Xmo H$m dU©Z H$s{OE :
(i) H$U
(ii) Ambmn
(iii) _tS>
10. (H$) ^maVr` g§JrV _| Am|H$maZmW R>mHw$a Ho$ `moJXmZ H$m dU©Z H$s{OE &
AWdm
(I) Y«wnX AWdm Y_ma H$m {dñVmanyd©H$ dU©Z H$s{OE &
11. (H$) amJ d¥§XmdZr gma§J H$m g§{já {ddaU Xr{OE &
AWdm
(I) VmZnwao Ho$ {d{^Þ ^mJm| H$mo ~VmVo hþE, CgH$mo {_bmZo H$s {d{Y H$m g§{jßV dU©Z
H$s{OE &
12. (H$) Mm¡Vmb H$m dU©Z H$s{OE VWm CgH$s R>mh Am¡a {VJwZ Vmb {b{n~Õ H$s{OE &
AWdm
(I) J ao g Y. g ao n J. Bg amJ H$mo nhMmZVo hþE BgH$s à_wI {deofVmAm| H$m dU©Z
H$s{OE VWm 30 ñdam| VH$ {dñVma H$s{OE &
13. (H$) g§JrV _| \¡$æ`mµO Im± Ho$ `moJXmZ Ho$ ~mao _| {b{IE &
AWdm
(I) ê$nH$ H$m dU©Z H$s{OE VWm CgH$s XþJwZ d Mm¡JwZ H$mo Vmb {b{n~Õ H$s{OE &
IÊS> g $ 2´6=12
14. (H$) amJ I_mO H$s à_wI {deofVmE± ~VmBE VWm amJ I_mO Ho$ ÐþV I`mb H$s ñda{b{n
^r {b{IE &
AWdm
(I) AnZo nmR>çH«$_ Ho$ {H$gr EH$ amJ Ho$ {dbpå~V I`mb H$s ñda{b{n {b{IE &
15. (H$) dV©_mZ g_` Ho$ {H$gr EH$ Jm`H$ H$s Jm`Z-e¡br H$m AmbmoMZmË_H$ {díbofU
H$s{OE VWm `h ^r ~VmBE {H$ AmnH$mo CZH$s Jm`H$s Š`m| ng§X h¡ &
AWdm
(I) ~§{Xe Ho$ níMmV² ~‹T>V H$m _hÎdnyU© ^mJ h¡ VmZ & VmZ Ho$ H$B© àH$ma h¢ & VmZ Ho$
H$B© àH$ma ~hþV àM{bV h¢ {H$ÝVw Hw$N> àH$ma gYo hþE H$bmH$ma hr àñVwV H$aVo h¢
O¡go – hbH$ H$s VmZ, J_H$ H$s VmZ &
Cn`w©º$ JÚm§e H$mo n‹T>H$a AnZo nmR>çH«$_ Ho$ àË`oH$ amJ _| XþJwZ b` _| EH$ VmZ
16 _mÌm H$s VWm EH$ VmZ 32 _mÌm H$s {VhmB© g{hV {Z{_©V H$s{OE &
4-33 Page 6
Page 28
SECTION B 5´2=10
9. (a) Write the salient features of Tarana.
OR
(b) Describe any two of the following :
(i) Kan
(ii) Aalap
(iii) Meend
10. (a) Describe the contribution of Omkarnath Thakur to Indian Music.
OR
(b) Describe Dhrupad or Dhamar in detail.
11. (a) Give a brief description of Raga Vrindavani Sarang.
OR
(b) Describe in brief the various parts of Tanpura and its tuning
process.
12. (a) Describe Chautala and write its Thah and Tigun in Tala notation.
OR
(b) Ga Re Sa Dha. Sa Re Pa Ga. Identify the Raga, describe its salient
features and elaborate up to 30 swaras.
13. (a) Write about the contribution of Faiyaz Khan to Music.
OR
(b) Describe Rupak and write its Dugun and Chaugun in Tala notation.
SECTION C 2´6=12
14. (a) Give the salient features of Raga Khamaj and write the notation of
Drut Khayal of Raga Khamaj.
OR
(b) Write the notation of Vilambit Khayal of any one prescribed Raga.
15. (a) Critically analyse the style of any one vocalist of the present time
and describe why you like his or her style.
OR
(b) A Taan is an important part of elaboration after Bandish. There are
varieties of Taans. Some varieties are very popular whereas other
varieties such as Halak ki Taan, Gamak ki Taan are performed by
accomplished artists only.
After reading the above passage, create one taan of 16 beats and one
taan of 32 beats with tihai in each raga of your syllabus in Dugun
Laya.
4-33 Page 7 P.T.O.
9. (a) Write the salient features of Tarana.
OR
(b) Describe any two of the following :
(i) Kan
(ii) Aalap
(iii) Meend
10. (a) Describe the contribution of Omkarnath Thakur to Indian Music.
OR
(b) Describe Dhrupad or Dhamar in detail.
11. (a) Give a brief description of Raga Vrindavani Sarang.
OR
(b) Describe in brief the various parts of Tanpura and its tuning
process.
12. (a) Describe Chautala and write its Thah and Tigun in Tala notation.
OR
(b) Ga Re Sa Dha. Sa Re Pa Ga. Identify the Raga, describe its salient
features and elaborate up to 30 swaras.
13. (a) Write about the contribution of Faiyaz Khan to Music.
OR
(b) Describe Rupak and write its Dugun and Chaugun in Tala notation.
SECTION C 2´6=12
14. (a) Give the salient features of Raga Khamaj and write the notation of
Drut Khayal of Raga Khamaj.
OR
(b) Write the notation of Vilambit Khayal of any one prescribed Raga.
15. (a) Critically analyse the style of any one vocalist of the present time
and describe why you like his or her style.
OR
(b) A Taan is an important part of elaboration after Bandish. There are
varieties of Taans. Some varieties are very popular whereas other
varieties such as Halak ki Taan, Gamak ki Taan are performed by
accomplished artists only.
After reading the above passage, create one taan of 16 beats and one
taan of 32 beats with tihai in each raga of your syllabus in Dugun
Laya.
4-33 Page 7 P.T.O.
Page 29
CBSE STUDY MATERIAL
CBSE Board
INFORMATION CLASS STUDY MATERIAL
1 Time Table 09 Sample Paper
10 Sample Paper
2 Result
11 Sample Paper
3 Syllabus 12 Sample Paper
OTHER RESOURCES
09 Question Paper
Maps of India, Maps of World
Writing Skill Formats 10 Question Paper
Periodic Table 11 Question Paper
12 Question Paper
Class 9 Notes
Class 10 Notes
NCERT Book
Class 11 Notes
Class 12 Notes NCERT Solutions
ENTRANCE EXAMS
JEE Main CLAT CUET UG
JEE Advanced NEET UG Fashion & Design
CBSE Board
INFORMATION CLASS STUDY MATERIAL
1 Time Table 09 Sample Paper
10 Sample Paper
2 Result
11 Sample Paper
3 Syllabus 12 Sample Paper
OTHER RESOURCES
09 Question Paper
Maps of India, Maps of World
Writing Skill Formats 10 Question Paper
Periodic Table 11 Question Paper
12 Question Paper
Class 9 Notes
Class 10 Notes
NCERT Book
Class 11 Notes
Class 12 Notes NCERT Solutions
ENTRANCE EXAMS
JEE Main CLAT CUET UG
JEE Advanced NEET UG Fashion & Design
Document Details
| Board / Org | CBSE |
| Exam | Class 10 |
| Type | Question Paper |
| Pages | 29 |
| Updated | 30 Apr 2026 |