CBSE Class 10 Carnatic Music (Percussion Instruments) Question Paper 2019

SET-4
Series JMS H$moS> Z§.
Code No. 51
amob Z§. narjmWu H$moS >H$mo CÎma-nwpñVH$m Ho$ _wI-n¥ð >na
Roll No. Adí` {bIo§ &
Candidates must write the Code on the
title page of the answer-book.

 H¥$n`m Om±M H$a b| {H$ Bg àíZ-nÌ _o§ _w{ÐV n¥ð> 3 h¢ &
 àíZ-nÌ _| Xm{hZo hmW H$s Amoa {XE JE H$moS >Zå~a H$mo N>mÌ CÎma-nwpñVH$m Ho$ _wI-n¥>ð> na {bI| &
 H¥$n`m Om±M H$a b| {H$ Bg àíZ-nÌ _| 8 àíZ h¢ &
 H¥$n`m àíZ H$m CÎma {bIZm ewê$ H$aZo go nhbo, àíZ H$m H«$_m§H$ Adí` {bI| &
 Bg àíZ-nÌ H$mo n‹T>Zo Ho$ {bE 15 {_ZQ >H$m g_` {X`m J`m h¡ & àíZ-nÌ H$m {dVaU nydm©• _|
10.15 ~Oo {H$`m OmEJm & 10.15 ~Oo go 10.30 ~Oo VH$ N>mÌ Ho$db àíZ-nÌ H$mo n‹T>|Jo Am¡a
Bg Ad{Y Ho$ Xm¡amZ do CÎma-nwpñVH$m na H$moB© CÎma Zht {bI|Jo &
 Please check that this question paper contains 3 printed pages.
 Code number given on the right hand side of the question paper should be
written on the title page of the answer-book by the candidate.
 Please check that this question paper contains 8 questions.
 Please write down the Serial Number of the question before
attempting it.
 15 minute time has been allotted to read this question paper. The question
paper will be distributed at 10.15 a.m. From 10.15 a.m. to 10.30 a.m., the
students will read the question paper only and will not write any answer on
the answer-book during this period.

H$Zm©Q>H$ g§JrV (Vmb dmÚ)
CARNATIC MUSIC (Percussion Instruments)

{ZYm©[aV g_` : 3 KÊQ>o A{YH$V_ A§H$ : 25
Time allowed : 3 hours Maximum Marks : 25

51 1 P.T.O.

gm_mÝ` {ZX}e :
(i) Hw$b nm±M àíZm| Ho$ CÎma Xr{OE &
(ii) àíZ g§»¶m 1 Am¡a 2 A{Zdm¶© h¢ &
(iii) g^r àíZm| Ho$ A§H$ g‘mZ h¢ &

General Instructions :
(i) Attempt five questions in all.
(ii) Questions no. 1 and 2 are compulsory.
(iii) All questions carry equal marks.

1. 12 AmdV© _| ‘moham Am¡a H$moad¡ ê$nH$ Vmb H$s ñda{b{n {b{IE & 5
Write notation of a Mohra and Korvai for Roopaka tala in twelve
Avartnas.

2. ‘¥XJ§‘² Ho$ joÌ ‘| nbZr gw~«‘ʶ {nëb¡ Ho$ OrdZ-n[aM¶ Am¡a ¶moJXmZ H$mo g§jon ‘| Xr{OE & 5
Give a brief life sketch and contribution of Palani Subramaniam Pillai in
the field of Mridangam.

3. {MÌ H$s ghm`Vm go ‘‘‘¥XJ§‘²’’ H$s AmH$ma Am¡a A§em| H$m g§jon ‘| dU©Z H$s{OE & 5
Explain briefly the structure and components of ‘‘Mridangam’’ with the
help of a diagram.

4. gßV Vmb Am¡a CgH$s Om{V¶m| H$m g§jon _| dU©Z H$s{OE & 5
Explain about Sapta talas and its Jatis in brief.

5. ‘¥XJ§‘² ~OmZo ‘| {H$VZo KamZo à{gÕ h¢ ? {H$gr EH$ KamZo H$s _w»` {deofVmAm| H$m dU©Z
H$s{OE & 5
How many schools are popular for Mridangam playing ? Describe the
sailent features of any one school.

6. Jm`Z Ho$ gmW ‘¥XJ§‘² ~OmZo Ho$ {Z¶‘m| H$mo g§jon ‘| {b{IE & 5
Write briefly about the principles of Mridangam accompaniment for vocal
concert.

51 2

7. gmoXmhaU Om{V Am¡a J{V Ho$ ~rM AÝVa ñnîQ> H$s{OE & 5
Explain the difference between Jati and Gati with example.

1
8. {ZåZ{b{IV ‘| go {H$Ýht Xmo na g§{jßV {Q>ßn{U¶m± {b{IE : 2 2=5
2
(A) Vmoßnr
(~) ’$aZ²
(g) ¶{V
(X) J«h_²
(¶) dmé
(a) A§J
Write short notes on any two of the following :
(a) Toppi
(b) Pharan
(c) Yati
(d) Graham
(e) Varu
(f) Anga

51 3 000
P.T.O.