Karnataka SSLC Question Paper 2022 Carnatic Hindustani Music

Question Paper
2022
docs.

A
Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 4 ]

Question Paper Serial No.
Total No. of Printed Pages : 4 ]

CÈÉí¨Ü PÜñܤÄÔ
Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ 8 + 6 ]
Total No. of Questions : 8 + 6 ]
CCE RF
ÓÜíPæàñÜ ÓÜíTæ : 98-K CCE RR
Code No. : 98-K

101
ËÐÜ¿á : PÜ®ÝìoPÜ ÓÜíXàñÜ / ×í¨ÜãÓݧ¯ ÓÜíXàñÜ —
±ÝÅÁãàXPÜ Ë»ÝWÜ

TEAR HERE TO OPEN THE QUESTION PAPER
Subject : CARNATIC MUSIC / HINDUSTANI MUSIC — PRACTICAL
PܮܰvÜ ÊÜÞ«ÜÂÊÜá / Kannada Medium
& / Regular Fresh & Regular Repeater

PÜ®ÝìoPÜ ÓÜíXàñÜ A¥ÜÊÝ ×í¨ÜãÓݧ¯WÜÙÜÈÉ ¿ÞÊÜâ¨Ý¨ÜÃÜã Jí¨Ü®Üá° BÁáR ÊÜÞwPæãÙÜáÛÊÜâ¨Üá
©®ÝíPÜ : 11. 04. 2022 ] [ Date : 11. 04. 2022
ÓÜÊÜá¿á : 1 WÜípæ 30 ¯ËáÐÜWÜÙÜá ] [ Time : 1 hour 30 minutes
WÜÄÐÜu AíPÜWÜÙÜá : 40 ] [ Max. Marks : 40

1. Joár 8 + 6
2.

3.

4.
Tear here

5. 15

101 RF/RR(A)-(200)-9055 [ Turn over

98-K 2 CCE RF & RR

(PÜ®ÝìoPÜ ÓÜíXàñÜ)
±ÜÄàûÜPÜÃÜá D PæÙÜX®Ü ±ÜÅÍæ°WÜÙÜ®Üᰠ˨ݦìWÜÚWæ PæàÙÜáÊÜâ¨Üá

1. ÓÜÃÜÙæ Gí¨ÜÃæà®Üá GÃÜvÜ®æ¿á ÓÜÃÜÙæ¿á®Üá° ÊÜáãÃÜã PÝÆWÜÙÜÈÉ ÖÝw. 4

2. ÊÜÃÜËàOÝ ÓÜíaÝÄXàñæ¿á®Üá° ÖÝw.
ÖÝvÜáÊÝWÜ ÍæçÈ¿á®Üá° WÜÊÜá¯ÓÜáÊÜâ¨Üá 4

3. g£ÓÜÌÃÜPÜãR, ñÝ®ÜÊÜ|ìPÜãR CÃÜáÊÜ Jí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá° £ÚÔ. ¿ÞÊÜâ¨Ý¨ÜÃæãí¨Üá
g£ÓÜÌÃÜÊÜ®Üá° ÖÝw. 4

4. ñÝ®ÜÊÜ|ì¨Ü ±ÜäÊÝì«Üì ÊÜáñÜᤠEñܤÃÝ«ÜìWÜÙÜ ®ÜvÜá訆 Jí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá° £ÚÔ.
Jí¨Üá ñÝ®ÜÊÜ|ìÊÜ®Üá° ÖÝw ±ÜäÊÝì«Üì . 8

5. ÊÜá«ÜÂÊÜá PÝÆ¨Ü PÜê£Áãí¨ÜÃÜ ±ÜÆÉË ÊÜáñÜᤠA®Üá±ÜÆÉË¿á®Üá° ÖÝw. D PÜꣿá
AíQñÜÊÜ®Üá° WÜáÃÜá£Ô. 4

6. ËÙÜíŸ PÝÆ¨Ü PÜê£Áãí¨Ü®Üá° aÜÃÜ|»ÝWÜ©í¨Ü ÖÝw. ËÙÜíŸPÝÆ PÜꣿáá
ÊÜá«ÜÂÊÜáPÝÆ PÜê£XíñÜ ÖæàWæ ¼®Ü°ÊÝX¨æ £ÚÔ. 6

7. ±ÜâÃÜí¨ÜÃܨÝÓÜÃÜ ¨æàÊÜÃÜ ®ÝÊÜáÊæäí¨Ü®Üá° ÖÝw. ¨æàÊÜÃÜ®ÝÊÜáPÜãR, ÊÝWæYà¿áPÝÃÜÃÜ
PÜê£WÜã CÃÜáÊÜ Jí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá° £ÚÔ. 6

8. ŸÓÜÊÜ|¡®ÜÊÜÃÜ ÊÜaÜ®ÜÊæäí¨Ü®Üá° ÖÝw. D ÊÜaÜ®Ü¨Ü »ÝÊÝ¥ÜìÊÜ®Üá° ÓÜíü±Ü¤ÊÝX ËÊÜÄÔ.
4

RF/RR(A)-(200)-9055

CCE RF & RR 3 98-K

(×í¨ÜãÓݧ¯ ÓÜíXàñÜ)

±ÜÄàûÜPÜÃÜá D PæÙÜX®Ü ±ÜÅÍæ°WÜÙÜ®Üᰠ˨ݦìWÜÚWæ PæàÙÜáÊÜâ¨Üá

1. ÓÜÃÜÙæÓÜÌÃÜ ÊÜáñÜᤠgíqÓÜÌÃÜWÜÚXÃÜáÊÜ ÊÜÂñÝÂÓÜÊæà®Üá ±ÜsÜÂPÜÅÊÜá¨Ü Jí¨Üá
gíqÓÜÌÃÜÊÜ®Üá° ÖÝvÜáÊÜâ¨Üá. 6

2. ÓÜÌÃÜXàñæ ÊÜáñÜᤠÆûÜ|XàñæWÜÚXÃÜáÊÜ ÊÜÂñÝÂÓÜÊæà®Üá »Üã±…ÃÝWÜ¨Ü ÓÜÌÃÜXàñæ¿á®Üá°
ÖÝvÜáÊÜâ¨Üá. 6

3. ÆûÜ|Xàñæ¿á®Üá° ÊÝÂTݯÔ. ±ÜsÜÂPÜÅÊÜá¨Ü Jí¨Üá ÆûÜ|Xàñæ¿á®Üá° ÖÝvÜáÊÜâ¨Üá. 8

4. dæãàpÝTÝÂÇ… WÝ¿á®ÜÊÜâ «Üáűܨ… WÝ¿á®ÜQRíñÜ ¼®Ü°. ÖæàWæ Ÿêí¨ÝÊܯ
ÓÝÃÜíWÜÃÝWÜ¨Ü dæãàpÝTÝÂÆ®Üá° ÖÝvÜáÊÜâ¨Üá. 10

5. ¨ÝÓÜÃܱܨÜWÜÚXíñÜ ÊÜaÜ®ÜWÜÙÜá ¼®Ü°. ÖæàWæ Jí¨Üá ÊÜaÜ®ÜÊÜ®Üá° ÖÝvÜáÊÜâ¨Üá. 6

6. £à®…ñÝÙÜ¨Ü ÊÜÞ×£¿á®Üá° sæàPݨæãí©Wæ ÖæàÚÄ. ñÝÙÜÊÜ®Üá° Pæç¿áÈÉ ÖÝQ
ñæãàÄÓÜáÊÜâ¨Üá. 4

RF/RR(A)-(200)-9055 [ Turn over

98-K 4 CCE RF & RR

RF/RR(A)-(200)-9055

A

Question Paper Serial No.
4]
Total No. of Printed Pages : 4 ]
8+6] CCE RF
Total No. of Questions : 8 + 6 ] CCE RR
: 98-E

101
Code No. : 98-E

/ —
Subject : CARNATIC MUSIC / HINDUSTANI MUSIC — PRACTICAL
( / English Medium )
& / Regular Fresh & Regular Repeater

TEAR HERE TO OPEN THE QUESTION PAPER
(Candidate has to answer either Carnatic Music or Hindustani Music)
11. 04. 2022 ] [ Date : 11. 04. 2022
:1 30 ] [ Time : 1 hour 30 minutes
40 ] [ Max. Marks : 40
General Instructions to the Candidate :
1. This Question Paper consists of 8 + 6 practical questions.
2. This question paper has been sealed by reverse jacket. You have to
cut on the right side to open the paper at the time of commencement
of the examination. Check whether all the pages of the question
paper are intact.
3. Follow the instructions given against both the practical questions.
4. Figures in the right hand margin indicate maximum marks for the
question.
5. The maximum time to answer the paper is given at the top of the
question paper. It includes 15 minutes for reading the question
Tear here

paper.

101 RF/RR (A)-(200)-9056 [ Turn over

98-E 2 CCE RF & RR
CARNATIC MUSIC

Examiners are to ask the following questions to students :

1. What is a Sarale ? Sing the second sarale in three speeds. 4

2. Sing 'Varaveena' Sanchari geethe.

( Observe the style of singing ). 4

3. Mention any one difference between Jathiswara and Tanavarna. Sing

any one Jathiswara. 4

4. Mention any one difference between Purvardha and Uttarardha of a

Tanavarna. Sing a Tanavarna. 8

5. Sing Pallavi and Anupallavi of a Madhyama kala krithi. Recognise the

ankitha of this krithi. 4

6. Sing a vilamba kala krithi from its charana. How does a Vilambakala

krithi differ from a Madhyamakala krithi ? 6

7. Sing a Devaranama of Purandaradasa. Mention a difference between a

Devaranama and a Krithi of Vaggeyakara. 6

8. Sing a Vachana of Basavanna. Explain the summary of the vachana in

brief. 4

RF/RR (A)-(200)-9056

CCE RF & RR 3 98-E

HINDUSTANI MUSIC

Students are to asked to answer the following questions to sing according

to the questions :

1. What is the difference between Sarale swara and Jantiswara ? Sing a

Jantiswara of your syllabus. 6

2. What is the difference between Swarageethe and Lakshanageethe ?

Sing the Swarageethe of Bhoop raga. 6

3. Define Lakshanageethe. Sing a Lakshanageethe of your syllabus. 8

4. How is Chhota khayal singing different from Dhrupad singing ? Sing

the Chhota khayal of Brundavani Sarang. 10

5. How are Vachanas different from Dasarapadas ? Sing a Vachana. 6

6. Tell the details of Teentala with theka. Show the tala with your hand. 4

RF/RR (A)-(200)-9056 [ Turn over

98-E 4 CCE RF & RR

RF/RR (A)-(200)-9056

A
12 ]

CÈÉí¨Ü PÜñܤÄÔ
Question Paper Serial No.
Total No. of Printed Pages : 12 ]

25 + 25 ]
Total No. of Questions : 25 + 25 ]
CCE RF
: 98-K
CCE RR
Code No. : 98-K

101
ËÐÜ¿á : PÜ®ÝìoPÜ ÓÜíXàñÜ / ×í¨ÜãÓݧ¯ ÓÜíXàñÜ — ÍÝÓÜŒ Ë»ÝWÜ
Subject : CARNATIC MUSIC / HINDUSTANI MUSIC — THEORY

TEAR HERE TO OPEN THE QUESTION PAPER
PܮܰvÜ ÊÜÞ«ÜÂÊÜá / Kannada Medium
& / Regular Fresh & Regular Repeater

PÜ®ÝìoPÜ ÓÜíXàñÜ A¥ÜÊÝ ×í¨ÜãÓݧ¯WÜÙÜÈÉ ¿ÞÊÜâ¨Ý¨ÜÃÜã Jí¨Ü®Üá° BÁáR ÊÜÞwPæãÙÜáÛÊÜâ¨Üá
©®ÝíPÜ : 11. 04. 2022 ] [ Date : 11. 04. 2022
ÓÜÊÜá¿á : ÊÜá«ÝÂÖÜ° 2-00 Äí¨Ü ÓÜíhæ 3-45 ÃÜÊÜÃæWæ ] [ Time : 2-00 P.M. to 3-45 P.M.
WÜÄÐÜu AíPÜWÜÙÜá : 40 ] [ Max. Marks : 40

1. Joár 25 + 25

2.

3.

4.

5. 15
Tear here

101 RF/RR(A)-(200)-9055 [ Turn over

98-K 2 CCE RF & RR

I.
8×1=8

1. PÜ®ÝìoPÜ ÓÜíXàñÜQRÃÜáÊÜ C®æã°í¨Üá ÖæÓÜÃÜá

(A) EñܤÃÝ© ÓÜíXàñÜ

(B) ÓÜáWÜÊÜá ÓÜíXàñÜ

(C) ¨ÜüOÝ© ÓÜíXàñÜ

(D) ÆZá ÓÜíXàñÜ

2. ÓÜ (ÐÜvÜj) ÓÜÌÃÜÊÜâ Jí¨Üá ±ÜÅPÜê£ ÓÜÌÃÜ, HPæí¨ÜÃæ, B ÓÜÌÃÜÊÜâ

(A) Ÿ¨ÜÇÝÊÜOæ Öæãí¨Üáñܤ¨æ

(B) Ÿ¨ÜÇÝÊÜOæ Öæãí¨ÜáÊÜâ©ÆÉ

(C) A®ÜáÓÜÌÃÜÊÝX¨æ

(D) ÓݧÀá¿á®Üá° Öæãí©ÆÉ

3. £ÍÜÅ hÝ£ £Å±Üâo ñÝÙܨÜÈÉ®Ü Jí¨Üá BÊÜñÜì¨ÜÈÉÃÜáÊÜ AûÜÃÜWÜÙÜ ÓÜíTæÂ

(A) 4 (B) 5

(C) 9 (D) 7

RF/RR(A)-(200)-9055

CCE RF & RR 3 98-K
4. ÊÜÞ¿ÞÊÜÞÙÜÊÜWèÙÜ ÃÝWÜÊÜ®Üá° ÓÜí±Üä|ì ÃÝWÜÊæí¨Üá PÜÃæ¿ááÊÜÃÜá. PÝÃÜ| D ÃÝWܨÜ
BÃæãàÖÜ| ÊÜáñÜᤠAÊÜÃæãàÖÜ|WÜÙÜÈÉ

(A) HÙÜá&HÙÜá ÓÜÌÃÜWÜÚÊæ

(B) BÃÜá&BÃÜá ÓÜÌÃÜWÜÚÊæ

(C) I¨Üá&I¨Üá ÓÜÌÃÜWÜÚÊæ

(D) ÍÜá¨Üœ ÓÜÌÃÜWÜÚÊæ

5. aÜñÜáÃÜÍÜÅhÝ£ HPÜñÝÙÜ¨Ü Jí¨Üá BÊÜñÜì¨ÜÈÉ ®ÝÆáR AûÜÃÜWÜÚÊæ. HPæí¨ÜÃæ, D ñÝÙܨÜ
ÆZáË®ÜÈÉ

(A) ÊÜáãÃÜá AûÜÃÜWÜÚÊæ

(B) ®ÝÆáR AûÜÃÜWÜÚÊæ

(C) I¨Üá AûÜÃÜWÜÚÊæ

(D) HÙÜá AûÜÃÜWÜÚÊæ

6. ŸÓÜÊÜ|¡®ÜÊÜÃÜ g®Ü¾ÓܧÙÜ

(A) ¸ÝvÜ

(B) »ÝWÜÊÜáívÜÆ

(C) ¸ÝWæàÊÝw

(D) ŸíPݱÜâÃÜ

RF/RR(A)-(200)-9055 [ Turn over

98-K 4 CCE RF & RR
7. ñÜíŸãÄ Jí¨Üá

(A) ÍÜê£ ÊݨÜÂ

(B) ñÝÙÜ ÊݨÜÂ

(C) Z®Ü ÊݨÜÂ

(D) ÓÜáÑÃÜ ÊݨÜÂ

8. APÜRÊÜáÖݨæàË¿áá ñܮܰ ±Ü£¿á®Üá° ñÜÂiÔ¨ÜÙÜá. HPæí¨ÜÃæ, BPæ¿á ±Ü£¿áá

(A) ÐÜÃÜñÜá¤WÜÙÜ®Üá° ÊÜááĨܮÜá

(B) BPæ¿á ÊæáàÇæ Pæãà±ÜWæãívÜ®Üá

(C) BPæ¿á®Üá° ŸÙÜÖÜÐÜár¸ÝÄ ¯ÆìüÓÜᣤ¨Üª®Üá

(D) ÓæãàÊÜÞÄ¿ÞX¨Üª®Üá

II. 8×1=8

9. BÃæãàÖÜ|Êæí¨ÜÃæà®Üá

10. ÊæáàaÜPÜÇÝÂ~ ÃÝWÜ¨Ü ÊæáàÙÜPÜñÜì ÓÜíTæ¿á®Üá° ŸÃæÀáÄ.

11. PÜ®ÝìoPÜ ÓÜíXàñÜ¨Ü ÊæãàÖÜ®Ü ÃÝWÜÊÜ®Üá° ×í¨ÜãÓݧ¯ ±Ü¨Üœ£¿áÈÉ ¿ÞÊÜ ÖæÓÜįí¨Ü
PÜÃæ¿ááÊÜÃÜá

RF/RR(A)-(200)-9055

CCE RF & RR 5 98-K
12. PÝí»æãài ÃÝWÜÊÜ®Üá° »ÝÐÝíWÜ ÃÝWÜÊæí¨Üá PÜÃæ¿áÆá PÝÃÜ|Êæà®Üá

13. «ÜáÅÊÜñÝÙÜ ÊÜáñÜᤠÊÜásÜÂñÝÙÜWÜÙÜ ®ÜvÜá訆 ¿ÞÊÜâ¨Ý¨ÜÃÜã Jí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá°
ŸÃæÀáÄ.

14. PÜ®ÜPܨÝÓÜÃÜ ñÜí¨æ&ñÝÀá¿áÃÜ ÖæÓÜÃæà®Üá

15. SívÜhÝ£ AoñÝÙÜ¨Ü Jí¨Üá BÊÜñÜì¨ÜÈÉ GÐÜár AûÜÃÜWÜÚÊæ

16. ÊÜÓÜíñÜÃÝWÜÊÜ®Üá° ÊÜPÜÅÃÝWÜÊæí¨Üá PÜÃæ¿áÆá PÝÃÜ|Êæà®Üá

III. 7 × 2 = 14

17. ÊÜÞWÜì ÖÝWÜã ¨æàÎà ÓÜíXàñÜWÜÙÜ ®ÜvÜá訆 Jí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá° ŸÃæÀáÄ.

18. PÜ®ÝìoPÜ ÓÜíXàñÜ ±Ü¨Üœ£ ÖÝWÜã ×í¨ÜãÓݧ¯ ÓÜíXàñÜ ±Ü¨Üœ£WÜÙÜ ®ÜvÜáË®Ü
¿ÞÊÜâ¨Ý¨ÜÃÜã GÃÜvÜá ÊÜÂñÝÂÓÜWÜÙÜ®Üá° ŸÃæÀáÄ.

19. ËáÍÜÅhÝ£ ÃÜkáí±æñÝÙÜ¨Ü Jí¨Üá BÊÜñÜì¨ÜÈÉ®Ü AûÜÃÜWÜÙÜ ÓÜíTæ 10. HPæ

20. ŸÓÜÊÜ|¡®ÜÊÜÃÜá ñÜÊÜá¾ ÊÜaÜ®ÜWÜÙÜ Pæã®æ¿áÈÉ PÜãvÜÆ ÓÜíWÜÊÜá¨æàÊÜ ®Ü®Üá° ÓܾÄÓÜÆá
PÝÃÜ|Êæà®Üá

21. ÄÐÜ»Ü ÓÜÌÃÜ ±ÜÅ»æà¨ÜWÜÙÜá WÝí«ÝÃÜ ÓÜÌÃÜ ±ÜÅ»æà¨ÜWÜÚXíñÜ ÖæàWæ ¼®Ü°ÊÝXÊæ

RF/RR(A)-(200)-9055 [ Turn over

98-K 6 CCE RF & RR
22. D PæÙÜX®Ü AíQñÜWÜÙÜ®Üá° B¿Þ ÃÜaÜ®ÜPÝÃÜÃÜ ÖæÓÜÃÜáWÜÙæãí©Wæ ËíWÜwÔ ŸÃæÀáÄ

WÜáÃÜáWÜáÖÜ, ÍÝÂÊÜáPÜêÐÜ¡, PÝX®æÇæ¿Þ©PæàÍÜÊÜ, aæ®Ü°ÊÜáÈÉPÝgáì®Ü.

23. LvÜÊÜ ÃÝWÜÊÜâ ÐÝvÜÊÜ ÃÝWÜQRíñÜ ÖæàWæ ¼®Ü°ÊÝX¨æ

IV.

24. ÓÜíXàñÜ ÊݨÜÂWÜÙÜ ÊÜXàìPÜÃÜ|ÊÜ®Üá° Jí¨æãí¨Üá E¨ÝÖÜÃÜOæÁãí©Wæ ËÊÜÄÔ. 6

25. aÜñÜáÃÜÍÜÅhÝ£ ÃÜã±ÜPÜñÝÙÜ¨Ü AÆíPÝÃÜÊÜ®Üá° ÓÜÌÃÜȲÁãí©Wæ Ë®ÝÂÓÜWæãÚÔ
ŸÃæÀáÄ. 4

RF/RR(A)-(200)-9055

CCE RF & RR 7 98-K

I.
8×1=8

1. ÓÜÌÃÜWÜÙÜ HÄPæ PÜÅÊÜáÊæà

(A) BÃæãàÖÜ|

(B) AÊÜÃæãàÖÜ|

(C) ÍÜê£

(D) ®Ý¨Ü

2. ±Üí. ŸÓÜÊÜÃÝg ÃÝgWÜáÃÜáÃÜÊÜÃÜ g®Ü¾ÓܧÙÜ

(A) ÊÜá®ÜÓÜãÃÜá

(B) ¿áÈÊÝÙÜ

(C) PÜáÃÜí¨ÜÊÝvÜ

(D) ±ÜâÃÜí¨ÜÃÜWÜvÜ

3. ×í¨ÜãÓݧ¯ ÓÜíXàñÜÊÜ®Üá° EñܤÃÝ© ÓÜíXàñÜ Gí¨Üá PÜÃæ¿ááÊÜÃÜá. HPæí¨ÜÃæ, D
ÓÜíXàñÜ ±ÜÅPÝÃÜÊÜâ

(A) ¨Üü| »ÝÃÜñܨÜÈÉ ¸æÙæ¨Üá ŸíñÜá

(B) EñܤÃÜ »ÝÃÜñܨÜÈÉ ¸æÙæ¨Üá ŸíñÜá

(C) PÜ®ÝìoPܨÜÈÉ ¸æÙæ¨Üá ŸíñÜá

(D) ±ÜűÜíaÜ¨Ü ¨Üü| »ÝWܨÜÈÉ ¸æÙæ¨Üá ŸíñÜá

RF/RR(A)-(200)-9055 [ Turn over

98-K 8 CCE RF & RR
4. WÜí«ÜÊÜì Êæà¨Ü Gí¨Üá PÜÃæ¿áƳvÜáÊÜ PÜÇæ

(A) ÓÜíXàñÜ

(B) ®ÝoPÜ

(C) ÊÝÓÜá¤ÎƳ

(D) bñÜÅPÜÇæ

5. »æçÃÜË ÃÝWÜÊÜ®Üá° ÓÜí±Üä|ìÃÝWÜ Gí¨Üá PÜÃæ¿ááÊÜÃÜá. HPæí¨ÜÃæ, D ÃÝWܨÜÈÉ

(A) I¨Üá&I¨Üá ÓÜÌÃÜWÜÚÊæ

(B) I¨Üá&HÙÜá ÓÜÌÃÜWÜÚÊæ

(C) BÃÜá&HÙÜá ÓÜÌÃÜWÜÚÊæ

(D) HÙÜá&HÙÜá ÓÜÌÃÜWÜÚÊæ

6. HÙÜá ÓÜÌÃÜWÜÙÜ ÓÜÊÜáãÖÜÊæà

(A) ÊÜááTÝÂíWÜ

(B) ÓܱܤPÜ

(C) ÊÝ©ÓÜÌÃÜ

(D) ±ÜäÊÝìíWÜ ÓÜÌÃÜ

RF/RR(A)-(200)-9055

CCE RF & RR 9 98-K
7. iàÊÜ®…±ÜâÄ ÃÝWÜ¨Ü WÜ, «Ü, ¯ ÓÜÌÃÜWÜÙÜ PæÙÜWæ AvÜxWæÃæ PæãvÜÇÝWÜáÊÜâ¨Üá . HPæí¨ÜÃæ, AÊÜâ

(A) ÍÜá¨Üœ ÓÜÌÃÜWÜÙÜá

(B) £àÊÜÅ ÓÜÌÃÜWÜÙÜá

(C) PæãàÊÜáÆ ÓÜÌÃÜWÜÙÜá

(D) ÊÜgÂì ÓÜÌÃÜWÜÙÜá

8. ÔñÝÃ… A®Üá° ñÜñ… ÊݨÜ Gí¨Üá PÜÃæ¿ááÊÜÃÜá. HPæí¨ÜÃæ, A¨Üá

(A) ÊÜáÃÜ©í¨Ü ÊÜÞvÜƳqr¨æ

(B) ×í¨ÜãÓݧ¯ ÓÜíXàñÜ ÊݨÜÂÊÝX¨æ

(C) ÇæãàÖÜ ÊݨÜÂÊÝX¨æ

(D) ñÜí£WÜÚí¨Ü ®Ý¨æãàñܳ£¤ ÊÜÞvÜáñܤ¨æ

II. 8×1=8

9. ÃÜká±Ý¤ÙܨÜÈÉ GÐÜár ÊÜÞñæÅWÜÚÊæ

10. »æçÃÜÊ… ÃÝWÜÊÜ®Üá° EñܤÃÝíWÜ ±ÜÅ«Ý®ÜÃÝWÜ Gí¨Üá PÜÃæ¿ááÊÜÃÜá. HPæ

11. S¿ÞÇ… A¥ÜìÊÜ®Üá° ÊÝÂTݯÔ.

12. ±Üíwñ… ±ÜíaÝûÜÄ WÜÊÝÀáWÜÙÜ®Üá° E»Ü¿á WÝ¿á®ÝaÝ¿áì Gí¨Üá PÜÃæ¿áÆá
PÝÃÜ|Êæà®Üá

RF/RR(A)-(200)-9055 [ Turn over

98-K 10 CCE RF & RR
13. ±Üíwñ… ÊÜáÈÉPÝgáì®Ü ÊÜá®ÜÓÜãÃÜÄWæ »ÝÃÜñÜ ÓÜPÝìÃÜ ¯àw¨Ü GÃÜvÜá ±ÜÅÍÜÔ¤WÜÙÜ®Üá°
ÖæÓÜÄÔ.

14. ¨ÜáWÝì ÃÝWÜÊÜ®Üá° LvÜÊÜ&LvÜÊÜ ÃÝWÜ Gí¨Üá PÜÃæ¿áÆá PÝÃÜ|Êæà®Üá

15. ¨æàÓ… ÃÝWÜ¨Ü ÊÝ© ÓÜÌÃÜÊÜ®Üá° ÖæÓÜÄÔ.

16. ±Üíwñ… ËÐÜá¡ ©WÜíŸÃÜ ¶ÜÆáÓÜRÃ…ÃÜÊÜÃÜá PÜáÃÜávÜÃÝWÜÆá PÝÃÜ|Êæà®Üá

III. 7 × 2 = 14

17. PÜ®ÝìoPÜ ÓÜíXàñÜ ÊÜáñÜᤠ×í¨ÜãÓݧ¯ ÓÜíXàñܨÜÈÉ PÜívÜáŸÃÜáÊÜ GÃÜvÜá ÊÜÂñÝÂÓÜWÜÙÜ®Üá°
ŸÃæÀáÄ.

18. ÍÜÖÜ®Ý¿å… ÊݨÜÂÊÜ®Üá° ÓÜáÑÃÜÊݨÜ Gí¨Üá PÜÃæ¿ááÊÜÃÜá. HPæ

19. ÍÜê£WæãÚst ñÜíŸãÄ¿áá BÖÜñܮݨÜÊÜ®Üá° EíoáÊÜÞvÜáñܤ¨æ. ÖæàWæ

20. ÓÜíXàñÜÊÜ®Üá° ÍÜÅÊÜ| ÓÝ«Ü®Ü Ë¨æ Gí¨Üá PÜÃæ¿ááÊÜÃÜá. HPæ

21. D PæÙÜX®Ü ÊݨÜÂWÜÙÜ®Üá° AÊܮܨܜ ÊÜáñÜᤠZ®ÜÊݨÜÂWÜÙÝX ÊÜXàìPÜÃÜ| ÊÜÞw ŸÃæÀáÄ

ñÜŸÆ, PÜÃÜñÝÙÜ, gÆñÜÃÜíWÜ, ±ÜSÊÝh….

22. ÓÜíXàñÜPæR Ȳ¿á AWÜñÜÂñæ C¨æ. HPæ

23. D PæÙÜX®Ü ñÝÙÜWÜÙÜ®Üá° PÜ®ÝìoPÜ ÓÜíXàñÜ ÊÜáñÜᤠ×í¨ÜãÓݧ¯ ÓÜíXàñÜ ñÝÙÜWÜÙÝX
ÊÜXàìPÜÄÔ ŸÃæÀáÄ

¨Ý¨ÜÃÝ, B©ñÝÙÜ, »Üg®… sæàPÝ, £Å±ÜâoñÝÙÜ.

RF/RR(A)-(200)-9055

CCE RF & RR 11 98-K
IV.

24. £à®…ñÝÙÜ ÊÜáñÜᤠaèñÝÙÜ Jí¨ÜPæãRí¨Üá ¼®Ü°. ÖæàWæ ËÊÜÄÔ. D GÃÜvÜá ñÝÙÜWÜÙÜ
ÊÜÞ×£¿á®Üá° sæàPݨæãí©Wæ ŸÃæÀáÄ. 6

25. Ÿêí¨ÝÊܯ ÓÝÃÜíWÜ ÃÝWÜ¨Ü ÓÜÌÃÜXàñæ¿á®Üá° ÓÜÌÃÜȲŸ¨ÜœWæãÚÔ. 4

RF/RR(A)-(200)-9055 [ Turn over

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RF/RR(A)-(200)-9055

A

Question Paper Serial No.
12 ]
Total No. of Printed Pages : 12 ]

25 + 25 ] CCE RF
Total No. of Questions : 25 + 25 ] CCE RR
: 98-E

101
Code No. : 98-E

/ —
Subject : CARNATIC MUSIC / HINDUSTANI MUSIC — THEORY
( / English Medium )

TEAR HERE TO OPEN THE QUESTION PAPER
& / Regular Fresh & Regular Repeater

(Candidate has to answer either Carnatic Music or Hindustani Music)
11. 04. 2022 ] [ Date : 11. 04. 2022
2-00 3-45 ] [ Time : 2-00 P.M. to 3-45 P.M.
40 ] [ Max. Marks : 40
General Instructions to the Candidate :
1. This Question Paper consists of 25 + 25 objective and subjective
types of questions.
2. This question paper has been sealed by reverse jacket. You have to
cut on the right side to open the paper at the time of commencement
of the examination. Check whether all the pages of the question
paper are intact.
3. Follow the instructions given against both the objective and
subjective types of questions.
4. Figures in the right hand margin indicate maximum marks for the
question.
5. The maximum time to answer the paper is given at the top of the
question paper. It includes 15 minutes for reading the question
paper.
Tear here

101 RF/RR (A)-(200)-9056 [ Turn over

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CARNATIC MUSIC

I. Four alternatives are given for each of the following questions /

incomplete statements. Only one of them is correct or most

appropriate. Choose the correct alternative and write the complete

answer along with its alphabet. 8×1=8

1. Another name for Carnatic music is

(A) Uttaradi sangeetha (B) Sugama sangeetha

(C) Dakshinadi sangeetha (D) Laghu sangeetha

2. 'Sa' (shadja) swara is a Prakruthi swara because this swara

(A) goes through changes

(B) does not go through changes

(C) is a anuswara

(D) has no sthayi

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3. The number of aksharas in one avartha of Tishra jathi Triputa tala is

(A) 4 (B) 5

(C) 9 (D) 7

4. Mayamalavagowla raga is called a sampoorna raga because the

arohana and avarohana of this raga has

(A) seven-seven swaras (B) six-six swaras

(C) five-five swaras (D) shuddha swaras

5. Chaturashra jathi Ekatala has four aksharas in its one avartha,

because the laghu of this tala has

(A) three aksharas (B) four aksharas

(C) five aksharas (D) seven aksharas

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6. The birth place of Basavanna is

(A) Baada (B) Bhaagamandala

(C) Baagevadi (D) Bankaapura

7. 'Tambura' is a

(A) shruthi instrument (B) rythm instrument

(C) ghana instrument (D) sushira instrument

8. Akkamahadevi left her husband, because her husband

(A) had broken the conditions (B) was angry on her

(C) avoided her many times (D) was lazy

II. Answer the following questions in a sentence each : 8×1=8

9. What is arohana ?

10. Write the melakartha Sankhye of the raga Mechakalyani.

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11. By which name is Mohana raga of Carnatic music called in

Hindusthani music system ?

12. What is the reason for Kambhoji raga to be called a Bhashanga raga ?

13. Write any one difference between Dhruvatala and Mathyatala.

14. What are the names of Kanakadasa's father and mother ?

15. How many aksharas are there in one avartha of khanda jathi atatala ?

16. What is the reason for Vasantha raga to be called a vakra raga ?

III. Answer the following questions in two to three sentences each :

7 × 2 = 14

17. Write a difference between Marga and Deshi sangeetha.

18. Write any two differences between Carnatic music system and

Hindusthani music system.

19. The number of aksharas in one avartha of mishra jathi jhampetala

is 10. Why ?

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20. What is the reason for Basavanna to recall 'Kudala Sangama Deva' at

the end of his vachanas ?

21. How do Rishabha swara prabhedas differ from that of Gandhara ?

22. Classify the following Ankithas (pennames) with their respective

Composers' names :

Guruguha, Shyamakrishna, Kagineleyadi Keshava,

Chennamallikarjuna.

23. How does Oudava raga differ from Shadava raga ?

IV. Answer the following questions in brief :

24. Explain the classification of musical instruments with an example

each. 6

25. Design and write the alankara of chaturashra jathi Rupaka tala in

musical notation (sangeetha swaralipi). 4

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CCE RF & RR 7 98-E

HINDUSTANI MUSIC

I. Four alternatives are given for each of the following questions /

incomplete statements. Only one of them is correct or most

appropriate. Choose the correct alternative and write the complete

answer along with its alphabet. 8×1=8

1. The systematic ascending order of swaras is

(A) Arohana (B) Avarohana

(C) Shruti (D) Naada

2. The birth place of Pt. Basavaraja rajaguru is

(A) Mansoor (B) Yalivala

(C) Kurandavada (D) Purandaragada

3. Hindustani music is called 'Uttaradi sangeetha', beause this music is

developed in

(A) South India (B) North India

(C) Karnataka (D) All South part of world

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4. The art that is called as Gandharva veda is

(A) Music (B) Drama

(C) Sculpture (D) Drawing

5. Raga Bhairavi is called as 'Sampoorna raga' because this raga is of

(A) Five-five swaras (B) Five-seven swaras

(C) Six-seven swaras (D) Seven-seven swaras

6. The group of seven notes (swaras) is called

(A) Mukhyanga (B) Saptaka

(C) Vadi swara (D) Poorvanga swara

7. A small underline is given under Ga, Dha, Ni swaras of raga

Jeevanpuri. Because these are

(A) Shuddha swaras (B) Teevra swaras

(C) Komal swaras (D) Varja swaras

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8. Sitar is called a Thatha instrument. Because it

(A) is made of wood

(B) is a Hindustani music instrument

(C) is a metal instrument

(D) produces musical sound by its string

II. Answer the following questions in one sentence each : 8×1=8

9. How many matras of Jhaptala are there ?

10. Why is Bhairav called Uttaranga Pradhana raga ?

11. Define the meaning of Khayal.

12. Pt. Panchakshari Gawayi is known as 'Ubhayagayanacharya'. Why ?

13. Name two awards given by the Indian government to Pt. Mallikarjun

Mansoor.

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14. Durga raga is called Oudava-Oudava raga. Give reason.

15. Name the vadi swara of raga Desh.

16. Pt. Vishnu Digambar Paluskar became blind. Why ?

III. Answer the following questions in two or three sentences each :

7 × 2 = 14

17. Write a difference between Carnatic music and Hindustani music

system.

18. Why Shahanai instrument is called a 'Sushira Vadya' ?

19. Tuned tanpura produces Ahata naada. How ?

20. Why is music called as shravana sadhana vidya (Audio based

education) ?

21. Classify the following instruments into Avanaddha and Ghana :

Tabla, Karataal, Jalataranga, Pakhawaz.

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22. Lipi (Notation) is necessary for music. Why ?

23. Classify the following talas into Carnatic music and Hindustani

music :

Dadra, Aaditala, Bhajan theka, Triputa tala.

IV. Answer the following questions in brief :

24. How do Teentala and Chowtala differ from each other ? Write the

information of these talas with their thekas. 6

25. Write the swara geethe of raga Brundavani Sarang with swaralipi

system. 4

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RF/RR (A)-(200)-9056