Karnataka SSLC Question Paper 2026 Hindustani Music
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About Karnataka SSLC Question Paper 2026 Hindustani Music
Karnataka SSLC Question Paper 2026 Hindustani Music is available here for free download. Published by Karnataka Board for Class 10, this question paper can be viewed online or downloaded as a PDF (24 pages). Candidates preparing for Class 10 can use Karnataka SSLC Question Paper 2026 Hindustani Music to understand the exam pattern, the type of questions asked, and the overall difficulty level.
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Karnataka SSLC Question Paper 2026 Hindustani Music – Text
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Page 1
±ÜÅÍæ° ±Ü£ÅPæ PÜÅÊÜá ÓÜíTæ :
Q.P. Sl. No. :
Tear here/CÈÉí¨Ü
PÜñܤÄÔ
Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 8 ]
Total No. of Printed Pages : 8 ] A
Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 25 ] CCE RF/RR/
Total No. of Questions : 25 ] PF/PR
TEAR HERE TO OPEN THE QUESTION PAPER WITH REVERSE JACKET
ÓÜíPæàñÜ ÓÜíTæ : 28-E Code No. : 28-E
×ÊÜáá¾S hÝPæp… Öæãí©ÃÜáÊÜ ±ÜÅÍ氱ܣÅPæ¿á®Üá° ñæÃæ¿áÆá CÈÉ PÜñܤÄÔ
—
Subject : HINDUSTANI MUSIC — THEORY
( / English Medium )
ÍÝÇÝ A»Ü¦ì / ÍÝÇÝ ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì / TÝÓÜX A»Ü¦ì / TÝÓÜX ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì
Regular Fresh / Regular Repeater / Private Fresh / Private Repeater
©®ÝíPÜ 23. 03. 2026 ] [ Date : 23. 03. 2026
ÓÜÊÜá¿á 2-00 3-45 ] [ Time : 2-00 P.M. to 3-45 P.M.
WÜÄÐÜu AíPÜWÜÙÜá 40 ] [ Max. Marks : 40
Cut here/CÈÉ PÜñܤÄÔ
General Instructions to the Candidate :
1. This Question Paper consists of 25 questions.
2. This question paper has been sealed by reverse jacket. You have to
cut on the right side to open the paper at the time of
commencement of the examination ( Follow the arrow mark ). Do not
cut the left side to open the paper. Check whether all the pages of
the question paper are intact.
3. Follow the instructions given against the questions.
4. Figures in the right hand margin indicate maximum marks for the
Tear here/CÈÉí¨Ü
question.
5. The maximum time to answer the paper is given at the top of the
PÜñܤÄÔ
question paper. It includes 15 minutes for reading the question paper.
10/202 1 of 8
Q.P. Sl. No. :
Tear here/CÈÉí¨Ü
PÜñܤÄÔ
Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 8 ]
Total No. of Printed Pages : 8 ] A
Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 25 ] CCE RF/RR/
Total No. of Questions : 25 ] PF/PR
TEAR HERE TO OPEN THE QUESTION PAPER WITH REVERSE JACKET
ÓÜíPæàñÜ ÓÜíTæ : 28-E Code No. : 28-E
×ÊÜáá¾S hÝPæp… Öæãí©ÃÜáÊÜ ±ÜÅÍ氱ܣÅPæ¿á®Üá° ñæÃæ¿áÆá CÈÉ PÜñܤÄÔ
—
Subject : HINDUSTANI MUSIC — THEORY
( / English Medium )
ÍÝÇÝ A»Ü¦ì / ÍÝÇÝ ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì / TÝÓÜX A»Ü¦ì / TÝÓÜX ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì
Regular Fresh / Regular Repeater / Private Fresh / Private Repeater
©®ÝíPÜ 23. 03. 2026 ] [ Date : 23. 03. 2026
ÓÜÊÜá¿á 2-00 3-45 ] [ Time : 2-00 P.M. to 3-45 P.M.
WÜÄÐÜu AíPÜWÜÙÜá 40 ] [ Max. Marks : 40
Cut here/CÈÉ PÜñܤÄÔ
General Instructions to the Candidate :
1. This Question Paper consists of 25 questions.
2. This question paper has been sealed by reverse jacket. You have to
cut on the right side to open the paper at the time of
commencement of the examination ( Follow the arrow mark ). Do not
cut the left side to open the paper. Check whether all the pages of
the question paper are intact.
3. Follow the instructions given against the questions.
4. Figures in the right hand margin indicate maximum marks for the
Tear here/CÈÉí¨Ü
question.
5. The maximum time to answer the paper is given at the top of the
PÜñܤÄÔ
question paper. It includes 15 minutes for reading the question paper.
10/202 1 of 8
Page 2
CCE RF/RR/PF/PR(A) 28-E
I. Four alternatives are given for each of the following
questions / incomplete statements. Only one of them is
correct or most appropriate. Choose the correct alternative
and write the complete answer along with its alphabet.
8×1=8
1. The famous Hindustani vocalist in India is
(A) M.S. Subbulakshmi
(B) Pandit Bhimsen Joshi
(C) Muttaiah Bhagavatar
(D) Thyagarajaru
2. The descending order of the swaras is
(A) Shruti
(B) Arohana
(C) Avarohana
(D) Mukhyanga
10/202 2 of 8
I. Four alternatives are given for each of the following
questions / incomplete statements. Only one of them is
correct or most appropriate. Choose the correct alternative
and write the complete answer along with its alphabet.
8×1=8
1. The famous Hindustani vocalist in India is
(A) M.S. Subbulakshmi
(B) Pandit Bhimsen Joshi
(C) Muttaiah Bhagavatar
(D) Thyagarajaru
2. The descending order of the swaras is
(A) Shruti
(B) Arohana
(C) Avarohana
(D) Mukhyanga
10/202 2 of 8
Page 3
CCE RF/RR/PF/PR(A) 28-E
3. 'X ' symbol is used in talalipi system, because that is
(A) Sam (B) Husi
(C) Meend (D) Khanda (Division)
4. The birth place of Pandit Vishnu Narayan Bhatkhande is
(A) Yalivala
(B) Mansoor
(C) Kadashettihalli
(D) Balakeshwara
5. A small underline is given below the note in swaralipi
system, because they are
(A) Shuddha swaras (B) Komala swaras
(C) Teevra swaras (D) Varja swaras
10/202 3 of 8
3. 'X ' symbol is used in talalipi system, because that is
(A) Sam (B) Husi
(C) Meend (D) Khanda (Division)
4. The birth place of Pandit Vishnu Narayan Bhatkhande is
(A) Yalivala
(B) Mansoor
(C) Kadashettihalli
(D) Balakeshwara
5. A small underline is given below the note in swaralipi
system, because they are
(A) Shuddha swaras (B) Komala swaras
(C) Teevra swaras (D) Varja swaras
10/202 3 of 8
Page 4
CCE RF/RR/PF/PR(A) 28-E
6. Pandith Panchakshari Gawaji is called as 'Ubhaya
Gayanacharya', because he had
(A) mastery over Hindustani music
(B) mastery over Carnatic music
(C) mastery over western music and instrumental
music
(D) mastery over both Hindustani music and Carnatic
music
7. Sitar instrument is called as string instrument, because
in this instrument the swaras are produced
(A) by plucking the strings
(B) with the help of the wind
(C) with the help of the skin
(D) with the help of the wind and metal
10/202 4 of 8
6. Pandith Panchakshari Gawaji is called as 'Ubhaya
Gayanacharya', because he had
(A) mastery over Hindustani music
(B) mastery over Carnatic music
(C) mastery over western music and instrumental
music
(D) mastery over both Hindustani music and Carnatic
music
7. Sitar instrument is called as string instrument, because
in this instrument the swaras are produced
(A) by plucking the strings
(B) with the help of the wind
(C) with the help of the skin
(D) with the help of the wind and metal
10/202 4 of 8
Page 5
CCE RF/RR/PF/PR(A) 28-E
8. The total number of swaras in a Saptaka of Hindustani
music is
(A) 8 (B) 10
(C) 12 (D) 16
II. Answer the following questions in a sentence each :
8×1=8
9. What is Mayamalava Gowla of Carnatic music called in
Hindustani music ?
10. What is the reason for Hindustani music to be called as
Uttaradi music ?
11. What is Taan ?
12. Name the two types of Naad.
13. Write one difference between Sthayi and Antara.
14. Write a similarity which you notice in raag Bhimpalas and
Bageshree.
15. Write a difference between ascending and descending
order of raag Brundavani sarang.
16. Name two percussion instruments (Avanaddha
instrument) which are used in Hindustani music.
10/202 5 of 8
8. The total number of swaras in a Saptaka of Hindustani
music is
(A) 8 (B) 10
(C) 12 (D) 16
II. Answer the following questions in a sentence each :
8×1=8
9. What is Mayamalava Gowla of Carnatic music called in
Hindustani music ?
10. What is the reason for Hindustani music to be called as
Uttaradi music ?
11. What is Taan ?
12. Name the two types of Naad.
13. Write one difference between Sthayi and Antara.
14. Write a similarity which you notice in raag Bhimpalas and
Bageshree.
15. Write a difference between ascending and descending
order of raag Brundavani sarang.
16. Name two percussion instruments (Avanaddha
instrument) which are used in Hindustani music.
10/202 5 of 8
Page 6
CCE RF/RR/PF/PR(A) 28-E
III. Answer the following questions in two to three sentences
each : 7 × 2 = 14
17. Write any two differences between Vadi and Samvadi
swaras with an example.
18. Classify the Thaat raags among the raags given below :
(a) Durga (b) Bilawal
(c) Tilang (d) Bhairavi.
19. The Mysore Wodeyars played an important role in the
development of Hindustani music in Karnataka. How ?
Explain.
20. Classify the following taalas into Carnatic music and
Hindustani music taalas :
(a) Dadra (b) Aaditaala
(c) Keharva (d) Triputa taala.
21. Explain the raag Lakshanas of raag Desh.
10/202 6 of 8
III. Answer the following questions in two to three sentences
each : 7 × 2 = 14
17. Write any two differences between Vadi and Samvadi
swaras with an example.
18. Classify the Thaat raags among the raags given below :
(a) Durga (b) Bilawal
(c) Tilang (d) Bhairavi.
19. The Mysore Wodeyars played an important role in the
development of Hindustani music in Karnataka. How ?
Explain.
20. Classify the following taalas into Carnatic music and
Hindustani music taalas :
(a) Dadra (b) Aaditaala
(c) Keharva (d) Triputa taala.
21. Explain the raag Lakshanas of raag Desh.
10/202 6 of 8
Page 7
CCE RF/RR/PF/PR(A) 28-E
22. Write two differences between Bada Khayal and Chhota
Khayal.
23. Music is called as Audio based education. Why ?
IV. Answer the following questions in brief :
24. Write a Swarageeta of raag Bhoop. 4
25. Explain in brief, the contributions of Purandaradasa to
Carnatic music. 6
10/202 7 of 8
22. Write two differences between Bada Khayal and Chhota
Khayal.
23. Music is called as Audio based education. Why ?
IV. Answer the following questions in brief :
24. Write a Swarageeta of raag Bhoop. 4
25. Explain in brief, the contributions of Purandaradasa to
Carnatic music. 6
10/202 7 of 8
Page 8
CCE RF/RR/PF/PR(A) 28-E
10/202 8 of 8
10/202 8 of 8
Page 9
±ÜÅÍæ° ±Ü£ÅPæ PÜÅÊÜá ÓÜíTæ :
Tear here/CÈÉí¨Ü PÜñܤÄÔ
Q.P. Sl. No. :
Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 8 ]
Total No. of Printed Pages : 8 ] A
Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 25 ] CCE RF/RR/
Total No. of Questions : 25 ]
PF/PR
TEAR HERE TO OPEN THE QUESTION PAPER WITH REVERSE JACKET
ÓÜíPæàñÜ ÓÜíTæ : 28-K Code No. : 28-K
×ÊÜáá¾S hÝPæp… Öæãí©ÃÜáÊÜ ±ÜÅÍ氱ܣÅPæ¿á®Üá° ñæÃæ¿áÆá CÈÉ PÜñܤÄÔ
ËÐÜ¿á : ×í¨ÜãÓݧ¯ ÓÜíXàñÜ — ÍÝÓÜŒ Ë»ÝWÜ
Subject : HINDUSTANI MUSIC — THEORY
PܮܰvÜ ÊÜÞ«ÜÂÊÜá / Kannada Medium
ÍÝÇÝ A»Ü¦ì / ÍÝÇÝ ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì / TÝÓÜX A»Ü¦ì / TÝÓÜX ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì
Regular Fresh / Regular Repeater / Private Fresh / Private Repeater
©®ÝíPÜ 23. 03. 2026 ] [ Date : 23. 03. 2026
ÓÜÊÜá¿á : ÊÜá«ÝÂÖÜ° 2-00 Äí¨Ü ÓÜíhæ 3-45 ÃÜÊÜÃæWæ ] [ Time : 2-00 P.M. to 3-45 P.M.
WÜÄÐÜu AíPÜWÜÙÜá 40 ] [ Max. Marks : 40
±ÜÄàûݦìWÝX ÓÝÊÜޮܠÓÜãaÜ®æWÜÙÜá Cut here/CÈÉ PÜñܤÄÔ
1. D ±ÜÅÍ氱ܣÅPæ¿áá Joár 25 ±ÜÅÍæ°WÜÙÜ®Üá° Öæãí©¨æ.
2. D ±ÜÅÍ氱ܣÅPæ¿á®Üá° ×ÊÜáá¾S hÝPæp… ÊÜáãÆPÜ ÊæãÖÜÃÜá ÔàÇ… ÊÜÞvÜÇÝX¨æ. ±ÜÄàûæ
±ÝÅÃÜí»ÜÊÝWÜáÊÜ ÓÜÊÜá¿áPæR ¯ÊÜá¾ ±ÜÅÍ氱ܣÅPæ¿á ŸÆŸ© ±ÝÍÜÌìÊÜ®Üá° PÜñܤÄÔ ¸Ý|¨Ü
WÜáÃÜáñÜ®Üá° A®ÜáÓÜÄÔ . ±ÜÅÍ氱ܣÅPæ¿áÈÉ GÇÝÉ ±ÜâoWÜÙÜá CÊæÁáà Gí¨Üá ±ÜÄàüÔPæãÚÛ.
3. ±ÜÅÍæ°WÜÚWæ PæãqrÃÜáÊÜ ÓÜãaÜ®æWÜÙÜ®Üá° ±ÝÈÔ.
Tear here/CÈÉí¨Ü PÜñܤÄÔ
4. ŸÆ»ÝWܨÜÈÉ PæãqrÃÜáÊÜ AíQWÜÙÜá ±ÜÅÍæ°WÜÚXÃÜáÊÜ ±Üä|ì AíPÜWÜÙÜ®Üá° ÓÜãbÓÜáñܤÊæ.
5. ±ÜÅÍ氱ܣÅPæ¿á®Üá° K©PæãÙÜÛÆá 15 ¯ËáÐÜWÜÙÜ PÝÇÝÊÜPÝÍÜÊÜâ ÓæàĨÜíñæ, EñܤÄÓÜÆá
¯WÜ©±ÜwÓÜÇÝ¨Ü ÓÜÊÜá¿áÊÜ®Üá° ±ÜÅÍ氱ܣÅPæ¿á ÊæáàÇݽWܨÜÈÉ ¯àvÜÇÝX¨æ.
10/201 1 of 8
Tear here/CÈÉí¨Ü PÜñܤÄÔ
Q.P. Sl. No. :
Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 8 ]
Total No. of Printed Pages : 8 ] A
Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 25 ] CCE RF/RR/
Total No. of Questions : 25 ]
PF/PR
TEAR HERE TO OPEN THE QUESTION PAPER WITH REVERSE JACKET
ÓÜíPæàñÜ ÓÜíTæ : 28-K Code No. : 28-K
×ÊÜáá¾S hÝPæp… Öæãí©ÃÜáÊÜ ±ÜÅÍ氱ܣÅPæ¿á®Üá° ñæÃæ¿áÆá CÈÉ PÜñܤÄÔ
ËÐÜ¿á : ×í¨ÜãÓݧ¯ ÓÜíXàñÜ — ÍÝÓÜŒ Ë»ÝWÜ
Subject : HINDUSTANI MUSIC — THEORY
PܮܰvÜ ÊÜÞ«ÜÂÊÜá / Kannada Medium
ÍÝÇÝ A»Ü¦ì / ÍÝÇÝ ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì / TÝÓÜX A»Ü¦ì / TÝÓÜX ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì
Regular Fresh / Regular Repeater / Private Fresh / Private Repeater
©®ÝíPÜ 23. 03. 2026 ] [ Date : 23. 03. 2026
ÓÜÊÜá¿á : ÊÜá«ÝÂÖÜ° 2-00 Äí¨Ü ÓÜíhæ 3-45 ÃÜÊÜÃæWæ ] [ Time : 2-00 P.M. to 3-45 P.M.
WÜÄÐÜu AíPÜWÜÙÜá 40 ] [ Max. Marks : 40
±ÜÄàûݦìWÝX ÓÝÊÜޮܠÓÜãaÜ®æWÜÙÜá Cut here/CÈÉ PÜñܤÄÔ
1. D ±ÜÅÍ氱ܣÅPæ¿áá Joár 25 ±ÜÅÍæ°WÜÙÜ®Üá° Öæãí©¨æ.
2. D ±ÜÅÍ氱ܣÅPæ¿á®Üá° ×ÊÜáá¾S hÝPæp… ÊÜáãÆPÜ ÊæãÖÜÃÜá ÔàÇ… ÊÜÞvÜÇÝX¨æ. ±ÜÄàûæ
±ÝÅÃÜí»ÜÊÝWÜáÊÜ ÓÜÊÜá¿áPæR ¯ÊÜá¾ ±ÜÅÍ氱ܣÅPæ¿á ŸÆŸ© ±ÝÍÜÌìÊÜ®Üá° PÜñܤÄÔ ¸Ý|¨Ü
WÜáÃÜáñÜ®Üá° A®ÜáÓÜÄÔ . ±ÜÅÍ氱ܣÅPæ¿áÈÉ GÇÝÉ ±ÜâoWÜÙÜá CÊæÁáà Gí¨Üá ±ÜÄàüÔPæãÚÛ.
3. ±ÜÅÍæ°WÜÚWæ PæãqrÃÜáÊÜ ÓÜãaÜ®æWÜÙÜ®Üá° ±ÝÈÔ.
Tear here/CÈÉí¨Ü PÜñܤÄÔ
4. ŸÆ»ÝWܨÜÈÉ PæãqrÃÜáÊÜ AíQWÜÙÜá ±ÜÅÍæ°WÜÚXÃÜáÊÜ ±Üä|ì AíPÜWÜÙÜ®Üá° ÓÜãbÓÜáñܤÊæ.
5. ±ÜÅÍ氱ܣÅPæ¿á®Üá° K©PæãÙÜÛÆá 15 ¯ËáÐÜWÜÙÜ PÝÇÝÊÜPÝÍÜÊÜâ ÓæàĨÜíñæ, EñܤÄÓÜÆá
¯WÜ©±ÜwÓÜÇÝ¨Ü ÓÜÊÜá¿áÊÜ®Üá° ±ÜÅÍ氱ܣÅPæ¿á ÊæáàÇݽWܨÜÈÉ ¯àvÜÇÝX¨æ.
10/201 1 of 8
Page 10
CCE RF/RR/PF/PR(A) 28-K
I. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ A¥ÜÊÝ A±Üä|ì ÖæàÚPæWÜÚWæ ®ÝÆáR ±Ü¿Þì¿á EñܤÃÜWÜÙÜ®Üá°
¯àvÜÇÝX¨æ. AÊÜâWÜÙÜÈÉ ÓÜãPܤÊÝ¨Ü Jí¨Üá EñܤÃÜÊÜ®Üá° BÄÔ, A¨ÜÃÜ PÜÅÊÜÞûÜÃܨæãvÜ®æ
±Üä|ì EñܤÃÜÊÜ®Üá° ŸÃæÀáÄ : 8×1=8
1. »ÝÃÜñÜ¨Ü ±ÜÅԨܜ ×í¨ÜãÓݧ¯ ÓÜíXàñÜ WÝ¿áPÜÃÜá
(A) Gí.GÓ…. ÓÜ៺Æü$¾à
(B) ±ÜíwñÜ ¼àÊÜáÓæà®Ü hæãàÑ
(C) ÊÜááñܤ¿á »ÝWÜÊÜñÜÃÜá
(D) ñÝÂWÜÃÝgÃÜá
2. ÓÜÌÃÜWÜÙÜ CÚPæ PÜÅÊÜáÊæà
(A) ÍÜê£
(B) BÃæãàÖÜ|
(C) AÊÜÃæãàÖÜ|
(D) ÊÜááTÝÂíWÜ
10/201 2 of 8
I. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ A¥ÜÊÝ A±Üä|ì ÖæàÚPæWÜÚWæ ®ÝÆáR ±Ü¿Þì¿á EñܤÃÜWÜÙÜ®Üá°
¯àvÜÇÝX¨æ. AÊÜâWÜÙÜÈÉ ÓÜãPܤÊÝ¨Ü Jí¨Üá EñܤÃÜÊÜ®Üá° BÄÔ, A¨ÜÃÜ PÜÅÊÜÞûÜÃܨæãvÜ®æ
±Üä|ì EñܤÃÜÊÜ®Üá° ŸÃæÀáÄ : 8×1=8
1. »ÝÃÜñÜ¨Ü ±ÜÅԨܜ ×í¨ÜãÓݧ¯ ÓÜíXàñÜ WÝ¿áPÜÃÜá
(A) Gí.GÓ…. ÓÜ៺Æü$¾à
(B) ±ÜíwñÜ ¼àÊÜáÓæà®Ü hæãàÑ
(C) ÊÜááñܤ¿á »ÝWÜÊÜñÜÃÜá
(D) ñÝÂWÜÃÝgÃÜá
2. ÓÜÌÃÜWÜÙÜ CÚPæ PÜÅÊÜáÊæà
(A) ÍÜê£
(B) BÃæãàÖÜ|
(C) AÊÜÃæãàÖÜ|
(D) ÊÜááTÝÂíWÜ
10/201 2 of 8
Page 11
CCE RF/RR/PF/PR(A) 28-K
3. ñÝÙÜȲ¿áÈÉ X bÖæ°¿á®Üá° ŸÙÜÓÜáÊÜÃÜá HPæí¨ÜÃæ, A¨Üá
(A) ÓÜÊÜå…
(B) ÖÜáÔ
(C) Ëáàív…
(D) SívÜ
4. ±Üíwñ… ËÐÜá¡®ÝÃÝ¿á| »ÝñÜSívæ¿áÊÜÃÜ g®Ü¾ÓܧÙÜ
(A) ¿áÈÊÝÙÜ
(B) ÊÜá®ÜÓÜãÃÜá
(C) PÝvÜÍæqr ÖÜÚÛ
(D) ¸ÝÆPæàÍÜÌÃÜ
5. ÓÜÌÃÜȲ ±Ü¨Üœ£¿áÈÉ ÓÜÌÃÜ¨Ü PæÙÜWæ Jí¨Üá bPÜR AvÜxWæÃæ¿á®Üá° PæãvÜÇÝWÜáÊÜâ¨Üá
HPæí¨ÜÃæ, AÊÜâ
(A) ÍÜá¨Üœ ÓÜÌÃÜWÜÙÜá
(B) PæãàÊÜáÆ ÓÜÌÃÜWÜÙÜá
(C) £àÊÜÅ ÓÜÌÃÜWÜÙÜá
(D) ÊÜgÂì ÓÜÌÃÜWÜÙÜá
10/201 3 of 8
3. ñÝÙÜȲ¿áÈÉ X bÖæ°¿á®Üá° ŸÙÜÓÜáÊÜÃÜá HPæí¨ÜÃæ, A¨Üá
(A) ÓÜÊÜå…
(B) ÖÜáÔ
(C) Ëáàív…
(D) SívÜ
4. ±Üíwñ… ËÐÜá¡®ÝÃÝ¿á| »ÝñÜSívæ¿áÊÜÃÜ g®Ü¾ÓܧÙÜ
(A) ¿áÈÊÝÙÜ
(B) ÊÜá®ÜÓÜãÃÜá
(C) PÝvÜÍæqr ÖÜÚÛ
(D) ¸ÝÆPæàÍÜÌÃÜ
5. ÓÜÌÃÜȲ ±Ü¨Üœ£¿áÈÉ ÓÜÌÃÜ¨Ü PæÙÜWæ Jí¨Üá bPÜR AvÜxWæÃæ¿á®Üá° PæãvÜÇÝWÜáÊÜâ¨Üá
HPæí¨ÜÃæ, AÊÜâ
(A) ÍÜá¨Üœ ÓÜÌÃÜWÜÙÜá
(B) PæãàÊÜáÆ ÓÜÌÃÜWÜÙÜá
(C) £àÊÜÅ ÓÜÌÃÜWÜÙÜá
(D) ÊÜgÂì ÓÜÌÃÜWÜÙÜá
10/201 3 of 8
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CCE RF/RR/PF/PR(A) 28-K
6. ±ÜíwñÜ ±ÜíaÝûÜÄ WÜÊÝÀáWÜÙÜ®Üá° E»Ü¿á WÝ¿á®ÝaÝ¿áì Gí¨Üá
PÜÃæ¿ááÊÜÃÜá. HPæí¨ÜÃæ, CÊÜÃÜá
(A) ×í¨ÜãÓݧ¯ ÓÜíXàñܨÜÈÉ ±ÝíwñÜ ±Üv橨ܪÃÜá
(B) PÜ®ÝìoPÜ ÓÜíXàñܨÜÈÉ ±ÝíwñÜ ±Üv橨ܪÃÜá
(C) ±ÝÎcÊÜÞñÜ ÓÜíXàñÜ ÊÜáñÜᤠÊݨÜ ÓÜíXàñܨÜÈÉ ÓÝ«Ü®æ ÊÜÞw¨ÜªÃÜá
(D) ×í¨ÜãÓݧ¯ ÓÜíXàñÜ ÊÜáñÜᤠPÜ®ÝìoPÜ ÓÜíXàñÜWÜÙæÃÜvÜÃÜÆãÉ ±ÝíwñÜÂ
±Üv橨ܪÃÜá
7. ÔñÝÃ… ÊݨÜÂÊÜ®Üá° ñÜí£ ÊݨÜ Gí¨Üá PÜÃæ¿áÇÝX¨æ. HPæí¨ÜÃæ, D ÊݨܨÜÈÉ
ÓÜÌÃæãàñܳ£¤¿áá
(A) ñÜí£ ËáàoáÊÜâ¨ÜÃÜ ÊÜáãÆPÜ EípÝWÜáñܤ¨æ
(B) WÝÚ¿á ÓÜÖÝ¿á©í¨Ü EípÝWÜáñܤ¨æ
(C) aÜÊÜáì¨Ü ÓÜÖÝ¿á©í¨Ü EípÝWÜáñܤ¨æ
(D) WÝÚ ÊÜáñÜᤠÇæãàÖÜ¨Ü ÓÜÖÝ¿á©í¨Ü EípÝWÜáñܤ¨æ
10/201 4 of 8
6. ±ÜíwñÜ ±ÜíaÝûÜÄ WÜÊÝÀáWÜÙÜ®Üá° E»Ü¿á WÝ¿á®ÝaÝ¿áì Gí¨Üá
PÜÃæ¿ááÊÜÃÜá. HPæí¨ÜÃæ, CÊÜÃÜá
(A) ×í¨ÜãÓݧ¯ ÓÜíXàñܨÜÈÉ ±ÝíwñÜ ±Üv橨ܪÃÜá
(B) PÜ®ÝìoPÜ ÓÜíXàñܨÜÈÉ ±ÝíwñÜ ±Üv橨ܪÃÜá
(C) ±ÝÎcÊÜÞñÜ ÓÜíXàñÜ ÊÜáñÜᤠÊݨÜ ÓÜíXàñܨÜÈÉ ÓÝ«Ü®æ ÊÜÞw¨ÜªÃÜá
(D) ×í¨ÜãÓݧ¯ ÓÜíXàñÜ ÊÜáñÜᤠPÜ®ÝìoPÜ ÓÜíXàñÜWÜÙæÃÜvÜÃÜÆãÉ ±ÝíwñÜÂ
±Üv橨ܪÃÜá
7. ÔñÝÃ… ÊݨÜÂÊÜ®Üá° ñÜí£ ÊݨÜ Gí¨Üá PÜÃæ¿áÇÝX¨æ. HPæí¨ÜÃæ, D ÊݨܨÜÈÉ
ÓÜÌÃæãàñܳ£¤¿áá
(A) ñÜí£ ËáàoáÊÜâ¨ÜÃÜ ÊÜáãÆPÜ EípÝWÜáñܤ¨æ
(B) WÝÚ¿á ÓÜÖÝ¿á©í¨Ü EípÝWÜáñܤ¨æ
(C) aÜÊÜáì¨Ü ÓÜÖÝ¿á©í¨Ü EípÝWÜáñܤ¨æ
(D) WÝÚ ÊÜáñÜᤠÇæãàÖÜ¨Ü ÓÜÖÝ¿á©í¨Ü EípÝWÜáñܤ¨æ
10/201 4 of 8
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CCE RF/RR/PF/PR(A) 28-K
8. ×í¨ÜãÓݧ¯ ÓÜíXàñÜ¨Ü Jí¨Üá ÓܱܤPܨÜÈÉÃÜáÊÜ Joár ÓÜÌÃÜWÜÙÜá
(A) 8
(B) 10
(C) 12
(D) 16
II. PæÙÜX®Ü ±ÜÅ£Áãí¨Üá ±ÜÅÍæ°WÜÚWæ Jí¨æãí¨Üá ÊÝPܨÜÈÉ EñܤÄÔ : 8×1=8
9. PÜ®ÝìoPÜ ÓÜíXàñÜ¨Ü ÊÜÞ¿ÞÊÜÞÙÜÊÜWèÙÜ ÃÝWÜÊÜ®Üá° ×í¨ÜãÓݧ¯ ÓÜíXàñܨÜÈÉ
H®æí¨Üá PÜÃæ¿ááÊÜÃÜá
10. ×í¨ÜãÓݧ¯ ÓÜíXàñÜÊÜ®Üá° EñܤÃÝ© ÓÜíXàñÜ Gí¨Üá PÜÃæ¿áÆá PÝÃÜ|Êæà®Üá
11. ñÝ®… Gí¨ÜÃæà®Üá
12. ®Ý¨Ü¨Ü GÃÜvÜá ±ÜÅPÝÃÜWÜÙÜ®Üá° ÖæÓÜÄÔ.
13. ÓݧÀá ÊÜáñÜᤠAíñÜÃÝ ®ÜvÜá訆 Jí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá° ŸÃæÀáÄ.
14. ¼àÊÜå…¶ÜÇÝÓ… ÊÜáñÜᤠ¸ÝWæàÎÅà ÃÝWÜWÜÙÜÈÉ PÜívÜáŸÃÜáÊÜ Jí¨Üá
ÓÝÊÜáÂñæ¿á®Üá° ŸÃæÀáÄ.
10/201 5 of 8
8. ×í¨ÜãÓݧ¯ ÓÜíXàñÜ¨Ü Jí¨Üá ÓܱܤPܨÜÈÉÃÜáÊÜ Joár ÓÜÌÃÜWÜÙÜá
(A) 8
(B) 10
(C) 12
(D) 16
II. PæÙÜX®Ü ±ÜÅ£Áãí¨Üá ±ÜÅÍæ°WÜÚWæ Jí¨æãí¨Üá ÊÝPܨÜÈÉ EñܤÄÔ : 8×1=8
9. PÜ®ÝìoPÜ ÓÜíXàñÜ¨Ü ÊÜÞ¿ÞÊÜÞÙÜÊÜWèÙÜ ÃÝWÜÊÜ®Üá° ×í¨ÜãÓݧ¯ ÓÜíXàñܨÜÈÉ
H®æí¨Üá PÜÃæ¿ááÊÜÃÜá
10. ×í¨ÜãÓݧ¯ ÓÜíXàñÜÊÜ®Üá° EñܤÃÝ© ÓÜíXàñÜ Gí¨Üá PÜÃæ¿áÆá PÝÃÜ|Êæà®Üá
11. ñÝ®… Gí¨ÜÃæà®Üá
12. ®Ý¨Ü¨Ü GÃÜvÜá ±ÜÅPÝÃÜWÜÙÜ®Üá° ÖæÓÜÄÔ.
13. ÓݧÀá ÊÜáñÜᤠAíñÜÃÝ ®ÜvÜá訆 Jí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá° ŸÃæÀáÄ.
14. ¼àÊÜå…¶ÜÇÝÓ… ÊÜáñÜᤠ¸ÝWæàÎÅà ÃÝWÜWÜÙÜÈÉ PÜívÜáŸÃÜáÊÜ Jí¨Üá
ÓÝÊÜáÂñæ¿á®Üá° ŸÃæÀáÄ.
10/201 5 of 8
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CCE RF/RR/PF/PR(A) 28-K
15. Ÿêí¨ÝÊܯ ÓÝÃÜíWÜ ÃÝWÜ¨Ü BÃæãàÖÜ| ÊÜáñÜᤠAÊÜÃæãàÖÜ|WÜÙÜÈÉ PÜívÜáŸÃÜáÊÜ
Jí¨Üá ÊÜááS ÓÜÌÃÜ ÊÜÂñÝÂÓÜÊÜ®Üá° ŸÃæÀáÄ.
16. ×í¨ÜãÓݧ¯ ÓÜíXàñܨÜÈÉ ŸÙÜPæ¿áÈÉÃÜáÊÜ GÃÜvÜá AÊܮܨܜ ÊݨÜÂWÜÙÜ®Üá°
ÖæÓÜÄÔ.
III. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ GÃÜvÜÄí¨Ü ÊÜáãÃÜá ÊÝPÜÂWÜÙÜÈÉ EñܤÄÔ : 7 × 2 = 14
17. ÊÝ© ÊÜáñÜᤠÓÜíÊÝ© ÓÜÌÃÜWÜÙÜ ®ÜvÜá訆 GÃÜvÜá ÊÜÂñÝÂÓÜWÜÙÜ®Üá° E¨ÝÖÜÃÜOæ
ÊÜáãÆPÜ ŸÃæÀáÄ.
18. D PæÙÜX®Ü ÃÝWÜWÜÙÜÈÉ ¥Ýp… ÃÝWÜWÜÙÜ®Üá° ËíWÜwÔ ŸÃæÀáÄ
(a) ¨ÜáWÝì
(b) ¹ÇÝÊÜÇ…
(c) £ÆíW…
(d) »æçÃÜË
19. PÜ®ÝìoPܨÜÈÉ ×í¨ÜãÓݧ¯ ÓÜíXàñÜ ¸æÙæ¨Üá ŸÃÜÆá ÊæáçÓÜãÃÜá Jvæ¿áÃÜá
±ÜÅÊÜááS ±ÝñÜÅÊÜ×Ô¨ÜÃÜá ÖæàWæ ËÊÜÄÔ.
20. D PæÙÜX®Ü ñÝÙÜWÜÙÜ®Üá° PÜ®ÝìoPÜ ÓÜíXàñÜ ÊÜáñÜᤠ×í¨ÜãÓݧ¯ ÓÜíXàñܨÜ
ñÝÙÜWÜÙÝX ÊÜXàìPÜÄÔ ŸÃæÀáÄ
(a) ¨Ý¨ÜÃÝ
(b) B©ñÝÙÜ
(c) PæÖÜÃÜÊÝ
(d) £Å±ÜâoñÝÙÜ
10/201 6 of 8
15. Ÿêí¨ÝÊܯ ÓÝÃÜíWÜ ÃÝWÜ¨Ü BÃæãàÖÜ| ÊÜáñÜᤠAÊÜÃæãàÖÜ|WÜÙÜÈÉ PÜívÜáŸÃÜáÊÜ
Jí¨Üá ÊÜááS ÓÜÌÃÜ ÊÜÂñÝÂÓÜÊÜ®Üá° ŸÃæÀáÄ.
16. ×í¨ÜãÓݧ¯ ÓÜíXàñܨÜÈÉ ŸÙÜPæ¿áÈÉÃÜáÊÜ GÃÜvÜá AÊܮܨܜ ÊݨÜÂWÜÙÜ®Üá°
ÖæÓÜÄÔ.
III. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ GÃÜvÜÄí¨Ü ÊÜáãÃÜá ÊÝPÜÂWÜÙÜÈÉ EñܤÄÔ : 7 × 2 = 14
17. ÊÝ© ÊÜáñÜᤠÓÜíÊÝ© ÓÜÌÃÜWÜÙÜ ®ÜvÜá訆 GÃÜvÜá ÊÜÂñÝÂÓÜWÜÙÜ®Üá° E¨ÝÖÜÃÜOæ
ÊÜáãÆPÜ ŸÃæÀáÄ.
18. D PæÙÜX®Ü ÃÝWÜWÜÙÜÈÉ ¥Ýp… ÃÝWÜWÜÙÜ®Üá° ËíWÜwÔ ŸÃæÀáÄ
(a) ¨ÜáWÝì
(b) ¹ÇÝÊÜÇ…
(c) £ÆíW…
(d) »æçÃÜË
19. PÜ®ÝìoPܨÜÈÉ ×í¨ÜãÓݧ¯ ÓÜíXàñÜ ¸æÙæ¨Üá ŸÃÜÆá ÊæáçÓÜãÃÜá Jvæ¿áÃÜá
±ÜÅÊÜááS ±ÝñÜÅÊÜ×Ô¨ÜÃÜá ÖæàWæ ËÊÜÄÔ.
20. D PæÙÜX®Ü ñÝÙÜWÜÙÜ®Üá° PÜ®ÝìoPÜ ÓÜíXàñÜ ÊÜáñÜᤠ×í¨ÜãÓݧ¯ ÓÜíXàñܨÜ
ñÝÙÜWÜÙÝX ÊÜXàìPÜÄÔ ŸÃæÀáÄ
(a) ¨Ý¨ÜÃÝ
(b) B©ñÝÙÜ
(c) PæÖÜÃÜÊÝ
(d) £Å±ÜâoñÝÙÜ
10/201 6 of 8
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CCE RF/RR/PF/PR(A) 28-K
21. ¨æàÓ… ÃÝWÜ¨Ü ÃÝWÜ ÆûÜ|WÜÙÜ®Üá° ËÊÜÄÔ.
22. ŸvÝ S¿ÞÇ… ÊÜáñÜᤠdæãàpÝ S¿ÞÇ…WÜÚXÃÜáÊÜ GÃÜvÜá ÊÜÂñÝÂÓÜWÜÙÜ®Üá°
ŸÃæÀáÄ.
23. ÓÜíXàñÜÊÜ®Üá° ÍÜÅÊÜ| ÓÝ«Ü®Ü Ë¨æ Gí¨Üá PÜÃæ¿ááÊÜÃÜá HPæ
IV. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ ÓÜíü±Ü¤ÊÝX EñܤÄÔ :
24. »Üã±… ÃÝWÜ¨Ü ÓÜÌÃÜXàñæ¿á®ÜᰠȲŸ¨ÜœWæãÚÔ. 4
25. ±ÜâÃÜí¨ÜÃܨÝÓÜÃÜá PÜ®ÝìoPÜ ÓÜíXàñÜPæR ¯àw¨Ü PæãvÜáWæWÜÙÜ®Üá° ÓÜíü±Ü¤ÊÝX
ËÊÜÄÔ. 6
10/201 7 of 8
21. ¨æàÓ… ÃÝWÜ¨Ü ÃÝWÜ ÆûÜ|WÜÙÜ®Üá° ËÊÜÄÔ.
22. ŸvÝ S¿ÞÇ… ÊÜáñÜᤠdæãàpÝ S¿ÞÇ…WÜÚXÃÜáÊÜ GÃÜvÜá ÊÜÂñÝÂÓÜWÜÙÜ®Üá°
ŸÃæÀáÄ.
23. ÓÜíXàñÜÊÜ®Üá° ÍÜÅÊÜ| ÓÝ«Ü®Ü Ë¨æ Gí¨Üá PÜÃæ¿ááÊÜÃÜá HPæ
IV. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ ÓÜíü±Ü¤ÊÝX EñܤÄÔ :
24. »Üã±… ÃÝWÜ¨Ü ÓÜÌÃÜXàñæ¿á®ÜᰠȲŸ¨ÜœWæãÚÔ. 4
25. ±ÜâÃÜí¨ÜÃܨÝÓÜÃÜá PÜ®ÝìoPÜ ÓÜíXàñÜPæR ¯àw¨Ü PæãvÜáWæWÜÙÜ®Üá° ÓÜíü±Ü¤ÊÝX
ËÊÜÄÔ. 6
10/201 7 of 8
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CCE RF/RR/PF/PR(A) 28-K
10/201 8 of 8
10/201 8 of 8
Page 17
±ÜÅÍæ° ±Ü£ÅPæ PÜÅÊÜá ÓÜíTæ :
Q.P. Sl. No. :
Tear here/CÈÉí¨Ü
PÜñܤÄÔ
Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 4 ]
Total No. of Printed Pages : 4 ] A
Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 6 ] CCE RF/RR/
Total No. of Questions : 6 ] PF/PR
TEAR HERE TO OPEN THE QUESTION PAPER WITH REVERSE JACKET
ÓÜíPæàñÜ ÓÜíTæ : 28-E Code No. : 28-E
×ÊÜáá¾S hÝPæp… Öæãí©ÃÜáÊÜ ±ÜÅÍ氱ܣÅPæ¿á®Üá° ñæÃæ¿áÆá CÈÉ PÜñܤÄÔ
—
Subject : HINDUSTANI MUSIC — PRACTICAL
( / English Medium )
ÍÝÇÝ A»Ü¦ì / ÍÝÇÝ ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì / TÝÓÜX A»Ü¦ì / TÝÓÜX ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì
Regular Fresh / Regular Repeater / Private Fresh / Private Repeater
©®ÝíPÜ 23. 03. 2026 ] [ Date : 23. 03. 2026
ÓÜÊÜá¿á 1 30 ] [ Time : 1 hour 30 minutes
WÜÄÐÜu AíPÜWÜÙÜá 40 ] [ Max. Marks : 40
General Instructions to the Candidate : Cut here/CÈÉ PÜñܤÄÔ
1. This Question Paper consists of 6 questions.
2. This question paper has been sealed by reverse jacket. You have to
cut on the right side to open the paper at the time of
commencement of the examination ( Follow the arrow mark ). Do not
cut the left side to open the paper. Check whether all the pages of
the question paper are intact.
3. Follow the instructions given against the questions.
4. Figures in the right hand margin indicate maximum marks for the
Tear here/CÈÉí¨Ü
question.
5. The maximum time to answer the paper is given at the top of the
PÜñܤÄÔ
question paper.
10/202 1 of 4
Q.P. Sl. No. :
Tear here/CÈÉí¨Ü
PÜñܤÄÔ
Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 4 ]
Total No. of Printed Pages : 4 ] A
Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 6 ] CCE RF/RR/
Total No. of Questions : 6 ] PF/PR
TEAR HERE TO OPEN THE QUESTION PAPER WITH REVERSE JACKET
ÓÜíPæàñÜ ÓÜíTæ : 28-E Code No. : 28-E
×ÊÜáá¾S hÝPæp… Öæãí©ÃÜáÊÜ ±ÜÅÍ氱ܣÅPæ¿á®Üá° ñæÃæ¿áÆá CÈÉ PÜñܤÄÔ
—
Subject : HINDUSTANI MUSIC — PRACTICAL
( / English Medium )
ÍÝÇÝ A»Ü¦ì / ÍÝÇÝ ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì / TÝÓÜX A»Ü¦ì / TÝÓÜX ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì
Regular Fresh / Regular Repeater / Private Fresh / Private Repeater
©®ÝíPÜ 23. 03. 2026 ] [ Date : 23. 03. 2026
ÓÜÊÜá¿á 1 30 ] [ Time : 1 hour 30 minutes
WÜÄÐÜu AíPÜWÜÙÜá 40 ] [ Max. Marks : 40
General Instructions to the Candidate : Cut here/CÈÉ PÜñܤÄÔ
1. This Question Paper consists of 6 questions.
2. This question paper has been sealed by reverse jacket. You have to
cut on the right side to open the paper at the time of
commencement of the examination ( Follow the arrow mark ). Do not
cut the left side to open the paper. Check whether all the pages of
the question paper are intact.
3. Follow the instructions given against the questions.
4. Figures in the right hand margin indicate maximum marks for the
Tear here/CÈÉí¨Ü
question.
5. The maximum time to answer the paper is given at the top of the
PÜñܤÄÔ
question paper.
10/202 1 of 4
Page 18
CCE RF/RR/PF/PR(A) 28-E
Examiners should ask the following questions to the students :
1. What is the difference between Sarale swara and Janti
swara.
Sing any one Janti swara from the syllabus in thay and
dugun laya. 6
2. Music learners should practice swara geeth. Why ?
According to your syllabus sing a swara geeth in raag
Bhairav or Bhairavi. 6
3. Define Lakshana geeth.
Sing any one Lakshana geeth from the syllabus. 8
4. Explain the characteristics of Chhota Khayal.
Sing any one Chhota Khayal from the syllabus. 8
10/202 2 of 4
Examiners should ask the following questions to the students :
1. What is the difference between Sarale swara and Janti
swara.
Sing any one Janti swara from the syllabus in thay and
dugun laya. 6
2. Music learners should practice swara geeth. Why ?
According to your syllabus sing a swara geeth in raag
Bhairav or Bhairavi. 6
3. Define Lakshana geeth.
Sing any one Lakshana geeth from the syllabus. 8
4. Explain the characteristics of Chhota Khayal.
Sing any one Chhota Khayal from the syllabus. 8
10/202 2 of 4
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CCE RF/RR/PF/PR(A) 28-E
5. Dhrupad geeth is different from Khayal singing. How ?
Explain.
Sing any one Dhrupad geeth from your syllabus. 8
6. By giving the details of Jhaptaal orally, show the bol with
hands. 4
10/202 3 of 4
5. Dhrupad geeth is different from Khayal singing. How ?
Explain.
Sing any one Dhrupad geeth from your syllabus. 8
6. By giving the details of Jhaptaal orally, show the bol with
hands. 4
10/202 3 of 4
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CCE RF/RR/PF/PR(A) 28-E
10/202 4 of 4
10/202 4 of 4
Page 21
±ÜÅÍæ° ±Ü£ÅPæ PÜÅÊÜá ÓÜíTæ :
Tear here/CÈÉí¨Ü PÜñܤÄÔ
Q.P. Sl. No. :
Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 4 ]
Total No. of Printed Pages : 4 ] A
Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 6 ] CCE RF/RR/
Total No. of Questions : 6 ]
PF/PR
TEAR HERE TO OPEN THE QUESTION PAPER WITH REVERSE JACKET
ÓÜíPæàñÜ ÓÜíTæ : 28-K Code No. : 28-K
ËÐÜ¿á : ×í¨ÜãÓݧ¯ ÓÜíXàñÜ — ±ÝÅÁãàXPÜ Ë»ÝWÜ
×ÊÜáá¾S hÝPæp… Öæãí©ÃÜáÊÜ ±ÜÅÍ氱ܣÅPæ¿á®Üá° ñæÃæ¿áÆá CÈÉ PÜñܤÄÔ
Subject : HINDUSTANI MUSIC — PRACTICAL
(PܮܰvÜ ÊÜÞ«ÜÂÊÜá / Kannada Medium)
ÍÝÇÝ A»Ü¦ì / ÍÝÇÝ ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì / TÝÓÜX A»Ü¦ì / TÝÓÜX ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì
Regular Fresh / Regular Repeater / Private Fresh / Private Repeater
©®ÝíPÜ 23. 03. 2026 ] [ Date : 23. 03. 2026
ÓÜÊÜá¿á : 1 WÜípæ 30 ¯ËáÐÜWÜÙÜá ] [ Time : 1 hour 30 minutes
WÜÄÐÜu AíPÜWÜÙÜá : 40 ] [ Max. Marks : 40
±ÜÄàûݦìWÝX ÓÝÊÜޮܠÓÜãaÜ®æWÜÙÜá : Cut here/CÈÉ PÜñܤÄÔ
1. D ±ÜÅÍ氱ܣÅPæ¿áá 6 ±ÜÅÍæ°WÜÙÜ®Üá° Öæãí©¨æ.
2. D ±ÜÅÍ氱ܣÅPæ¿á®Üá° ×ÊÜáá¾S hÝPæp… ÊÜáãÆPÜ ÊæãÖÜÃÜá ÔàÇ… ÊÜÞvÜÇÝX¨æ. ±ÜÄàûæ
±ÝÅÃÜí»ÜÊÝWÜáÊÜ ÓÜÊÜá¿áPæR ¯ÊÜá¾ ±ÜÅÍ氱ܣÅPæ¿á ŸÆŸ© ±ÝÍÜÌìÊÜ®Üá° PÜñܤÄÔ ¸Ý|¨Ü
WÜáÃÜáñÜ®Üá° A®ÜáÓÜÄÔ . ±ÜÅÍ氱ܣÅPæ¿áÈÉ GÇÝÉ ±ÜâoWÜÙÜá CÊæÁáà Gí¨Üá ±ÜÄàüÔPæãÚÛ.
3. ±ÜÅÍæ°WÜÚWæ PæãqrÃÜáÊÜ ÓÜãaÜ®æWÜÙÜ®Üá° ±ÝÈÔ.
4. ŸÆ»ÝWܨÜÈÉ PæãqrÃÜáÊÜ AíQWÜÙÜá ±ÜÅÍæ°WÜÚXÃÜáÊÜ ±Üä|ì AíPÜWÜÙÜ®Üá° ÓÜãbÓÜáñܤÊæ.
Tear here/CÈÉí¨Ü PÜñܤÄÔ
5. ±ÜÅÍ氱ܣÅPæWæ EñܤÄÓÜÆá ¯WÜ©±ÜwÓÜÇÝ¨Ü ÓÜÊÜá¿áÊÜ®Üá° ±ÜÅÍ氱ܣÅPæ¿á ÊæáàÇݽWܨÜÈÉ
¯àvÜÇÝX¨æ.
10/201 1 of 4
Tear here/CÈÉí¨Ü PÜñܤÄÔ
Q.P. Sl. No. :
Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 4 ]
Total No. of Printed Pages : 4 ] A
Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 6 ] CCE RF/RR/
Total No. of Questions : 6 ]
PF/PR
TEAR HERE TO OPEN THE QUESTION PAPER WITH REVERSE JACKET
ÓÜíPæàñÜ ÓÜíTæ : 28-K Code No. : 28-K
ËÐÜ¿á : ×í¨ÜãÓݧ¯ ÓÜíXàñÜ — ±ÝÅÁãàXPÜ Ë»ÝWÜ
×ÊÜáá¾S hÝPæp… Öæãí©ÃÜáÊÜ ±ÜÅÍ氱ܣÅPæ¿á®Üá° ñæÃæ¿áÆá CÈÉ PÜñܤÄÔ
Subject : HINDUSTANI MUSIC — PRACTICAL
(PܮܰvÜ ÊÜÞ«ÜÂÊÜá / Kannada Medium)
ÍÝÇÝ A»Ü¦ì / ÍÝÇÝ ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì / TÝÓÜX A»Ü¦ì / TÝÓÜX ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì
Regular Fresh / Regular Repeater / Private Fresh / Private Repeater
©®ÝíPÜ 23. 03. 2026 ] [ Date : 23. 03. 2026
ÓÜÊÜá¿á : 1 WÜípæ 30 ¯ËáÐÜWÜÙÜá ] [ Time : 1 hour 30 minutes
WÜÄÐÜu AíPÜWÜÙÜá : 40 ] [ Max. Marks : 40
±ÜÄàûݦìWÝX ÓÝÊÜޮܠÓÜãaÜ®æWÜÙÜá : Cut here/CÈÉ PÜñܤÄÔ
1. D ±ÜÅÍ氱ܣÅPæ¿áá 6 ±ÜÅÍæ°WÜÙÜ®Üá° Öæãí©¨æ.
2. D ±ÜÅÍ氱ܣÅPæ¿á®Üá° ×ÊÜáá¾S hÝPæp… ÊÜáãÆPÜ ÊæãÖÜÃÜá ÔàÇ… ÊÜÞvÜÇÝX¨æ. ±ÜÄàûæ
±ÝÅÃÜí»ÜÊÝWÜáÊÜ ÓÜÊÜá¿áPæR ¯ÊÜá¾ ±ÜÅÍ氱ܣÅPæ¿á ŸÆŸ© ±ÝÍÜÌìÊÜ®Üá° PÜñܤÄÔ ¸Ý|¨Ü
WÜáÃÜáñÜ®Üá° A®ÜáÓÜÄÔ . ±ÜÅÍ氱ܣÅPæ¿áÈÉ GÇÝÉ ±ÜâoWÜÙÜá CÊæÁáà Gí¨Üá ±ÜÄàüÔPæãÚÛ.
3. ±ÜÅÍæ°WÜÚWæ PæãqrÃÜáÊÜ ÓÜãaÜ®æWÜÙÜ®Üá° ±ÝÈÔ.
4. ŸÆ»ÝWܨÜÈÉ PæãqrÃÜáÊÜ AíQWÜÙÜá ±ÜÅÍæ°WÜÚXÃÜáÊÜ ±Üä|ì AíPÜWÜÙÜ®Üá° ÓÜãbÓÜáñܤÊæ.
Tear here/CÈÉí¨Ü PÜñܤÄÔ
5. ±ÜÅÍ氱ܣÅPæWæ EñܤÄÓÜÆá ¯WÜ©±ÜwÓÜÇÝ¨Ü ÓÜÊÜá¿áÊÜ®Üá° ±ÜÅÍ氱ܣÅPæ¿á ÊæáàÇݽWܨÜÈÉ
¯àvÜÇÝX¨æ.
10/201 1 of 4
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CCE RF/RR/PF/PR(A) 28-K
±ÜÄàûÜPÜÃÜá D PæÙÜX®Ü ±ÜÅÍæ°WÜÙÜ®Üᰠ˨ݦìWÜÚWæ PæàÙÜáÊÜâ¨Üá :
1. ÓÜÃÜÙæ ÓÜÌÃÜ ÊÜáñÜᤠgíq ÓÜÌÃÜWÜÙÜ ®ÜvÜáÊæ CÃÜáÊÜ ÊÜÂñÝÂÓÜÊÜ®Üá° £ÚÔ.
±ÜsÜÂPÜÅÊÜá¨Ü Jí¨Üá gíqÓÜÌÃÜ ±ÜÅPÝÃÜÊÜ®Üá° sÝ¿å… ÊÜáñÜᤠ¨ÜáWÜá®… Æ¿á¨ÜÈÉ
ÖÝvÜáÊÜâ¨Üá. 6
2. ÓÜíXàñÜ¨Ü PÜÈPݦìWÜÙÜá ÓÜÌÃÜXàñæWÜÙÜ®Üá° A»ÝÂÓÜ ÊÜÞvܸæàPÜá. HPæ
±ÜsÜÂPÜÅÊÜá¨ÜÈÉÃÜáÊÜíñæ »æçÃÜÊ… A¥ÜÊÝ »æçÃÜË ÃÝWÜ¨Ü ÓÜÌÃÜXàñæ¿á®Üá°
ÖÝvÜáÊÜâ¨Üá. 6
3. ÆûÜ|Xàñæ¿á®Üá° ÊÝÂTݯÔ. ±ÜsÜÂPÜÅÊÜá¨Ü ¿ÞÊÜâ¨Ý¨ÜÃæãí¨Üá
ÆûÜ|Xàñæ¿á®Üá° ÖÝvÜáÊÜâ¨Üá. 8
4. dæãàpÝ S¿ÞÇ… ÆûÜ|WÜÙÜ®Üá° ËÊÜÄÔ. ±ÜsÜÂPÜÅÊÜá¨Ü ¿ÞÊÜâ¨Ý¨ÜÃÜã Jí¨Üá
dæãàpÝ S¿ÞÆ®Üá° ÖÝvÜáÊÜâ¨Üá. 8
10/201 2 of 4
±ÜÄàûÜPÜÃÜá D PæÙÜX®Ü ±ÜÅÍæ°WÜÙÜ®Üᰠ˨ݦìWÜÚWæ PæàÙÜáÊÜâ¨Üá :
1. ÓÜÃÜÙæ ÓÜÌÃÜ ÊÜáñÜᤠgíq ÓÜÌÃÜWÜÙÜ ®ÜvÜáÊæ CÃÜáÊÜ ÊÜÂñÝÂÓÜÊÜ®Üá° £ÚÔ.
±ÜsÜÂPÜÅÊÜá¨Ü Jí¨Üá gíqÓÜÌÃÜ ±ÜÅPÝÃÜÊÜ®Üá° sÝ¿å… ÊÜáñÜᤠ¨ÜáWÜá®… Æ¿á¨ÜÈÉ
ÖÝvÜáÊÜâ¨Üá. 6
2. ÓÜíXàñÜ¨Ü PÜÈPݦìWÜÙÜá ÓÜÌÃÜXàñæWÜÙÜ®Üá° A»ÝÂÓÜ ÊÜÞvܸæàPÜá. HPæ
±ÜsÜÂPÜÅÊÜá¨ÜÈÉÃÜáÊÜíñæ »æçÃÜÊ… A¥ÜÊÝ »æçÃÜË ÃÝWÜ¨Ü ÓÜÌÃÜXàñæ¿á®Üá°
ÖÝvÜáÊÜâ¨Üá. 6
3. ÆûÜ|Xàñæ¿á®Üá° ÊÝÂTݯÔ. ±ÜsÜÂPÜÅÊÜá¨Ü ¿ÞÊÜâ¨Ý¨ÜÃæãí¨Üá
ÆûÜ|Xàñæ¿á®Üá° ÖÝvÜáÊÜâ¨Üá. 8
4. dæãàpÝ S¿ÞÇ… ÆûÜ|WÜÙÜ®Üá° ËÊÜÄÔ. ±ÜsÜÂPÜÅÊÜá¨Ü ¿ÞÊÜâ¨Ý¨ÜÃÜã Jí¨Üá
dæãàpÝ S¿ÞÆ®Üá° ÖÝvÜáÊÜâ¨Üá. 8
10/201 2 of 4
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CCE RF/RR/PF/PR(A) 28-K
5. «Üáűܨ… Xàñæ¿áá TÝÂÇ… WÝ¿á®ÜQRíñÜ ¼®Ü° ÖæàWæ ËÊÜÄÔ. ±ÜsÜÂPÜÅÊÜá¨Ü
¿ÞÊÜâ¨Ý¨ÜÃæãí¨Üá «Üáűܨ… Xàñæ¿á®Üá° ÖÝvÜáÊÜâ¨Üá. 8
6. ÃÜká±Ý¤ÙÜ¨Ü ÊÜÞ×£¿á®Üá° ÖæàÙÜáñݤ ñÝÙÜÊÜ®Üá° ¸æãàÇ… ÓÜ×ñÜ Pæç¿áÈÉ ÖÝQ
ñæãàÄÓÜáÊÜâ¨Üá. 4
10/201 3 of 4
5. «Üáűܨ… Xàñæ¿áá TÝÂÇ… WÝ¿á®ÜQRíñÜ ¼®Ü° ÖæàWæ ËÊÜÄÔ. ±ÜsÜÂPÜÅÊÜá¨Ü
¿ÞÊÜâ¨Ý¨ÜÃæãí¨Üá «Üáűܨ… Xàñæ¿á®Üá° ÖÝvÜáÊÜâ¨Üá. 8
6. ÃÜká±Ý¤ÙÜ¨Ü ÊÜÞ×£¿á®Üá° ÖæàÙÜáñݤ ñÝÙÜÊÜ®Üá° ¸æãàÇ… ÓÜ×ñÜ Pæç¿áÈÉ ÖÝQ
ñæãàÄÓÜáÊÜâ¨Üá. 4
10/201 3 of 4
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CCE RF/RR/PF/PR(A) 28-K
10/201 4 of 4
10/201 4 of 4
Document Details
| Board / Org | Karnataka Board |
| Exam | Class 10 |
| Type | Question Paper |
| Pages | 24 |
| Language | english |
| Updated | 24 Sep 2026 |