aglasem.com
Home Schools Admission Career Mock Test PDF Docs Playground
ClassChoose class
StateSelect state

CBSE Class 12 Question Paper 2026 Commercial Art Theory

Download the CBSE Class 12 Question Paper 2026 Commercial Art Theory PDF for free at AglaSem. Solving this previous year question paper helps you understand the real CBSE Class 12 exam pattern, question types, difficulty level and marking scheme, and reveals important repeated topics — practise it to build speed, accuracy and exam confidence.
CBSE Class 12 Question Paper 2026 Commercial Art Theory - Page 1 of 13

Finished viewing? Save it for later —

Download CBSE Class 12 Question Paper 2026 Commercial Art Theory (PDF · 13 pages)
Downloaded 67 times

About CBSE Class 12 Question Paper 2026 Commercial Art Theory

CBSE Class 12 Question Paper 2026 Commercial Art Theory is available here for free download. Published by CBSE for Class 12, this question paper can be viewed online or downloaded as a PDF (13 pages). Candidates preparing for Class 12 can use CBSE Class 12 Question Paper 2026 Commercial Art Theory to understand the exam pattern, the type of questions asked, and the overall difficulty level.

Frequently Asked Questions

How can I download CBSE Class 12 Question Paper 2026 Commercial Art Theory?

Open this page and click the Download button to save CBSE Class 12 Question Paper 2026 Commercial Art Theory as a PDF. It is completely free on AglaSem Docs.

Is CBSE Class 12 Question Paper 2026 Commercial Art Theory free to download?

Yes. CBSE Class 12 Question Paper 2026 Commercial Art Theory can be viewed online and downloaded as a PDF free of cost on AglaSem Docs.

How many pages does CBSE Class 12 Question Paper 2026 Commercial Art Theory have?

CBSE Class 12 Question Paper 2026 Commercial Art Theory contains 13 pages, which you can read online or download together as a single PDF.

Where can I find more Class 12 study material?

You can find more Class 12 question papers, sample papers, syllabus, and answer keys on AglaSem Docs.

CBSE Class 12 Question Paper 2026 Commercial Art Theory – Text

Read the full text of this question paper below — useful to quickly search, copy and reference the content online without downloading the PDF.

📄 View text version (13 pages)

Page 1

FOR CBSE CLASS 12 EXAM PREPARATION

CBSE Class 12 2026
Question Paper ·
Commercial Art Theory
EXAM YEAR TYPE SUBJECT

CBSE Class 12 2026 Question Paper Commercial Art Theory

Notes · Sample Papers · Previous Year Papers · Mock Tests

Page 2

m
m .co

m .co s e m
se g l a
a
Series : QR3SP SET ~ 4

 . - 
Q.P. Code 72
Roll No.

m
m
c. o   () m .co
s e
s em l a
l a (   ) ag
ag COMMERCIAL ART (Theory)
(HISTORY OF INDIAN ART)
  : 2    : 30
Time allowed : 2 hours Maximum Marks : 30

/ NOTE : {}
(I)       -    11  
m
Please check that this question paper contains 11 printed pages.
o
c
.    -  - 
(II) -        - 
e m
 
Q.P. Code given on the rightla
s
g hand side of the question paper should be
written on the title page ofathe answer-book by the candidate.
(III)       -  16   
Please check that this question paper contains 16 questions.
(IV)         , -       
  
Please write down the serial number of the question in the
answer-book at the given place before attempting it.
m
.co
(V)  -     15        -    
m
.co
10.15     10.15   10.30     -  

m s em
      -      
s e g la paper. The
15 minute time has been allotted to read this question
g la question paper will be distributed at 10.15 a.m. aFrom 10.15 a.m. to
a 10.30 a.m., the candidates will read the question paper only and will
not write any answer on the answer-book during this period.

72 2320 Page 1 of 12 P.T.O.

m .
.co s e m
s em l a
g la ag
a For more Question Papers, Sample Papers, Notes & Syllabus visit Page 1 of 12

Page 3

{}
  
  – 
      (  1    )
  – 
      (  2    )
  – 
       (  6    )

 –  81=8
( )

        :
1.          –         ? 1

(A)    (B) -  
(C)   (D)  

2.  (A) :  (-)        
      1

 (R) :      ,           
(A) (A)  (R)     (R), (A)     
(B) (A)  (R)   ,  (R), (A)      
(C) (A)  ,  (R)   
(D) (A)  ,  (R)   

3. “  ”     1

(A)     (B)    
(C)    (D)    

72 Page 2 of 12

For more Question Papers, Sample Papers, Notes & Syllabus visit Page 2 of 12

Page 4

m
m .co

m .co s e m
se g l a {}
a
General Instructions :
 SECTION – A
Attempt all questions. (Each question carries 1 mark.)
 SECTION – B
Attempt all questions. (Each question carries 2 marks.)
m
 SECTION – C
m .co
.co
Attempt any two questions. (Each question carries 6 marks.)
m s e m
s e g l a
g l a SECTION – A 8 a
1=8
a (Multiple Choice Questions)
Select the right answer from the given options :
1. In which Rajasthani school painting is Krishna shown twice, in the upper
and lower part of the composition ? 1
(A) Krishna with Swing
(B) Krishna with Gopi’s
o m
(C) Krishna lifting Mount Govardhana. c
(D) Maru Ragini s em
g la
2. Assertion (A) : Radha Bania Thani is regarded as the Indian Monalisa
for its lyrical beauty and graceful expression. 1
Reason (R) : This painting belongs to the Basholi school of minatue
painting known for bold colours and vigorous lines.
(A) Both (A) and (R) are true and (R) is the correct explanation of (A).
(B) Both (A) and (R) are true and (R) is not correct explanation of (A).
m
m (C) (A) is true, but (R) is false.
c. o (D) (A) is false, but (R) is true. m.co
m s e
s e g l a
g la 3. The image of “Journey’s End” is symbolic of a 1
a (A) Love and devotion (B) Cruelty towards animals
(C) Religious procession (D) Prosperity and contentment
72 Page 3 of 12 P.T.O.

m .
.co s e m
s em l a
g la ag
a For more Question Papers, Sample Papers, Notes & Syllabus visit Page 3 of 12

Page 5

{}
4.           ? 1
(A)     (B)    
(C)     (D)    

5.                  
   ? 1
(A)     (B)    
(C)    (D)     

6. “   ”      1
(A)    -     
(B)               
(C)           
(D)         

7.  (A) :      “”        
   1

 (R) :              
(A) (A)  (R)     (R), (A)     
(B) (A)  (R)   ,  (R), (A)      
(C) (A)   (R)   
(D) (A)    (R)   

8. “   ”             ? 1
(A)  (B) 
(C)   (D)  

72 Page 4 of 12

For more Question Papers, Sample Papers, Notes & Syllabus visit Page 4 of 12

Page 6

m
m .co

m .co s e m
se g l a {}
a
4. The white colour in the National Flag of India symbolizes : 1
(A) Courage and sacrifice (B) Peace and truth
(C) Prosperity and growth (D) Strength and unity

5. Which Deccan school miniature shows a female warrior engaging in a
sport associated with royalty and bravery ? 1 m
o m
(A) Krishna with Gopies
c m .co
m .procession of Dara Shikoh s e
(B) Marriage
s e players l a
l a
(C) Chougan
ag
(D)agChand Bibi playing Polo

6. What is the central narrative of the painting “Krishna with Gopi’s” ? 1
(A) Krishna saving Gopi’s from heavy rain.
(B) Krishna sitting in the middle while Gopis are dancing around him.
(C) Gopi’s offering their devotion to Krishna.
m
.co
(D) Krishna playing the flute for the Gopi’s.

e m
7.
l s
Assertion (A) : The Graphic aprint “Devi” by Jyoti Bhatt portrays
ag in a stylized and symbolic manner.
feminine power 1
Reason (R) : The print was created using traditional oil painting
techniques on canvas.
(A) Both (A) and (R) are true and (R) is the correct explanation of (A).
(B) Both (A) and (R) are true and (R) is not correct explanation of (A).
(C) (A) is true, but (R) is false.
m
.co
(D) (A) is false and (R) is true.
m
.co
m 8. s e m
s e In the painting “Marriage procession of Dara Shikoh” from
l a your syllabus.

g la Who is depicted with a Halo around their head ? ag 1
a (A) Shah Jahan (B) Aurangzeb
(C) Haji Madni (D) The Bride

72 Page 5 of 12 P.T.O.

m .
.co s e m
s em l a
g la ag
a For more Question Papers, Sample Papers, Notes & Syllabus visit Page 5 of 12

Page 7

{}
 –  5  2 = 10
(- )
       
9.             ,  , 
      2
(i)       
(ii)              
(a)       

(b)      

10. (a)                  2
(i)         
(ii)             ,  
     

(b)                  
(i)          
(ii)            

11.    -        : 2
(i)       
(ii)             
(a)  

(b)  
72 Page 6 of 12

For more Question Papers, Sample Papers, Notes & Syllabus visit Page 6 of 12

Page 8

m
m .co

m .co s e m
se g l a {}
a
SECTION – B 5  2 = 10
(Short answer type questions)
Following questions are from your syllabus.
9. Both of the following paintings portray significant events from Lord
Rama’s life, each expressing devotion, valour and divine purpose through
visual story telling. 2
m
(i) m
Mention the name of the artist and medium.
c o m .co
.
(ii) Briefly explain the subject matter by highlighting emotions
s e
s em in this painting.
expressed
g l a
l a a
ag
(a) Bharat meets Rama
OR
at Chitrakut

(b) Rama Vanquishing the pride of Ocean

10. (a) The Mughal school painting from your syllabus, captures the grace of
one majestic bird. 2
(i) Mention the name of this painting and who is the artist ?
m
(ii)
.co
Briefly describe the subject matter and mention the honorary

em
title awarded to the artist, signed in this painting.
s
g la from your syllabus, portrays a moment
OR
a
(b) This Mughal school painting
of humanity among revered saints.
(i) Mention the name of this painting and who is the artist.
(ii) Briefly describe the two aesthetic features of this art work.

11. These paintings, from two distinct miniature schools, reflect different
artistic approaches :
o m 2

m c
m.painting
(i) Mention the name of the artist and medium of the painting.
c. o (ii) Highlight two (2) main features of the school to whichsethe
s em belongs.
g l a
g la (a) Maru Ragini a
a OR
(b) Krishna lifting Mount Govardhana
72 Page 7 of 12 P.T.O.

m .
.co s e m
s em l a
g la ag
a For more Question Papers, Sample Papers, Notes & Syllabus visit Page 7 of 12

Page 9

{}
12. (A)    ...             2
(i)        
(ii)            

(B)                
(i)     ?
           
(ii)        

13 (A)                
   2

(i)          
(ii)           

(B)                
(i)             
(ii)            

 – 
(- )
3     2          200     
14.                 
     6
(i)   ,   ,          
(ii)            
(iii)        ()         
  ?
72 Page 8 of 12

For more Question Papers, Sample Papers, Notes & Syllabus visit Page 8 of 12

Page 10

m
m .co

m .co s e m
se g l a {}
a
12. (A) M.A.R. Chughtai presents a graceful female figure in this painting,
from your syllabus. 2
(i)Mention the name of this painting and its medium.
(ii)
Mention two (2) aesthetic features that makes this work
distinctive.
OR
m
.co
(B) This graphic print by Somnath Hore shows a group of deprived
m
.co m
figures, from your syllabus.
m
(i) Mention the name of this artwork and what in your view is the s e
s e l a
g l
artist conveying ?
a
(ii) Briefly describe the compositional arrangement.
ag
a
13 (A) Royal figures are shown playing Polo in this Rajasthani School
painting from your syllabus. 2
(i) Mention the name of the artist and sub-school.
(ii) Briefly describe the subject matter by highlighting aesthetic
appeal of the composition.
OR m
.co
(B) Deccan painting from your syllabus shows two great Sufi
m
personalities.
s e
la
(i) Name this Deccan painting and one human value you learn
g
from it. a
(ii) Briefly describe the posture and attire (costume) of the figures.

SECTION – C
Attempt any 2 out of 3 in about 200 words each.
14. A significant public sculpture show case a group of labourers engaged in a
challenging task, it is also considered as the focal point of May day
m
.co
celebration. 6
m
.co
(i) Mention the title of this sculpture, the sculpture’s name, any one
e m
e m medium used and the number of figures shown.
l as
las (ii) Comment on the aesthetic qualities with reference to its
ag
ag compositional arrangement.
(iii) What core value does this sculpture reflect and how is it relevant in
today’s context ?

72 Page 9 of 12 P.T.O.

m .
.co s e m
s em l a
g la ag
a For more Question Papers, Sample Papers, Notes & Syllabus visit Page 9 of 12

Page 11

{}
15.                 
   6

(i)    ,     
(ii)              
(iii)            

16.                   : 6

(i)   , , -    
(ii)         ,      
   ?  
(iii)             

____________

72 Page 10 of 12

For more Question Papers, Sample Papers, Notes & Syllabus visit Page 10 of 12

Page 12

m
m .co

m .co s e m
se g l a {}
a
15. A graceful composition by Jamini Roy captures a serene bond through
folk-inspired visual simplicity from your syllabus. 6
(i) Mention the title, medium and describe the subject matter of the
painting.
(ii) Describe how the artist’s arrangement of composition enhances its
visual simplicity.
m
m
(iii) Elaborate on the use of colour in the painting and the human values
.co
.co
it communicates.
s e m
s em l a
g lapainting provided below and answer the following :
16. Observe ag 6
a
(i) Mention the title, artist, sub-school and painting medium.
(ii) Describe how the painting conveys a scene of movement, collective
joy and emotional warmth through its composition and visual
rhythm.
(iii) Write a short note on the stylistic features and visual traits of the
Pahari school.
m
m .co
s e
g la
a

m
m .co
m .co s e m
s e g l a
g la a
a
___________

72 Page 11 of 12 P.T.O.

m .
.co s e m
s em l a
g la ag
a For more Question Papers, Sample Papers, Notes & Syllabus visit Page 11 of 12

Page 13

{}

72 2320 Page 12 of 12

For more Question Papers, Sample Papers, Notes & Syllabus visit Page 12 of 12

Document Details

Board / OrgCBSE
ExamClass 12
TypeQuestion Paper
Pages13
Languageenglish
Updated24 Sep 2026