Karnataka SSLC Question Paper 2023 Music

Karnataka Board
Question Paper

SSLC
Question Paper

A
5  RF(A)/100/3340

Question Paper Serial No.
8]
Total No. of Printed Pages : 8 ]

25 ]
Total No. of Questions : 25 ]
CCE RF
UNREVISED
: 28-E FULL SYLLABUS

100
Code No. : 28-E

—
Subject : HINDUSTANI MUSIC — THEORY
( / English Medium )

TEAR HERE TO OPEN THE QUESTION PAPER
/ Regular Fresh

10. 04. 2023 ] [ Date : 10. 04. 2023
2-00 3-45 ] [ Time : 2-00 P.M. to 3-45 P.M.
40 ] [ Max. Marks : 40
General Instructions to the Candidate :
1. This Question Paper consists of objective and subjective types of
25 questions.
2. This question paper has been sealed by reverse jacket. You have to
cut on the right side to open the paper at the time of
commencement of the examination. Check whether all the pages of
the question paper are intact.
3. Follow the instructions given against both the objective and
subjective types of questions.
4. Figures in the right hand margin indicate maximum marks for the
question.
5. The maximum time to answer the paper is given at the top of the
question paper. It includes 15 minutes for reading the question
paper.
Tear here

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5  RF(A)/100/3340 2 CCE RF 28-E
I. Four alternatives are given for each of the following questions /

incomplete statements. Only one of them is correct or most

appropriate. Choose the correct alternative and write the complete

answer along with its alphabet. 8×1=8

1. The Shruti Vadya (Tonal support instrument) used in both

Carnatic music and Hindustani music is

(A) Tabla (B) Mridanga

(C) Tambura (D) Flute

2. The set of seven swaras (notes) is called

(A) Naad (B) Shruti

(C) Thaat (D) Saptak

3. The most important swara (note) of a raga is called

(A) Vadi (B) Samvadi

(C) Vivadi (D) Anuvadi

5  RF(A)/100/3340 3 CCE RF 28-E
4. Thaat of Raga Desh is

(A) Bhairavi (B) Khamaj

(C) Kalyan (D) Asavari

5. The singing time of raga Bhairav is

(A) first prahara of night

(B) first prahara of morning

(C) second prahara of day

(D) second prahara of night

6. The birth place of Pandit Vishnu Narayan Bhatkhande is

(A) Calcutta (B) Dharwad

(C) Mumbai (D) Yalival

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7. Hindustani music is called as 'Uttaradi music' because

(A) it is developed in South India

(B) it is developed in Northern part of the world

(C) it is developed in North India

(D) it is developed in Southern part of the world

8. Raga Bhairavi is called as Sampoorna-Sampoorna raga because

the numbers of swaras (notes) in its Arohana and Avarohana are

(A) 7-7

(B) 5-6

(C) 6-6

(D) 5-5

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II. Answer the following questions in a sentence each : 8×1=8

9. Define Lakshana Geethe.

10. How many matras are there in Teentaal ?

11. Give reasons for the development of Hindustani music in

Karnataka.

12. Write one difference between Sthayi and Antara.

13. Write a difference of one swara in the Arohana and Avarohana of

Raga Brundavani Sarang.

14. In Swaralipi a small vertical line is put on swara 'Ma'. Why ?

15. Why did Pandit Vishnu Digambar Paluskar become blind in his

childhood ?

16. Why is the raga Bibhas called as Uttaranga Pradhana Raga ?

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III. Answer the following questions in two to three sentences each :

7 × 2 = 14

17. Explain one similarity and one difference between Raga Bhupali

and Raga Durga.

18. Mention one difference between Chhota Khayal and Dhrupad.

19. Why is music called as Shravana Sadhana Vidya (Audio based

education) ?

20. Why is Purandaradasa called as Pitamaha of Carnatic music ?

21. Classify the following ragas into Carnatic music and Hindustani

music :

Malkauns, Hindol, Mayamalavagaula, Bhairav.

22. Raga Malakauns is different from raga Bhairavi. How ?

23. Lakshana geethe is different from swara geethe. How ?

5  RF(A)/100/3340 7 CCE RF 28-E
IV. Answer the following questions in brief :

24. How are string instruments different from Avanaddha

instruments ? Classify the following instruments into Tantri,

Sushira, Avanaddha and Ghanavadya.

Tabla, Sitar, Flute, Tala. 6

25. Write the Swarageethe of raga Bhupali. 4

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5  RF(A)/100/3340 8 CCE RF 28-E

5  RF(A)/100/3340
A

Question Paper Serial No.
4]
Total No. of Printed Pages : 4 ]
6]
Total No. of Questions : 6 ] CCE RF
UNREVISED
: 28-E

100
FULL SYLLABUS
Code No. : 28-E

—
Subject : HINDUSTANI MUSIC — PRACTICAL
( / English Medium )

TEAR HERE TO OPEN THE QUESTION PAPER
/ Regular Fresh

10. 04. 2023 ] [ Date : 10. 04. 2023
:1 30 ] [ Time : 1 hour 30 minutes
40 ] [ Max. Marks : 40
General Instructions to the Candidate :
1. This Question Paper consists of 6 practical questions.

2. This question paper has been sealed by reverse jacket. You have to
cut on the right side to open the paper at the time of
commencement of the examination. Check whether all the pages of
the question paper are intact.
3. Follow the instructions given against both the practical questions.
4. Figures in the right hand margin indicate maximum marks for the
question.

5. The maximum time to answer the paper is given at the top of the
question paper. It includes 15 minutes for reading the question
paper.
Tear here

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5  RF(A)/100/3340 2 CCE RF 28-E

Examiners should ask the following questions to the students :

1. Sarale swaras are sung in which raga ? Sing one sarale swara of

your syllabus. 8

2. What is the difference between Swara geethe and Lakshana

geethe ? Sing Swara geethe of raga Bageshri. 6

3. Lakshana geethe is useful to musicians. How ? Sing one

Lakshana geethe of your syllabus. 6

4. Chhota Khayal singing is different from Dhrupad singing. How ?

Sing one Chhota Khayal of your syllabus. 10

5. What is the difference between Dhrut Ektaal and Chautaal ? State

the details of Dhrut Ektaal and show the tala with your hands. 6

5  RF(A)/100/3340 3 CCE RF 28-E

6. Sing Dhrupad geethe in thay, dugun and chaugun laya (tempo).

4

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5
A
RF(A)/100/3339

Question Paper Serial No.

CÈÉí¨Ü PÜñܤÄÔ
Lgáê ÊÜáá©ÅñÜ ±ÜâgWÜÙÜ ÓÜíUæ = 8 ]
Total No. of Printed Pages : 8 ]

Lgáê ±ÜÅÍæ°WÜÙÜ ÓÜíUæ = 25 ] CCE RF
Total No. of Questions : 25 ] UNREVISED
FULL SYLLABUS
ÓÜíRæàñÜ ÓÜíUæ : 28-K

100
Code No. : 28-K
ËÐÜ¿á = ×í¨ÜãÓݧ¯ ÓÜíXàñÜ — ÍÝÓÜŒ Ë»ÝWÜ
Subject : HINDUSTANI MUSIC — THEORY

TEAR HERE TO OPEN THE QUESTION PAPER
(RܮܰlÜ ÊÜÞ«ÜÂÊÜá / Kannada Medium)
(ÍÝÇÝ C»Ü¦ì / Regular Fresh)

±ÜÅÍ氱ܣÅPæ¿á®Üá° ñæÃæ¿áÆá CÈÉ PÜñܤÄÔ
©®ÝíRÜ : 10. 04. 2023 ] [ Date : 10. 04. 2023
ÓÜÊÜá¿á : ÊÜá«ÝÂÖÜ° 2-00 Äí¨Ü ÓÜícæ 3-45 ÃÜÊÜÃæWæ ] [ Time : 2-00 P.M. to 3-45 P.M.
WÜÄÐÜì CíRÜWÜÙáÜ : 40 ] [ Max. Marks : 40
±ÜÄàûݦì WÝX ÓÝÊÜޮܠÓÜã^Ü®æWÜÙÜá =
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Öæãí©¨æ1
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5 RF(A)/100/3339 2 CCE RF 28-K

I. RæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ C¥ÜÊÝ C±Üäpì ÖæàÚRæWÜÚWæ ®ÝÆáo ±Ü¿Þì ¿á GñܤÃÜWÜÙÜ®Üá°
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RÜÅÊÜÞûÜÃܨæãlÜ®æ ±Üäpì GñܤÃÜÊÜ®Üá° ŸÃæÀáÄ = 8×1=8

1. RÜ®Ýì gRÜ ÓÜíXàñÜ ÊÜáñÜᤠ×í¨ÜãÓݧ¯ ÓÜíXàñÜ¨Ü IÃÜlÜã ±ÜÅRÝÃÜWÜÙÜÈÉ
ŸÙÜRæ¿áÈÉÃÜáÊÜ ÍÜê£ ÊݨÜÂ

(A) ñÜŸÆ

(B) ÊÜáê¨ÜíWÜ

(C) ñÜíŸãÄ

(D) RæãÙÜÆá

2. JÙÜá ÓÜÌÃÜWÜÙÜ ÓÜÊÜáãÖÜÊæà

(A) ®Ý¨Ü

(B) ÍÜê£

(C) ¥Ýhw

(D) ÓܱܤRÜ

5 RF(A)/100/3339 3 CCE RF 28-K

3. ÃÝWÜ¨Ü ±ÜÅÊÜááT ÓÜÌÃÜÊæà

(A) ÊÝ©

(B) ÓÜíÊÝ©

(C) ËÊÝ©

(D) C®ÜáÊÝ©

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(D) CÓÝÊÜÄ

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(B) ¸æÙÜX®Ü Êæã¨Ü®æ¿á ±ÜÅÖÜÃÜ

(C) ÖÜWÜ騆 IÃÜlÜ®æ¿á ±ÜÅÖÜÃÜ

(D) Ãݣſá IÃÜlÜ®æ¿á ±ÜÅÖÜÃÜ

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5 RF(A)/100/3339 4 CCE RF 28-K

6. ±ÜímñÜ ËÐÜá¡ ®ÝÃÝ¿áp »ÝñÜTílæ¿áÊÜÃÜ b®Ü¾ÓܧÙÜ

(A) RÜÆoñݤ

(B) «ÝÃÜÊÝlÜ

(C) ÊÜááíŸÀá

(D) ¿áÈÊÝÙÜ

7. ×í¨ÜãÓݧ¯ ÓÜíXàñÜÊÜ®Üá° "GñܤÃÝ© ÓÜíXàñÜ' Ií¨Üá RÜÃæ¿ááñݤÃæ1 JRæí¨ÜÃæ

C¨Üá

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(B) ±ÜűÜí^Ü¨Ü GñܤÃܨÜÈÉ ¸æÙæ¨Üá Ÿí©¨æ

(C) GñܤÃÜ »ÝÃÜñܨÜÈÉ ¸æÙæ¨Üá Ÿí©¨æ

(D) ±ÜűÜí^Ü¨Ü ¨Üüp¨ÜÈÉ ¸æÙæ¨Üá Ÿí©¨æ

5 RF(A)/100/3339 5 CCE RF 28-K

8. »æçÃÜË ÃÝWÜÊÜ®Üá° ÓÜí±Üäpì ÃÝWÜÊæí¨Üá RÜÃæ¿áÆá RÝÃÜp/ F ÃÝWܨÜ
DÃæãàÖÜp ÊÜáñÜᤠCÊÜÃæãàÖÜp¨ÜÈÉÃÜáÊÜ ÓÜÌÃÜWÜÙÜá

(A) 7-7

(B) 5-6

(C) 6-6

(D) 5-5

II. RæÙÜX®Ü ±ÜÅ£Áãí¨Üá ±ÜÅÍæ°WÜÚWæ Lí¨æãí¨Üá ÊÝRܨÜÈÉ GñܤÄÔ = 8×1=8

9. ÆûÜpXàñæ¿á®Üá° ÊÝÂUݯÔ1

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Lí¨Üá ÓÜÌÃÜ ÊÜÂñÝÂÓÜÊÜ®Üá° £ÚÔ1

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5 RF(A)/100/3339 6 CCE RF 28-K
|
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JRæ A

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RÝÃÜpÊæà®Üá A

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£ÚÔ1

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20. ±ÜâÃÜí¨ÜÃܨÝÓÜÃÜ®Üá° RÜ®Ýì gRÜ ÍÝÔŒà¿á ÓÜíXàñÜ¨Ü ²ñÝÊÜáÖÜ Ií¨Üá
RÜÃæ¿áÆá RÝÃÜpÊæà®Üá A

21. F RæÙÜX®Ü ÃÝWÜWÜÙÜ®Üá° RÜ®Ýì gRÜ ÊÜáñÜᤠ×í¨ÜãÓݧ¯ ÃÝWÜWÜÙÝX ÊÜXàì RÜÃÜp
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5 RF(A)/100/3339 7 CCE RF 28-K

IV. RæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ ÓÜíü±Ü¤ÊÝX GñܤÄÔ =

24. ñÜí£ÊݨÜÂWÜÙÜá/ CÊܮܨܜ ÊݨÜÂWÜÚXíñÜ ¼®Ü°1 ÖæàWæ A RæÙÜWæ RæãiêÃÜáÊÜ
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ÊÜÞm1
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25. »Üã±ÝÈ ÃÝWÜ¨Ü ÓÜÌÃÜXàñæ¿á®ÜᰠȲŸœWæãÚÔ1 4

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5
A
RF(A)/100/3339

Question Paper Serial No.

CÈÉí¨Ü PÜñܤÄÔ
Lgáê ÊÜáá©ÅñÜ ±ÜâgWÜÙÜ ÓÜíUæ = 4 ]
Total No. of Printed Pages : 4 ]

Lgáê ±ÜÅÍæ°WÜÙÜ ÓÜíUæ = 6 ]
Total No. of Questions : 6 ] CCE RF
UNREVISED
ÓÜíRæàñÜ ÓÜíUæ : 28-K

100
FULL SYLLABUS
Code No. : 28-K

ËÐÜ¿á = ×í¨ÜãÓݧ¯ ÓÜíXàñÜ — ±ÝÅÁãàXRÜ Ë»ÝWÜ

TEAR HERE TO OPEN THE QUESTION PAPER
Subject : HINDUSTANI MUSIC — PRACTICAL
+RܮܰlÜ ÊÜÞ«ÜÂÊÜá / Kannada Medium,

±ÜÅÍ氱ܣÅPæ¿á®Üá° ñæÃæ¿áÆá CÈÉ PÜñܤÄÔ
(ÍÝÇÝ C»Ü¦ì / Regular Fresh)
©®ÝíRÜ = 10. 04. 2023 ] [ Date : 10. 04. 2023
ÓÜÊÜá¿á = 1 WÜíhæ 30 ¯ËáÐÜWÜÙÜá ] [ Time : 1 hour 30 minutes
WÜÄÐÜì CíRÜWÜÙáÜ = 40 ] [ Max. Marks : 40
±ÜÄàûݦì WÝX ÓÝÊÜޮܠÓÜã^Ü®æWÜÙÜá =
1. F ±ÜÅÍ氱ܣÅRæ¿áá 6 ±ÜÅÍæ°WÜÙÜ®Üá° Öæãí©¨æ1
2. F ±ÜÅÍ氱ܣÅRæ¿á®Üá° ×ÊÜáá¾T cÝRæhw ÊÜáãÆRÜ ÊæãÖÜÃÜá +ÔàÇw, ÊÜÞlÜÇÝX¨æ1 ±ÜÄàûæ
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3. ÊÜÓÜ᤯ÐÜì ÊÜáñÜᤠËÐÜ¿á¯ÐÜì ÊÜÞ¨ÜÄ¿á ±ÜÅÍ°æWÜÚWæ RæãiêÃÜáÊÜ ÓÜã^Ü®æWÜÙÜ®Üá° ±ÝÈÔ1
4. ŸÆ »ÝWܨÜÈÉ RæãiêÃÜáÊÜ CíSWÜÙÜá ±ÜÅÍæ°WÜÚXÃÜáÊÜ ±Üäpì CíRÜWÜÙÜ®Üá° ñæãàÄÓÜáñܤÊæ1
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5 RF(A)/100/3339 2 CCE RF 28-K

±ÜÄàûÜRÜÃÜá F RæÙÜX®Ü ±ÜÅÍæ°WÜÙÜ®Üᰠ˨ݦì WÜÚWæ RæàÙÜáÊÜâ¨Üá =

1. ÓÜÃÜÙæ ÓÜÌÃÜWÜÙÜ®Üá° ¿ÞÊÜ ÃÝWܨÜÈÉ ÖÝlÜÇÝWÜáñܤ¨æ A ¯ÊÜá¾ ±ÜjÜÂRÜÅÊÜá¨Ü Lí¨Üá ÓÜÃÜÙæ

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±ÜjÜÂRÜÅÊÜá¨Ü Lí¨Üá `æãàhÝ TÊÜÞÆ®Üá° ÖÝlÜáÊÜâ¨Üá1 10

5. «Üêñw JRÜñÝÆ ÊÜáñÜᤠ^èñÝÆWÜÙÜ ®ÜlÜá訆 ÊÜÂñÝÂÓÜÊæà®Üá A «Üêñw JRÜñÝÙܨÜ

ÊÜÞ×£¿á®Üá° ÖæàÙÜáÊÜâ¨Üá/ ñÝÙÜÊÜ®Üá° Ræç¿áÈÉ ÖÝS ñæãàÄÓÜáÊÜâ¨Üá1 6

5 RF(A)/100/3339 3 CCE RF 28-K

6. «Üáűܨw Xàñæ¿á®Üá° jÝ¿åw ¨ÜáWÜá®w ÊÜáñÜᤠ^èWÜá®w Æ¿á¨ÜÈÉ ÖÝlÜáÊÜâ¨Üá1 4

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5 RF(A)/100/3339 4 CCE RF 28-K

A
5  RF(A)/100/3342

Question Paper Serial No.
8]
Total No. of Printed Pages : 8 ]

25 ]
Total No. of Questions : 25 ]
CCE RF
UNREVISED
: 29-E FULL SYLLABUS

100
Code No. : 29-E

—
Subject : CARNATIC MUSIC — THEORY
( / English Medium )

TEAR HERE TO OPEN THE QUESTION PAPER
/ Regular Fresh

10. 04. 2023 ] [ Date : 10. 04. 2023
2-00 3-45 ] [ Time : 2-00 P.M. to 3-45 P.M.
40 ] [ Max. Marks : 40
General Instructions to the Candidate :
1. This Question Paper consists of objective and subjective types of
25 questions.
2. This question paper has been sealed by reverse jacket. You have to
cut on the right side to open the paper at the time of
commencement of the examination. Check whether all the pages of
the question paper are intact.
3. Follow the instructions given against both the objective and
subjective types of questions.
4. Figures in the right hand margin indicate maximum marks for the
question.
5. The maximum time to answer the paper is given at the top of the
question paper. It includes 15 minutes for reading the question
paper.
Tear here

[ Turn over

5  RF(A)/100/3342 2 CCE RF 29-E
I. Four alternatives are given for each of the following questions /

incomplete statements. Only one of them is correct or most

appropriate. Choose the correct alternative and write the complete

answer along with its alphabet. 8×1=8

1. The number of swaras, in a sthayi of Carnatic music system, is

(A) 12 (B) 10

(C) 16 (D) 14

2. Prakruthi swara, in the following, is

(A) Madhyama (B) Nishada

(C) Dhaivatha (D) Shadja

3. Talanga of the symbol '' is

(A) Laghu (B) Anudrutha

(C) Dhrutha (D) Plutha

5  RF(A)/100/3342 3 CCE RF 29-E
4. The Ankitha (Penname) of Muttayya Bhagavathar is

(A) Shyama Krishna (B) Harikesha

(C) Tyagaraja (D) Guruguha

5. Music is associated with Physics, because

(A) sound is the origin of music

(B) tala is the origin of music

(C) swara is the origin of music

(D) society is the origin of music

6. Dots are put under the swaras to recognise sthayis, because these
swaras are

(A) Thara sthayi swaras

(B) Mandra sthayi swaras

(C) Madhya sthayi swaras

(D) Athithara sthayi swaras

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5  RF(A)/100/3342 4 CCE RF 29-E
7. Hamsadhwani is a Upanga raga, because this raga has

(A) Anya swaras (foreign notes)

(B) Vakra swaras

(C) Swaras of its Janaka raga

(D) Saptha swaras

8. Carnatic music is also called Dakshinadi Sangeetha. Because this

music system is

(A) developed in western countries

(B) developed in North India

(C) developed in South India

(D) developed recently

5  RF(A)/100/3342 5 CCE RF 29-E
II. Answer the following questions in a sentence each : 8×1=8

9. What is Janaka raga ?

10. What is a difference between Prakruthi and Vikruthi swaras ?

11. Name any two instruments used in Carnatic music.

12. Write a difference between Khanda jathi and Mishra jathi.

13. What is a kala ? (speed).

14. Write a difference between Sanchari geethe and Lakshana geethe.

15. Where was Purandaradasa born ?

16. Why is Tanpura (Tamburi) called a drone instrument. (Shruthi

Vadya)

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5  RF(A)/100/3342 6 CCE RF 29-E
III. Answer the following questions in two to three sentences each :

7 × 2 = 14

17. Explain the importance of practising music in brief.

18. Write the difference between Dhruva tala and Matyatala.

19. What is the reason for Thimmappa to be called Kanaka ?

20. Write one difference between Marga Sangeetha and Deshi

Sangeetha.

21. Classify the following ragas into Carnatic ragas and Hindustani

ragas :

Mohana, Malkauns, Mayamalavagoula, Chakravaka, Bhairav,

Bhoop, Ahir Bhairav, Malahari.

22. Explain Krithi in brief.

23. How is Sushira instrument different from Thatha instrument.

5  RF(A)/100/3342 7 CCE RF 29-E
IV. Answer the following questions in brief :

24. Design and write the Alankara of Mishra Jathi Jhampe tala in

musical notation (Sangeetha swaralipi). 4

25. Explain the life history of Muttuswamy Deekshitar in brief. 6

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5  RF(A)/100/3342 8 CCE RF 29-E

5  RF(A)/100/3342
A

Question Paper Serial No.
4]
Total No. of Printed Pages : 4 ]
8]
Total No. of Questions : 8 ] CCE RF
UNREVISED
: 29-E

100
FULL SYLLABUS
Code No. : 29-E

—
Subject : CARNATIC MUSIC — PRACTICAL
( / English Medium )

TEAR HERE TO OPEN THE QUESTION PAPER
/ Regular Fresh

10. 04. 2023 ] [ Date : 10. 04. 2023
:1 30 ] [ Time : 1 hour 30 minutes
40 ] [ Max. Marks : 40
General Instructions to the Candidate :
1. This Question Paper consists of 8 practical questions.
2. This question paper has been sealed by reverse jacket. You have to
cut on the right side to open the paper at the time of
commencement of the examination. Check whether all the pages of
the question paper are intact.
3. Follow the instructions given against both the practical questions.

4. Figures in the right hand margin indicate maximum marks for the
question.

5. The maximum time to answer the paper is given at the top of the
question paper. It includes 15 minutes for reading the question
paper.
Tear here

[ Turn over

5  RF(A)/100/3342 2 CCE RF 29-E

Ask the following questions to the students :

1. How is Saralevarase different from Janthivarase ?

Sing second Saralevarase in three digrees of speed. 4

2. Mention a difference between Pillari geethe and Sanchari geethe.

Sing Pillari geethe of Thishra Jathi Thriputa tala. 4

3. Sing any one Jathiswara.

(observe the rendition of swaras while singing). 4

4. What is Thanavarna ?

Sing Uttarardha (second half) of a Thanavarna. 8

5. How is purvardha (first half) of a krithi different from its

uttarardha (second half) ? Sing from charana part of a

Madhyamakala krithi of Rupaka tala. 6

6. How are Vilambakala krithis different from Madhyamakala

krithis ? Sing Pallavi and Anupallavi of a Vilambakala krithi. 6

7. Mention a difference between Dasara Keerthane and Sharanara

Vachana.

Sing a Keerthane of Purandaradasa. 4

5  RF(A)/100/3342 3 CCE RF 29-E

8. Sing a Vachana (any one).

Identify the penname (Ankita) of the Vachana and mention whose

pen name is this. 4

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5  RF(A)/100/3342 4 CCE RF 29-E

Question Paper Serial No.
5
C
CCE PF/NSR & NSPR(C)/500/6676
Lgáê ÊÜáá©ÅñÜ ±ÜâgWÜÙÜ ÓÜíUæ = 8 ]

CÈÉí¨Ü PÜñܤÄÔ
Total No. of Printed Pages : 8 ]

Lgáê ±ÜÅÍæ°WÜÙÜ ÓÜíUæ = 31 ] CCE PF
Total No. of Questions : 31 ] UNREVISED

500
ÓÜíRæàñÜ ÓÜíUæ : 29-K FULL SYLLABUS
NSR & NSPR
Code No. : 29-K
ËÐÜ¿á : RÜ®ÝìgRÜ ÓÜíXàñÜ — ÍÝÓÜŒ Ë»ÝWÜ
Subject : CARNATIC MUSIC — THEORY

TEAR HERE TO OPEN THE QUESTION PAPER
(RܮܰlÜ ÊÜÞ«ÜÂÊÜá / Kannada Medium)
(UÝÓÜX C»Ü¦ì / I®w1IÓw1DÃw1 & I®w1IÓw1²1DÃw1)
(Private Fresh / NSR & NSPR)

±ÜÅÍ氱ܣÅPæ¿á®Üá° ñæÃæ¿áÆá CÈÉ PÜñܤÄÔ
©®ÝíRÜ = 10. 04. 2023 ] [ Date : 10. 04. 2023
ÓÜÊÜá¿á : ÊÜá«ÝÂÖÜ° 2-00 Äí¨Ü ÓÜícæ 3-45 ÃÜÊÜÃæWæ ] [ Time : 2-00 P.M. to 3-45 P.M.
WÜÄÐÜì CíRÜWÜÙáÜ : 50 ] [ Max. Marks : 50
±ÜÄàûݦì WÝX ÓÝÊÜޮܠÓÜã^Ü®æWÜÙÜá =
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Öæãí©¨æ1
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±ÝÅÃÜí»ÜÊÝWÜáÊÜ ÓÜÊÜá¿áRæo ¯ÊÜá¾ ±ÜÅÍ氱ܣÅRæ¿á ŸÆŸ© ±ÝÍÜÌì ÊÜ®Üá° RÜñܤÄÔ/
±ÜÅÍ°æ±Ü£ÅRæ¿áÈÉ IÇÝÉ ±ÜâgWÜÙÜá EÊæÁáà Ií¨Üá ±ÜÄàüÔRæãÚÛ1
3. ÊÜÓÜ᤯ÐÜì ÊÜáñÜᤠËÐÜ¿á¯ÐÜì ÊÜÞ¨ÜÄ¿á ±ÜÅÍ°æWÜÚWæ RæãiêÃÜáÊÜ ÓÜã^Ü®æWÜÙÜ®Üá° ±ÝÈÔ1
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5. ±ÜÅÍ氱ܣÅRæ¿á®Üá° M©RæãÙÜÛÆá 15 ¯ËáÐÜWÜÙÜ RÝÇÝÊÜRÝÍÜÊÜâ ÓæàĨÜíñæ/ GñܤÄÓÜÆá
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[ Turn over

29-K CCE PF/NSR & NSPR(C)/500/6676 2
I. RæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ C¥ÜÊÝ C±Üäpì ÖæàÚRæWÜÚWæ ®ÝÆáo ±Ü¿Þì ¿á GñܤÃÜWÜÙÜ®Üá°
¯àlÜÇÝX¨æ1 CÊÜâWÜÙÜÈÉ ÓÜãRܤÊÝ¨Ü Lí¨Üá GñܤÃÜÊÜ®Üá° DÄÔ/ C¨ÜÃÜ
RÜÅÊÜÞûÜÃܨæãlÜ®æ ±Üäpì GñܤÃÜÊÜ®Üá° ŸÃæÀáÄ = 10 × 1 = 10

1. RÜ®Ýì gRÜ ÓÜíXàñÜ ±Ü¨Üœ£¿á Lí¨Üá ÓݧÀá¿áÈÉ ŸÃÜáÊÜ ÓÜÌÃÜWÜÙÜ ÓÜíUæÂ

(A) 12

(B) 10

(C) 16

(D) 14

2. RæÙÜX®ÜÊÜâWÜÙÜÈÉ ±ÜÅRÜê£ÓÜÌÃÜ

(A) ÊÜá«ÜÂÊÜá

(B) ¯ÐÝ«Ü

(C) ¨æçÊÜñÜ

(D) ÐÜlÜà

5

29-K CCE PF/NSR & NSPR(C)/500/6676 3
3. %U* _Öæ°¿á ñÝÙÝíWÜ

(A) ÆYá

(B) C®Üá¨ÜáÅñÜ

(C) ¨ÜáÅñÜ

(D) ±ÜâÉñÜ

4. ÊÜááñܤ¿á »ÝWÜÊÜñÜÃÜ CíSñÜ

(A) ÍÝÂÊÜáRÜêÐÜ¡

(B) ÖÜÄRæà ÍÜ

(C) ñÝÂWÜÃÝb

(D) WÜáÃÜáWÜáÖÜ

5. ÓÜíXà ñÜÊÜâ »èñÜÍÝÓÜŒRæo ÓÜíŸí«Ü±Üiê¨æ1 JRæí¨ÜÃæ/

(A) ÍÜŸªÊÜâ ÓÜíXà ñÜ¨Ü ÊÜáãÆ

(B) ñÝÙÜÊÜâ ÓÜíXà ñÜ¨Ü ÊÜáãÆ

(C) ÓÜÌÃÜÊÜâ ÓÜíXà ñÜ¨Ü ÊÜáãÆ

(D) ÓÜÊÜÞbÊÜâ ÓÜíXà ñÜ¨Ü ÊÜáãÆ

5 [ Turn over

29-K CCE PF/NSR & NSPR(C)/500/6676 4
6. ÓݧÀá¿á®Üá° WÜáÃÜá£ÓÜÆá ÓÜÌÃÜWÜÙÜ RæÙÜWæ ^ÜáSo¿á¯°lÜÇÝWÜáñܤ¨æ1 JRæí¨ÜÃæ/ F
ÓÜÌÃÜWÜÙÜá

(A) ñÝÃÜÓݧÀá¿á ÓÜÌÃÜWÜÙÜá

(B) ÊÜáí¨ÜÅÓݧÀá¿á ÓÜÌÃÜWÜÙÜá

(C) ÊÜá«ÜÂÓݧÀá¿á ÓÜÌÃÜWÜÙÜá

(D) C£ñÝÃÜÓݧÀá¿á ÓÜÌÃÜWÜÙÜá

7. ÖÜíÓÜ«Ü̯ ÃÝWÜÊÜâ G±ÝíWÜÃÝWÜÊÝX¨æ1 RÝÃÜp F ÃÝWÜÊÜâ

(A) C®Ü ÓÜÌÃÜWÜÙÜ®Üá° Öæãí©ÃÜáÊÜ ÃÝWÜ

(B) ÊÜRÜÅ ÓÜí^ÝÃÜ Öæãí©ÃÜáÊÜ ÃÝWÜ

(C) b®ÜRÜÃÝWÜ¨Ü ÓÜÌÃÜWÜÙÜ®æ°à Öæãí©ÃÜáÊÜ ÃÝWÜ

(D) ÓܱܤÓÜÌÃÜWÜÙÜ®Üá° Öæãí©ÃÜáÊÜ ÃÝWÜ

8. RÜ®Ýì gRÜ ÓÜíXà ñÜ ±Ü¨Üœ£¿á®Üá° ¨ÜüQÝ© ÓÜíXà ñÜÊæí¨Üá RÜÃæ¿ááÊÜÃáÜ 1
JRæí¨ÜÃæ F ÓÜíXà ñÜ ±Ü¨Üœ£¿áá

(A) E£¤à _®Ü ©®ÜWÜÙÜÈÉ ¸æÙæ¨Üá Ÿí©¨æ

(B) GñܤÃÜ »ÝÃÜñܨÜÈÉ ¸æÙæ¨Üá Ÿí©¨æ

(C) ±ÝÎÅÊÜÞñÜ ¨æà ÍÜWÜÙÜÈÉ ¸æÙæ¨Üá Ÿí©¨æ

(D) ¨Üüp »ÝÃÜñܨÜÈÉ ¸æÙæ¨Üá Ÿí©¨æ

5

29-K CCE PF/NSR & NSPR(C)/500/6676 5
9. Y®ÜÊݨÜÂRæo G¨ÝÖÜÃÜQæ

(A) ñÜíŸãÄ

(B) ÊÜáê¨ÜíWÜ

(C) Êæãà dì íWw

(D) RæãÙÜÆá

10. CRÜoÊáÜ Öݨæà Ë¿áá ËÃÝX¿ÞWÜÆá RÝÃÜp/ ÃÝb®Üá

(A) ÐÜÃÜñÜá¤WÜÙÜ®Üá° ÊÜááĨܮÜá

(B) DRæ¿á®Üá° ¯Æì üԨܮÜá

(C) DRæ¿á Êæáà Çæ Ræãà ±ÜWæãílÜ®Üá

(D) Óæãà ÊÜÞÄ¿ÞX¨Üª®Üá

II. RæÙÜX®Ü ±ÜÅ £Áãí¨Üá ±ÜÅ Íæ°WÜÚWæ Lí¨æãí¨Üá ÊÝRܨÜÈÉ GñܤÄÔ = 10 × 1 = 10

11. b®ÜRÜÃÝWÜ Ií¨ÜÃæà ®Üá A

12. ±ÜÅ RÜê£ ÓÜÌÃÜRÜão ËRÜê£ ÓÜÌÃÜRÜão EÃÜáÊÜ Lí¨Üá ÊÜÂñÝÂÓÜÊæà ®Üá A

13. RÜ®Ýì gRÜ ÓÜíXà ñÜ ±Ü¨Üœ£¿áÈÉ ŸÙÜÓÜáÊÜ IÃÜlÜá ÊݨÜÂWÜÙÜ®Üá° ÖæÓÜÄÔ1

14. TílÜcÝ£ ÖÝWÜã ËáÍÜÅ cÝ£¿á ®ÜlÜá訆 Lí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá° ŸÃæÀáÄ1

5 [ Turn over

29-K CCE PF/NSR & NSPR(C)/500/6676 6
15. RÝÆ Ií¨ÜÃæà ®Üá A

16. ÓÜí^ÝÄXà ñæ ÖÝWÜã ÆûÜpXà ñæXÃÜáÊÜ Lí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá° ŸÃæÀáÄ1

17. ±ÜâÃÜí¨ÜÃܨÝÓÜÃÜá IÈÉ b¯Ô¨ÜÃÜá A

18. ñÜíŸãÄ ÊݨÜÂÊÜ®Üá° ÍÜáÅ £ÊݨÜÂÊæí¨Üá JRæ RÜÃæ¿ááÊÜÃÜá A

19. CÊÜÃæãà ÖÜp Ií¨ÜÃæà ®Üá A

20. ñÝÙÜ˨ܪÈÉ WÜrñÜÊÜâ E¨æªà EÃÜáÊÜâ¨Üá1 RÝÃÜpÊæà ®Üá A

III. RæÙÜX®Ü ±ÜÅ Íæ°WÜÚWæ IÃÜlÜÄí¨Ü ÊÜáãÃÜá ÊÝRÜÂWÜÙÜÈÉ GñܤÄÔ = 9 × 2 = 18

21. ÓÜíXà ñÜ RÜÈRæ¿á ÊÜáÖÜñÜÌÊÜ®Üá° ËÊÜÄÔ1

22. «ÜáÅ ÊÜñÝÙÜ/ ÊÜájÜÂñÝÙÜWÜÚXÃÜáÊÜ IÃÜlÜá ÊÜÂñÝÂÓÜÊæà ®Üá A

23. £ÊÜᾱܳ®Ü®Üá° RÜ®ÜRÜ®æí¨Üá RÜÃæ¿áÆá RÝÃÜpÊæà ®Üá A

24. ÊÜÞWÜì ÓÜíXà ñÜ ÖÝWÜã ¨æà Îà ÓÜíXà ñÜSoÃáÜ ÊÜ ÊÜÂñÝÂÓÜÊæà ®Üá A

25. RæÙÜX®Ü ÃÝWÜWÜÙÜ®Üá° RÜ®Ýì gRÜ ÖÝWÜã ×í¨ÜãÓݧ¯ ÓÜíXà ñÜ ±Ü¨Üœ£Wæ ËíWÜmÔ
ŸÃæÀáÄ =

Êæãà ÖÜ®Ü/ ÊÜÞÇwRè®wÕ/ ÊÜÞ¿ÞÊÜÞÙÜÊÜWèÙÜ/ ^ÜRÅÜ ÊÝRÜ/ »æçÃÜÊw/ »Üã±w/
×í¨æãà ÙÜ/ C×Ãw »æçÃÜÊw1

5

29-K CCE PF/NSR & NSPR(C)/500/6676 7
26. RÜꣿá®Üá° ÓÜíü±Ü¤ÊÝX ËÊÜÄÔ1

27. ÓÜáÑÃÜÊݨÜÂÊÜâ ñÜñÜÊݨÜÂSoíñÜ Öæà Wæ ¼®Ü°ÊÝX¨æ1 ËÊÜÄÔ1

28. NlÜÊÜÃÝWÜRÜão/ ÐÝlÜÊÜÃÝWÜRÜão EÃÜáÊÜ ÊÜÂñÝÂÓÜÊÜ®Üá° ŸÃæÀáÄ1

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Subject : CARNATIC MUSIC — PRACTICAL

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