Karnataka SSLC Question Paper 2025 Carnatic Music

Government of Karnataka
Karnataka Secondary Education Examination Board

Question Papers

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Subject : CARNATIC MUSIC — THEORY
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General Instructions to the Candidate :
1. This Question Paper consists of 25 questions.
2. This question paper has been sealed by reverse jacket. You have to
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commencement of the examination ( Follow the arrow mark ). Do not
cut the left side to open the paper. Check whether all the pages of
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CCE RF/RR/PF/PR(A)/101/1849 1 of 8

CCE RF/RR/PF/PR(A)/101/1849 29-E
I. Four alternatives are given for each of the following questions /

incomplete statements. Only one of them is correct or most

appropriate. Choose the correct alternative and write the complete

answer along with its alphabet. 8×1=8

1. The origin of music is

(A) Rigveda (B) Yajurveda

(C) Samaveda (D) Atharvanaveda

2. The number of swaras, in a sthayi in Carnatic music, is

(A) eight (B) sixteen

(C) twelve (D) twenty-two

3. The Raga, in which the Sarale varase are sung is

(A) Mayamalava gowla

(B) Malahari

(C) Mohana

(D) Madhyamavathi

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4. A swara which differentiates between Dheera Shankarabharana

and Mechakalyani is

(A) Rishabha (B) Gandhara

(C) Nishada (D) Madhyama

5. There are seven aksharas in an avartha of Triputa tala of Suladi

Saptha talas, because the Jathi of Laghu of this tala is

(A) Thishra (B) Chaturashra

(C) Khanda (D) Mishra

6. Lakshana geethe is called by that name because the Sahitya

(lyrics) of this geethe

(A) is composed in Sapthatalas

(B) indicates Raga lakshana

(C) indicates the penname (ankitha) of Vaggeyakaras

(D) indicates the Prakara (genre) of music

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CCE RF/RR/PF/PR(A)/101/1849 29-E
7. The birth place of Kanakadasa is

(A) Bagewadi (B) Belluru

(C) Balehonnuru (D) Bada

8. As Nadaswara played by wind, the instrument is called

(A) Thatha instrument

(B) Sushira instrument

(C) Auspicious instrument

(D) Folk instrument

II. Answer the following questions in a sentence each : 8×1=8

9. What is the reason for music to be associated with

Mathematics ?

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CCE RF/RR/PF/PR(A)/101/1849 29-E
10. What is Mohana raga called as in Hindustani music system ?

11. Which swara represents Adhara shruthi ?

12. What is the number of swaras in arohana and avarohana of a

Shadava raga ?

13. Which tala starts with druta ?

14. Write a difference between Sarale and Janti Sarale.

15. What is the reason for Basavanna to have mentioned his ankitha

(penname) as Koodalasangamadeva in his Vachanas ?

16. What is the reason for morsing (morching) to be called a

Ghana vadya ?

III. Answer the following questions in two to three sentences each :

7 × 2 = 14

17. What is the reason for music to be related to Physics ?

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CCE RF/RR/PF/PR(A)/101/1849 29-E
18. Write a difference between Pillari geethe and Sanchari geethe.

19. Write a difference between Audava raga and Vakra raga with an

example each.

20. Write a difference between Ekatala and Jhampetala.

21. Explain, how music is associated with Psychology, in brief.

22. Classify the following instruments into Carnatic and Hindustani

musical instruments :

Sitar, Veene, Mrudanga, Shehnai, Pakhawaz, Ghatam,

Sarangi, Violin.

23. Classify the following compositions as Abhyasagana and

Sabhagana compositions :

Sarale varase, Varna, Keerthane, Alankara, Datuvarase, Krithi,

Tarasthayi varase, Vachana.

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CCE RF/RR/PF/PR(A)/101/1849 29-E
IV. Answer the following questions in brief :

24. Explain, the life history of Sri Tyagaraja, in brief. 1×6=6

25. Design and write the Swaralankara of Chaturashra Jathi

Rupakatala with swaralipi. 1×4=4

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CCE RF/RR/PF/PR(A)/101/1849 29-E

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CCE RF/RR/ [ Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 25
PF/PR [ Total No. of Questions : 25

ÓÜíPæàñÜ ÓÜíTæ : 29-K Code No. : 29-K

ËÐÜ¿á : PÜ®ÝìoPÜ ÓÜíXàñÜ — ÍÝÓÜŒ Ë»ÝWÜ
Subject : CARNATIC MUSIC — THEORY
PܮܰvÜ ÊÜÞ«ÜÂÊÜá / Kannada Medium

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WÜÄÐÜu AíPÜWÜÙÜá 40 ] [ Max. Marks : 40

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6. ¯ÊÜáWæ ËñÜÄÓÜÇÝXÃÜáÊÜ ±ÜÅÍ氱ܣÅPæ¿á BÊÜ꣤ ( Version ) ÊÜáñÜᤠ¯ÊÜá¾ ±ÜÅÊæàÍÜ ±ÜñÜŨÜÈÉ
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CCE RF/RR/PF/PR(A)/101/1848 1 of 8

CCE RF/RR/PF/PR(A)/101/1848 29-K
I. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ A¥ÜÊÝ A±Üä|ì ÖæàÚPæWÜÚWæ ®ÝÆáR ±Ü¿Þì¿á EñܤÃÜWÜÙÜ®Üá°
¯àvÜÇÝX¨æ. AÊÜâWÜÙÜÈÉ ÓÜãPܤÊÝ¨Ü Jí¨Üá EñܤÃÜÊÜ®Üá° BÄÔ, A¨ÜÃÜ PÜÅÊÜÞûÜÃܨæãvÜ®æ
±Üä|ì EñܤÃÜÊÜ®Üá° ŸÃæÀáÄ : 8×1=8

1. ÓÜíXàñÜ¨Ü ÊÜáãÆ

(A) MáWæÌà¨Ü

(B) ¿ágáÊæàì¨Ü

(C) ÓÝÊÜáÊæà¨Ü

(D) A¥ÜÊÜì|Êæà¨Ü

2. PÜ®ÝìoPÜ ÓÜíXàñܨÜÈÉ Jí¨Üá ÓݧÀá¿áÈÉ ŸÃÜáÊÜ ÓÜÌÃÜWÜÙÜ ÓÜíTæÂ

(A) Gíoá

(B) ÖÜ©®ÝÃÜá

(C) ÖÜ®æ°ÃÜvÜá

(D) C±Ü³ñæ¤ÃÜvÜá

2 of 8

CCE RF/RR/PF/PR(A)/101/1848 29-K
3. ÓÜÃÜÙæ ÊÜÃÜÓæWÜÙÜ®Üá° ÖÝvÜáÊÜ ÃÝWÜ

(A) ÊÜÞ¿ÞÊÜÞÙÜÊÜWèÙÜ

(B) ÊÜáÆÖÜÄ

(C) ÊæãàÖÜ®Ü

(D) ÊÜá«ÜÂÊÜÞÊÜ£

4. ˜àÃÜÍÜíPÜÃÝ»ÜÃÜ| ÊÜáñÜᤠÊæáàaÜPÜÇÝÂ~ ÃÝWÜWÜÙÜ ®ÜvÜá訆 ÊÜÂñÝÂÓÜÊÜ®Üá° ÓÜãbÓÜáÊÜ
ÓÜÌÃÜ

(A) ÄÐÜ»Ü

(B) WÝí«ÝÃÜ

(C) ¯ÐݨÜ

(D) ÊÜá«ÜÂÊÜá

3 of 8

CCE RF/RR/PF/PR(A)/101/1848 29-K
5. ÓÜáÙÝ© Óܱܤ ñÝÙÜWÜÙÜÈÉ ŸÃÜáÊÜ £Å±ÜâoñÝÙÜ¨Ü Jí¨Üá BÊÜñÜìPæR HÙÜá AûÜÃÜWÜÙÜá
ŸÃÜáñܤÊæ. HPæí¨ÜÃæ D ñÝÙÜ¨Ü ÆZá訆 hÝ£

(A) £ÍÜÅ

(B) aÜñÜáÃÜÍÜÅ

(C) SívÜ

(D) ËáÍÜÅ

6. ÆûÜ|Xàñæ¿á®Üá° B ÖæÓÜįí¨Ü PÜÃæ¿áÆá PÝÃÜ|Êæà®æí¨ÜÃæ, D Xàñæ¿á
ÓÝ×ñÜÂÊÜâ
(A) ÓܱܤñÝÙÜWÜÙÜÈÉ ÃÜbñÜÊÝX¨æ

(B) ÃÝWÜÆûÜ|ÊÜ®Üá° ÓÜãbÓÜáñܤ¨æ

(C) ÊÝWæYà¿áPÝÃÜÃÜ AíQñÜÊÜ®Üá° ÓÜãbÓÜáñܤ¨æ

(D) ÓÜíXàñÜ¨Ü ±ÜÅPÝÃÜÊÜ®Üá° ÓÜãbÓÜáñܤ¨æ

7. PÜ®ÜPܨÝÓÜÃÜ g®Ü¾ÓܧÙÜ

(A) ¸ÝWæàÊÝw

(B) ¸æÙÜãÛÃÜá

(C) ¸ÝÙæ Öæã®Üã°ÃÜá

(D) ¸ÝvÜ

4 of 8

CCE RF/RR/PF/PR(A)/101/1848 29-K
8. ®Ý¨ÜÓÜÌÃÜÊÜâ WÝÚÀáí¨Ü ®Üáw¿ááÊÜâ¨ÜÄí¨Ü D ÊݨÜÂÊÜ®Üá°

(A) ñÜñÜ ÊݨÜÂÊæ®Üá°ÊÜÃÜá

(B) ÓÜáÑÃÜ ÊݨÜÂÊæ®Üá°ÊÜÃÜá

(C) ÊÜáíWÜÙÜ ÊݨÜÂÊæ®Üá°ÊÜÃÜá

(D) hÝ®Ü±Ü¨Ü ÊݨÜÂÊæ®Üá°ÊÜÃÜá

II. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ Jí¨æãí¨Üá ÊÝPܨÜÈÉ EñܤÄÔ : 8×1=8

9. ÓÜíXàñÜÊÜâ WÜ~ñÜÍÝÓÜŒ¨æãí©Wæ ÓÜíŸí«Ü Öæãí©ÃÜÆá PÝÃÜ|Êæà®Üá

10. ×í¨ÜãÓݤ¯ ÓÜíXàñÜ ±Ü¨Üœ£¿áÈÉ ÊæãàÖÜ®Ü ÃÝWÜÊÜ®Üá° H®æí¨Üá PÜÃæ¿ááñݤÃæ

11. B«ÝÃÜ ÍÜáÅ£¿á®Üá° ÓÜãbÓÜáÊÜ ÓÜÌÃÜ ¿ÞÊÜâ¨Üá

12. ÐÝvÜÊÜ ÃÝWÜ¨Ü BÃæãàÖÜ| ÊÜáñÜᤠAÊÜÃæãàÖÜ|WÜÙÜÈÉ ŸÃÜáÊÜ ÓÜÌÃÜWÜÙÜ ÓÜíTæÂ
GÐÜár

13. ¨ÜáÅñÜ©í¨Ü ±ÝÅÃÜí»ÜÊÝWÜáÊÜ ñÝÙÜ ¿ÞÊÜâ¨Üá

5 of 8

CCE RF/RR/PF/PR(A)/101/1848 29-K
14. ÓÜÃÜÙæ ÊÜáñÜᤠgíq ÊÜÃÜÓæWÜÙÜ ®ÜvÜá訆 Jí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá° ŸÃæÀáÄ.

15. ŸÓÜÊÜ|¡®ÜÊÜÃÜá ñÜÊÜá¾ ÊÜaÜ®ÜWÜÙÜÈÉ PÜãvÜÆÓÜíWÜÊÜá¨æàÊÜ GíŸ AíQñÜÊÜ®Üá°
ŸÙÜÓÜÆá PÝÃÜ|Êæà®Üá

16. ÊæãàbìíW… ÊݨÜÂÊÜ®Üá° Z®ÜÊݨÜÂÊæí¨Üá PÜÃæ¿áÆá PÝÃÜ|Êæà®Üá

III. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ GÃÜvÜÄí¨Ü ÊÜáãÃÜá ÊÝPÜÂWÜÙÜÈÉ EñܤÄÔ : 7 × 2 = 14

17. ÓÜíXàñÜÊÜâ »èñÜÍÝÓÜŒ¨æãí©Wæ ¯PÜo ÓÜíŸí«ÜÊÜ®Üá° Öæãí©ÃÜÆá PÝÃÜ|Êæà®Üá

18. ²ÙÝÛÄXàñæ ÊÜáñÜᤠÓÜíaÝÄ XàñæWÜÙÜ ®ÜvÜá訆 Jí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá° ŸÃæÀáÄ.

19. LvÜÊÜ ÊÜáñÜᤠÊÜPÜÅÃÝWÜWÜÙÜ ®ÜvÜá訆 Jí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá° Jí¨æãí¨Üá
E¨ÝÖÜÃÜOæÁãí©Wæ ŸÃæÀáÄ.

20. HPÜñÝÙÜ ÊÜáñÜᤠÃÜkáí±æñÝÙÜWÜÙÜ ®ÜvÜá訆 Jí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá° ŸÃæÀáÄ.

21. ÓÜíXàñÜÊÜâ ÊÜá®æãàËþݮܨæãí©Wæ ÖæàWæ ÓÜíŸí«ÜÊÜ®Üá° Öæãí©¨æ GíŸá¨Ü®Üá°
ÓÜíü±Ü¤ÊÝX ËÊÜÄÔ.

22. D PæÙÜX®Ü ÓÜíXàñÜ ÊݨÜÂWÜÙÜ®Üá° PÜ®ÝìoPÜ ÊÜáñÜᤠ×í¨ÜãÓݧ¯ ÊݨÜÂWÜÙÝX
ÊÜXàìPÜÄÔ ŸÃæÀáÄ
ÔñÝÃ…, ËàOæ, ÊÜáê¨ÜíWÜ, ÍÜÖܮݿå…, ±ÜPÜÊÝh…, Zoí, ÓÝÃÜíX,
²qàÆá.

23. D PæÙÜX®Ü ÃÜaÜ®æWÜÙÜ®Üá° A»ÝÂÓÜWÝ®Ü ÖÝWÜã ÓÜ»ÝWÝ®Ü ÃÜaÜ®æWÜÙÝX ÊÜXàìPÜÄÔ
ŸÃæÀáÄ
ÓÜÃÜÙæ ÊÜÃÜÓæ, ÊÜ|ì, QàñÜì®æ, AÆíPÝÃÜ, ¨ÝoáÊÜÃÜÓæ, PÜê£, ñÝÃÜÓݧÀá
ÊÜÃÜÓæ, ÊÜaÜ®Ü.

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CCE RF/RR/PF/PR(A)/101/1848 29-K
IV. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ ÓÜíü±Ü¤ÊÝX EñܤÄÔ :

24. ÎÅà ñÝÂWÜÃÝgÃÜ iàÊÜ®Ü aÜÄñæÅ¿á®Üá° ÓÜíü±Ü¤ÊÝX ËÊÜÄÔ. 1×6=6

25. aÜñÜáÃÜÍÜÅhÝ£ ÃÜã±ÜPÜñÝÙÜ¨Ü ÓÜÌÃÝÆíPÝÃÜÊÜ®Üá° ÓÜÌÃÜȲÁãí©Wæ Ë®ÝÂÓÜWæãÚÔ
ŸÃæÀáÄ. 1×4=4

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CCE RF/RR/PF/PR(A)/101/1848 29-K

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[ Total No. of Questions : 8

ÓÜíPæàñÜ ÓÜíTæ : 29-E Code No. : 29-E

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—
Subject : CARNATIC MUSIC — PRACTICAL
( / English Medium )
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Cut here/CÈÉ PÜñܤÄÔ
General Instructions to the Candidate :
1. This Question Paper consists of 8 questions.
2. This question paper has been sealed by reverse jacket. You have to
cut on the right side to open the paper at the time of
commencement of the examination ( Follow the arrow mark ). Do not
cut the left side to open the paper. Check whether all the pages of
the question paper are intact.
3. Follow the instructions given against the questions.
4. Figures in the right hand margin indicate maximum marks for the
question.
Tear here

5. The maximum time to answer the paper is given at the top of the
question paper.
6. Ensure that, the Version of the question paper distributed to you and
the Version printed on your admission ticket is the same.

CCE RF/RR/PF/PR(A)/101/1849 1 of 4

CCE RF/RR/PF/PR(A)/101/1849 29-E

The examiners are to ask the following questions to the students :

1. Mention a difference between Sarale varase and Datu varase.

Sing second or third Datu varase in three speeds. 4

2. What is the reason for Pillari geethe to be called by that name ?

Sing a Pillari geethe. 4

3. Sing a Jathiswara.

(Observe skill and style of singing). 4

4. What is the difference between Purvardha (first-half) and

Uttarardha (Second-half) of a Tanavarna ?

Sing the Uttarardha of Tanavarna. 8

5. Audava raga Krithis are different from Sampurna raga Krithis.

How ?

Sing a Madhyama kala Krithi of Audava raga. 6

6. How are Vilamba kala Krithis different from Madhyama kala

Krithis ?

Sing the Poorvardha of a Vilamba kala Krithi. 6

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CCE RF/RR/PF/PR(A)/101/1849 29-E

7. List out the names of any four Haridasas.

Sing a Keerthana of a Haridasa. 4

8. List out the names of any four Vachanakaras.

Sing a Vachana of a Shivasharana. 4

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CCE RF/RR/PF/PR(A)/101/1849 29-E

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CÈÉí¨Ü PÜñܤÄÔ
[ Total No. of Printed Pages : 4
CCE RF/RR/ [ Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 8
PF/PR [ Total No. of Questions : 8

ÓÜíPæàñÜ ÓÜíTæ : 29-K Code No. : 29-K
ËÐÜ¿á : PÜ®ÝìoPÜ ÓÜíXàñÜ — ±ÝÅÁãàXPÜ Ë»ÝWÜ
Subject : CARNATIC MUSIC — PRACTICAL
(PܮܰvÜ ÊÜÞ«ÜÂÊÜá / Kannada Medium)
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TEAR HERE TO OPEN THE QUESTION PAPER
Regular Fresh / Regular Repeater / Private Fresh / Private Repeater
©®ÝíPÜ 02. 04. 2025 ] [ Date : 02. 04. 2025
ÓÜÊÜá¿á : 1 WÜípæ 30 ¯ËáÐÜWÜÙÜá ] [ Time : 1 hour 30 minutes

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CCE RF/RR/PF/PR(A)/101/1848 29-K

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