Karnataka SSLC Question Paper 2021 Music for Kannada Medium

CÈÉí¨Ü PÜñܤÄÔ
Question Booklet Serial No. : 19-

®æãàí¨Ü~ ÓÜíTæ :
Register Number :
±Ü£ÅPæ - 01 / Paper – 01
GÓ….GÓ….GÇ….Ô. ÊÜááS ±ÜÄàûæ – 2021
SSLC MAIN EXAMINATION – 2021
ÓÜÊÜÞgÍÝÓÜŒ + PÜ®ÝìoPÜ / ×í¨ÜãÓݧ¯ ÓÜíXàñÜ + ÓÜÊÜÞg ËþÝ®Ü
Sociology + Carnatic / Hindustani Music + Social Science
ËÐÜ¿á : ±Ü¿Þì¿á ËÐÜ¿á&01 (95-KE) + ±Ü¿Þì¿á ËÐÜ¿á&02 (98-KE) + ÓÜÊÜÞg ËþÝ®Ü (85-KE)
Subjects : Alternative Subject-01 (95-KE) + Alternative Subject-02 (98-KE) + SOCIAL SCIENCE (85-KE)
PܮܰvÜ ÊÜáñÜᤠCíXÉÐ… ÊÜÞ«ÜÂÊÜá / Kannada and English Medium
CCE-RF / CCE-RR / CCE-PF / CCE-PR
95-KE + 98-KE + 85-KE ] [ Code No. : 95-KE + 98-KE + 85-KE
: 10-30 1-30 ] [ Time : 10-30 A.M. to 1-30 P.M.

TEAR HERE TO OPEN THE QUESTION BOOKLET
: 40 + 20 + 40 = 100 ] [ Total No. of Questions : 40 + 20 + 40 = 100
: 40 + 20 + 40 = 100 ] [ Max. Marks : 40 + 20 + 40 = 100
±Ü¿Þì¿á ËÐÜ¿á&02/Alternative Subject-02 – 98-K/E — PÜ®ÝìoPÜ/×í¨ÜãÓݧ¯ ÓÜíXàñÜ ÍÝÓÜŒ Ë»ÝWÜ /
CARNATIC / HINDUSTANI MUSIC – THEORY
˨ݦìWÜÚWæ ÓÜãaÜ®æWÜÙÜá / Instructions to the Students :
1. ±ÜÅÊæàÍÜ ±ÜñÜŨÜÈÉ®Ü Öܬæã®í¨Üá AíQWÜÙÜ ¬æãàí¨Ü~ ÓÜíTæ¿á¬Üá® ¯ÜÅÍ殯ÜâÔ¤Pæ¿á ŸÆ¯ÝÍÜÌì¨Ü
ÊæáàÆᤩ¿áÈÉ ÓܱÐÜrÊÝX ŸÃæÀáÄ.
Write your eleven digit Register Number on the Question Booklet as
allotted in the admission ticket in the space provided at the top right
corner of this front page.
2. D ¯ÜÅÍ殯ÜâÔ¤Pæ¿á¬Üá® ×ÊÜáá¾S hÝPæp… ÊÜáãÆPÜ ÊæãÖÜÃÜá ÔàÇ… ÊÜÞvÜÇÝX¨æ. ±ÜÄàûæ
¯ÝÅÃÜí»ÜÊÝWÜáÊÜ ÓÜÊÜá¿áPæR ­ÊÜá¾ ¯ÜÅÍ殯ÜâÔ¤Pæ¿á ŸÆŸ© ¯ÝÍÜÌìÊܬÜá® PÜñܤÄÔ,
±ÜÅÍæ°±ÜâÔ¤Pæ¿áÈÉ GÇÝÉ ±ÜâoWÜÙÜá CÊæÁáà Gí¨Üá ±ÜÄàüÔPæãÚÛ.
This Question Booklet has been sealed by reverse jacket. You have to cut
on the right side to open the Question Booklet at the time of
commencement of the examination. Check whether all the pages of the
Question Booklet are intact.
3. ËÐÜ¿áÊÝÃÜá OMR ±ÜâoÊÜ®Üá° ±ÜÅñæÂàPÜÊÝX ¯àvÜÇÝWÜáÊÜâ¨Üá.
OMR Sheet will be provided subject-wise separately.
4. D ±ÜÅÍæ°±ÜâÔ¤Pæ¿áá ÊÜáãÃÜá ËÐÜ¿áWÜÙÜ®Üá° Öæãí©¨Üáª, ±ÜÅ£ ËÐÜ¿áÊÜä ±ÜÅñæÂàPÜÊݨÜ
±ÜâÔ¤Pæ¿á®Üá° Öæãí©¨æ.
Tear here

This set of Question Booklets consists of three subjects and each subject
has separate Question Booklet.
1905 1 of 16

5. D ±ÜÅÍæ°±ÜâÔ¤Pæ¿áá Joár 100 ±ÜÅÍæ°WÜÙÜ®Üá° Öæãí©¨æ.
(i) ÓÜÊÜÞgÍÝÓÜŒ & ±ÜÅÍæ°WÜÙÜ ÓÜíTæ 1 Äí¨Ü 40
(ii) PÜ®ÝìoPÜ / ×í¨ÜãÓݧ¯ ÓÜíXàñÜ ±ÜÅÍæ°WÜÙÜ ÓÜíTæ 41 Äí¨Ü 60
(iii) ÓÜÊÜÞg ËþÝ®Ü & ±ÜÅÍæ°WÜÙÜ ÓÜíTæ 81 Äí¨Ü 120
This set of Question Booklets contain 100 questions in all.
(i) Sociology & Question Numbers 1 to 40
(ii) Carnatic / Hindustani Music & Question Numbers 41 to 60
(iii) Social Science – Question Numbers 81 to 120
6. ±ÜÅ£à ±ÜÅÍæ°Wæ Jí¨Üá AíPÜ˨Üáª, GÇÝÉ ±ÜÅÍæ°WÜÚWÜã EñܤÄÓÜáÊÜâ¨Üá PÜvÝx¿á ÖÝWÜã ±ÜÅ£
ÓÜÄ¿Þ¨Ü EñܤÃÜPæR Jí¨Üá AíPÜ˨Üáª, ñܱݳ¨Ü EñܤÃÜPæR ¿ÞÊÜâ¨æà MáOÝñܾPÜ AíPÜWÜÙÜá
CÃÜáÊÜâ©ÆÉ.
Each question carries one mark. Answering all the questions is
compulsory and each correct answer will be awarded one mark. There will
be no negative marking for wrong answers.

7. ¯ÜÄàûÝ AÊܘ¿áÈÉ,
G ±ÜÅÍæ°WÜÙÜ®Üá° hÝWÜÃÜãPÜñæÀáí¨Ü K©Ä.

¹ K.Gí.BÃ…. ( OMR ) ±Üâo¨ÜÈÉ ±ÜÅ£ ±ÜÅÍæ°ÓÜíTæÂWæ ÓÜÄ Öæãí¨ÜáÊÜ EñܤÃÜÊÜ®Üá°
WÜáÃÜá£ÓÜÆá ¯àvÜÇÝXÃÜáÊÜ ®ÝÆáR ÊÜêñܤWÜÙÜ ±æçQ ÓÜÄ¿Þ¨Ü EñܤÃÜ¨Ü Jí¨Üá ÊÜêñܤÊÜ®Üá°
¯àÈ/PܯÜâ± ÍÝÀá¿á ¸ÝÇ… ¯ÝÀáíp… ¯æ¬… ÊÜÞñÜÅ E¯ÜÁãàXÔ ÓÜí¯Üä|ìÊÝX
Íæàv… ÊÜÞw. JÊæá¾ EñܤÃÜÊܬÜá® Íæàv… ÊÜÞw¨Ü ÊæáàÇæ Ÿ¨ÜÇÝÀáÓÜÆá AÊÜPÝÍÜËÆÉ
ÊÜáñÜᤠ¿ÞÊÜâ¨æà A¬ÜWÜñÜ WÜáÃÜáñÜáWÜÙܬÜá® K.Gí.BÃ…. ( OMR ) ÊæáàÇæ ÊÜÞvܸÝÃܨÜá.
E¨ÝÖÜÃÜOæ ±ÜÅÍæ° ÓÜíTæ 20PæR EñܤÃÜ¨Ü BÁáR ÓÜíTæ C BX¨ÜªÈÉ K.Gí.BÃ….
( OMR ) ±Üâo¨ÜÈÉ BÁáR C ¿á®Üá° ¯àÈ/PܯÜâ± ÍÝÀá¿á ¸ÝÇ… ¯ÝÀáíp… ¯æ¬…
E±ÜÁãàXÔ D PæÙÜWæ ñæãàÄÔ¨Üíñæ ÊÜêñܤÊܬÜá® ÓÜí¯Üä|ìÊÝX Íæàv… ÊÜÞvܸæàPÜá.
±ÜÅÍæ° ÓÜíTæ 20) A B C D (C¨Üá E¨ÝÖÜÃÜOæWæ ÊÜÞñÜÅ)

Ô K.Gí.BÃ…. ( OMR ) ÖÝÙæ¿á¬Üá® ÊÜávÜaÜáÊÜâ¨Üá, ÖÜÄ¿ááÊÜâ¨Üá A¥ÜÊÝ Óærà¯ÜÇ… °¬…
ÊÜÞvܸÝÃܨÜá.
1905 2 of 16

During the examination,

a) Read the questions carefully.

b) Completely darken / shade the relevant circle against Question

Number in the OMR Sheet using blue / black ball point pen. Do not

try to alter the entry and not to do any stray marks on OMR Sheet.

Example : In the question booklet, if C is the correct answer for

Question No. 20, then in the OMR Sheet shade the option C using

blue / black ball point pen as follows.

Question No. 20) A B C D ( This is an example only )

c) Do not fold, tear, wrinkle or staple on the OMR Sheet.

8. Jí¨Üá ¯ÜÅÍæ®Wæ Jí¨ÜQRíñÜ ÖæaÜác ÊÜêñܤWÜÙܬÜá® Íæàv… ÊÜÞw¨ÜªÈÉ AíñÜÖÜ EñܤÃÜWÜÙܬÜá® ñܯæ±í¨Üá
±ÜÄWÜ~Ô AíPÜWÜÙÜ®Üá° ¯àvÜÇÝWÜáÊÜâ©ÆÉ.

If more than one circle is shaded for a given question, such answer is

treated as wrong and no marks will be given.

9. K.Gí.BÃ…. ( OMR ) ±Üâo¨ÜÈÉ ¯WÜ©ñÜ ÓܧÙܨÜÈÉ Ë¨Ý¦ì ÖÝWÜã PæãsÜw ÊæáàÈÌaÝÃÜPÜÃÜá
ñܱܳ¨æà ÓÜ× ÊÜÞvܸæàPÜá.

Student and Room Invigilator should sign in the OMR Sheet in the space

provided.

1905 3 of 16

10. ¯ÜÄàûÝ AÊܘ ÊÜááX¨Ü ¬ÜíñÜÃÜ ËÐÜ¿áÊÝÃÜá EñܤÄst K.Gí.BÃ…. ( OMR )®Üá° PæãsÜw
ÊæáàÈÌaÝÃÜPÜÄWæ ñܱܳ¨æà J²³ÓܸæàPÜá.

Candidate should return the subject-wise answered OMR Sheet to the

Room Invigilator before leaving the examination hall.

11. PÜaÝc PÝ¿áìÊÜ®Üá° ±ÜÅÍæ°±ÜâÔ¤Pæ¿áÈÉ ¯àwÃÜáÊÜ PÜaÝc PÝ¿áì¨Ü ÖÝÙæ¿áÈÉÁáà ÊÜÞvÜáÊÜâ¨Üá.

Rough work can be done in the space provided at the end of the Question

Booklet.

12. ¯ÜÄàûÝ PæãsÜwÁãÙÜWæ PÝÂÆáRÇæàoÃ…, Êæã¸æçÇ… ¶æäଅ, Óݾp…ì ÊÝa… ÊÜáñÜᤠCñÜÃæ
¿ÞÊÜâ¨æà GÇæPÝó­P… E¯ÜPÜÃÜ|WÜÙܬÜá® ñÜÃÜáÊÜâ¨Ü¬Üá® ­Ðæà˜ÓÜÇÝX¨æ.

Calculators, Mobiles, Smart Watches and any other electronic equipment
are not allowed inside the examination hall.

1905 4 of 16

/ — ÍÝÓÜŒ Ë»ÝWÜ
Subject : CARNATIC / HINDUSTANI MUSIC — THEORY

D ±ÜÅ£Áãí¨Üá ±ÜÅÍæ°WÜÚWæ A¥ÜÊÝ A±Üä|ì ÖæàÚPæWÜÚWæ ®ÝÆáR BÁáRWÜÙÜ®Üá° ¯àvÜÇÝX¨æ.
AÊÜâWÜÙÜÈÉ ÓÜÄ¿Þ¨Ü EñܤÃÜÊÜ®Üá° BÄÔ ¯ÊÜáWæ ¯àvÜÇÝXÃÜáÊÜ K.Gí.BÃ…. ( OMR ) EñܤÃÜ
±Ü£ÅPæ¿áÈÉ ¯àÈ A¥ÜÊÝ PܱÜâ³ ÍÝÀá¿á ¸ÝÇ… ±ÝÀáíp… ±æ®…¯í¨Ü ÓÜÄ¿Þ¨Ü BÁáR¿á®Üá°
Íæàv… ÊÜÞw 20 × 1 = 20

Four choices are given for each of the following questions / incomplete
statements. Choose the correct answer among them and shade the correct
option in the OMR Answer Sheet given to you with a black / blue ball point
pen. 20 × 1 = 20

41. PܬÝìoPÜ ÓÜíXàñÜ ¯Ü¨Üœ£¿áÈÉÃÜáÊÜ ÓݧÀáWÜÙÜá

(A) 12 (B) 14

(C) 18 (D) 16

The Sthayis in Carnatic Music System are

(A) 12 (B) 14

(C) 18 (D) 16

42. «ÜáÅñÜ¨Ü bÖæ°¿á®Üá° ÓÜãbÓÜáÊÜâ¨Üá

(A) 'I' (B) 'U'

(C) '–' (D) 'O'

1905 5 of 16

The indicator of Druta is

(A) 'I' (B) 'U'

(C) '–' (D) 'O'

43. Z®ÜÃÝWÜ ±ÜíaÜÃÜñÜ° PÜê£WÜÙÜ®Üá° ÃÜbÔ¨ÜÊÜÃÜá

(A) ÊÜááñÜá¤ÓÝÌËá ©àüñÜÃÜá (B) ÍÝÂÊÜÞÍÝÔŒWÜÙÜá

(C) ñÝÂWÜÃÝgÃÜá (D) ÊÜááñܤ¿á »ÝWÜÊÜñÜÃÜá

The composer of Ghanaraga Pancharathna Kritis is

(A) Muttuswamy Dikshitar (B) Shyama Shastri

(C) Thyagaraja (D) Muttiah Bhagavatar

44. Jí¨Üá ÓÜí±Üä|ì BÊÜñÜìÊÜ®Üá° ÓÜãbÓÜáÊÜ Äà£

(A) Jí¨Üá E¨Üª®æ¿á WæÃæ (B) AvÜxWæÃæ

(C) GÃÜvÜá E¨Üª®æ¿á WæÃæWÜÙÜá (D) ¿ÞÊÜâ¨Üã AÆÉ

The method of showing a complete Avarta is

(A) one vertical bar (B) horizontal bar

(C) two vertical bars (D) none

1905 6 of 16

45. PæÙÜX®ÜÊÜâWÜÙÜÈÉ ñÜñÜ ÊݨÜÂ

(A) PæãÙÜÆá (B) ËàOæ

(C) ÍÜíS (D) ñÜŸÆ

The Tata instrument (string instrument) in the below mentioned is

(A) Flute (B) Veena

(C) Conch (Shankh) (D) Tabla

46. ±ÝÍÝcñÜ ÓÜíXàñÜÊÜ®Üá° ±ÜÄaÜÀáÔ¨ÜÊÃÜ Üá

(A) ñÝÂWÜÃÝgÃÜá

(B) ÍÝÂÊÜÞÍÝÔŒWÜÙÜá

(C) ÊÜááñÜá¤ÓÝÌËá ©àüñÜÃÜá

(D) ÊÜááñܤ¿á »ÝWÜÊÜñÜÃÜá

The one who introduced western music is

(A) Thyagaraja

(B) Shyama Shastri

(C) Muttuswamy Dikshitar

(D) Muttiah Bhagavatar

1905 7 of 16

47. Z®ÜÊݨÜÂPæR E¨ÝÖÜÃÜOæ

(A) ÊæãàbìíW… (B) ²qàÆá

(C) ÍÜíS (D) ñÜŸÆ

An example for Ghana instrument is

(A) Morching (B) Violin

(C) Conch (Shankh) (D) Tabla

48. PæÙÜX®Ü ÃÝWÜWÜÙÜÈÉ g®ÜPÜÃÝWÜ

(A) ÊæáàaÜ PÜÇÝÂ~ (B) ÊÜáÆÖÜÄ

(C) ÊæãàÖÜ®Ü (D) ¹ÆÖÜÄ

Janaka raga among the below mentioned is

(A) Mecha kalyani (B) Malahari

(C) Mohana (D) Bilahari

49. CÊÜâWÜÙÜÈÉ ¯àįí¨Ü ®Ý¨æãàñܳ£¤¿ÞWÜáÊÜ ÊݨÜÂ

(A) ÊæãàbìíW… (B) ñÝÙÜ

(C) gÆñÜÃÜíW… (D) PæãÙÜÆá

1905 8 of 16

The instrument that produces sound (Nada) using water is

(A) Morching (B) Tala

(C) Jalatharang (D) Flute

50. ÓÜÌÃÜWÜÙÜ PæÙÜWæ aÜáPæRWÜÙÜ®Üá° ÓÜãbÓÜáÊÜ ÓݧÀá

(A) ñÝÃÜÓݧÀá (B) A£ ñÝÃÜÓݧÀá

(C) ÊÜá«ÜÂÓݧÀá (D) ÊÜáí¨ÜÅÓݧÀá

The Sthayi indicated by keeping dots under the Swaras is

(A) Thara sthayi (B) Ati Thara Sthayi

(C) Madhya Sthayi (D) Mandhra Sthayi

51. PÜ®ÝìoPÜ ÓÜíXàñÜ ¯Ü¨Üœ£¿á ×í¨æãàÙÜ ÃÝWÜPæR ×í¨ÜãÓݧ­ ÓÜíXàñÜ ¯Ü¨Üœ£¿á ÃÝWÜ¨Ü ÖæÓÜÃÜá

(A) »Ü㯅 (B) ÊÜÞÇ…P謅Õ

(C) ¹ÇÝÊÜÇ… (D) »æçÃÜÊ…

For Hindola raga of Carnatic Music, the name in Hindustani Music is

(A) Bhoop (B) Malkouns

(C) Bilaval (D) Bhairav

1905 9 of 16

52. ŸÙÜPæ¿áÈÉÆÉ¨Ü ¨æàÊÜWÝ¬Ü ÓÜíXàñÜ

(A) ¨æàÎà ÓÜíXàñÜ

(B) ˨æàÎ ÓÜíXàñÜ

(C) ÊÜÞWÜì ÓÜíXàñÜ

(D) ÓÜíXàñÜ

The Devagana music not in use is

(A) Desi music

(B) Western music

(C) Marga music

(D) Music

53. ÊÜááñܤ¿á »ÝWÜÊÜñÜÃÜ PÜê£WÜÙÜ AíQñÜ

(A) WÜáÃÜáWÜáÖÜ (B) ÖÜÄPæàÍÜ

(C) B©PæàÍÜÊÜ (D) aæ®Ü°PæàÍÜÊÜ

The Penname of Muttiah Bhagavatar's compositions is

(A) Guruguha (B) Harikesha

(C) Adikeshava (D) Chennakeshava

1905 10 of 16

54. ËáÍÜÅhÝ£ ñÝÙÜPæR ŸÃÜáÊÜ Joár AûÜÃÜWÜÙÜá

(A) ÊÜáãÃÜá (B) HÙÜá

(C) BÃÜá (D) I¨Üá

The total number of Aksharas in Mishra Jati Tala is

(A) Three (B) Seven

(C) Six (D) Five

55. ŸíWÝÃÜá PÝÊÜÞü¿á BÃÝ«ÜPÜÃÜá

(A) ÎÅà ±ÜâÃÜí¨ÜÃܨÝÓÜÃÜá

(B) ÎÅà ÊÜááñÜá¤ÓÝÌËá ©àüñÜÃÜá

(C) ÎÅà ÍÝÂÊÜÞÍÝÔŒWÜÙÜá

(D) ÎÅà ñÝÂWÜÃÝgÃÜá

The worshipper of Bangaaru Kamakshi was

(A) Shri Purandaradasaru

(B) Shri Muttuswamy Dikshitar

(C) Shri Shyama Shastri

(D) Shri Thyagaraja

1905 11 of 16

56. ±ÝÍÝcñÜ ÓÜíXàñÜ©í¨Ü AÙÜÊw
Ü ÔPæãíwÃÜáÊÜ ÓÜáÑÃÜÊݨÜ WÝÚÊݨÜÂ

(A) PæãÙÜÆá (B) PÝÉÄÁãà¬æp…

(C) ®Ý¨ÜÓÜÌÃÜ (D) ¸Ý®ÜáÕÄ

The Sushira instrument (wind instrument) adopted from Western music is

(A) Flute (B) Clarionet

(C) Nadaswara (D) Bansuri

57. 14 AûÜÃÜWÜÙÜá ŸÃÜáÊÜ ñÝÙÜ

(A) ÃÜã±ÜPÜñÝÙÜ (B) ÊÜásÜÂñÝÙÜ

(C) HPÜñÝÙÜ (D) «ÜáÅÊÜñÝÙÜ

The tala that has 14 Aksharas is

(A) Roopaka tala (B) Matya tala

(C) Ekatala (D) Dhruva tala

58. GÃÜvÜã ÓÜíXàñÜ ¯Ü¨Üœ£WÜÙÜÈÉ ¯ÜÅ«Ý¬Ü ÊݨÜÂÊÝX ÖÝWÜã ¯ÜPÜRÊݨÜÂÊÝX ÃÜã{ÔPæãíwÃÜáÊÜ
ÊݨÜÂ
(A) ñÜíŸãÄ (B) ²qàÆá
(C) PæãÙÜÆá (D) ñÜŸÆ

The instrument that is used as both main instrument and accompanying

instrument in both systems of music is

(A) Tambura (B) Violin

(C) Flute (D) Tabla

1905 12 of 16

59. ÊÜaÜ®ÜWÜÙÜ®Üá° ÃÜbÔÃÜáÊÜÊÜÃÜá

(A) ÖÜĨÝÓÜÃÜá (B) £ÅÊÜáã£ìWÜÙÜá

(C) ÊÜaÜ®ÜPÝÃÜÃÜá (D) ÊÝWæYà¿áPÝÃÜÃÜá

The composers of Vachanas are

(A) Haridasas (B) Trinity

(C) Vachanakaras (D) Vaggeyakaras

60. °qàÆá ÊݨÜÂÊܬÜá® PܬÝìoPÜ ÓÜíXàñÜPæR Êæã¨ÜÆá ŸÙÜÔ¨ÜÊÃÜ Üá

(A) ËàOæ ÍæàÐÜ|¡ (B) ²qàÆá aèvÜ¿áÂ

(C) ÊÜááñÜá¤ÓÝÌËá ©àüñÜÃÜá (D) ÍÝÂÊÜÞÍÝÔŒWÜÙÜá

The one who used violin for the first time in Carnatic music is

(A) Veene Sheshanna (B) Piteelu Chowdiah

(C) Muttuswamy Dikshitar (D) Shyama Shastri

1905 13 of 16

PÜaÝc PÝ¿áìPÝRX
( SPACE FOR ROUGH WORK )

1905 14 of 16

PÜaÝc PÝ¿áìPÝRX
( SPACE FOR ROUGH WORK )

1905 15 of 16

1905 16 of 16