Karnataka SSLC Question Paper 2025 Hindustani Music

Government of Karnataka
Karnataka Secondary Education Examination Board

Question Papers

A [ Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 8
CCE RF/RR/ [ Total No. of Printed Pages : 8
PF/PR [ Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 25
[ Total No. of Questions : 25

ÓÜíPæàñÜ ÓÜíTæ : 28-E Code No. : 28-E

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Subject : HINDUSTANI MUSIC — THEORY
( / English Medium )
ÍÝÇÝ A»Ü¦ì / ÍÝÇÝ ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì / TÝÓÜX A»Ü¦ì / TÝÓÜX ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì
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ÓÜÊÜá¿á 2-00 3-45 ] [ Time : 2-00 P.M. to 3-45 P.M.
WÜÄÐÜu AíPÜWÜÙÜá 40 ] [ Max. Marks : 40
Cut here/CÈÉ PÜñܤÄÔ
General Instructions to the Candidate :
1. This Question Paper consists of 25 questions.
2. This question paper has been sealed by reverse jacket. You have to
cut on the right side to open the paper at the time of
commencement of the examination ( Follow the arrow mark ). Do not
cut the left side to open the paper. Check whether all the pages of
the question paper are intact.
3. Follow the instructions given against the questions.
4. Figures in the right hand margin indicate maximum marks for the
question.
5. The maximum time to answer the paper is given at the top of the
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question paper. It includes 15 minutes for reading the question paper.
6. Ensure that, the Version of the question paper distributed to you and
the Version printed on your admission ticket is the same.

CCE RF/RR/PF/PR(A)/101/1847 1 of 8

CCE RF/RR/PF/PR(A)/101/1847 28-E
I. Four alternatives are given for each of the following questions /

incomplete statements. Only one of them is correct or most

appropriate. Choose the correct alternative and write the complete

answer along with its alphabet. 8×1=8

1. Hindustani music is called as 'Uttaraadi Sangeeta' because this

music system is developed in

(A) Karnataka only

(B) North India

(C) All over India

(D) South India

2. In Hindustani music 'Vadi Swara' means it is a raag's

(A) Varjya swara

(B) Pradhana swara

(C) Anuvadi swara

(D) Samvadi swara

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CCE RF/RR/PF/PR(A)/101/1847 28-E
3. Durga raag is called Oudav-Oudav jaati raag. Because the

numbers of swaras in Arohana and Avarohana are

(A) 5-5 (B) 5-6

(C) 5-7 (D) 4-5

4. Tabla is called as 'Avanaddha' (percussion) Instrument because it

is a

(A) Western Instrument

(B) Karnataka Music Instrument

(C) Skin Instrument

(D) Wind Instrument

5. Another name for 'Husi' in Hindustani taal is

(A) Taali (B) Sam

(C) Pettu (D) Khali

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CCE RF/RR/PF/PR(A)/101/1847 28-E
6. The small composition which moves in Drut gati after elaboration

of raag is

(A) Dhrupad

(B) Swarageeta

(C) Chhota khayal

(D) Taraana

7. The birth place of Pandit Panchakshari Gawayi is

(A) Kadashettihalli

(B) Gadag

(C) Kaginele

(D) Kurandawada

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CCE RF/RR/PF/PR(A)/101/1847 28-E
8. When Shuddha swara comes down from its particular place it

becomes

(A) Taara swara (B) Teevra swara

(C) Komal swara (D) Shuddha swara

II. Answer the following questions in a sentence each : 8×1=8

9. Why do we use a small dot on swaras in Swaralipi system ?

10. Write any two differences between the taals Dadra and Keharwa.

11. Bhairav raag is called a Uttaranga pradhana raag. Why ?

12. Which Art is called audio based education ?

13. Name any two instruments which we use in both Hindustani

music and Karnataka music.

14. Define the meaning of Khayal.

15. Write one difference between Teevra swara and Komal swara.

16. Write any one difference between Arohana and Avarohana of raag

Brundavani sarang.

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III. Answer the following questions in two to three sentences each :

7 × 2 = 14

17. Write the reason for Pandit Vishnu Digambar Paluskar to become

blind.

18. Write two similarities between Raag Bhoop and Raag Durga.

19. Classify the following raagas into Oudav-Oudav and Oudav-

Sampurna raagas :

Bibas, Malkauns, Patdeep, Bageshri.

20. Write the Arohana and Avarohana swaras of raag Bhairavi.

21. Write the characteristics of Chhota Khayal.

22. Jhaptaal is different from Chowtaal. How ?

23. Write any two differences between Karnataka music and

Hindustani music.

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CCE RF/RR/PF/PR(A)/101/1847 28-E
IV. Answer the following questions in brief :

24. Write the Swarageeta of raag Khamaj with Swaralipi system. 4

25. Explain the contributions of Purandaradasaru to Karnataka

music. 6

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CCE RF/RR/PF/PR(A)/101/1847 28-E

8 of 8

A [ Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 8

CÈÉí¨Ü PÜñܤÄÔ
[ Total No. of Printed Pages : 8
CCE RF/RR/ [ Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 25
PF/PR [ Total No. of Questions : 25

ÓÜíPæàñÜ ÓÜíTæ : 28-K Code No. : 28-K

ËÐÜ¿á : ×í¨ÜãÓݧ¯ ÓÜíXàñÜ — ÍÝÓÜŒ Ë»ÝWÜ
Subject : HINDUSTANI MUSIC — THEORY
PܮܰvÜ ÊÜÞ«ÜÂÊÜá / Kannada Medium

TEAR HERE TO OPEN THE QUESTION PAPER
ÍÝÇÝ A»Ü¦ì / ÍÝÇÝ ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì / TÝÓÜX A»Ü¦ì / TÝÓÜX ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì
Regular Fresh / Regular Repeater / Private Fresh / Private Repeater

±ÜÅÍ氱ܣÅPæ¿á®Üá° ñæÃæ¿áÆá CÈÉ PÜñܤÄÔ
©®ÝíPÜ 02. 04. 2025 ] [ Date : 02. 04. 2025
ÓÜÊÜá¿á : ÊÜá«ÝÂÖÜ° 2-00 Äí¨Ü ÓÜíhæ 3-45 ÃÜÊÜÃæWæ ] [ Time : 2-00 P.M. to 3-45 P.M.
WÜÄÐÜu AíPÜWÜÙÜá 40 ] [ Max. Marks : 40

±ÜÄàûݦìWÝX ÓÝÊÜޮܠÓÜãaÜ®æWÜÙÜá Cut here/CÈÉ PÜñܤÄÔ
1. D ±ÜÅÍ氱ܣÅPæ¿áá Joár 25 ±ÜÅÍæ°WÜÙÜ®Üá° Öæãí©¨æ.
2. D ±ÜÅÍ氱ܣÅPæ¿á®Üá° ×ÊÜáá¾S hÝPæp… ÊÜáãÆPÜ ÊæãÖÜÃÜá ÔàÇ… ÊÜÞvÜÇÝX¨æ. ±ÜÄàûæ
±ÝÅÃÜí»ÜÊÝWÜáÊÜ ÓÜÊÜá¿áPæR ¯ÊÜá¾ ±ÜÅÍ氱ܣÅPæ¿á ŸÆŸ© ±ÝÍÜÌìÊÜ®Üá° PÜñܤÄÔ ¸Ý|¨Ü
WÜáÃÜáñÜ®Üá° A®ÜáÓÜÄÔ . ±ÜÅÍ氱ܣÅPæ¿áÈÉ GÇÝÉ ±ÜâoWÜÙÜá CÊæÁáà Gí¨Üá ±ÜÄàüÔPæãÚÛ.
3. ±ÜÅÍæ°WÜÚWæ PæãqrÃÜáÊÜ ÓÜãaÜ®æWÜÙÜ®Üá° ±ÝÈÔ.
4. ŸÆ »ÝWܨÜÈÉ PæãqrÃÜáÊÜ AíQWÜÙÜá ±ÜÅÍæ°WÜÚXÃÜáÊÜ ±Üä|ì AíPÜWÜÙÜ®Üá° ÓÜãbÓÜáñܤÊæ.
5. ±ÜÅÍ氱ܣÅPæ¿á®Üá° K©PæãÙÜÛÆá 15 ¯ËáÐÜWÜÙÜ PÝÇÝÊÜPÝÍÜÊÜâ ÓæàĨÜíñæ, EñܤÄÓÜÆá
¯WÜ©±ÜwÓÜÇÝ¨Ü ÓÜÊÜá¿áÊÜ®Üá° ±ÜÅÍ氱ܣÅPæ¿á ÊæáàÇݽWܨÜÈÉ ¯àvÜÇÝX¨æ.
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6. ¯ÊÜáWæ ËñÜÄÓÜÇÝXÃÜáÊÜ ±ÜÅÍ氱ܣÅPæ¿á BÊÜ꣤ ( Version ) ÊÜáñÜᤠ¯ÊÜá¾ ±ÜÅÊæàÍÜ ±ÜñÜŨÜÈÉ
ÊÜáá©ÅñÜÊÝXÃÜáÊÜ ±ÜÅÍ氱ܣÅPæ¿á BÊÜ꣤ CÊæÃÜvÜã Jí¨æà BXÃÜáÊÜâ¨Ü®Üá° TÝñÜıÜwÔPæãÚÛ.

CCE RF/RR/PF/PR(A)/101/1846 1 of 8

CCE RF/RR/PF/PR(A)/101/1846 28-K
I. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ A¥ÜÊÝ A±Üä|ì ÖæàÚPæWÜÚWæ ®ÝÆáR ±Ü¿Þì¿á EñܤÃÜWÜÙÜ®Üá°
¯àvÜÇÝX¨æ. AÊÜâWÜÙÜÈÉ ÓÜãPܤÊÝ¨Ü Jí¨Üá EñܤÃÜÊÜ®Üá° BÄÔ, A¨ÜÃÜ PÜÅÊÜÞûÜÃܨæãvÜ®æ
±Üä|ì EñܤÃÜÊÜ®Üá° ŸÃæÀáÄ : 8×1=8

1. ×í¨ÜãÓݧ¯ ÓÜíXàñÜÊÜ®Üá° EñܤÃÝ© ÓÜíXàñÜ Êæí¨Üá PÜÃæ¿ááÊÜÃÜá. HPæí¨ÜÃæ,
D ÓÜíXàñÜ ±ÜÅPÝÃÜÊÜâ

(A) PÜ®ÝìoPܨÜÈÉ ÊÜÞñÜÅ ¸æÙæ¨ÜáŸí©¨æ

(B) EñܤÃÜ »ÝÃÜñܨÜÈÉ ¸æÙæ¨ÜáŸí©¨æ

(C) »ÝÃÜñܨݨÜÂíñÜ ¸æÙæ¨ÜáŸí©¨æ

(D) ¨Üü|»ÝÃÜñܨÜÈÉ ¸æÙæ¨ÜáŸí©¨æ

2. ×í¨ÜãÓݧ¯ ÓÜíXàñܨÜÈÉ ÊÝ©ÓÜÌÃÜ Gí¨ÜÃæ, A¨Üá ÃÝWܨÜ

(A) ÊÜgÂì ÓÜÌÃÜ

(B) ±ÜÅ«Ý®Ü ÓÜÌÃÜ

(C) A®ÜáÊÝ© ÓÜÌÃÜ

(D) ÓÜíÊÝ© ÓÜÌÃÜ

2 of 8

CCE RF/RR/PF/PR(A)/101/1846 28-K
3. ¨ÜáWÝì ÃÝWÜÊÜ®Üá° LvÜÊÜ&LvÜÊÜ hÝ£¿á ÃÝWÜÊæí¨Üá PÜÃæ¿áÆá
PÝÃÜ|Êæà®æí¨ÜÃæ, D ÃÝWÜ¨Ü BÃæãàÖÜ| ÊÜáñÜᤠAÊÜÃæãàÖÜ|¨ÜÈÉÃÜáÊÜ ÓÜÌÃÜWÜÙÜ
ÓÜíTæÂ

(A) 5-5

(B) 5-6

(C) 5-7

(D) 4-5

4. ñÜŸÆÊÜ®Üá° AÊܮܨܜ ÊݨÜÂÊæí¨Üá PÜÃæ¿áÆá PÝÃÜ|Êæà®æí¨ÜÃæ, ñÜŸÆÊÜâ

(A) ±ÝÍÝcñÜ ÓÜíXàñÜ ÊݨÜÂÊÝX¨æ

(B) PÜ®ÝìoPÜ ÓÜíXàñÜ ÊݨÜÂÊÝX¨æ

(C) aÜÊÜáì ÊݨÜÂÊÝX¨æ

(D) ÓÜáÑÃÜ ÊݨÜÂÊÝX¨æ

5. ×í¨ÜãÓݧ¯ ñÝÙܨÜÈÉ ÖÜáÔ Wæ CÃÜáÊÜ ÊÜáñæã¤í¨Üá ÖæÓÜÃÜá

(A) ñÝÈ

(B) ÓÜÊÜå…

(C) ±æoár

(D) TÝÈ

3 of 8

CCE RF/RR/PF/PR(A)/101/1846 28-K
6. ÃÝWÜÊÜâ ËÓݤÃÜWæãívÜ ®ÜíñÜÃÜ «Üêñ…WÜ£¿áÈÉ ÓÝWÜáÊÜ QÃÜáÃÜaÜ®æÁáà

(A) «Üê±Ü¨…

(B) ÓÜÌÃÜXàñæ

(C) dæãàpÝ S¿ÞÇ…

(D) ñÜÃÝ®Ü

7. ±Üíwñ… ±ÜíaÝûÜÄ WÜÊÝÀáWÜÙÜá g¯Ô¨Ü ÓܧÙÜ

(A) PÝvÜÍæqr ÖÜÚÛ

(B) WܨÜWÜ

(C) PÝX®æÇæ

(D) PÜáÃÜí¨ÜÊÝvÜ

4 of 8

CCE RF/RR/PF/PR(A)/101/1846 28-K
8. ÍÜá¨Üœ ÓÜÌÃÜÊÜâ ñܮܰ ¯¿áñÜ Óݧ®Ü A¥ÜÊÝ ±ÜÅÊÜÞ|©í¨Ü PæÙÜXÚ¨ÝWÜ,

(A) ñÝÃÜ ÓÜÌÃÜ G¯ÔPæãÙÜáÛñܤ¨æ

(B) £àÊÜÅ ÓÜÌÃÜÊÝWÜáñܤ¨æ

(C) PæãàÊÜáÆ ÓÜÌÃÜ EípÝWÜáñܤ¨æ

(D) ÍÜá¨Üœ ÓÜÌÃÜÊÝXÁáà EÚ¿ááñܤ¨æ

II. PæÙÜX®Ü ±ÜÅ£Áãí¨Üá ±ÜÅÍæ°WÜÚWæ Jí¨æãí¨Üá ÊÝPܨÜÈÉ EñܤÄÔ : 8×1=8

9. ÓÜÌÃÜȲ ±Ü¨Üœ£¿áÈÉ ÓÜÌÃÜWÜÙÜ ÊæáàÇæ aÜáPæR CvÜÆá PÝÃÜ|Êæà®Üá

10. ¨Ý¨ÜÃÝ ÖÝWÜã PæÖÜÃÜÊÝ ñÝÙÜWÜÙÜÈÉ®Ü ¿ÞÊÜâ¨Ý¨ÜÃÜã Jí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá°
ŸÃæÀáÄ.

11. »æçÃÜÊÜ ÃÝWÜÊÜ®Üá° EñܤÃÝíWÜ ±ÜÅ«Ý®Ü ÃÝWÜÊæí¨Üá PÜÃæ¿ááÊÜÃÜá HPæ

12. ÍÜÅÊÜ| ÓÝ«ÜPÜ Ë¨æ Gí¨Üá PÜÃæ¿áƳvÜáÊÜ PÜÇæ ¿ÞÊÜâ¨Üá

13. ×í¨ÜãÓݧ¯ ÊÜáñÜᤠPÜ®ÝìoPÜ ÓÜíXàñÜ GÃÜvÜá ±ÜÅPÝÃÜWÜÙÜÈÉ ŸÙÜÓÜŸÖÜá¨Ý¨Ü
¿ÞÊÜâ¨Ý¨ÜÃæãí¨Üá ÊݨÜÂÊÜ®Üá° ÖæÓÜÄÔ.

5 of 8

CCE RF/RR/PF/PR(A)/101/1846 28-K
14. S¿ÞÆ ±Ü¨Ü¨Ü A¥ÜìÊÜ®Üá° ÊÝÂTݯÔ.

15. £àÊÜÅ ÓÜÌÃÜ ÊÜáñÜᤠPæãàÊÜáÆ ÓÜÌÃÜQRÃÜáÊÜ Jí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá° ŸÃæÀáÄ.

16. Ÿêí¨ÝÊܯ ÓÝÃÜíWÜ ÃÝWÜ¨Ü BÃæãàÖÜ| ÊÜáñÜᤠAÊÜÃæãàÖÜ|¨ÜÈÉ PÜívÜáŸÃÜáÊÜ
¿ÞÊÜâ¨Ý¨ÜÃÜã Jí¨Üá ÊÜÂñÝÂÓÜÊÜ®Üá° ŸÃæÀáÄ.

III. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ GÃÜvÜÄí¨Ü ÊÜáãÃÜá ÊÝPÜÂWÜÙÜÈÉ EñܤÄÔ : 7 × 2 = 14

17. ±ÜíwñÜ ËÐÜá¡©WÜíŸÃÜ ±ÜÆáÓÜRÃ…ÃÜÊÜÃÜá ¨ÜêÑr×à®ÜÃÝWÜÆá PÝÃÜ|ÊÜ®Üá° £ÚÔ.

18. ¨ÜáWÝì ÊÜáñÜᤠ»Üã±Ü ÃÝWÜWÜÙÜÈÉ®Ü ¿ÞÊÜâ¨Ý¨ÜÃÜã GÃÜvÜá ÓÝÊÜáÂñæWÜÙÜ®Üá°
ŸÃæÀáÄ.

19. D PæÙÜWæ PæãqrÃÜáÊÜ ÃÝWÜWÜÙÜ®Üá° LvÜÊÜ&LvÜÊÜ ÊÜáñÜᤠLvÜÊÜ&ÓÜí±Üä|ì
ÃÝWÜWÜÙÝX ÊÜXàìPÜÄÔ ŸÃæÀáÄ

a) ¹¸ÝÓ…

b) ÊÜÞÇ…Pè®…Õ

c) ±Üo©à±Ü

d) ¸ÝWæàÎÅà

20. »æçÃÜË ÃÝWÜ¨Ü BÃæãàÖÜ| ÊÜáñÜᤠAÊÜÃæãàÖÜ| ÓÜÌÃÜWÜÙÜ®Üá° ŸÃæÀáÄ.

21. dæãàpÝ S¿ÞÇ…®Ü ÆûÜ|WÜÙÜ®Üá° ÓÜíü±Ü¤ÊÝX ËÊÜÄÔ.

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CCE RF/RR/PF/PR(A)/101/1846 28-K
22. ÃÜká±Ý¤ÆÊÜâ aèñÝÆQRíñÜ ¼®Ü°ÊÝX¨æ. ÖæàWæ

23. ×í¨ÜãÓݧ¯ ÓÜíXàñÜ ÊÜáñÜᤠPÜ®ÝìoPÜ ÓÜíXàñÜQRÃÜáÊÜ ¿ÞÊÜâ¨Ý¨ÜÃÜã GÃÜvÜá
ÊÜÂñÝÂÓÜWÜÙÜ®Üá° ŸÃæÀáÄ.

IV. PæÙÜX®Ü ±ÜÅÍæ°WÜÚWæ ÓÜíü±Ü¤ÊÝX EñܤÄÔ :

24. SÊÜÞh… ÃÝWÜ¨Ü ÓÜÌÃÜXàñæ¿á®Üá° ÓÜÌÃÜȲ ±Ü¨Üœ£¿áíñæ ȲŸ¨ÜœWæãÚÔ. 4

25. ±ÜâÃÜí¨ÜÃܨÝÓÜÃÜá PÜ®ÝìoPÜ ÓÜíXàñÜPæR ¯àw¨Ü PæãvÜáWæWÜÙÜ®Üá° ËÊÜÄÔ. 6

7 of 8

CCE RF/RR/PF/PR(A)/101/1846 28-K

8 of 8

A [ Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 4
CCE RF/RR/ [ Total No. of Printed Pages : 4
PF/PR
[ Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 6
[ Total No. of Questions : 6

ÓÜíPæàñÜ ÓÜíTæ : 28-E Code No. : 28-E

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Subject : HINDUSTANI MUSIC — PRACTICAL
( / English Medium )
ÍÝÇÝ A»Ü¦ì / ÍÝÇÝ ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì / TÝÓÜX A»Ü¦ì / TÝÓÜX ±Üâ®ÜÃÝÊÜ£ìñÜ A»Ü¦ì
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WÜÄÐÜu AíPÜWÜÙÜá 40 ] [ Max. Marks : 40

Cut here/CÈÉ PÜñܤÄÔ
General Instructions to the Candidate :
1. This Question Paper consists of 6 questions.
2. This question paper has been sealed by reverse jacket. You have to
cut on the right side to open the paper at the time of
commencement of the examination ( Follow the arrow mark ). Do not
cut the left side to open the paper. Check whether all the pages of
the question paper are intact.
3. Follow the instructions given against the questions.
4. Figures in the right hand margin indicate maximum marks for the
question.
5. The maximum time to answer the paper is given at the top of the
Tear here

question paper.
6. Ensure that, the Version of the question paper distributed to you and
the Version printed on your admission ticket is the same.

CCE RF/RR/PF/PR(A)/101/1847 1 of 4

CCE RF/RR/PF/PR(A)/101/1847 28-E

Examiners should ask the following questions to the students :

1. What are the 'Jantiswaras' ? Sing any one 'Jantiswara' from the

syllabus. 8

2. State the difference between 'Sargam geeta' and 'Lakshana geeta'.

Sing any one Sargam geeta from the syllabus. 8

3. Lakshana geetha is different from Chhota Khayal. How ? Sing one

Lakshana geetha from the syllabus. 6

4. Explain briefly about Chhota Khayal. Sing one Chhota Khayal

from the syllabus. 8

5. Tell the difference between Dasarapada and Vachana. Sing one

Vachana from the syllabus. 6

2 of 4

CCE RF/RR/PF/PR(A)/101/1847 28-E

6. By giving explanation orally about Tritaal, show its bol with

hands. 4

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4 of 4

A [ Joár ÊÜáá©ÅñÜ ±ÜâoWÜÙÜ ÓÜíTæ : 4

CÈÉí¨Ü PÜñܤÄÔ
[ Total No. of Printed Pages : 4
CCE RF/RR/ [ Joár ±ÜÅÍæ°WÜÙÜ ÓÜíTæ : 6
PF/PR [ Total No. of Questions : 6

ÓÜíPæàñÜ ÓÜíTæ : 28-K Code No. : 28-K
ËÐÜ¿á : ×í¨ÜãÓݧ¯ ÓÜíXàñÜ — ±ÝÅÁãàXPÜ Ë»ÝWÜ
Subject : HINDUSTANI MUSIC — PRACTICAL
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©®ÝíPÜ 02. 04. 2025 ] [ Date : 02. 04. 2025
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