CBSE Class 12 Question Paper 2024 Commercial Art Theory

CBSE

Series &RQPS SET-4
- 
Q.P. Code 72
 .  -   - 
Roll No. -    
Candidates must write the Q.P. Code
on the title page of the answer-book.

=       -     11  
=       -  7   
= -        -    -  -   
=         , -       
=  -     15        -      10.15 
   10.15   10.30     -        
-      
= Please check that this question paper contains 11 printed pages.
= Please check that this question paper contains 7 questions.
= Q.P. Code given on the right hand side of the question paper should be written
on the title page of the answer-book by the candidate.
= Please write down the serial number of the question in the answer-book
before attempting it.
= 15 minute time has been allotted to read this question paper. The question
paper will be distributed at 10.15 a.m. From 10.15 a.m. to 10.30 a.m., the
candidates will read the question paper only and will not write any answer on
the answer-book during this period.

  ( ) (   )
COMMERCIAL ART (Theory)
(HISTORY OF INDIAN ART)

{ZYm©[aV g‘¶ : 2 KÊQ>o A{YH$V‘ A§H$ : 30
Time allowed : 2 hours Maximum Marks : 30

722 251 Page 1 P.T.O.

  :
*  – 
     (   1   )

*  – 
     (   2   )

*  – 
       (   6   )

 –  8 1=8

( )

1.           :
() “”  -    ? 1

(i)   
(ii)   
(iii)     
(iv)    
()     -   ? 1

(i)  (ii) 
(iii)  (iv) 
() ...      “”     ? 1

(i)      (ii)   
(iii)   (iv)   
722 Page 2

General Instructions :
* SECTION – A

Attempt all questions. (Each Question will carry 1 mark.)

* SECTION – B

Attempt all questions. (Each Question will carry 2 marks.)

* SECTION – C

Attempt any two questions. (Each Question will carry 6 marks.)

SECTION – A 8 1=8

(Multiple Choice Questions)

1. Select the right option from the given options :

(A) Who supervised the creation of “Hamza Nama” ? 1

(i) Daswant and Basawan

(ii) Sahibdin and Ruknudin

(iii) Mir Sayyid Ali and Abdu Samad

(iv) Miskin and Abul Hassan

(B) Which is not a Deccan sub-school ? 1

(i) Golkunda (ii) Hyderabad

(iii) Bijapur (iv) Kangra

(C) Name the medium of “Radhika” made by M.A.R. Chughtai. 1

(i) Wash and tempra on paper (ii) Oil on Canvas

(iii) Acrylic colour (iv) Gouache on paper

722 Page 3 P.T.O.

()  (A) :         ()     
 (R) :        1

(i) (A)  (R)     (R), (A)     
(ii) (A)  (R)   ,  (R), (A)      
(iii) (A)    (R)   
(iv) (A)    (R)   

()          ,  ()     
  : 1
(i)  -
(ii)    
(iii)    
(iv)  

()         ,       
    19            
     1
(i)    (ii)  
(iii)    (iv)  

()  (A) :      -- (  )   
 (R) :               
   1
(i) (A)  (R)     (R), (A)     
(ii) (A)  (R)   ,  (R), (A)      
(iii) (A)   ,  (R)   
(iv) (A)  ,  (R)   
722 Page 4

(D) Assertion (A) : Bharat meets Rama at Chitrakuta painting was
painted by Guman.
Reason (R) : Sub school of Kangra. 1
(i) Both (A) and (R) are true and (R) is the correct explanation of (A).
(ii) Both (A) and (R) are true but (R) is not the correct explanation
of (A).
(iii) (A) is false but (R) is true.
(iv) (A) is true but (R) is false.
(E) Identify the painting of Mughal school in which elements like colour,
typography and balance play a very important role : 1
(i) Radha Bani-thani
(ii) Marriage procession of Dara Shikoh
(iii) Falcon on A Bird-Rest
(iv) Krishna lifting mount Govardhan
(F) Name the artist who was famous and known as first Renaissance
Champion of Indian Art and his paintings are upon Indian themes in
European style in late 19th Century. 1
(i) M.F. Hussain (ii) Amrita Sher-Gil
(iii) Raja Ravi Varma (iv) Jamini Roy
(G) Assertion (A) : Jahangir gave the title Nadir-ul-Asr (Wonder of the
Age) to Ustad Mansur.
Reason (R) : Because Jahangir had a fine collection of exotic birds
and animals and he got them painted. 1
(i) Both (A) and (R) are true and (R) is the correct explanation of (A).
(ii) Both (A) and (R) are true but (R) is not the correct explanation
of (A).
(iii) (A) is true but (R) is false.
(iv) (A) is false but (R) is true.

722 Page 5 P.T.O.

()         ? 1

(i) .   (ii)  

(iii)   (iv)  

 –  5 2 = 10

(    )

    100     

2. (a)              
           -        2



(b) “ ”     ,        
 

3. (a)                  
     2

·       

·      



(b) ‘  ’  ‘  ’     -    
       
722 Page 6

(H) Which of the following is Not a printmaker ? 1

(i) K. Laxma Goud (ii) Amrita Sher-Gil

(iii) Jyoti Bhatt (iv) Anupam Sud

SECTION – B 5 2 = 10

(Short answer type questions)

Answer for these questions is expected in around 100 words.

2. (a) Identify and name the famous print from your course of study made
by Artist Somnath Hore showing a social problem. Mention the
medium and subject-matter in detail while giving the answer. 2

OR

(b) Identify and name the Artist sculptor, medium and mention the
emotions revealed in the sculpture “Cries Unheard”.

3. (a) In this painting, Krishna uses the mountain like a huge umbrella
under which the entire village takes refuge. 2

· Name the painting and the artist.

· Show Compositional arrangement in short.

OR

(b) Write the name of the sub-school and medium used in making the
painting ‘Hazrat Nizamudin Auliya’ and ‘Amir Khusro’, also explain
any two main features of this painting.

722 Page 7 P.T.O.

4. (a)     “”           

·               

· -   2



(b) “   ”   -  
     

  ?       ?

5. (a)             

      ? 
      2



(b)                  

      ? 
     ?

6. (a)             

      ?           

  2



(b)            ,   

    

722 Page 8

4. (a) In this painting, artist “Nihal Chand” used bright colours with flat
dark background.
· Identify and name the painting and medium from your course
of study.
· Describe the subject matter. 2
OR
(b) How far has the painter been successful in depicting the subject
matter of “Krishna with Gopis” painting ? Who is the artist of this
painting ?

5. (a) Describe the any one painting of Indian Artist Amrita Sher-Gil
whose subject are Indian and painted in very classical way. Explain
in your own words in detail. 2
OR
(b) Which were the main years of the three main stages of the
evaluation of our National Flag and when was the present Indian
National Flag adopted from Constitution Assembly (date) ? Explain
in your own words in detail.

6. (a) What are the qualities that you admire in the artwork made by the
famous artist Ram Gopal Vijayvargiya. Identify the name and
elaborate his painting from your course of study. 2
OR
(b) Explain the aesthetic qualities, medium and technique used by the
artist Jamini Roy while creating his artworks which are included in
your course of study.

722 Page 9 P.T.O.

 – 
(    )

7.                 200     
2 6 = 12

(A)             ?  

           6

(B)                   

        -    6

·            

·   -   

·      

(C)         ,          6

·            

·                

     ?

_____________

722 Page 10

SECTION – C

(Long answer type questions)

7. Attempt any two questions from the given options. 2 6 = 12

Answer for these questions is expected in around 200 words.

(A) In what way did the Indian artists contribute to the struggle for

National Independence ? Explain with special reference to the

related Art works done by Abnindranath Tagore and Nandlal Bose. 6

(B) In this painting, Radha and Krishna have been depicted symbolically

in the form of human Soul and God. Sub school of this painting is

Bikaner. 6

· Identify the painting and its artist.

· Explain subject matter in brief.

· Describe compositional arrangement.

(C) Write the detailed description of the painting titled “Shiva and Sati”. 6

· Name of the artist and describe the features of Indian

Traditional Culture.

· How successful has the artist been in using the colours and

highlight the aesthetical aspects of this famous painting ?

_____________

722 Page 11 P.T.O.

722 251 Page 12

CBSE STUDY MATERIAL

CBSE Board

INFORMATION CLASS STUDY MATERIAL

1 Time Table 09 Sample Paper
10 Sample Paper
2 Result
11 Sample Paper
3 Syllabus 12 Sample Paper

OTHER RESOURCES
09 Question Paper
Maps of India, Maps of World
Writing Skill Formats 10 Question Paper
Periodic Table 11 Question Paper
12 Question Paper
Class 9 Notes
Class 10 Notes
NCERT Book
Class 11 Notes
Class 12 Notes NCERT Solutions

ENTRANCE EXAMS

JEE Main CLAT CUET UG
JEE Advanced NEET UG Fashion & Design