CBSE Class 12 Question Paper 2024 Graphics

CBSE

Series &RQPS SET-4
- 
Q.P. Code 74
 .  -   - 
Roll No. -    
Candidates must write the Q.P. Code
on the title page of the answer-book.

=       -     11  
=       -  9   
= -        -    -  -   
=         , -       
=  -     15        -     10.15
    10.15   10.30     -     
   -       
= Please check that this question paper contains 11 printed pages.
= Please check that this question paper contains 9 questions.
= Q.P. Code given on the right hand side of the question paper should be
written on the title page of the answer-book by the candidate.
= Please write down the serial number of the question in the answer-
book before attempting it.
= 15 minute time has been allotted to read this question paper. The question
paper will be distributed at 10.15 a.m. From 10.15 a.m. to 10.30 a.m., the
candidates will read the question paper only and will not write any
answer on the answer-book during this period.

- () (   )
GRAPHICS (Theory)
(HISTORY OF INDIAN ART)

{ZYm©[aV g‘¶ : 2 KÊQ>o A{YH$V‘ A§H$ : 30
Time allowed : 2 hours Maximum Marks : 30
742 Page 1
254 P.T.O.

  :
·  – 
     (   1   )
·  – 
     (   2   )
·  – 
       (   6   )

 – 
1.           :
(A)     “   ”   -    ? 1

(i)  (ii) 
(iii)  (iv) 

(B)  (A) :              1

 (R) :          
(i) (A)  (R)     (R), (A)     

(ii) (A)  (R)    ,   (R), (A)      

(iii) (A)    (R)   

(iv) (A)    (R)   

(C) “  ”        ? 1

(i)  (ii) :
(iii)  (iv) 

742 Page 2

General Instructions :
· Section – A
Attempt all questions. (Each Question will carry 1 mark.)
· Section – B
Attempt all questions. (Each Question will carry 2 marks.)
· Section – C
Attempt any two questions. (Each Question will carry 6 marks.)

SECTION – A

1. Select the right answer from the given options :
(A) In which sub-school is the “Krishna with Gopies” painting from
your syllabus made ? 1
(i) Mewar (ii) Kangra
(iii) Basholi (iv) Jaipur

(B) Assertion (A) : Love and devotion of divine couple is shown in the
painting.
Reason (R) : The painting based on the Rasikpriya poetry of
Kalidasa. 1
(i) Both (A) and (R) are true and (R) is the correct explanation of (A).
(ii) Both (A) and (R) are true but (R) is not the correct explanation
of (A).
(iii) (A) is true but (R) is false.
(iv) (A) is false but (R) is true.

(C) How many Horses are shown in the painting “Chaugan Players” ? 1
(i) Nine (ii) Six
(iii) Four (iv) Three

742 Page 3 P.T.O.

(D)                  1

(i)  (ii) 
(iii)  (iv) 

(E)          : 1

(i)  (ii) 
(iii)   (iv) 

(F)               ? 1

(i)  (ii) 
(iii)  (iv) 

(G)  (A) :             ,
     
 (R) :    ,           
                 1

(i) (A)  (R)     (R), (A)     

(ii) (A)  (R)    ,   (R), (A)      

(iii) (A)   ,   (R)   

(iv) (A)  ,   (R)   

(H)    ,            
     ? 1

(i)   (ii) ..  
(iii)   (iv) .. 
742 Page 4

(D) Saint Kabir is shown working on his loom, the process known as 1
(i) Stitching (ii) Weaving
(iii) Painting (iv) Cleaning

(E) Mughal painting saw its end during the time of : 1
(i) Babur (ii) Jahangir
(iii) Aurangzeb (iv) Akbar

(F) Which colour of strip is common in all stages of Indian National
Flag ? 1
(i) Red (ii) Yellow
(iii) Green (iv) Saffron

(G) Assertion (A) : Mainly the wash technique is used in painting by
Bengal school artist, like in Japan and China.
Reason (R) : Made by this technique, this is an oil painting of
typical Indian young girl in standing pose with head down,
flower in hands and lamp stand in background. 1
(i) Both (A) and (R) are true and (R) is the correct explanation of (A).
(ii) Both (A) and (R) are true but (R) is not the correct explanation
of (A).
(iii) (A) is true, but (R) is false.
(iv) (A) is false, but (R) is true.

(H) Identify the sculptor who created the Art work in which four men
are engaged in the task of moving a block of stone with the help of
wooden logs/staff. 1
(i) Ramkinkar Baij (ii) D.P. Roy Chowdhury
(iii) Amarnath Sehgal (iv) P.V. Janakiram
742 Page 5 P.T.O.

 – 
(  )

     100     
2. (a)     ,    ,         

    2

· “     ”        

 
·         

(b)               
·          
·          

3. (a)         ,       
   2

·          ?   
·       

(b)                 
    
·           
·        

742 Page 6

SECTION – B

(Short answer type questions)

Answer for these questions is expected in around 100 words.

2. (a) In the same scene happiness, respect for elders, sacrifice of own
comforts for others forgiveness are shown. 2

· Explain the painting “Bharat meets Rama at Chitrakuta”
based on above statement.

· Name of the artist and medium of painting.

OR

(b) Two episodes of love and devotion of the divine couple were shown
in the painting.

· Identify the painting based on the above statement.

· Appreciate the painting on the basis of your views.

3. (a) A movement involved exploring new artistic methods,
experimenting with new techniques to produce better art. 2

· On the above statement, what do you understand ? Explain.

· Write the name of this school of art.

OR

(b) The thought behind the final modification of Indian National flag
is that it should be acceptable to all parties and communities.

· A new flag of free India was hoisted on which date ?

· Explain in short, Indian National Flag.

742 Page 7 P.T.O.

4. (a)    “ ”             
         2

·            
·         

(b)         :
· “   ”     
·      /  

5. (a)      : 2

· ‘ ’     
·   ,   /  

(b)      :
· “    ”      ,   
·       

6. (a)           : 2

· “  ”     
·     

(b)         :
· “  ”     

·       

742 Page 8

4. (a) In this painting “Lord Krishna” uses the mountain like a huge
umbrella, under which the entire village takes refuge. 2

· Identify the painting and artist from your syllabus.

· Describe – the compositional arrangement.
OR
(b) On the basis of love for birds and animals :

· Explain the painting “Falcon on a bird nest”.

· Write the name of artist and its medium / technique.

5. (a) Painting based on Raghmala series : 2

· Appreciate the painting ‘Maru Ragini’.

· Write the name of artist, school and medium / technique.

OR
(b) On the basis of compositional arrangements :

· Appreciate the richness shown in the painting “Marriage
Procession of Dara Shikoh”.

· Mention the name of artist and medium.

6. (a) On the basis of exposure of hidden faces of the society : 2

· Appreciate the print “Of-Walls”.

· Mention the name of artist.

OR
(b) A very honest portrayal of a domestic Indian household :

· Appreciate the painting “Haldi Grinders”.

· Write the name of artist and medium.

742 Page 9 P.T.O.

 – 
(  )

           :
    200     

7.                 6

·              
        
·                 ?
 ?   

8.                   6

·               
·              
  ( )

9.  ()             6

·              -  
·       
____________

742 Page 10

SECTION – C

(Long answer type questions)

Attempt any two questions from the given options :
Answer for these questions is expected in around 200 words.
7. It is a well-known fact that the Indian freedom movement had a
tremendous impact on the public life. 6

· Mention the name of the main artist who played an important role
in the movement and also the founder of Bengal School of Art,
explain through his/her Artwork.

· Do you think that art works of that period really inspired people ?
How ? Explain it.

8. A refined and purified form of Indian traditional art is known as
Rajasthani school of art. 6

· Appreciate the role of Mewar in Rajasthani school of art through
the Painting.

· On the basis of above statement, explain some important
characteristics of Rajasthani School of Art. (Any Six)

9. The Deccani painting, showcases, the game of Polo with a convincing
portrayal of depth and perspective. 6

· Identify and write the name of this painting and its sub-school
from your course of study.

· Describe the compositional arrangement in detail.

____________

742 Page 11 P.T.O.

742 254 Page 12

CBSE STUDY MATERIAL

CBSE Board

INFORMATION CLASS STUDY MATERIAL

1 Time Table 09 Sample Paper
10 Sample Paper
2 Result
11 Sample Paper
3 Syllabus 12 Sample Paper

OTHER RESOURCES
09 Question Paper
Maps of India, Maps of World
Writing Skill Formats 10 Question Paper
Periodic Table 11 Question Paper
12 Question Paper
Class 9 Notes
Class 10 Notes
NCERT Book
Class 11 Notes
Class 12 Notes NCERT Solutions

ENTRANCE EXAMS

JEE Main CLAT CUET UG
JEE Advanced NEET UG Fashion & Design