CBSE Class 12 Music Hindustani (Vocal) Question Paper 2019

SET-4
Series BVM H$moS> Z§.
Code No. 79
amob Z§. narjmWu H$moS >H$mo CÎma-nwpñVH$m Ho$ _wI-n¥ð >na
Roll No. Adí` {bIo§ &
Candidates must write the Code on the
title page of the answer-book.

 H¥$n`m Om±M H$a b| {H$ Bg àíZ-nÌ _o§ _w{ÐV n¥ð> 3 h¢ &
 àíZ-nÌ _| Xm{hZo hmW H$s Amoa {XE JE H$moS >Zå~a H$mo N>mÌ CÎma-nwpñVH$m Ho$ _wI-n¥ð> na {bI| &
 H¥$n`m Om±M H$a b| {H$ Bg àíZ-nÌ _| 8 àíZ h¢ &
 H¥$n`m àíZ H$m CÎma {bIZm ewê$ H$aZo go nhbo, àíZ H$m H«$_m§H$ Adí` {bI| &
 Bg àíZ-nÌ H$mo n‹T>Zo Ho$ {bE 15 {_ZQ >H$m g_` {X`m J`m h¡ & àíZ-nÌ H$m {dVaU nydm©• _|
10.15 ~Oo {H$`m OmEJm & 10.15 ~Oo go 10.30 ~Oo VH$ N>mÌ Ho$db àíZ-nÌ H$mo n‹T>|Jo Am¡a
Bg Ad{Y Ho$ Xm¡amZ do CÎma-nwpñVH$m na H$moB© CÎma Zht {bI|Jo &
 Please check that this question paper contains 3 printed pages.
 Code number given on the right hand side of the question paper should be
written on the title page of the answer-book by the candidate.
 Please check that this question paper contains 8 questions.
 Please write down the Serial Number of the question before
attempting it.
 15 minute time has been allotted to read this question paper. The question
paper will be distributed at 10.15 a.m. From 10.15 a.m. to 10.30 a.m., the
students will read the question paper only and will not write any answer on
the answer-book during this period.

g§JrV {hÝXþñVmZr (Jm`Z)
(g¡ÕmpÝVH$)
MUSIC HINDUSTANI (Vocal)
(Theory)

{ZYm©[aV g_` : 3 KÊQ>o A{YH$V_ A§H$ : 30
Time allowed : 3 hours Maximum Marks : 30

79 1 P.T.O.

{ZX}e :
(i) {H$Ýht nm±M àíZm| Ho$ CÎma Xr{OE &
(ii) g^r àíZm| Ho$ A§H$ g_mZ h¢ &
Instructions :
(i) Attempt any five questions.
(ii) All questions carry equal marks.

1. Ab§H$ma, dU© Am¡a H$U H$s n[a^mfm {b{IE & 6
Write the definition of Alankar, Varna and Kan.

2. ^maVr` emñÌr` g§JrV _| amJ dJuH$aU H$s Amdí`H$Vm na àH$me S>m{bE & 6
Throw light on the necessity of Classification of Ragas in Indian classical
music.

3. g§JrV aËZmH$a H$m g§{já n[aM` Xr{OE & 6

‘g§JrV n[aOmV’ _| M{M©V lw{V Am¡a ñda Ho$ gå~ÝY na àH$me S>m{bE &
Give a brief introduction of Sangeet Ratnakar.
OR
Throw light on the relationship of Shruti and Swara as discussed in
‘Sangeet Parijat’.

4. Xmo Ambmnm| g{hV amJ ~mJolr Ho$ _hÎdnyU© bjUm| H$mo {b{IE & 6
{ZåZ{b{IV _| go {H$gr EH$ H$m OrdZ-n[aM` d ^maVr` emñÌr` g§JrV Ho$ {dH$mg Ho$
à{V {H$E JE `moJXmZ na g§{já {Q>ßnUr {b{IE :
(A) CñVmX AãXþb H$ar_ Im±
(~) CñVmX \¡$æ`mµO Im±
(g) CñVmX ~‹S>o µJwbm_ Abr Im±
Write the important features of Raga Bageshri along with two alaps.
OR

79 2

Write a short note on the life sketch and contribution of any one of the
following to the development of Indian classical music :
(a) Ustad Abdul Karim Khan
(b) Ustad Faiyaz Khan
(c) Ustad Bade Ghulam Ali Khan

5. PnVmb AWdm ê$nH$ H$m R>oH$m CgH$s XþJwZ g{hV {b{IE & 6

Write the theka of Jhaptal or Rupak along with its Dugun.

6. AnZo nmR>çH«$_ Ho$ {H$gr EH$ amJ _| EH$ ÐþV »`mb ñda{bnr g{hV {b{IE & 6

Write a Drut Khyal with notation in any Raga prescribed in your syllabus.

7. {ZåZ{b{IV Xmo amJm| H$mo nhMm{ZE Am¡a CZ_| go àË`oH$ H$m H$_-go-H$_ 25 – 25 ñdam| _|
{dñVma H$s{OE : 6

(A) J _ Y Zr Y _
(~) J _ Y Zr Y _
Recognise the two ragas and elaborate them in at least 25 swaras each :

(a) Ga Ma Dha Ni Dha Ma

(b) Ga Ma Dha Ni Dha Ma

8. amJm| Ho$ g_` {gÕmÝV go Š`m VmËn`© h¡ ? 6

{ZåZ{b{IV _| go {H$Ýht Xmo na g§{já {Q>ßn{U`m± {b{IE :
dU©, _yÀN>©Zm, Ambmn, _tS>
What is meant by the Time Theory of Ragas ?
OR

Write short notes on any two of the following :
Varna, Murchhana, Alap, Meend

79 3 P.T.O.