CBSE Class 12 Painting Question Paper 2019

SET-4
Series BVM H$moS> Z§.
Code No. 71
amob Z§. narjmWu H$moS >H$mo CÎma-nwpñVH$m Ho$ _wI-n¥ð >na
Roll No. Adí` {bIo§ &
Candidates must write the Code on the
title page of the answer-book.

 H¥$n`m Om±M H$a b| {H$ Bg àíZ-nÌ _o§ _w{ÐV n¥ð> 4 h¢ &
 àíZ-nÌ _| Xm{hZo hmW H$s Amoa {XE JE H$moS >Zå~a H$mo N>mÌ CÎma-nwpñVH$m Ho$ _wI-n¥>ð> na {bI| &
 H¥$n`m Om±M H$a b| {H$ Bg àíZ-nÌ _| >8 àíZ h¢ &
 H¥$n`m àíZ H$m CÎma {bIZm ewê$ H$aZo go nhbo, àíZ H$m H«$_m§H$ Adí` {bI| &
 Bg àíZ-nÌ H$mo n‹T>Zo Ho$ {bE 15 {_ZQ >H$m g_` {X`m J`m h¡ & àíZ-nÌ H$m {dVaU nydm©• _|
10.15 ~Oo {H$`m OmEJm & 10.15 ~Oo go 10.30 ~Oo VH$ N>mÌ Ho$db àíZ-nÌ H$mo n‹T>|Jo Am¡a
Bg Ad{Y Ho$ Xm¡amZ do CÎma-nwpñVH$m na H$moB© CÎma Zht {bI|Jo &
 Please check that this question paper contains 4 printed pages.
 Code number given on the right hand side of the question paper should be
written on the title page of the answer-book by the candidate.
 Please check that this question paper contains 8 questions.
 Please write down the Serial Number of the question before
attempting it.
 15 minute time has been allotted to read this question paper. The question
paper will be distributed at 10.15 a.m. From 10.15 a.m. to 10.30 a.m., the
students will read the question paper only and will not write any answer on
the answer-book during this period.

{MÌH$bm (g¡ÕmpÝVH$)
(^maVr` H$bm H$m B{Vhmg)
PAINTING (Theory)
(HISTORY OF INDIAN ART)

{ZYm©[aV g_` : 2 KÊQ>o A{YH$V_ A§H$ : 40
Time allowed : 2 hours Maximum Marks : 40

71 1 P.T.O.

gm_mÝ` {ZX}e :
(i) g^r AmR> àíZ A{Zdm`© h¢, {OZHo$ A§H$ g_mZ h¢ &
(ii) àíZ g§»`m 1 d 2 H$m àË`oH$ CÎma bJ^J 200 eãXm| _| VWm àíZ g§»`m 3, 4 d 5 H$m
àË`oH$ CÎma bJ^J 100 eãXm| _| {b{IE & àíZ g§»`m 6, 7 d 8 dñVw{Zð> àH$ma Ho$ h¢ &
General Instructions :
(i) All the eight questions are compulsory, which carry equal marks.
(ii) Answers to be written for question nos. 1 and 2 in about 200 words each
and for question nos. 3, 4 and 5 in about 100 words each. Question nos. 6,
7 and 8 are objective type.

1. ^maVr¶ amîQ´>r¶ ÜdO Ho$ H«$_{dH$mg VWm BgHo$ dV©‘mZ ñdê$n ‘| à¶w³V AmH$mam| Ed§ a§Jm| Ho$
àVrH$mË‘H$ ‘hÎd H$m dU©Z H$s{OE & 5
Describe the evolution of the Indian National Flag and the symbolic
significance of the forms and colours used in its present form.

2. AnZo nmR>çH«$‘ ‘| gpå‘{bV {ZåZ{b{IV bKw-{MÌm| ‘| go {H$gr EH$ H$m gm¢X¶©-{ddoMZ
¶Wm{d{Y BgHo$ (i) {MÌH$ma/Cn-e¡br H$m Zm‘, (ii) ‘mܶ‘ Ed§ VH$ZrH$, (iii) {df¶-dñVw
VWm (iv) g§¶moOZ Ho$ AmYma na H$s{OE : 5
(A) JmodY©ZYmar H¥$îU (‘wµJb e¡br)
(~) hµOaV {ZµOm‘wÔrZ Am¡{b¶m Am¡a A‘ra Iwgamo (Xp³IZr e¡br)
Appreciate any of the following miniature-paintings included in your
course of study, duly based on its (i) Name of the painter/Sub-School,
(ii) Medium & technique, (iii) Subject-matter, and (iv) Composition :
(a) Krishna Lifting Mount Govardhana (Mughal School)
OR
(b) Hazrat Nizamuddin Aulia and Amir Khusro (Deccani School)

3. g_H$mbrZ (AmYw{ZH$) ^maVr` H$bm H$s {ZåZ{b{IV H$bmH¥${V`m| _| go {H$gr EH$ _|
{H$Z _mZdr` OrdZ-_yë`m| VWm _Zmo^mdm| H$mo Xem©`m J`m h¡ ? g§jon _| ñnîQ> H$s{OE : 5
(A) {JÕ (H$‘boe XÎm nm§S>o Ûmam a{MV {MÌ)
(~) Xrdmam| go gamoH$ma (AZwn_ gyX Ûmam a{MV N>mnm-{MÌ)
(g) MVw‘w©Ir (E³H$m ¶mXm{J[a amd Ûmam a{MV ‘y{V©-{eën)

71 2

Which are the human life-values and emotions shown in any of the
following artworks of Contemporary (Modern) Indian Art ? Explain
briefly :
(a) The Vulture (a painting done by Kamlesh Dutt Pande)
OR
(b) Of Walls (a graphic-print done by Anupam Sud)
OR
(c) Chatturmukhi (a sculpture done by Aekka Yadagiri Rao)

4. {ZåZ{b{IV bKw-{MÌm| _| go {H$gr EH$ Ho$ gm¢X`©-d¡^d H$m _yë`m§H$Z `Wm{d{Y
gm¢X`©-_mnXÊS>m| Ho$ AmYma na H$s{OE : 5
(A) ‘mê$-am{JZr (amOñWmZr e¡br)
(~) {ed H$m ~«÷mÊS>r¶ ({Xì¶) Z¥Ë¶ (nhm‹S>r e¡br)
Evaluate the aesthetic-grandeur of any of the following
miniature-paintings duly based on aesthetic-parameters :
(a) Maru-Ragini (Rajasthani School)
OR
(b) Cosmic Dance of Shiva (Pahari School)

5. AnZo nmR>çH«$_ _| gpå_{bV {H$gr EH$ g§~Õ {MÌ H$s nhMmZ H$s{OE, {Og_|
{ZåZ{b{IV {deofVmE± g_m{dîQ> hm| Am¡a CÝh| Cg {MÌ _| VXZwgma g_PmBE : 5
(A) ‘wµJb bKw-{MÌm| ‘| ^r‹S>-^m‹S> dmbo Ñí¶m| H$m g§¶moOZ H$aZo H$s àd¥{Îm, {Og‘| ~hþV
go ê$nmH$mam| Ed§ AmH¥${V¶m| H$mo gpå‘{bV {H$¶m J¶m h¡ &
(~) Xp³IZr bKw-{MÌm| ‘| Ñí¶mË‘H$ n¥îR>^y{‘ H$m {d{eîQ> Xp³IZr nhm{‹S>¶m| Ho$ gmW
àñVwVrH$aU &
Identify any relevant painting included in your course of study,
comprising of the following features and explain them in that painting
accordingly :
(a) The tendency of composing crowded scenes involving too many
forms and figures in the Mughal miniature-paintings.
OR
(b) The representation of the landscapic background with typical
Deccani hills in the Deccani miniature-paintings.

71 3 P.T.O.

6. AnZo nmR>çH«$‘ ‘| gpå‘{bV ~§Jmb e¡br Ho$ {ZåZ{b{IV {MÌm| ‘| go à˶oH$ Ho$ H$bmH$ma
H$m Zm‘ ~VmBE : 5
(A) ¶mÌm H$m AÝV
(~) {ed Am¡a gVr
(g) ‘oKXÿV
(X) AOw©Z H$m ¶wÕ go {da³V hmoZm
(`) am{YH$m
Mention the name of the artist of each of the following paintings of the
Bengal School included in your course of study :
(a) Journey’s End
(b) Shiva and Sati
(c) Meghdoot
(d) Arjuna Detach From War
(e) Radhika

7. AnZo nmR>çH«$‘ ‘| gpå‘{bV g‘H$mbrZ (AmYw{ZH$) ^maVr¶ H$bm Ho$ {H$Ýht VrZ {MÌm|,
EH$ N>mnm-{MÌ VWm EH$ ‘y{V©-{eën Ho$ erf©H$ (àíZ g§»¶m 3 ‘| C{„{IV Ho$ A{V[a³V)
~VmBE & 5
Mention the titles of any three paintings, a graphic-print and a sculpture
of the Contemporary (Modern) Indian Art included in your course of
study (except those mentioned in question no. 3).

8. AnZo nmR>çH«$_ _| gpå_{bV amOñWmZr bKw-{MÌ e¡br H$s {H$Ýht VrZ VWm nhm‹S>r
bKw-{MÌ e¡br H$s {H$Ýht Xmo Cn-e¡{b¶m| Ho$ Zm‘ ~VmBE, {OÝh| Amn gdm©{YH$ ngÝX
H$aVo h¢ & 5
Mention the names of any three sub-schools of the Rajasthani School of
Miniature Painting and two of the Pahari School of Miniature Painting
included in your course of study, which you like the most.

71 4