CBSE Class 12 Hindustani Music Percussion Instrument Question Paper 2020 – Text
Read the full text of this question paper below — useful to quickly search, copy and reference the content online without downloading the PDF.
📄 View text version (7 pages)
Page 1
H$moS> Z§.
Code No. 81
amob Z§. narjmWu H$moS >H$mo CÎma-nwpñVH$m Ho$ _wI-n¥ð
Roll No. >na Adí` {bIo§ &
Candidates must write the Code on the
title page of the answer-book.
ZmoQ> NOTE
(I) H¥$n`m Om±M H$a b| {H$ Bg àíZ-nÌ _o§ _w{ÐV (I) Please check that this question
n¥ð> 7 h¢ & paper contains 7 printed pages.
(II) àíZ-nÌ _| Xm{hZo hmW H$s Amoa {XE JE H$moS (II) Code number given on the right
>Zå~a H$mo N>mÌ CÎma-nwpñVH$m Ho$ _wI-n¥ð> na hand side of the question paper
should be written on the title page of
{bI| & the answer-book by the candidate.
(III) H¥$n`m Om±M H$a b| {H$ Bg àíZ-nÌ _| (III) Please check that this question
>5 àíZ h¢ & paper contains 5 questions.
(IV) H¥$n`m àíZ H$m CÎma {bIZm ewê$ H$aZo go (IV) Please write down the Serial
nhbo, CÎma-nwpñVH$m _| àíZ H$m H«$_m§H$ Number of the question in the
Adí` {bI| & answer-book before attempting it.
(V) Bg àíZ-nÌ H$mo n‹T>Zo Ho$ {bE 15 {_ZQ >H$m (V) 15 minute time has been allotted to
g_` {X`m J`m h¡ & àíZ-nÌ H$m {dVaU read this question paper. The
nydm©• _| 10.15 ~Oo {H$`m OmEJm & question paper will be distributed
at 10.15 a.m. From 10.15 a.m. to
10.15 ~Oo go 10.30 ~Oo VH$ N>mÌ Ho$db
10.30 a.m., the students will read the
àíZ-nÌ H$mo n‹T>|Jo Am¡a Bg Ad{Y Ho$ Xm¡amZ question paper only and will not
do CÎma-nwpñVH$m na H$moB© CÎma Zht {bI|Jo & write any answer on the
answer-book during this period.
{hÝXþñVmZr g§JrV (AmKmV dmXZ)
(g¡ÕmpÝVH$)
HINDUSTANI MUSIC (Percussion Instruments)
(Theory)
{ZYm©[aV g_` : 2 KÊQ>o A{YH$V_ A§H$ : 30
Time allowed : 2 hours Maximum Marks : 30
.81 1 P.T.O.
Page 2
{ZX}e : g^r IÊS> H$s{OE & IÊS H$ A{Zdm`© h¡ &
IÊS> H$
1. ghr CÎma H$mo Mw{ZE & 16=6
(i) H$m¡Z-gm KamZm AnZo V~bm dmXZ H$m àma§^ noeH$ma go Zht H$aVo h¢ ?
(A) {Xëbr
(B) AOam‹S>m
(C) ~Zmag
(D) n§Om~
(ii) PnVmb _| {H$VZo {d^mJ Ed§ {H$VZo Imbr h¢ ?
(A) 5 Ed§ 1
(B) 4 Ed§ 1
(C) 6 Ed§ 1
(D) 3 Ed§ 2
(iii) ~m§Q> {H$g KamZo H$s {deofVm h¡ ?
(A) AOam‹S>m
(B) {Xëbr
(C) \$é©Im~mX
(D) ~Zmag
(iv) BZ_| go MH«$Xma h¡
(A) H$m`Xm
(B) JV
(C) \$a_mB©er
(D) \$X©
.81 2
Page 3
Instructions : Attempt all sections including Section A, which is compulsory.
SECTION A
1. Select the correct answer. 16=6
(i) Which Gharana does not start the performance of Tabla with
Peshkar ?
(A) Delhi
(B) Ajrada
(C) Banaras
(D) Punjab
(ii) How many Vibhag and Khali are there in Jhaptala ?
(A) 5 and 1
(B) 4 and 1
(C) 6 and 1
(D) 3 and 2
(iii) Baant is specialization of which Gharana ?
(A) Ajrada
(B) Delhi
(C) Farrukhabad
(D) Banaras
(iv) Chakradar among these is
(A) Kayada
(B) Gat
(C) Farmaisi
(D) Fard
.81 3 P.T.O.
Page 4
(v) {Xëbr KamZm Ho$ g§ñWmnH$ h¢
(A) n§. ^dmZrXrZ
(B) hmOr {dbm`V Abr
(C) n§. am_ ghm`
(D) C. {gÕma Im±
(vi) C. µOm{H$a hþg¡Z gå~pÝYV h¢
(A) n§Om~ KamZm go
(B) \$é©Im~mX KamZm go
(C) ~Zmag KamZm go
(D) bIZD$ KamZm go
IÊS I>
2. (H$) g_mZ _mÌm H$s Vmb EH$Vmb – Mm¡Vmb H$s VwbZm H$s{OE &
(I) b`H$mar go Amn Š`m g_PVo h¢ ? 32=6
IÊS J>
3. (H$) nImdO Ho$ Hw$XD$ qgh KamZm AWdm V~bm Ho$ ~Zmag KamZm H$m g§{jßV {ddaU
Xr{OE &
(I) Jwé nwéfmoÎm_ Xmg AWdm n§. {H$eZ _hmamO H$s dmXZ e¡br Ed§ {deofVmAm| Ho$ ~mao
_| àH$me S>m{bE & 32=6
IÊS K>
4. V~bm AWdm nImdO dmÚ Ho$ {dH$mg Ho$ ~mao _| {b{IE & 6
AWdm
AdZÕ dmÚm| H$m _Ü`H$mbrZ B{Vhmg {b{IE & 6
.81 4
Page 5
(v) The founder of Delhi Gharana is
(A) Pt. Bhavanidin
(B) Haji Vilayat Ali
(C) Pt. Ram Sahay
(D) Ut. Sidhar Khan
(vi) Ut. Zakir Hussain is related to
(A) Punjab Gharana
(B) Farrukhabad Gharana
(C) Banaras Gharana
(D) Lucknow Gharana
SECTION B
2. (a) Compare the equal matra of Talas, Ektala Chautala.
(b) What do you understand by Layakari ? 32=6
SECTION C
3. (a) Give brief description of Banaras Gharana of Tabla or Kudau
Singh Gharana of Pakhawaj.
(b) Throw light on the specialities and playing techniques of
Pt. Kishan Maharaj or Guru Purshottam Das. 32=6
SECTION D
4. Write about the development of Tabla or Pakhawaj. 6
OR
Write the history of Medieval period of Percussion instruments. 6
.81 5 P.T.O.
Page 6
IÊS L>>
5. VrZVmb AWdm Am{XVmb _| EH$ H$m`Xm `m aobm H$mo EH$ nëQ>o Ed§ {VhmB© Ho$ gmW Vmb
{b{n~Õ H$s{OE & 6
AWdm
ê$nH$ Vmb AWdm Vodam Vmb Ho$ R>oH$m H$mo R>mh, XþJwZ Ed§ Mm¡JwZ H$s b` _| Vmb {b{n~Õ
H$s{OE & 6
.81 6
Page 7
SECTION E
5. Write one Kayada or Rela with one Palta and Tehai in Teentala or Adi
Tala with Tala Notation system. 6
OR
Write the Theka of Rupak Tala or Tevara Tala in Thah, Dugun and
Chaugun laya with Tala Notation system. 6
.81 7 P.T.O.