CBSE Class 12 Marking Scheme 2021 for Kathak

Kathak (Code No. – 056)
Theory Paper
Marking scheme---2020-2021

Part – A, Section 1-A

There is an error in each sentence : (Each question carry 1 Mark)
Correct the sentence:
1. Odishi Dance (ii) Bharat Natyam (iii) Bharat Natyam (iv) Kathak Dance (v) Manipuri

Section – B
Complete the sentence using the right choice: (Each question carry 1 Mark)
1. Khali b) Matra c) Musical composition d) Tal Dhamar e) It is a prayer f) In fast speed

Section – C
Attemt any two question (Total 2 +2 mark)
1) Tal Dadra – Matra – 6
One Tali One Khali

Dha Dhi na /Na Ti Na/ Dha
× Or. 0 ×
Dha Dhi na/Dha Tu na /Dha
×. 0. ×

Tal Kaharwa – Matra – 8
One Tali one Khali

2) dha ge na ti /na ka dhi na /dha
×. 0. ×
Dugun –
Dhage Nati Naka Dhina/
×
Dhage nati naka dhina/dha
0 ×
2) In tintal there are three tali, One Khali,
16 Matras and four vibhagas

DHa Dhin Dhin Dha/Dha Dhin Dhin Dha/
× 2
Na Tin Tin Ta/ Ta Dhin Dhin Dha/Dha
0. 3. ×

Section – D
Attempt any three question from the given below (each question carries one marks (total marks – 3)
Fill in the Blank:
i) Nawab Wajid Ali Shah
ii) Paran
iii) Sam
iv) Aamad
v) Kavitta
Part – B

Write the definition of any two of the followings:- (2+2 Marks)
a) Paran – Rhythmic Phrases composed of only Pakhawaj Syllabus (bols) executed with vigour and
virtuosity.
b) Tihaye – Rhythmic Phrases, Patterns repeated three times, mostly executed through feet.

Gat-Nikas:
This is the most elegant, graceful aspect where a meaningful or abstract dancing stances is held and
then the dancer moves in stylized walk or gati
Salami – This word is derived from Islamic Tradition. In salami a dancer shows their salutation to the
audience during the performance, it is a Persian word.
Attempt any two question each question carries: 3 Marks
Aamad- Ta Thei Tat S /Aa Thei Tat s /
×. 2.
Thei s thei s/thei s tat tat /ta
0 3 ×

Chakradar tukda- Teen Tal
Tattat Tigdhadigdig Tigdhadigdig tattat/ ×
thei s Tattat Tigdhadigdig / Tigdhadigdig tattat
2 ,0.
Thei s /tatatTigdhadigdig Tigdhadigdig tattat/ . . .
3.
Thei
×
b). Taal -dhamar -matra-14 , vibhagas
4(5,2,3,4)tali-3,khali -1,
Ka dhi ta dhi ta / dha s /ga di na /.
×. 2. 0.
Di na ta s/ ka.
3. ×.
paran in taal dhamar.

Dhata.kathun. ga-dhage dhige/ ta dhadhet /ta
× 2. 0.
Dhadhet ta /dhadhet ta dhetta kiredha/ takka
,. 3 ×
thunga takita taka titkata / gadighina dha / s.
. 2. O.
Titkata gadighina /dha s titkata gadighina /dha.
.. 3. ×.
Attempt any one question from the given below: 5 Marks
Lokdharmi -artistic presentation which is directly influenced by our surroundings and experiences from
our day to day life. Natyadharmi-stylistic manner of dance ,artistic and pleasant presentation of
movement and expression . ---------------+---

Or Brief history of Kathak----------------------------------- one how to tails a story is called Kathak, from
literary evidence it appears that in ancient times the professional story' tellers were referred to as
kathakas , Kathak the Indian classical dance from prevalent in the North India has a long past, its journey
from the Hindu temple to the court of Mughals is quietly fascinating, the different periods in history
have given kathak exquisite character--------------------------

Or --------------------------------..write a short note on Angik, vachak ,satwik and Aharya Abhinay. ---------------
--------------The act of communication is Abhinay this expression or communication is four fold. When this
is done through various limbs of the body it is known as angik abhinay , when it is done through voice
and speech it is vachik Abhinay, and assumption of characters through makeup costume is Aharya
Abhinay .