Manipur Board Class 12 Syllabus 2027 Dance

FOR MANIPUR CLASS 12 PREPARATION

Manipur Board Class
12 Syllabus 2027
Dance
EXAM YEAR TYPE SUBJECT

Manipur Class 12 2027 Syllabus Dance

Notes · Sample Papers · Previous Year Papers · Mock Tests

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FOR THE ACADEMIC SESSION 2026-2027
DANCE
CLASS XII
THEORY
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One Paper 3 Hours 40 Marks
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Laiharaoba Dance (Ritual Dance): as
15 marks
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Phibul habi, chong-khong yetpa pa-chunaba, Chongkhong litpa,
Lairen Mathek (Yumjao paphal), Wakollo Shakpa.
(ii) Kanglei Thokpa (Lai-Nupi-Thiba)
(iii) Lai Loi (Lai-roi)
(a) Lai Nakka thengba, Fungarol Jagoi.
(b) Padon Jagoi (Thang-Jagoi, Mei-Houba)
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Study on the customes of Lai-haraoba with reference to Maiba-Maibi,

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Pena Khongba and Male and Female performance.
2. Tribal Dance:
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Any one of the followingaTribal Dances:
1. Kabui Dance
(i) Brief notes on the usage of each of the following:
(a) Ga-lam (Male and Female)
(b) Kit-lam (Male and Female).
(c) Hoi-lam (Male only)
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Brief Notes on its usage of each of the following
a (a) subject and to find out the hints on the differentiation of each
of the four Ras (Kunja Ras, Maha Ras, Vasanta Ras and Nitya Ras):

(a) A condensed course on Vasanta Ras:
(i) Sutra: Pung-Rag macha
Sutradhari-Rag-Alap

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(ii) Krishna-Abhisar
(iii) Radha-Abhisar
(iv) Mapop Jagoi
(v) Aber-Khel
(v) Chali-Jagoi (Jugol-Roop prarthana, Arati, Greehagaman)
II. Rasa for Ras..
4. Nata-Sankirtan: 10 marks
I. Brief Notes on its usage of each of the following:
i. Pung - Raga - Macha with Kartik-sanchar
ii. Esei - Any one of Raga Purush with vahan.
iii. Tintal-macha-pung + Esei + Kortal
iv. Rajmel - Pung + Esei + Chollom
v. Tanchap - Pung + Esei + Konnaba
vi) Menkup - Pung + Esei + Konnaba
vii) Nityai-pada
II. Study of costumes of Sankirtan for male.

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DANCE
CLASS XII
PRACTICAL PAPER

One Paper 60 Marks
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1.
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Lai Haraoba Dance (Ritual Dance)
. habi, chong-khong yetpa pa-chunaba, Chongkhong litpa, e m
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eLairen Mathek (Yumjao paphal), Wakollo Shakpa.
Phibul
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ag(ii)
(iii) Lai Loi (Lai-roi)
(a) Lai Nakka thengba, Fungarol Jagoi.
(b) Padon Jagoi (Thang-Jagoi, Mei-Houba)
Note: Remaining parts of the Laiharaoba are left for higher studies.
2. Tribal Dance: 10 marks
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Any one of the following Tribal Dances:
1. Kabui Dance
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gla and Female).
(a) Ga-lam (Male and Female)
(b) Kit-lama(Male
(c) Hoi-lam (Male only)
Note: For Tangkhul, Mao-Maram and other Tribal Dances, detailed
syllabi will be given in due course.
3. Ras Lila: 15 marks
(a) A condensed course on Vasanta Ras:
(i) Sutra: Pung-Rag macha
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Sutradhari-Rag-Alap
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(iv) Mapop Jagoi
(v) Aber-Khel
(v) Chali-Jagoi (Jugol-Roop prarthana, Arati, Greehagaman)

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4. Nata-Sankirtan: 15 marks
i. Pung - Raga - Macha with Kartik-sanchar
ii. Esei - Any one of Raga Purush with vahan.
iii. Tintal-macha-pung + Esei + Kortal
iv. Rajmel - Pung + Esei + Chollom
v. Tanchap - Pung + Esei + Konnaba
vi) Menkup - Pung + Esei + Konnaba
vii) Nityai-pada

PRESCRIBED TEXTBOOKS FOR CLASSES XI & XII:
1. Chili by Guru Amubi Singh
2. Bhangi Pareng Achouba Gostha Bhangi by Guru Amubi Singh.
3. Lai Haraoba by pandit Ng. Kulachandrda Singh
4. Meitei Jagoi Part-II by G. Surchand Shrama
5. Ras Sheireng (Nitya Ras and Vasanta Ras) by Guru N. Atomba Singh
6. Meitei Jagoi Khuthek by H. Thambal Sharma
7. Manipurda Kabui Jagoi by Abungba Kabui
8. Lai Haraobagi Wakhallol Paring by Elam Indira.

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FROM THE ACADEMIC SESSION
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DANCE
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CLASS XII
THEORY
40 Marks (70 Periods)

UNIT-WISE DISTRIBUTION OF MARKS m
UNIT
c o m TOPIC MARKS
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DANCE. 05 s e
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II
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III ag JAGOI RAAS 15
IV TRIBAL DANCE 05
TOTAL 40 MARKS

UNIT-WISE DISTRIBUTION OF COURSE CONTENTS

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UNIT-I DANCE 5 Marks (10 Periods)
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a) Origin and of Manipuri Dance
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Development and changes in Manipuri Dance
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Importance of Dance in Manipuri Society

UNIT-II LAI HARAOBA 15 Marks (25 Periods)

a) Education system of Lai Haraoba
b) Significance of Lai Haraoba in Manipuri society
c) Performance Structure of Lai Haraoba

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UNIT-III JAGOI RAAS
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15 Marks (25 Periods)

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s e a) Significance of Jagoi Raas in Manipuri Society
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UNIT-IV TRIBAL DANCE 5 Marks (10 Periods)

a) Mao Culture
b) Important Annual Festivals of Mao
c) Mao Dance : Typology, Costumes and Musical Instruments
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DESIGN OF
QUESTION PAPER

Subject : DANCE
Paper : Theory
Class : XII
Full Mark : 40
Time : 2 Hours

WEIGHTAGE TO OBJECTIVES
Objectives Marks Percentage
Knowledge (K) 08 20%
I Understanding/Comprehension (U/C) 20 50%
Application (A) 10 25%
Skill(S) 02 5%
Total: 40 100%
WEIGHTAGE TO FORMS OF QUESTIONS:
Time (in
Form of Questions No. of Question Marks Percentage
minute)
Essay/Long Answer (E/LA) 2 30 10 25
II Short Answer (SA-II) 4 36 12 30
Short Answer (SA-III) 5 30 10 25
Very Short Answer (VSA) 4 12 04 10
MCQ 4 12 04 10
Total: 19 120 40 100
WEIGHTAGE TO CONTENT:
UNIT CONTENTS Marks
I DANCE 05
III II LAI HARAOBA 15
III JAGOI RAAS 15
IV TRIBAL DANCE 05
Total : 40
IV SCHEME OF SECTIONS : NIL
V SCHEME OF OPTIONS : Internal option may be given in Essay Type Question
DIFFICULTY LEVEL :
VI Difficult : 30% of total mark
Average : 50% of total mark
Easy : 20% of total mark
Special Instruction: 1) Two questions of MCQ will be assertion-reason type question.
2) One question of SA-II will be source based question

Abbreviation : K(Knowledge),U(Understanding),C(Comprehension), Exp.(Expression),
Skill(S), E(Essay Type), SA (Short Answer Type), VSA (Very Short Answer
Type), MCQ(Multiple Choice Question)

For more Question Papers, Sample Papers, Notes & Syllabus visit Page 6 of 8

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DANCE a
PRACTICAL
CLASS – XII
100 periods
60 marks

UNIT-WISE DISTRIBUTION OF MARKS

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UNIT TOPIC MARKS
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I LAI HARAOBA
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II JAGOI RAAS 25

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III aDANCE OF MAO TRIBE 10

TOTAL 60 MARKS

UNIT – I LAI HARAOBA 25 marks ( 40 PERIODS )

a) Panthoibi Jagoi ( Esheiga Konaba, Wangang, Khongthang Ahumgi Jagoi,
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b) Pamyanlon, Phisharol
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c) Longkhonba Jagoi ( Esheiga Konaba, Wangang, Laishang youba,
Lamjel ) and Paton
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d) Phibul Jagoi
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e) Lairol ( Ougri, Kencho, Hijin Hirao, Konyai hunba, Khayom lakpa,
Eru laishol, Yumdai nakseng, Anam Athou , Pureiromba Naheirol,
Atai Laishon.

UNIT – II JAGOI RAAS 25 marks ( 40 PERIODS )

a) Bhangi Pareng Achouba
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b) Krishna Nartan of Kunja Raas
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c) Radha Nartan of Kunja Raas

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d) Krishna Nartan and Radha Nartan of Kunja Raas
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s e e) Taals of Challi pareng, Krishna Nartan and Radha Nartan.
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a UNIT – III DANCE OF MAO TRIBE : 10 marks ( 20 PERIODS )

a) Odo ( Lotado / Lou Uba Jagoi )
b) Kotado ( Niko Hibo ), Olo, Odo
c) Asa Olo ( Kobu Thope )
d) Nagamei Olo ( Kobu Thop-ea )
e) Opu Ope Olo ( Omei O tho pewe o )

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DESIGN OF
QUESTION PAPER
Subject : DANCE
Paper : Practical
Class : XII
Full Mark : 60
Time : 3 Hours

MARKING SCHEME:

SECTION – A (Performance, Lecture & Demonstration) 6x3=18

I. Unit I (a)/ Unit I (b) (6 marks)
II. Unit II (a)/ Unit II (b) (6 marks)
III. Unit III (a)/ Unit III (b) (6 marks)

SECTION – B (Performance, Lecture & Demonstration) 10x2=20
I. Unit I (b)/ Unit I (c)/ Unit I (d) 10 marks)
II. Unit II (b)/ Unit II (c)/ Unit II (d) (10 marks)

SECTION – C (Written) 4x3=12
I. Description of performance from Section A (I) (4 marks)
II. Description of performance from Section A (II) (4 marks)
III. Description of performance from Section A (III) (4 marks)

SECTION – D (Viva Voce) (10 marks)

INSTRUCTION:-
Note (A): Every student will perform 5 activities from Section A and Section B.
The activities will be in the form of performance, lecture and
demonstration. The evaluation in the examination will be based on the
Body movement, Songs, Taals, Discipline, Dress code etc.

Note (B): In Section C, every student will describe each performance from Section A
(I), (II) and (III).

Note (C): Viva Voce of Section D will be based on the activities performed by the
student.

Note (D): Evaluation scheme of practical examination:
3 activities from Section A – 6x3=18 marks
2 activities from Section B – 10x2=20 marks
Written (Section C) – 4x3=12 marks
Viva Voce (Section D) – 10 marks
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