HP Board Class 11 Syllabus 2022 Music

HINDUSTANI (INSTRUMENTAL PERCUSSION) 10+1
Theory Time : 3 Hours MM:30

Naad, Shruti, Swar, Raga, Kayada, Mukhda, Mohra, Anibadha
and Nibhada Gana
2. Contribution and short life sketch of Tansen and Pt. Vishnu
3. Description and notation of Taals Ektaal and Teentaal.
4. Brief history of Dhrupd .
5. Recognition of Taals from given portion of the Thekas.
6. Writing of notation of the prescribed talas in Tihai and Dugun.

PRACTICAL PAPER MM:25
1. Playing the Thekas of Ektaal and Jhaptal on tabla with simple
elaboration.
2. 2 Peshkaras, 2 Qayadas, 2 Tukras and a few Gats in taal Rupak
and Chartaal.
3. Playing the Thekas of Taal Dhamar and Sooltal with Mukhda and
Tihai.
4. Recitation of the prescribed Taals with dugun and chaugun keeping
taal with hand beats.
5. Knowledge of tuning of the instrument

HINDUSTANI (INSTRUMENTAL PERCUSSION) 10+1
Theory Time : 3 Hours MM:30

2. Tihai, paran, Madhya, Drut, Layakari (Dugun, Teegun,
Chaugau) Bol, Padunt ,Gat.
3. Contribution and short life sketch of Sadarang and Pt. Vishnu
4. Description and notation of Taals Teetaal and Chautaal.
5. Brief history of Khyal.
6. Recognition of Taals from given portion of the Thekas.
7. Writing of notation of the prescribed taals in Tihai and Dugun.

PRACTICAL PAPER MM:25
6. Playing the Thekas of Ektaal and Teentaal on tabla with simple
elaboration.
7. Simple 2 Peshkaras, 2 Qayadas, 2 Tukras and a few Gats in taal
Ektaal and Teentaal.
8. Playing the Thekas of Taal Ektaal and Teentaal with Mukhda and
Tihai.
9. Recitation of the prescribed Taals with dugun and chaugun keeping
taal with hand beats.
10. Knowledge of tuning of the instrument

HINDUSTANI (INSTRUMENTAL MELODIC) 10+1
Theory Time : 3 Hours MM:30

Nad, Shruti, Anibadh and Nibadh Gaan.
2. Description of Raag Durga along with Gat and
Todas/Taans.
3. Writing of notation of composition(Gat) and Taal Teental
and Ektaal.
4. Brief history of khayal
5. Contribution and short life sketch of Tansen and Pt.
Vishnu Digamber Pluskar .

PRACTICAL PAPER MM:25

1. One RazaKhani Gat(Drut) in Raag Durga along with
Aroha, Avroha,Pakad and Toras/Taans.
2. The Recitation of Thekas in Taal Teental and Ektaal with
Ekgun and Dugun keeping Taal with hand beats.
3. Ability to recognize the Prescribed Ragas from given
passage of given Swaras sung or played by the examiner.
4. To recognize the Swaras.

HINDUSTANI (INSTRUMENTAL MELODIC) 10+1
Theory Time : 3 Hours MM:30

6. Defination of the following:
Swara, Raga, Mela(Thata)and classification of Raga.
7. Description of Raag Jaunpuri and Alhaiya Bilawal along
with Gat and Todas/Taans.
8. Writing of notation of composition(Gat) and Taal Teental
and Chautaal.
9. Brief history of Dhrupad.
10. Contribution and short life sketch of Tansen and Pt.
Vishnu Narayan BhatKhande .

PRACTICAL PAPER MM:25

5. One RazaKhani Gat(Drut) in Raag Jaunpuri and Alhaiya
Bilawal along with Aroha, Avroha,Pakad and Toras/Taans.
6. The Recitation of Thekas in Taal Teental and Chautaal
with Ekgun and Dugun keeping Taal with hand beats.
7. Ability to recognize the Prescribed Ragas from given
passage of given Swaras sung or played by the examiner.
8. To recognize the Swaras.

HINDUSTANI MUSIC (VOCAL) 10+1
Theory Time : 3 Hours MM:30

1.Defination of the following :
Sangeet ,Nad, Shruti, Anibadh and Nibadh Gaan.
2. Description and notation of Bandish ( Drut Khayal ) in Raag
Malkauns and Raag Durga.
3. Contribution and short life sketch of Tansen and Pt. Vishnu
4. Brief history of Dhrupd.
5. Description and notation of Teentaal and Ektaal

PRACTICAL PAPER MM:25
1. One Drut Khayal in Raag Malkauns and Raag Durga.
2. The Recitation of Thekas in Teentaal and Ektaal with Ekgun and
Dugun keeping Taal with hand beats.
3. Ability to sing Aroha, Avroha, Pakad and Simple Vistar of
Prescribed Ragas.
4. Ability to recognize the Prescribed Ragas.
5. One folk song or a Devotional Song.

HINDUSTANI MUSIC (VOCAL) 10+1
Theory Time : 3 Hours MM:30

1.Defination of the following :

Swara, Raga, Mela(Thata) classification of Raga.
2. Description and notation of Bandish ( Drut Khayal ) in Raga
Jaunpuri and Raga Alhaiya Bilawal.
3. Contribution and short life sketch of Sadarang and Pt. Vishnu
Narayan Bhatkhande .
4. Brief history of Khyal.
5. Description and notation of Teentaal and Chautaal

PRACTICAL PAPER MM:25

1. One Drut Khayal in Raga Jaunpuri and Raga Alhaiya Bilawal.
2. The Recitation of Thekas in Teentaal and Chautaal with Ekgun
and Dugun keeping Taal with hand beats.
3. Ability to sing Aroha, Avroha, Pakad and Simple Vistar of
Prescribed Ragas.
4. Ability to recognize the Prescribed Ragas.
5. One folk song or a Devotional Song.